Discover how to overcome challenges, regain your footing, and rise stronger.

In The Art of Rising Again, join artist, writer, speaker LaNia Roberts (LaNia the Artist) for a bold and transformative journey that will guide you to live with greater self-worth, resilience, and unapologetic joy.

Life knocks us down. Over and over again. And getting back up can feel impossible. Whether you've been navigating illness, divorce, failure, or other life-altering events, it is time to break free from shame, embrace self-compassion, and rediscover your purpose.

LaNia has been there too, and in The Art of Rising Again she comes alongside you and shares her story of overcoming some of life’s biggest challenges so you can find the permission and strength to do it too. Combining her stunning artwork with practical tools that will empower you during the journey ahead, she offers you inspiration to regain your footing and rise stronger. Organized into 10 impactful sections, this book offers:

* Raw, personal stories from LaNia’s life, revealing how she overcame challenges and silenced her inner critic
* Devotions, affirmations, and actionable steps to empower you on your journey of healing and growth
* Stunning fine art paintings by LaNia, celebrating memory, identity, and liberation through vibrant colors and layered storytelling

The Art of Rising Again is an ideal gift for loved ones and friends who need encouragement, those who may not yet recognize their own worth, or anyone recovering from life’s toughest challenges.

If you are ready to walk the path of transformation, this no-nonsense, straight-to-the-heart guide will help you get started. This book will empower you to reclaim your confidence, pursue your dreams, and rise again.

Celebrate the care, commitment, and beauty of motherhood with gorgeous illustrations from Andrea Ballo, the artist behind Coloring with Coco.

Embrace your creativity with this elevated adult coloring book celebrating the joy of being a mother. Each illustration was created by Andrea Ballo, the artist and influencer behind the popular Coloring with Coco brand. On every page, you'll find heartfelt images to color that speak to a mother's boundless devotion.

Stunning illustrations―Color 36 gorgeous illustrations that capture the beauty and quiet strength of motherhood and all the ways we show up, not only as mothers, but as daughters, sisters, aunties, and friends.

Get inspired―The artwork in this book is themed around a mother's heartwarming love. It's an art piece and an experience you can create with your favorite art supplies.

A beautiful gift for you or a mom you know―This coloring book for adults features heavy paper, perforated pages, and a thick card stock insert to block color bleed, making it a gorgeous and meaningful gift for Mother's Day and beyond!

Express all the vibrant love in your heart with the Coloring with Coco: Motherhood in Bloom coloring book.

A wild, rollicking, firsthand account of the good ole days of funk from Bootsy Collins, the legendary Rock & Roll Hall of Fame bass guitarist for James Brown, George Clinton, and Parliament-Funkadelic. Funky foreword courtesy of Snoop Dogg.

He’s a bona fide funk legend, a rhinestone-clad style icon, and arguably one of the best bassists to ever live. (At least, according to Rolling Stone.) His career has spanned five decades: from rising to stardom playing alongside James Brown; to setting the bar, the groove, and the look of Parliament-Funkadelic; to collaborating with today’s most innovative and beloved musicians, like Anderson .Paak, Snoop Dogg, and Bruno Mars. Bootsy Collins has more than a few stories to tell.

He is no stranger to the spotlight, and tales of his escapades are whispered among music nerds and the general public. Yet Bootsy’s story has never been put on the page.

Now, in his own words — “the straight up, real deal, if I’m lyin’, I’m dyin’, and I ain’t ready to go yet”— Bootsy is ready to share with fans legendary stories about:

* the ins and outs of his three-decade relationship with mentor and sometimes tormentor James Brown—including dropping acid with the Godfather of Soul himself
* how a one-night stand almost resulted in him being killed by a member of Florida’s Black Mafia
* when he and the Parliament-Funkadelic crew were mistaken for a group of escaped convicts, and during a detailed cavity search, the LAPD found George Clinton’s a**-stash
* his collaborative and tumultuous relationship with funk legend George Clinton
* eventually getting clean and becoming the favorite OG for a new crop of musicians and artists

Bootsy’s story is full of heart, humor, joy, sorrow, and a whooooole lot of funk. True to its iconic creator, Funked Around, Found Out includes psychedelic photos, costumes, guitars, and other surprises that are as closely associated with Bootsy as his thumping grooves. Music fans, pop culture aficionados, and other acolytes will rejoice.

