Three girls with entangled pasts compete for glory in their elite all-girls private school’s annual tournament, putting their survival skills and their relationships to the test, in this young adult thriller that’s “Shakespearean…stunning…dark academia at its finest” (Publishers Weekly, starred review).

Gardner isn’t like other boarding schools. They take in those who’ve been rejected everywhere else, they offer a survival skills class that has students killing and gutting animals, and then there’s the Tournament.

A competition available only to seven elite seniors, the Tournament is revered by the entire student body. They’d do almost anything—including completing a series of grueling physical challenges—to win the champion’s cup.

And this year, three seniors make the Tournament more cutthroat than ever.

Max, the ruthless scholarship student who can’t afford any distractions, not even her ex best friend Nora’s stupid confession of love at the end of last year that ruined everything between them.

Nora, who always put herself on the sidelines so Max could have everything she wanted, but might just be ready for center stage now that Max has brutally excised herself from Nora’s life.

And Teddy, the transfer who’s on her last chance and will chase any high that can pull her back from the gaping, dark void inside herself that’s always threatening to pull her in.

If one of them wants to win, then they can’t let anything—or anybody—get in their way.

She just wanted to fit into Amish Country. . .now she’s standing out!

First novel in The Plain Order Ink Society series, in which Amish writers crack the case of local mysteries.

Sadie Lynch thought inheriting her late Amish aunt’s candle shop was a blessing—a chance to leave her stalled writing career behind and find a fresh start. But running a Plain business when she's not Amish isn’t exactly filling her store with customers—especially when the local minister insists she sell out.

Sadie, who doesn’t want to leave, thankfully meets Wanda—an Amish woman with a secret obsession. As Wanda continues to visit the candle shop, an unexpected partnership blooms when Wanda agrees to help Sadie’s shop in exchange for writing advice.

But the grand reopening of the candle shop takes a deadly turn when the body of the Amish minister is discovered behind the counter. Now Sadie is the only suspect, prompting Wanda and the Plain Order Ink Society to try helping her solve the mystery.

But in this Plain community, secrets burn brighter than flames—and nothing is as simple as it seems.

A young girl learns how to make a difference both in the real world and in the world of Minecraft in this exciting original novel!

Ever since her family moved to the suburbs and Nzinga started middle school, she’s been really lonely. Her only consolation has been working on Phantasy Philly, a special build she and her team will present at a huge Minecraft convention in just a few weeks. Nzinga, her brother Samir, and her cousin Jannah have decided to recreate and reimagine a blocky version of their old Philadelphia street. Now that summer is here, Nzinga can’t wait to return to the old neighborhood and finish their build.

But when Nzinga and Samir arrive at their grandmom’s house, things aren’t how she pictured. Jannah, usually a design whiz, seems distracted and unwilling to work on their project. Incessant drilling can be heard all hours of the day as new apartments are constructed, replacing beloved parts of their street. The constant noise makes it hard to think straight, let alone get anything done.

Nzinga sees how noise pollution and redevelopment are hurting the street, but what can she do about it? And how is she supposed to fight that battle while also inspiring her team to build their ideal Minecraft neighborhood? As Nzinga struggles to answer these questions, she may just learn how even the quietest voices can have the biggest impact.

*ships or ready for pick up in 7 - 10 business days*

Black figuration and portraiture as realized in the works of Amy Sherald, Jordan Casteel and other contemporary artists

“There is never a time in the future in which we will work out our salvation. The challenge is in the moment, the time is always now,” wrote James Baldwin. Published in conjunction with the eponymous exhibition at the National Portrait Gallery, London, The Time is Always Now is edited by curator Ekow Eshun, former director of the Institute of Contemporary Arts in London. The book brings together 22 contemporary African diasporic artists working primarily in the United Kingdom and the United States, whose practices―whether through painting, drawing or sculpture―foreground the Black figure. Acknowledging the paradox of race as both a “socially constructed fiction” and a “lived reality,” as Eshun writes, The Time is Always Now celebrates these Black figurative artworks against a background of heightened cultural visibility. Through a three-part structure, this book examines Black figuration as a means to address the absence and distortion of Black presence within Western art history. Each artist receives a detailed biographical profile alongside reproductions of their included works. The catalog is also supplemented by three original essays from Dorothy Price, Professor of Modern and Contemporary Art and Critical Race Art History at the Courtauld Institute of Art; Bernardine Evaristo, Booker Prize–winning author of Girl, Woman, Other; and Esi Edugyan, two-time Giller Prize winner for her novels Half-Blood Blues and Washington Black.

