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"The Best American Novelist Whose Name You May Not Know"—Calvin Baker, The Atlantic

"A literary giant, and one of my absolute favourite writers" -TAYARI JONES, author of AN AMERICAN MARRIAGE

"An American writer with a powerful sense of vital inheritance, of history in
the blood." -John Updike, The New Yorker

Eva's Man is a gripping psychological portrait of a woman unable to love for fear of pain. Imprisoned for the bizarre murder of her lover, Eva Median Canada weaves together memory and fantasy to reveal a life tormented by the brutality of sexual abuse and emotional silence. Brilliantly experimenting with language, Jones infuses her graphic and powerful narrative of the triple yoke of race, class, and gender with a rich musical and oral idiom.

Brooklynite Eva Mercy is a single mom and bestselling erotica writer, who is feeling pressed from all sides. Shane Hall is a reclusive, enigmatic, award-winning literary author who, to everyone's surprise, shows up in New York.

When Shane and Eva meet unexpectedly at a literary event, sparks fly, raising not only their past buried traumas, but the eyebrows of New York's Black literati. What no one knows is that twenty years earlier, teenage Eva and Shane spent one crazy, torrid week madly in love. They may be pretending that everything is fine now, but they can't deny their chemistry-or the fact that they've been secretly writing to each other in their books ever since.

Over the next seven days in the middle of a steamy Brooklyn summer, Eva and Shane reconnect, but Eva's not sure how she can trust the man who broke her heart, and she needs to get him out of New York so that her life can return to normal. But before Shane disappears again, there are a few questions she needs answered. . .

With its keen observations of Black life and the condition of modern motherhood, as well as the consequences of motherless-ness, Seven Days in June is by turns humorous, warm and deeply sensual.

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Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives—but it doesn’t happen as frequently for all of us. In this timely anthology, “well-read black girl” Glory Edim brings together original essays by some of our best black female writers and creative voices to shine a light on how important it is that everyone—regardless of gender, race, religion, or abilities—can find themselves in literature.

Contributors include Jesmyn Ward (Sing Unburied Sing), Lynn Nottage (Sweat), Jacqueline Woodson (Another Brooklyn), Gabourey Sidibe (This Is Just My Face), Morgan Jerkins (This Will Be My Undoing), Tayari Jones (An American Marriage), Rebecca Walker (Black, White and Jewish), Barbara Smith (Home Girls: A Black Feminist Anthology), and others.

Whether it’s learning about the complexities of femalehood from Zora Neale Hurston and Toni Morrison, finding a new type of love in The Color Purple, or using mythology to craft an alternative black future, each essay reminds us why we turn to books in times of both struggle and relaxation. Edim has created a space where black women’s writing and knowledge and life experiences are lifted up, to be shared with all readers who value the power of a story to help us understand the world and ourselves.

The creator of the viral TikTok series “Who TF Did I Marry?” shares an even more unfiltered account of how she reclaimed herself, fought through toxic relationships, and regained her foundation through healing and deep self-reflection.

When Tareasa “Reesa Teesa” Johnson decided to disclose the full details of her turbulent marriage in a 50-part TikTok series, from first meeting to the finality of divorce, she hoped it would help at least one person from making similar mistakes. In a flash "Who TF Did I Marry?" went global, becoming a movement. Millions around the world were enraptured and identified with Tareasa's story, ultimately sharing their own experiences of heartbreak and deceit.

While “Who TF Did I Marry?” questioned the relationship, What (TF) Do I Do Now? probes deeper, asking “Where did I lose myself?” Through reflection, acceptance, and humor, Tareasa unravels even more details of what caused her to stay in a partnership where familiarity became too comfortable, and loneliness was a scarier proposition than owning her solitude. Tareasa’s indelible voice and keen perspective shares new, engrossing stories and practical insights as she regains her footing and her faith in herself, offering readers the chance to do the same.

