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Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but it doesn’t happen as frequently for all of us. In this timely anthology, “well-read black girl” Glory Edim brings together original essays by some of our best black female writers and creative voices to shine a light on how important it is that everyone—regardless of gender, race, religion, or abilities—can find themselves in literature.

Contributors include Jesmyn Ward (Sing Unburied Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), Barbara Smith (Home Girls: A Black Feminist Anthology), and others.

Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, each essay reminds us why we turn to books in times of both struggle and relaxation. Edim has created a space where black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves.

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In this lyrical picture book from two breakout picture book creators, a young Black child waits for—and worries about—her father while he’s away from home. A sensitive, poignant portrayal of a family’s worries, joys, and comforts, to sit alongside books by Jacqueline Woodson and Christian Robinson. Every night when Daddy gets home from work, Olivia gives him a big hug and knows that the evening will be full of love—and fun. Together, she, Daddy, and Momma will make a feast for dinner, clean up, dance to old-school tunes, and read stories. But every morning when Daddy goes to work, Olivia worries, worries, worries. Be safe, she and Momma tell him. But what if he isn’t? Sometimes other people aren’t, like the people Olivia sees on the news. Thud, thud, thud, goes Olivia’s heart. Thump, thump, thump, all through the long day, until she hears the jangle of Daddy’s keys announcing he’s home. Brittany J. Thurman’s poetic text deftly explores the day-to-day life of a young Black child and her family—their joys and their fears—with a rhythm and musicality perfect for reading aloud. Shamar Knight-Justice’s expressive artwork sings with color, texture, and warmth. Forever and Always respects the deep emotions of young readers while offering comfort and reassurance to any child waiting for a loved one to come home. For readers of Nigel and the Moon, The Year We Learned to Fly, and Saturday.

SHE LOST HER HAIR.
SHE LOST HER MARRIAGE.

Now she's finding herself.

When Brielle Bowman is diagnosed with alopecia areata while divorcing her controlling husband, her world unravels. Stripped of the identity she built for herself, she's forced to ask the hardest question of all:

Who is she without the life she thought she needed?

With the support of her best friend and daughter, Brielle shaves her head, faces her fears, and learns that beauty was never the problem—believing it was is what almost broke her.

As she pieces herself back together, Brielle rediscovers long-buried dreams, pursues a new purpose, and builds a future on her own terms. But healing isn't linear, and letting go of the past isn't always easy.

HEARTBREAKING. EMPOWERING. UNAPOLOGETICALLY REAL.

Liara Tamani’s debut novel deftly and beautifully explores the universal struggles of growing up, battling family expectations, discovering a sense of self, and finding a unique voice and purpose. Taja Brown lives with her parents, older brother, and younger sister in Houston, Texas. She has always known what the expectations of her conservative and tightly-knit African American family are—do well in school, go to church every Sunday, no intimacy before marriage. But Taja is trying to keep up with her friends as they experience their first kisses, first boyfriends, first everythings. And she’s tired of cheering for her athletic younger sister and an older brother who has more freedom just because he’s a boy. Taja dreams of going to college and forging her own relationship with the world and with God, but when she falls in love for the first time, those dreams are suddenly in danger of evaporating.

NEW YORK TIMES BESTSELLER • “With a thoughtfully curated series of essays, poetry, and conversations, the brilliant scientist and climate expert Ayana Elizabeth Johnson has assembled a group of dynamic people who are willing to imagine what seems impossible, and articulate those visions with enthusiastic clarity.”—Roxane Gay

Our climate future is not yet written. What if we act as if we love the future?

A SMITHSONIAN BEST BOOK OF THE YEAR

Sometimes the bravest thing we can do while facing an existential crisis is imagine life on the other side. This provocative and joyous book maps an inspiring landscape of possible climate futures.

Through clear-eyed essays and vibrant conversations, infused with data, poetry, and art, Ayana Elizabeth Johnson guides us through solutions and possibilities at the nexus of science, policy, culture, and justice. Visionary farmers and financiers, architects and advocates, help us conjure a flourishing future, one worth the effort it will take—from every one of us, with whatever we have to offer—to create.

If you haven’t yet been able to picture a transformed and replenished world—or to see yourself, your loved ones, and your community in it—this book is for you. If you haven’t yet found your role in shaping this new world or you’re not sure how we can actually get there, this book is for you.

With grace, humor, and humanity, Johnson invites readers to ask and answer this ultimate question together: What if we get it right?

