From high fashion to everyday clothes, this book looks at the personal and political importance of Black style from the 1880s to the present.

Both during and after slavery in North America, “Sunday best” referred to clothes reserved for church or special occasions. Dressing in one’s Sunday best conveyed a sense of dignity and self-worth. Sunday best styling evolved after emancipation into the twentieth century, reflecting subsequent periods of Black cultural liberation, empowerment, and upward mobility. It is emblematic of the ways that self-fashioning in African-diasporic communities affirms humanity and communicates identity.

With examples from Canada, the Caribbean, the United States, and the United Kingdom, Sunday Best features archival and contemporary fashion alongside photography, painting, sculpture, and time-based media, looking at the significance of Black style. Essays by an interdisciplinary group of curators, designers, and scholars consider how communities throughout the African diaspora have used style as a reminder of one’s value, visibility, and agency, and the enduring influence of Sunday best dressing on artistic expression.

This richly illustrated volume is organized around the following themes:

• Origins, featuring fashion design by Christopher John Rogers and photography by James Van Der Zee
• Black church, with art by Coreen Simpson, Gordon Parks, and Laura Wheeler Waring
• Migration, through designers such as Foday Dumbuya
• Liberation, with fashion design by Spencer Badu and photography by Chantal Regnault
• Call and response, including fashion design by Patrick Kelly and photography by Melodie McDaniel

Published in association with the Art Gallery of Ontario and the Philadelphia Museum of Art

Exhibition Schedule

Art Gallery of Ontario
(October 6, 2026–February 28, 2027)

Philadelphia Museum of Art
(May 1, 2027–August 8, 2027)

Originally published in 2005, former NBA star Etan Thomas’s first poetry collection defies the stereotype of the apolitical athlete; featuring brand-new poems by Thomas and his son―and University of Dayton basketball star―Malcolm Thomas

RETIRED NBA STAR, AUTHOR, AND OUTSPOKEN POLITICAL ACTIVIST, Etan Thomas is more than an athlete. In this, his first collection of poems―originally published in 2005 and reissued here with many new poems―the former center for the NBA’s Washington Wizards defies the stereotype of the apolitical athlete, and plants his roots in his budding literary career. With the conviction of a Bill Russell, and the poetic finesse of Muhammad Ali, Thomas takes on controversial topics such as the Death Penalty, the GOP, and racism. 

This fiery poet approaches his work fearlessly, writing in the strong, historical lineage of his literary elders Amiri Baraka and Sonia Sanchez, and in the tradition of more contemporary poets Ras Baraka, Tony Medina, and asha bandele. More Than an Athlete is not just a book of poetry; it’s a statement about new generations not being confined to a box, a definition, or a label. Some people play ball, and some people write poems. Etan Thomas has mastered the art of both.

The reimagined 2027 edition features brand-new poems by Thomas as well as his son Malcolm, who is following in his father’s footsteps on the court as a collegiate athlete, and on―and off―the page as a poet and activist.

Together for the first time in this beautiful boxed set, the landmark Love Song to the Nation trilogy by the feminist icon bell hooks, includes the New York Times bestsellers All About Love, Communion, and Salvation.

All About Love: New Visions reveals how lovelessness results in a polarized society, and how we can do the work to heal these divisions. This book is a roadmap to understanding how we can build caring, compassionate, and loving spaces into our homes, schools, and workplaces.

Communion: The Female Search for Lovechallenges every woman to courageously claim the search for love as a heroic journey we must all choose to be truly free. It reveals how women of all ages can bring love into every aspect of their lives.

Salvation: Black People and Love Written from both historical and cultural perspectives, Salvation takes an incisive look at the transformative power of love in the lives of African Americans.

An eloquent and original exploration of the Atlantic slave trade―now featuring the essay “Venus in Two Acts” and a new introduction by Dionne Brand.

A monumental work of first-person history, Lose Your Mother traces the legacy of the Atlantic slave trade by recounting a journey Saidiya Hartman took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and the rippling effects of slavery on three centuries of African and African-American history.

