The creator of the viral TikTok series “Who TF Did I Marry?” shares an even more unfiltered account of how she reclaimed herself, fought through toxic relationships, and regained her foundation through healing and deep self-reflection.

When Tareasa “Reesa Teesa” Johnson decided to disclose the full details of her turbulent marriage in a 50-part TikTok series, from first meeting to the finality of divorce, she hoped it would help at least one person from making similar mistakes. In a flash "Who TF Did I Marry?" went global, becoming a movement. Millions around the world were enraptured and identified with Tareasa's story, ultimately sharing their own experiences of heartbreak and deceit.

While “Who TF Did I Marry?” questioned the relationship, What (TF) Do I Do Now? probes deeper, asking “Where did I lose myself?” Through reflection, acceptance, and humor, Tareasa unravels even more details of what caused her to stay in a partnership where familiarity became too comfortable, and loneliness was a scarier proposition than owning her solitude. Tareasa’s indelible voice and keen perspective shares new, engrossing stories and practical insights as she regains her footing and her faith in herself, offering readers the chance to do the same.

Probing, personal, and incredibly relatable, What (TF) Do I Do Now? isn’t a self-help guide, but an empowering conversation with the reader, illuminating the courage it takes to trust yourself because healing is on the other side of pain.

An acclaimed poet reclaims her origin story as the queer daughter of a Muslim Nigerian immigrant and a Black American visual artist in this groundbreaking memoir, combining lyrical prose, biting criticism, and haunting visuals.

“Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth.”—Tayari Jones, author of An American Marriage

“I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase.

At nineteen, she lost her mother to a sudden stroke. Weeks later, her father became so heartsick that he needed a triple bypass. By her thirties, she was constantly in pain, pinballing between physical therapy appointments, her grief, and the grind that is the American Dream. Hafizah realized she'd spent years internalizing the narratives that white supremacy had fed her about herself. Suddenly, she says, I was standing at the cliff of my own life, remembering.

Recalling her parents’ lessons on the art of Black revision, and mixing history, political analysis, and cultural criticism, alongside stunning original artworks created by her father, renowned artist Tyrone Geter, Hafizah maps out her own narrative, weaving between a childhood populated with Southern and Nigerian relatives; her days in a small Catholic school; a loving but tragically short relationship with her mother; and the feelings of joy and community that the Black Lives Matter protests engendered in her as an adult. All throughout, she forms a new personal and collective history, addressing the systems of inequity that make life difficult for non-able-bodied persons, queer people, and communities of color while capturing a world brimming with potential, art, music, hope, and love.

A unique combination of gripping memoir and Afrofuturist thought, in The Black Period, Hafizah manages to sidestep shame, confront disability, embrace forgiveness, and emerge from the erasures

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Told from alternating perspectives, an evocative and riveting novel about the lifelong bond between two women, one Black and one white, whose friendship is indelibly altered by a tragic event—a powerful and poignant exploration of race in America today and its devastating impact on ordinary lives.

Jen and Riley have been best friends since kindergarten. As adults, they remain as close as sisters, though their lives have taken different directions. Jen married young, and after years of trying, is finally pregnant. Riley pursued her childhood dream of becoming a television journalist and is poised to become one of the first Black female anchors of the top news channel in their hometown of Philadelphia.

But the deep bond they share is severely tested when Jen’s husband, a city police officer, is involved in the shooting of an unarmed Black teenager. Six months pregnant, Jen is in freefall as her future, her husband’s freedom, and her friendship with Riley are thrown into uncertainty. Covering this career-making story, Riley wrestles with the implications of this tragic incident for her Black community, her ambitions, and her relationship with her lifelong friend.

Like Tayari Jones’s An American Marriage and Jodi Picoult’s Small Great Things, We Are Not Like Them explores complex questions of race and how they pervade and shape our most intimate spaces in a deeply divided world. But at its heart, it’s a story of enduring friendship—a love that defies the odds even as it faces its most difficult challenges.

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Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school--in her sixties--to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful demands of a life fully lived.