Probing, personal, and incredibly relatable, What (TF) Do I Do Now? isn’t a self-help guide, but an empowering conversation with the reader, illuminating the courage it takes to trust yourself because healing is on the other side of pain.

An acclaimed poet reclaims her origin story as the queer daughter of a Muslim Nigerian immigrant and a Black American visual artist in this groundbreaking memoir, combining lyrical prose, biting criticism, and haunting visuals.

“Hafizah Augustus Geter is a genuine artist, not bound by genre or form. Her only loyalty is the harrowing beauty of the truth.”—Tayari Jones, author of An American Marriage

“I say, ‘the Black Period,’ and mean ‘home’ in all its shapeshifting ways.” In The Black Period, Hafizah creates a space for the beauty of Blackness, Islam, disability, and queerness to flourish, celebrating the many layers of her existence that America has time and again sought to erase.

At nineteen, she lost her mother to a sudden stroke. Weeks later, her father became so heartsick that he needed a triple bypass. By her thirties, she was constantly in pain, pinballing between physical therapy appointments, her grief, and the grind that is the American Dream. Hafizah realized she'd spent years internalizing the narratives that white supremacy had fed her about herself. Suddenly, she says, I was standing at the cliff of my own life, remembering.

Recalling her parents’ lessons on the art of Black revision, and mixing history, political analysis, and cultural criticism, alongside stunning original artworks created by her father, renowned artist Tyrone Geter, Hafizah maps out her own narrative, weaving between a childhood populated with Southern and Nigerian relatives; her days in a small Catholic school; a loving but tragically short relationship with her mother; and the feelings of joy and community that the Black Lives Matter protests engendered in her as an adult. All throughout, she forms a new personal and collective history, addressing the systems of inequity that make life difficult for non-able-bodied persons, queer people, and communities of color while capturing a world brimming with potential, art, music, hope, and love.

A unique combination of gripping memoir and Afrofuturist thought, in The Black Period, Hafizah manages to sidestep shame, confront disability, embrace forgiveness, and emerge from the erasures

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Gayl Jones, the novelist Toni Morrison discovered decades ago and Tayari Jones recently called her favorite writer, offers two books in one with this volume of poetry. Jones renders the saga of Palmares, a foundational tale in the annals of colonial terrorism and Black resistance, in verse, told in the voices of the characters in her epic novel Palmares.

In the late 17th century, the fugitive slave enclave of Palmares was destroyed by Portuguese colonists. Amid the flight and re-enslavement of Palmares’s inhabitants emerges the love story of Almeyda and Anninho. In Song for Anninho, Almeyda moves between a dark present, in which she is once again enslaved and abused by a terrible captor, and memories of her lover, Anninho, whom she believes to have been killed. Song for Almeyda, released now for the first time, is told in the voices of Anninho and his fellow warriors.

Fans of Corregidora (one of the New Yorker’s “Best Books We Read in 2020” picks), which tracked the legacy of enslavement, and Palmares will especially appreciate these verses. Brimming with intimacy, history, and revolution, the poems collected serve as a declaration of decolonial love.

“Okparanta is a truth-teller and soothsayer.” —Tayari Jones

From the acclaimed author of Under the Udala Trees, a profoundly moving, unforgettable new epic following the aftermath of one catastrophic moment in the lives of two siblings.

Eleven-year-old Alohan and his four-year-old sister Ivie are the children of a rainmaker, who performs elaborate rituals to bring or hold back the rain. One day, the rainmaker's luck runs out: it pours on the wrong person’s wedding, and the repercussions for him and for his wife who accompanies him to the wedding are deadly.