From MacArthur Genius, award-winning expert on justice transformation, James Bell, Sorrow’s Kitchen presents a groundbreaking and unapologetically hopeful vision of what is possible if we center our communities and justice systems around care and wellbeing rather than punishment and control.

Weaving together powerful stories and solutions from his frontline work with justice practitioners, law enforcement officers, and community members throughout the states and around the globe, James Bell has written a book with a simple and powerful idea at its core: A justice system based on punishment makes all of us less safe. But we each have the power to reimagine and recreate justice in our communities in such a way that all of us are seen and cared for. And justice transformation begins with youth justice.

Sorrow’s Kitchen: The End of Punishment and the Beginning of True Safety delves into the deeply entrenched racial inequities within America’s justice system, tracing their roots to slavery, segregation, and systemic oppression. Through personal anecdotes, historical analysis, and a critique of current practices, James Bell exposes how structural racism has shaped the administration of justice, perpetuating cycles of harm and inequality. The metaphor of "Sorrow’s Kitchen," borrowed from Zora Neale Hurston, serves as a poignant symbol of the collective suffering endured by Black communities, while highlighting their resilience and determination to rise above systemic injustices.

A central focus of Sorrow’s Kitchen is the failure of punitive justice systems to ensure public safety or address the root causes of harm. Bell’s critiques of mass incarceration, racialized social control, and the over-policing of marginalized communities, make the argument that these approaches exacerbate inequality rather than resolve it. He advocates for a transformative vision of justice rooted in care, equity, and community-centered solutions. By centering the voices and expertise of those most impacted by systemic injustice, Sorrow’s Kitchen calls for dismantling harmful structures and replacing them with restorative practices that prioritize wellbeing and healing.

Ultimately, Sorrow’s Kitchen is a call to action, urging readers to reckon with America’s history of racial violence and to imagine a more equitable future. It emphasizes the importance of collective action, power-sharing, and authentic inclusion in reimagining justice systems that serve all people with dignity and humanity. Infused with hope and determination, Sorrow’s Kitchen challenges the status quo and inspires a vision of a society where care replaces control, and justice is truly transformative.

A hidden history of twentieth-century American modernity that re-examines a mere twelve-block area on Manhattan’s Upper West Side with Thelonious Monk as its guiding star. 

The Jungles reclaims the largely forgotten world of San Juan Hill, a predominantly Black neighborhood on Manhattan’s West Side, was one of the most fertile centers of American cultural life in the twentieth century.

At once a biography, an urban history, and a cultural reckoning, Howard W. French’s The Jungles reveals how the neighborhood that would encompass Lincoln Center, previously known as the Jungles, fostered numerous pathbreaking Black artists, among them a young Thelonious Sphere Monk (1917–1982).

The story opens in Cuba in 1898, where we watch as Teddy Roosevelt’s forces triumph on San Juan Hill, with close to one-fifth of the overall invading force consisting of Black soldiers whose valor went largely unrecognized. After returning to the US, these veterans joined a broader wave of Black migrants moving northward, eventually settling in a Manhattan -neighborhood that would take the battle’s name. San Juan Hill became a lively, artistic Black community that preceded the Harlem Renaissance and inspired some of the highest twentieth- century creative triumphs―giving rise to the stride piano style and nurturing the genius of Monk, whose mold-breaking artistry struggled to gain traction in an industry then dominated by white producers.

As Robert Moses began tearing down the neighborhood under the guise of “urban renewal,” Monk became its most famous holdout, staying put in his cramped apartment in the Phipps Houses at 243 West 63rd Street, his upright piano protruding from his bedroom into the kitchen as he continued to make his iconic music.