How are women and artists seen and judged by their age, looks, and race? What does it mean when someone says, “You will never be an artist”? Who defines what an artist is and all that goes with such an identity, and how are these ideas tied to our shared conceptions of beauty, value, and difference?

Bringing to bear incisive insights from two careers, Painter weaves a frank, funny, and often surprising tale of her move from academia to art in this "glorious achievement--bighearted and critical, insightful and entertaining. This book is a cup of courage for everyone who wants to change their lives" (Tayari Jones, author of An American Marriage).

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From Ibi Zoboi, bestselling, award-winning author of American Street and co-author of Punching the Air, comes a bold new YA coming-of-age story, which explores race, feminism, and complicated family dynamics. The ideal next read for fans of Roxane Gay, Jacqueline Woodson, and Elizabeth Acevedo.

Warrior Princess. That’s what Nigeria Jones’s father calls her. He has raised her as part of the Movement, a Black separatist group based in Philadelphia. Nigeria is homeschooled and vegan and participates in traditional rituals to connect her and other kids from the group to their ancestors. But when her mother—the perfect matriarch of their Movement—disappears, Nigeria’s world is upended. She finds herself taking care of her baby brother and stepping into a role she doesn’t want.

Nigeria’s mother had secrets. She wished for a different life for her children, which includes sending her daughter to a private Quaker school outside of their strict group. Despite her father’s disapproval, Nigeria attends the school with her cousin, Kamau, and Sage, who used to be a friend. ­There, she begins to flourish and expand her universe.

As Nigeria searches for her mother, she starts to uncover a shocking truth. One that will lead her to question everything she thought she knew about her life and her family.

From award-winning author Ibi Zoboi comes a powerful story about discovering who you are in the world—and fighting for that person—by having the courage to be your own revolution.

Join us for a montly children's storytime at Kindred Stories. Each Story time will celebrate a special book and be read by a wondertful community mementer. IT also includes a story time. 

Featured Book: Daisy Helps With The Dress 

Featured Reader: Antonia Adams 

EVENT DEETS

When: Saturday, September 26 @ 11 AM CST 

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your spot and let us know you are coming.

ABOUT DAISY HELPS WITH THE DRESS 

When Daisy tries to help with her cousin’s wedding, her misguided assists almost ruin the big day, until she finds a way to pull the dress—and her family—together in this charming picture book by award-winning author Olugbemisola Rhuday-Perkovich.

Daisy loves helping her family and she knows the best kind of helpers never wait to be asked. That’s why she doesn’t ask before adding finishing touches to her family’s special reused, re-tried, remixed things, like a leftover broccoli topping for Auntie Fontie’s cakes or a good bath for Nana DJ’s “back-in-the-day, rusty, dusty” vintage albums—much to their chagrin.

But what Daisy wants most is to help give her cousin Simone’s recycled wedding dress a little razzle dazzle. She knows just what the vintage dress needs: a little glitter here, a few stickers there to give the dress some flair.

But Daisy’s cousin Simone and the rest of the family are not so happy with her decorations. Can Daisy make things right and help find Simone a new re-lived, re-loved wedding dress?

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Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.
 
This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.

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A poignant and powerful story of the American South in the 1960s and of one woman who risks her life for the people she loves from the Pulitzer Prize-winning author of The Color Purple, now available in a new edition featuring an introduction by Tayari Jones, author of An American Marriage.

“A classic novel of both feminism and the Civil Rights movement.”—Ms. Magazine

Meridian Hill, a dedicated and courageous young activist in the 1960s, works to create peace and understanding through her civil rights work, touching the lives of all those she meets even when her health begins to deteriorate. With the old rules of Southern society collapsing around her, her coworkers quitting and moving to comfortable homes and lives, and others turning to more violent means of achieving change, Meridian fights a lonely battle to reaffirm her own humanity—and that of all her people.

Aria is no stranger to tragedy -- as a young girl, she and her older sister and mother survived a car crash that took the lives of their father and beloved baby sister. And although relations with her remaining family are strained, she's done her best to establish a solid, normal life for herself, living in Atlanta and teaching literacy to girls who have fallen on hard times.