On possibility and transformation with:
Paola Antonelli • Xiye Bastida • Jade Begay • Wendell Berry • Régine Clément • Steve Connell • Erica Deeman • Abigail Dillen • Brian Donahue • Jean Flemma • Kelly Sims Gallagher • Rhiana Gunn-Wright • Olalekan Jeyifous • Corley Kenna • Bryan C. Lee Jr. • Franklin Leonard • Adam McKay • Bill McKibben • Kate Marvel • Samantha Montano • Kate Orff • Leah Penniman • Marge Piercy • Colette Pichon Battle • Kendra Pierre-Louis • Judith D. Schwartz • Jigar Shah • Ayisha Siddiqa • Bren Smith • Oana Stănescu • Mustafa Suleyman • Jacqueline Woodson

Inspired by Richard Scarry’s What Do People Do All Day?, these joyous portraits of Black men engaged in everyday life celebrate the deep roots and rich cultures of African American communities.

Have you ever wondered . . .
What do brothas do all day?
Brothas drive. Brothas dance. Brothas work. Brothas listen. And brothas love.

Scarry’s now-classic book, first published in 1968, is a richly illustrated guide to the places, jobs, and activities that defined the daily lives of grown-ups. Author-illustrator Ajuan Mance created What Do Brothas Do All Day?, like Scarry, in response to children’s innate curiosity about the activities and experiences of others, but also to meet the longing many kids have for characters and communities that look and feel like the people and places they know.

This joyous reflection of real Black men and boys engaged in everyday life is a gift for Black kids who rarely see themselves reflected in the pages of a book and an affirmation of their world and the people who populate it. From grocery shopping and waiting for a trim at the barbershop to singing, dancing, and laughing with friends, Mance captures the beauty in the ordinary, affirming the enduring strength of the Black community.

DIVERSE BOOKS FOR KIDS: This picture book features real Black men the author has observed in the world—everyday people, not models or stereotypes. One fan describes it as "just a rainbow of Black men, a beautiful rainbow of Black men."

LIBRARIAN LOVE: What Do Brothas Do All Day? began as an all-ages zine, but the author began to conceive of it as a children's book after being approached by two children's librarians.

INSPIRED BY A CLASSIC: As the author notes in the book, "I first encountered Richard Scarry’s work in the early 1970s when I was about six years old. The world of adults, with its grocery lists, PTA meetings, shopping trips, and dinner parties, seemed both tantalizingly exotic and impossibly complex. Today, those same descriptors can be applied to the ways that many people of all ages perceive Black men."

AN INVITATION: The book ends with an invitation, perhaps even a call to action: What will you do today?

Perfect for:

• Parents and grandparents seeking engaging read-aloud and read-along picture books
• Teachers and librarians looking for books featuring Black communities
• Gift for readers of Jacqueline Woodson, Kwame Alexander, Cedella Marley, and Derrick Barnes books
• Fans of Richard Scarry's What Do People Do All Day?

A heart-wrenching yet vividly hopeful novel about a Black girl's struggle to find the quiet beauty in life and friendship amid the chaos of grief and mental illness by New York Times, USA Today, and Indie bestselling author Frederick Joseph.

"Frederick is such a grounded and beautiful voice of not just this moment but all the moments. Everything's Not Lost cements him firmly as a much needed and stunning voice inside the world of YA literature." —Jacqueline Woodson, winner of the Hans Christian Andersen Award

As a sixteen-year-old Black girl with bipolar disorder, Ella Washington has plenty stacked against her. But following her beloved sister’s unexpected death and its turbulent aftermath, Ella is desperate to find any sense of normalcy. Worse still, someone at her school is determined to drive her deeper into despair.

It feels nearly impossible to find her way out of the fog of grief and loneliness, but through her love of art, some unlikely new friends, and the memory of her sister, Ella slowly learns that the pursuit of happiness and forgiveness is an endeavor that is more than worthwhile.

Told in Frederick Joseph’s perceptive and lyrical voice, Everything’s Not Lost is an achingly relatable story about finding points of light even in the darkest of times.

Yoshon Santana once ruled Brownsville, Brooklyn with an iron fist. When his fiancée fell ill, he stepped back and allowed his sister, Yolani, to take his place. After her death, the streets no longer fulfilled him. The same streets he gave everything to seemed to offer him nothing in return. From a distance, he now watches as Yolani runs things his way.

With a possible girlfriend on the horizon, Yoshon finds himself wanting something different. At thirty-eight, he is ready for a wife, children, and the white picket fence surrounding his mansion. Every woman he meets fails to hold his interest until one night during one of New York's infamous blizzards. He comes across a woman and her young son sleeping in a car. Offering his help to the beautiful stranger changes his life, though he does not realize it at the time.