By the late 1950s, Monk’s genius had finally been recognized, but the erasure already felt irreversible, extending even to the musical West Side Story, which reimagined the neighborhood’s streets as Latino gang territory, whitewashing the predominantly Black and Caribbean community that had actually lived there.

A compelling history from one of our finest American historians, The Jungles ultimately emerges as a new way of telling the history of music, of New York, and of America. The cradle of jazz was not only in New Orleans but also in San Juan Hill, and French’s magnificent recreation of that vanished world, and of the miraculous life of Thelonious Monk, restores to American cultural memory what erasure nearly stole for good.

12 illustrations

A New York Times Notable Book

A landmark reinterpretation of the civil rights movement that challenges reductive heroic narratives of the 1950s and 1960s and invigorates new debates and possibilities for the future of the struggle for liberation.

We are all familiar with the romantic vision of the civil rights movement: Heroic African Americans and their allies courageously triumphed over racial oppression, forging a new consensus in American life and law. What are the effects of this celebratory storytelling? What happens when a living revolt against injustice becomes an embalmed museum piece?

In this innovative work, Brandon Terry rejects the authority of the romantic narrative―the “arc of justice” story found in popular histories, the speeches of Barack Obama, and the writings of John Rawls―while also pushing back against the rival ironic mode of Afropessimism. Though sympathetic to the critiques of Afropessimists, Terry ultimately finds their thought self-undermining.

Instead of romance or irony, he argues, the civil rights movement is best understood through the lens of tragedy. By challenging the attachment to triumphant pasts, Terry demonstrates that tragedy exemplifies what the civil rights movement has been and can still be. Provocative and original, Shattered Dreams, Infinite Hope offers optimism without naïveté, to train our judgment and resilience in the face of reasonable despair.

In her first book for young readers, National Book Award winner Imani Perry chronicles the history of schools and education in Black America.

After emancipation, freed people of all ages wanted to go to school. From the story of John McCline, who learned to read as a boy serving in the Union Army, through the teachers who built one-room schoolhouses across the rural South during Reconstruction to the student-led movement to desegregate schools during the Civil Rights movement, Imani Perry’s intimate and sweeping social history narrates this powerful desire for education and literacy―and how African Americans built and maintained an education system even while segregated and unequal public education failed them. These schools taught Black children to believe in themselves and their future despite Jim Crow and the institutionally racist society they lived in.

Informed by a rich trove of letters, diaries, and other archival materials, Hope in a Classroom is a necessary, expansive new narrative of the Black American experience for young readers, delivered in a propulsive and soaring voice.

illustrations throughout

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

Celebrate the release of If This World We're Mine with Arriel Vinson!

EVENT DEETS

When: Thursday, January 28 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy If This World We're Mine, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories.If you already have a copy from Kindred Stories feel free to choose the RSVP only option. 

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

ABOUT THE AUTHOR

Arriel Vinson is a Midwesterner who writes about being young, Black, and in search of freedom. Her debut YA novel-in-verse, Under the Neon Lights, is a 2026 Coretta Scott King/John Steptoe New Talent Award winner, a Reese’s Book Club LitUp selection, and a Junior Library Guild Gold Selection. Arriel earned her MFA in Fiction from Sarah Lawrence College and is a Tin House YA Scholar, Highlights Foundation scholarship recipient, and Walter Grant recipient. Her sophomore novel, If This World Were Mine, is forthcoming in spring 2027. You can connect with her on social media at @arriwrites and find her work at arriwrites.com

ABOUT THE CONVERSATION PARTNER

LIARA TAMANI grew up in Houston, Texas, where every spring meant one thing: rodeo season. She loved getting decked out in her best cowgirl gear and soaking up the music, food, and electric energy of the rodeo, a joy she now shares with her daughter and husband. Her deep Texas roots shine through her storytelling, capturing the spirit and rhythms of the state in all her acclaimed novels: Calling My Name, All the Things We Never Knew, and What She Missed. Before becoming a writer, she attended Harvard Law School and worked as a marketing coordinator for the Houston Rockets and Comets, television production assistant, home accessories designer, floral designer, and yoga and dance teacher. She holds an MFA in writing from Vermont College of Fine Arts and a BA from Duke University.