Artists include: Njideka Akunyili Crosby, Hurvin Anderson, Michael Armitage, Jordan Casteel, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Wangechi Mutu, Chris Ofili, Toyin Ojih Odutola, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor, Barbara Walker.

Korey Fields is dead.

When Enchanted Jones wakes with blood on her hands and zero memory of the previous night, no one—the police and Korey’s fans included—has more questions than she does. All she really knows is that this isn’t how things are supposed to be. Korey was Enchanted’s ticket to stardom.

Before there was a dead body, Enchanted was an aspiring singer, struggling with her tight-knit family’s recent move to the suburbs while trying to find her place as one of the few black girls in high school. But then legendary R&B artist Korey Fields spots her at an audition, and suddenly her dream of being a professional singer takes flight.

Enchanted is dazzled by Korey’s luxurious life but soon her dream turns into a nightmare. Behind Korey’s charm and star power lurks a dark side; one that wants to control her every move with rage and consequences. Except now he’s dead and the police are at the door. Who killed Korey Fields?

All signs point to Enchanted.

A high-stakes, propulsive young adult thriller with a body-swap twist thoughtfully explores themes of friendship and identity, perfect for fans of Tiffany D. Jackson.

Seventeen-year-old Megan has been jumping from friend group to friend group in her Atlanta-area suburb, trying on identities like outfits. Nothing ever felt right. Until she meets LC, the adventurous, charismatic girl who appeared at Megan’s favorite coffee shop like magic. They’ve been inseparable ever since, and Megan feels like she’s coming into who she’s really meant to be: someone like LC.

But LC has secrets—dangerous ones. On the night of their friendiversary, LC offers Megan a drug that makes Megan pass out at a party. When she awakens, she realizes that she and LC have swapped bodies and even worse . . . LC is already at Megan’s house, pretending to be Megan.

Now Megan has to fight against the horror of being trapped in someone else’s body while trying to figure out how to get her life back. The only way to do that is to own what makes Megan Megan . . . or die trying.

You Should See Me in a Crown meets Black girl magic--literally--in this cozy romantasy about a reluctant witch caught up in a faking dating scheme.

Witches and humans have always had issues. Cayden is well aware of that: her witch mom was shunned by her high-society parents when she fell in love with a Cayden's human dad. And now, the family's business is in trouble due to wealthy witches gentrifying her historic Texas neighborhood. So when Cayden realizes she unknowingly went on a date with Coven it-boy Khy Carter, it feels like things can't get any worse. But then her father's bakery has an influx of new customers, and a solution to her family's problems appears: Cayden absolutely cannot be with a Coven boy, but that doesn't mean she can't pretend to be.

Suddenly, Cayden is thrown into the Coven system she grew up despising, but it turns out embracing this side of herself is actually…fun. And as she and Khy spend more time together, their fake dating may just lead to real feelings. But even though she's doing this for her family, Cayden knows she's also betraying them. Her parents may have put love before everything else, but is Cayden willing to do the same?

A life affirming story of rehabilitation and hope after prison. The third novel from multi-award-winning Danielle Jawando, perfect for fans of Angie Thomas and Elizabeth Acevedo.
 
‘Jawando’s writing is incredibly raw and real; I felt completely immersed’ Alice Oseman, author of the Heartstopper series
 
When fifteen-year-old Tyrell Forrester gets caught up in a high-profile armed robbery, he's sentenced to eighteen months in a young offenders’ prison. Now he’s getting out, and he’s determined to turn his life around. Despite his release, systemic discrimination makes it difficult for Ty to truly be free. Inspired by a visiting poet while inside, Ty discovers a whole new world through spoken word and is finally finding his voice. But will society ever see him as anything other than a criminal?

Praise for And the Stars Were Burning Brightly:

'An outstanding and compassionate debut' Patrice Lawrence, author of Orangeboy

'One of the brightest up and coming stars of the YA world' Alex Wheatle, author of Crongton Knights

‘An utter page turner from a storming new talent. Passionate, committed and shines a ray of light into the darkest places - the YA novel of 2020!’ Melvin Burgess, author of Junk

Praise for When Our Worlds Collided:
 
'A raw, unflinching and powerful story that will stay with me for a long time’ Manjeet Mann, author of The Crossing
 
‘A beautiful ode to found family, and a compassionate look at the power of connection borne from the ashes of tragedy and apathy’ Christina Hammonds Reed, author of The Black Kids
 
‘Hard-hitting yet still hopeful, this is an emotional powerhouse of a book’ Alexandra Sheppard, author of Oh My Gods

Warning - this novel contains themes that some readers may find upsetting, including suicide and self harm.