Twenty-five-year-old Golden was once accustomed to cars, mansions, and money. That life came crashing down when her husband, Grand, decided she deserved bruises to match the luxury he provided. After packing up and disappearing with her son, Golden returns to her hometown, hoping to reconnect with the grandmother she left behind. When things do not go as planned, she finds herself working two jobs, washing up in public restrooms, and sleeping in her 2004 Nissan Maxima with her seven-year-old son, Gyan.

There is no such thing as a guardian angel, especially one wearing Timberlands and driving a Tesla. The question is, will Golden lower her guard and pride enough to accept Yoshon's help, or will she continue struggling on the same Brownsville streets she once escaped?

Hazel is married to Yolani and loves her wife deeply. What she cannot tolerate is the constant disrespect and Yolani's unwavering loyalty to the streets. Hazel is tired of coming second to the life Yolani refuses to leave behind. While running her nail shop, an old boyfriend resurfaces and begins to complicate things. Will Hazel turn back to her past, or will she fight for the marriage she vowed to protect?

Yolani stepped into her brother's size thirteen Timberlands and runs the streets the way she sees fit. With a frustrated wife at home, women constantly within reach, and more money than she can spend, settling down is the last thing on her mind. What she has yet to understand is that the same streets she controls are the same ones that can swallow you whole. With a secret weighing on her, will the truth finally come to light? And when it does, will Hazel remain by her side, or walk away in search of the love she truly deserves?

Jade believes she must get out of her neighborhood if she’s ever going to succeed. Her mother says she has to take every opportunity. She has. She accepted a scholarship to a mostly-white private school and even Saturday morning test prep opportunities. But some opportunities feel more demeaning than helpful. Like an invitation to join Women to Women, a mentorship program for “at-risk” girls. Except really, it’s for black girls. From “bad” neighborhoods.

But Jade doesn’t need support. And just because her mentor is black doesn’t mean she understands Jade. And maybe there are some things Jade could show these successful women about the real world and finding ways to make a real difference.

Friendships, race, privilege, identity—this compelling and thoughtful story explores the issues young women face.

Let's celebrate author, Karen Good Marable and illustrator, Tonya Engel on their new book, Yaya and The Sea!

ABOUT THE BOOK

A family goes on a trip from the city to the sea in search of renewal in this “lively and lovely…beautiful” (Jacqueline Woodson, National Book Award–winning author of Brown Girl Dreaming) picture book that’s an ode to sisterhood, nature, and being present.

On the first day of spring, when the city is quiet and still, little Yaya takes the A train down to New York City’s southern shores with her mama and aunties to greet Mama Ocean and celebrate the arrival of a new season through a ritual of letting go of the past and embracing the new.

ABOUT THE AUTHOR 

Karen Good Marable is a writer raised in Prairie View, Texas. Her essays, music journalism, and stories have appeared in several books and publications including The New Yorker, Oxford American, The Bitter Southerner,Seventeen, and Essence. After a lifetime of living in Brooklyn, she and her family now reside in Atlanta.

ABOUT THE ILLUSTRATOR

The most influential work by “the father of Black history”, reflecting the long-standing tradition of antiracist teaching pioneered by Black educators

A Penguin Classic

   The Mis-education of the Negro (1933) is Woodson’s most popular classic work of Black social criticism, drawing on history, theory, and memoir. As both student and teacher, Woodson witnessed the distortions of Black life in the history and literature taught in schools and universities. He argued that there was a relationship between these distortions and the violence that circumscribed Black life in the material world, declaring, “There would be no lynching it if did not start in the schoolroom.” Woodson’s primary focus was the impact dominant modes of schooling had on Black youth. From Emancipation through the 1930s, white Americans continued to control the institutional and ideological development of Black schools, based on a system of knowledge that reinforced ideas of Black inferiority.
    Across the country, Black teachers organized to make their curricula more relevant for students, and they critiqued the studious omission of Black life in formal curricula, anticipating many of the ideas appearing in Mis-education two decades later. Woodson wrote that the overrepresentation of white people and narratives of white achievement in curricula presented an outsize image of whites and their importance in the history of human progress. These distortions had the power to motivate white students to achieve and aspire and demotivate students of races that suffered under the hand of white supremacy. They cultivated an aspiration to whiteness among Black people and/or led them to despise their own race for its supposed lack of achievement. This was a systematic process of mis-education, articulating an aspect of Black America’s experience that scholars before and after Woodson recognized and worked to challenge.
    Woodson argued that students, teachers, and leaders needed to be educated in a manner that was accountable to Black experiences and lived realities, both past and present. With current debates over teaching race in U.S. classrooms, the ideas associated with Mis-education continue to resonate today.