A chart-topping picture book biography about how Bad Bunny went from a small-town dreamer in Puerto Rico to one of the greatest global music icons of all time.

* A Junior Library Guild Gold Standard Selection

Right now, in any city in the world, you’ll hear the unmistakable beats of Bad Bunny’s music blasting from speakers.

A global superstar who has sold out stadiums around the world, Bad Bunny is redefining what it means to be an artist. But how did he get here? Born and raised in Puerto Rico, Benito Antonio Martínez Ocasio grew up surrounded by the rhythms and culture of reggaeton. He has not only become an icon of the genre but has transformed it by innovating its sound and challenging the machismo culture of the genre by embracing fluidity in fashion, masculinity, and the LGBTQ+ community. Could young Benito have imagined performing at the Super Bowl, making history by becoming the first artist to win Album of the Year for a project entirely in Spanish, and becoming a voice of hope for millions across the globe?

Inspiring and groundbreaking, Bad Bunny’s story is a must-have for every fan who sings along to his hits—and a reminder that breaking the rules can lead to building a legacy.

In this radiant and incisive debut novel in the tradition of works by ZZ Packer and Toni Cade Bambara, a Black woman fights to reclaim—and reinvent—her world after a little understood illness and a public health crisis threatens to upend everything she has.

Forty-seven-year-old Harmony Johnston is not suited for New York City life in 2019. From shampoos to synthetics to cell phones—the ubiquitous staples of modern daily life cause her physical pain, for reasons no one, including Harmony, understand. Doctors deny her illness is real, after seven years of enduring this private war, Harmony has her doubts too. Betrayed by her body and mind, as well as those closest to her—her obstinate physician sister, her sneaky best friend, and a spectral aunt who appears and disappears at whim—Harmony clings to the one doctor who offers hope.

In war, there are sacrifices: hair, boyfriend, sleep. Conditioned to place the comfort of others above her own needs, Harmony strives to be accommodating in an increasingly inhospitable world. But when the prestigious non-profit she works for relocates to an office with new wiring, painting, and carpeting (and the same old racial tensions) that exacerbate her pain, she quits her job and begins to set firm boundaries that upend her life, make her universe a little smaller, and magnify her loneliness.

As Harmony grows increasingly ill threatening her relationship with her one sympathetic doctor, she cuts herself off completely from the outside world and plunges into depression and literal darkness. When she eventually resurfaces, the world is irreversibly altered. With everyone now nearly as isolated as she is, Harmony resolves to re-connect with all she has lost. But can things ever really go back to normal?

At turns devastating, funny, and affirming, I Can Feel It All Over is an unforgettable debut novel about bodily autonomy, art, connection, and the pursuit of an authentic life amid the world's confines.

Written by an engineer who has worked for the FBI and the White House, this STEMinist picture book biography tells the story of Bessie Blount, a groundbreaking Black inventor.

What do you do when people tell you no? This is a true story of what happens when you tell yourself yes!

When a teacher said she couldn’t write with her left hand, Bessie taught herself to be right-handed. At a time when many people were unfairly denied more education, Bessie studied hard and became a nurse and physical therapist. And when her patients—injured World War II soldiers—couldn’t feed themselves, Bessie invented a device to assist them. Bessie‘s determination allowed her to help others in so many ways.

From celebrated STEMinist (STEM-feminist) Afua Bruce and award-winning artist Laura Freeman comes the inspiring true story of the extraordinary Bessie Blount.

* A trailblazing inventor who overcame oppression to succeed
* Informational back matter, including a timeline, author’s note, and guide to inventing
* Inspiring true story for fans of Maya’s Song, Ketanji, and Because Claudette