But now she has a secret that she's not yet ready to share with Dwayne, her devoted boyfriend, or Rochelle, her roommate and best friend: Aria is pregnant. Or so she thinks. The truth is about to make her question her every assumption and reevaluate the life she has worked so hard to build for herself...as it sends her reeling in a direction she had no idea she was destined to go.

A new edition of this award-winning modern classic, with an introduction by Tayari Jones (An American Marriage), an excerpt from the never before seen follow-up, and discussion guide.
 
Pakersfield, Georgia, 1958: Thirteen-year-old Tangy Mae Quinn is the sixth of ten fatherless siblings. She is the darkest-skinned among them and therefore the ugliest in her mother, Rozelle’s, estimation, but she’s also the brightest. Rozelle—beautiful, charismatic, and light-skinned—exercises a violent hold over her children. Fearing abandonment, she pulls them from school at the age of twelve and sends them to earn their keep for the household, whether in domestic service, in the fields, or at “the farmhouse” on the edge of town, where Rozelle beds local men for money.
 
But Tangy Mae has been selected to be part of the first integrated class at a nearby white high school. She has a chance to change her life, but can she break from Rozelle’s grasp without ruinous—even fatal—consequences?

One of The Atlantic’s Great American Novels

One of The Center for Fiction's 200 Books That Shaped 200 Years of Literature

"Petry is the writer we have been waiting for; hers are the stories we need to fully illuminate the questions of our moment, while also offering a page-turning good time. Ann Petry, the woman, had it all, and so does her insightful, prescient and unputdownable prose.”―Tayari Jones, New York Times Book Review

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. The Street, originally published in 1946 and hailed by critics as a masterwork, is the first novel by a Black woman to sell more than a million copies, and is a haunting story that still resonates today.

The Street tells the poignant, often heartbreaking story of Lutie Johnson, a young Black woman, and her spirited struggle to raise her son amid the violence, poverty, and racial dissonance of Harlem in the late 1940s.

Lutie is confronted by racism, sexism, and classism on a daily basis in her pursuit of the American dream for herself and her son, Bub. Lutie fully subscribes to the belief that if she follows the adages of Benjamin Franklin by working hard and saving wisely, she will be able to achieve the dream of being financially independent.

With an Introduction from New York Times best-selling author Tayari Jones.

* A BEAUTIFUL PACKAGE WITH FLAPS: Featuring French flaps and a unique vivid cover design, each book in the collection is published as a deluxe trade paperback that is a part of a stunning series look.
* HARPER COLLINS AMERICAN CLASSICS: This series includes timeless novels, poetry, children’s books, and groundbreaking nonfiction that has shaped American thought, literature, and identity across generations.
* AMERICA’S PUBLISHER: Since its founding in 1817, no American publisher has been so entwined in the history of American letters. Our books enrich, challenge, and defined the American spirit.
* AMERICA 250: The HarperCollins American Classics arrive in time for America’s 250th anniversary celebrations.

A bold and haunting debut story collection that follows various characters as they navigate the day-to-day perils of Jim Crow racism from Diane Oliver, a missing figure in the canon of twentieth-century African American literature, with an introduction by Tayari Jones

A remarkable talent far ahead of her time, Diane Oliver died in 1966 at the age of 22, leaving behind these crisply told and often chilling tales that explore race and racism in 1950s and 60s America. In this first and only collection by a masterful storyteller finally taking her rightful place in the canon, Oliver’s insightful stories reverberate into the present day.

There’s the nightmarish “The Closet on the Top Floor” in which Winifred, the first Black student at her newly integrated college, starts to physically disappear; “Mint Juleps not Served Here” where a couple living deep in a forest with their son go to bloody lengths to protect him; “Spiders Cry without Tears,” in which a couple, Meg and Walt, are confronted by prejudices and strains of interracial and extramarital love; and the high tension titular story that follows a nervous older sister the night before her little brother is set to desegregate his school.

These are incisive and intimate portraits of African American families in everyday moments of anxiety and crisis that look at how they use agency to navigate their predicaments. As much a social and historical document as it is a taut, engrossing collection, Neighbors is an exceptional literary feat from a crucial once-lost figure of letters.