The slave, Hartman observes, is a stranger―torn from family, home, and country. To lose your mother is to be severed from your kin, to be uprooted from your past, and to inhabit the world as an outsider. There are no known survivors of Hartman’s lineage, no relatives in Ghana whom she came hoping to find. Instead, she is a stranger in search of strangers, forging connections with others living in the wake of atrocity.

A rigorous and intimate reflection on the afterlife of slavery, Lose Your Mother is both a book of history and a book of grief. This 20th anniversary edition now includes Hartman’s landmark essay “Venus in Two Acts” and a new introduction by Dionne Brand―perfect for introducing new readers to Hartman’s lived-in way of contending with the past.

A new book of poems from the Pulitzer Prize-winning poet Carl Phillips.

Is this who I must be,
or maybe just
what I am?

“Sir” is an honorific, a title that indicates the superiority of its recipient, the subordination of its speaker. Carl Phillips’s SIR examines power and submission, abandon and restraint, whether in our personal, intimate relationships with others and ourselves, or in our relationships with such abstract masters as grief, memory, desire, regret, and the traumas of history. These are all things we’re told to try to overcome, to gain mastery of. Do we have a choice, though? And if so, how to choose ‘correctly,’ in a time when appearance and reality are constantly in flux, when hierarchy is revealed to be a matter of perspective, when even language itself is suspect, with its ability both to structure emotion and to estrange us from it?

In poems filled with tenderness, moral inquiry, and self-reckoning, stretched across natural landscapes both familiar and uncertain, SIR confirms–once again–that Carl Phillips is one of our finest and most enduring poets writing today.

From the author of the acclaimed novel, House of Cotton, comes an electric, haunting new Southern noir following the residents of Better Tomorrow Trailer Park in the aftermath of a gruesome murder.

Summer ’97. Deadly sins. Misguided obsessions.

When Better Tomorrow Trailer Park’s owner, Joe Candle, is found nailed to a cross in the center of the lot, the police have one question for the park’s eccentric residents: Who killed Candle?

No one is safe from suspicion. Not the pretty, calf-eyed cashier with a shadowed past, or the barber and his strange, altered demeanor, or the young son of a cop who harbors a volcanic temper.

As the investigation begins and satanic panic grips this small town in the heart of Appalachia, the low-grade paranoia spreads beyond the borders of the park. With the arrival of a lone, mysterious detective, a darker plot is soon unearthed. The questions that arise threaten the very existence of Better Tomorrow, and the community is tested to its breaking point.

Thundering towards the dreaded summer solstice, Lonesome Holler is a beautifully written exploration of loneliness, a blue-tuned elegy for community, and a comedic, devastating ode to the South.

A comprehensive survey of Ghanaian sculptor El Anatsui’s experimental prints and paper works

Acclaimed contemporary artist El Anatsui (b. 1944) is renowned for his intricate large-scale sculptures across a range of media―from clay and wood to discarded materials such as bottle caps and cassava graters. Less well known are his inventive prints and paper works, which share an important relationship to his sculptural practice. Examining the connection between the experimental quality of his prints and the radical compositions of his metal sculptures, this book uncovers the invaluable role of printmaking in the development of his artistic imagination and studio practice.

Beginning with Anatsui’s first encounter with printmaking at the University of Nigeria, Nsukka, author Chika Okeke-Agulu traces the artist’s engagement with the techniques and modalities of the medium, investigating how this allowed him to explore line, color, texture, and form. Offering an overview of Anatsui’s six decades of work on paper and aluminum, the book also includes a comprehensive catalogue of his prints. An essay placing Anatsui’s print work within the context of contemporary collaborative studio practices enriches our understanding of the global field of printmaking, and the book is further enlivened by a conversation with the artist himself. 

Distributed for the Philadelphia Museum of Art

Exhibition schedule:

Philadelphia Museum of Art

(December 19, 2026–May 2, 2027)

Somewhere along the way, many of us learned how to survive, but forgot how to truly live. What if the version of you that helped you survive is now keeping you from being fully known and loved Sarah Jakes Roberts reveals how perfectionism, performance, and self-protection become armor and shows you how to lay it down, embrace who God created you to be, and experience genuine connection.