We're meeting to discuss Take What You Can with Naima Coster!

BOOK CLUB MEETING DEETS

When: Thursday, Septembern 22 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Fiction Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT TAKE WHAT YOU CAN

From the New York Times bestselling author of What’s Mine and Yours, a rich, panoramic exploration of female friendship, class, new motherhood, and independence

Val and Milly fell in love with France at the same time they fell in love with each other and became immediate best friends. Then, they bonded as the only Black students on a study-abroad trip. Now, they are in their thirties, each married and with a baby girl on the way. When Milly suggests Val move to New York to raise their daughters together after a decade apart, it’s a resounding yes.

Despite their excitement, the pair secretly wonder if their friendship has always worked best as a trio. From that first trip to France, these two motherless daughters were taken under the wing of an older woman named Helene. She showered them with money, love and attention, and showed them the possibilities of a meaningful future. But without Helene, who are Milly and Val?

Milly, a successful influencer married to restaurant royalty, is occupied with her desire for independence. Val, a brilliant journalist, is struggling to write her first book and fit into her old friend’s new world. The realities of class and social capital, of strained marriages and the demands of motherhood, serve as constant reminders of how far apart they’ve grown. And no matter how much they try to avoid it, everything comes back to the rift that began all those years ago in France. What they’ve long tried to bury may finally destroy their sisterhood.

Weaving between Brooklyn brownstones and the glittering beaches of southern France, Take What You Can is a dazzling novel exploring what it means to be a mother when you have none, a sister without blood ties, and a woman in pursuit of the life she wants. With her signature sharply-observed prose, Coster illustrates what it means to be—and to stay—someone’s person through all phases of life.

The latest in writer and visual artist Renee Gladman’s ever-expanding body of imaginative investigation is a sui generis novel of queerness and art-making, philosophy and sex.

The narrator of My Lesbian Novel is Renee Gladman, an artist and writer who has produced the same acclaimed body of experimental art and prose as real-life Renee Gladman, and who is now being interviewed by an unnamed interlocutor about a project in process, a seeming departure from her other works, a lesbian romance. 
 
Between reflections on art making and on the genre of lesbian romance—“though aspects of the formula drive me crazy . . . people who write these stories understand how beautiful women are”—a romance novel of her own takes shape on the page, written alongside the interview, which sometimes skips whole years between questions, so that time and aging become part of the process. 
 
The result is a beautifully orchestrated dialogue between reflection and desire, or clarity and confusion, between the pleasures of form and the pleasures of freedom in the unspooling of sentences over time.

From bestselling author Celeste Headlee, an urgent and eye-opening story of the women who risked everything to ensure a generation of Black Americans had the right to read.

In the waning days of the antebellum South, millions of African Americans were suddenly released from enslavement. But they soon realized that “freedom” was not free; they were subject to hundreds of laws aimed at preventing them from voting and, in many cases, learning. Were it not for the work of an exceptional group of women―activists, educators, mothers, organizers―the foundations for Black education might never have been laid.

With Freedom's Daughters, Headlee set out to write into the record book the untold stories of these remarkable women. As a journalist who spent her career in public media, Headlee has long championed unheard voices and sought to tell the stories of those whose contributions have gone unacknowledged. But this project was fueled by an even deeper connection: Carrie Still Shepperson―one of the most important figures in this fight―is Headlee's great grandmother and one of the biggest influences in her life.

Now, after a decade of research spanning personal diaries to public records, Freedom’s Daughters paints a vivid portrait of figures intentionally erased from history, recognizing the work of a generation of Black women who believed freedom was inextricably linked with learning and free expression, and who worked tirelessly to secure access to literacy and education for a generation of children born into freedom.

By turns shocking, inspiring, and deeply moving, Freedom’s Daughters is Headlee’s impeccably researched journey to better understand her family history and herself, and a timely examination of the influence and power of unfettered access to schools, libraries, and higher education.

This thirtieth-anniversary edition of June Jordan’s foundational poetry program guidebook features a foreword by Hanif Abdurraqib and a new preface from Samiya Bashir.

If you want to know how to teach poetry―in a university, a high school, at a nature preserve, in a hospital, or in your living room―read this book.

June Jordan's Poetry for the People details how to build a grassroots poetry program through a collection of strategies, sample student work, course descriptions, and a step-by-step guide to organizing and promoting readings, alongside original writing from Adrienne Rich, Joy Harjo, Ntozake Shange, and Cornelius Eady.

Now with a guide to teaching ethically in the digital age, this easy-to-use, timely reference is perfect for teachers of poetry at any level and in any group setting.