Orphaned and alone, Alohan is quickly forced into an early adulthood, charged with providing for and protecting Ivie. The two siblings become each other’s entire worlds, bound by loss and loyalty. But just as they begin to build a life for themselves, a lapse of judgment leaves them entangled with a wealthy couple’s nefarious scheme. The two are set on drastically different paths, constricted by the ruthlessness of those who hold great power and privilege, and those who are underfoot – who must, and will, do anything merely to survive. What unfolds is an incredible journey of crime and betrayal, misunderstanding and misfortune, spanning continents and decades: from Nigeria to the United States to Italy, and from the homes of the wealthy elites, to those of the destitute—crossing paths, at each turn, with those who steal, con, and traffic in lives.

At the novel’s heart is the love between Alohan and Ivie. Told with captivating force, insight, and compassion, This Impossible Life is a gripping saga of two siblings’ survival, and of whether the love that binds them will be enough to overcome the most unforgiving of fates.

Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile

Gayl Jones, the novelist Toni Morrison discovered decades ago and Tayari Jones recently called her favorite writer, has been described as one of the great literary writers of the 20th century. Now, for the first time in over 20 years, Jones is publishing again. In the wake of her long-awaited fifth novel, Palmares, The Birdcatcher is another singular achievement, a return to the circles of her National Book Award finalist, The Healing.

Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island.

A study in Black women’s creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature - rewarding longtime fans and bringing her talent to a new generation of readers.

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More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include David Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles S. Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

Kabwe, Zambia: Sali, a working mother of three, stands trial for the murder of her husband, Kasunga. The prosecutor claims Sali shot him after a heated fight in their bedroom. There are no witnesses. Sali pleads not guilty.

But her story does not begin with a gun. It begins fourteen years earlier—with her rebellion against the pressure to find a husband, her affair with a wealthy married man called Doc, and her discovery that she’s pregnant on the same day of Doc’s unexpected death.

To avoid the shame of being an unwed mother, Sali accepts Kasunga’s proposal, and finds herself suddenly thrust into the shipikisha club: her society’s expectations that it is a wife’s duty to endure. Over the years, Sali navigates her husband’s infidelities and alcohol-filled nights, their money troubles, and her postpartum depression in silence. Until the day she speaks her mind, and Kasunga puts a gun in her face.

The trial is a national scandal. Many are called to testify—the maid, Kasunga’s mother, and Ntashé, Sali's fifteen-year-old daughter. Even after Sali’s diary is dissected and laid bare for all to see, Sali calls no witnesses to her defense. With Kasunga gone, only Sali will ever know the truth. But is the truth enough?

Told through the rotating perspectives of Sali, Ntashé, and Sali’s mother Peggy, The Shipikisha Club is a riveting story of gender politics in Zambia and the world at large—a must-read for fans of Peace Adzo Medie, Abi Daré, Tayari P. Jones, and On Becoming a Guinea Fowl.

In this haunting historical novel, a light-skinned Black man goes undercover to investigate lynchings in the Jim Crow South, only to be confronted by the very evil that has pursued him since childhood.

Clark Wendell White first encountered the Nightmare as a child during the Atlanta Race Riot of 1906, when he and his father stood guard over their family home. In the eyes of the mob surging through his neighborhood, Clark sensed this malevolent presence. It was then that the Nightmare took shape, burrowing deep into his mind and feeding on his fear.

Years later, the same evil presence drives Clark to the NAACP's headquarters in New York City, where he answers an ad seeking light-skinned Black men for dangerous undercover work. As a spy for the NAACP, Clark investigates lynchings, impersonating the very Nightmare that once tormented him.

As Clark descends deeper into this double life, another force rises: a new chapter of the Ku Klux Klan, finding a foothold in the storied streets of New York City. Among its eager recruits is Sam Cahill—the one man who can see past his disguise. Now Clark must outwit both the living and the dead, as he confronts a past that refuses to stay buried and a future where the act of passing exacts a soul-deep price.

Inspired by the life of civil rights activist Walter White, who passed as a white man to expose the brutality of lynchings from the South to the Midwest, American Nightmare is a gripping historical thriller that reveals the most terrifying monsters aren't those that go bump in the night but those that walk among us.