We became the dependable one. The achiever. The perfectionist. The people-pleaser. The strong one who never asks for help. We built lives that look orderly and pristine on the outside while quietly carrying the exhausting weight of proving ourselves, protecting ourselves, and performing for acceptance. But the armor that once helped us survive may now be keeping us from the very connection we long for.

In Get Over Yourself, New York Times bestselling author Sarah Jakes Roberts invites readers on a compassionate journey beneath the versions of themselves they've learned to become. Blending profound biblical insight, developmental research, and her own deeply personal story, including a life-altering accident that forced her to confront the identity she'd built around survival, Sarah reveals how God gently leads us beyond perfectionism, performance, and fear into lives marked by authenticity, freedom, and genuine connection.

Through vulnerable storytelling, practical wisdom, and fresh biblical perspective, readers will discover how to:

* Recognize the survival patterns shaping their relationships and identity.
* Release the pressure to constantly prove, protect, or perfect themselves.
* Heal from shame, fear, and the hidden lies that keep them emotionally guarded.
* Experience deeper intimacy with God, healthier relationships, and lasting inner freedom.
* Become the person love, not survival, requires.

Honest, hopeful, and transformative, Get Over Yourself is for anyone who's tired of carrying the weight of who they've had to become and ready to discover the freedom of becoming who God created them to be.

The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

The Talented Mr. Ripley meets the Wu-Tang Clan: An American Saga in this dark psychological thriller.

Thomas “Maz” Kincaid lives a lavish life as a rising rap star: money, influence, and fame. But Maz’s success rests on a lie—his lyrics to his chart-topping album belong to someone else, his foster brother, Adonis.

Adonis, fresh out of prison is done watching his brother live off his talent and launches a calculated campaign of vengeance. But Maz won’t let all he’s worked for be taken away. He’s willing to lie, manipulate, and even kill to protect the fraudulent life he’s built.

As the rivalry escalates, the line between victim and villain blurs. With both men—damaged, cunning, and ruthless, locked in a psychological war where only one can survive the spotlight. Who will rule the stage, and who will end up in a grave?

Dark, complex, and suspenseful, All the Smoke is a cautionary tale, exploring identity, trauma, and the psychopathy behind stardom in the music industry.

In this meticulously researched and vividly written account, a prominent historian reclaims a forgotten incident of racial violence in the Jim Crow South.

The Rifle and the Plough reconstructs a little-known episode from the summer of 1910, when the Black farming settlement of Sandy Beulah in East-Central Texas came under attack. White mobs waged war on prosperous Black landowners; rumors became weapons; celebration became provocation. Historian Steven A. Reich shows how the massacre unfolded and why it happened: the growing accumulation of land by Black residents, heightened racial tensions following boxer Jack Johnson’s heavyweight title victory, and white resistance to Black autonomy and public festivity, including Juneteenth. The Rifle and the Plough recovers the rise and destruction of a thriving Black community and asks why this history still matters. By linking racial violence to struggles over historical memory, land theft, and accountability, Reich speaks directly to contemporary debates about how the nation confronts its past, what justice demands of the present, and what reparative futures might yet be imagined.

59 illustrations

A visionary new collection by former poet laureate of the United States and winner of the Pulitzer Prize Tracy K. Smith

The forest in Tracy K. Smith’s brilliant new work is and is not a metaphor. While these poems strive to hear and to heed the voices of the earth and its nations of trees, they also test a discomfiting view of humanity, not as divided and opposing factions but as a vast cacophonous family connected by a single deep root.

The Forest grapples with violence, cynicism, and injustice by tapping into the ecstatic for much-needed insight, humility, and conviction. Enlivened by slow time and spiritual desire, Smith’s poems are political and devotional conduits that bear witness to meditative visions and channeled conversations with ancestors and ascended guides. Several poems honor motherhood and the particular care bound up in mothering Black sons. Others come to terms with grief and a failed marriage now so distant as to be another life. Hovering always near, the divine feminine is a figure called forth to refute the God of War.

The Forest is a magnificent act of foresight beyond the granular realities of partisan depravity, polarization, and indifference. Smith reaches an exhilarating new height, in contact with the mythic and the rapturous.