“Mahalia Jackson was the greatest gospel singer of her time and an overlooked leader in the Civil Rights Movement. Her voice seemed born of heaven.” ?Henry Louis Gates Jr.

If Americans today still recognize the name Mahalia Jackson, they might recall that she was perhaps the greatest gospel singer who ever lived. But for many people, there is no awareness at all, not even for an entertainer whose “Move On Up a Little Higher” sold eight million copies, who headlined two Newport Jazz Festivals and performed before four United States presidents.

While this rich musical legacy is admired by those in the know, virtually no one recognizes Jackson’s astonishing role in American civil rights history. In this startling new depiction of the renowned gospel singer, New York Times best-selling author Timothy B. Tyson and Mary D. Williams, an acclaimed gospel singer herself, bring Jackson back to soaring life by positioning her as the major civil rights figure she, in fact, was.

Mahlia Jackson, Moving On Up a Little Higher then traces Jackson’s career from abject poverty in New Orleans to global superstardom, revealing how even after meteoric success, Jackson maintained an unwavering devotion to Black freedom. In the 1930s in Chicago, even before the Civil Rights Movement took its modern shape, she used her rapturous voice to support independent Black political power. Her work only intensified in the 1940s and beyond when she campaigned first for Franklin D. Roosevelt, and later for Harry Truman, John F. Kennedy, and Lyndon B. Johnson; headlined in Montgomery for the 1955–56 bus boycott; sang for the Birmingham campaign and on the Selma March; and performed at the iconic 1963 March on Washington, where she urged Martin Luther King Jr. to “Tell ’em about the dream.” In retrospect what becomes historically significant is that Mahalia Jackson was present at so many civil rights events, even singing a divine rendition of “Precious Lord, Take My Hand,” at Dr. King’s funeral in 1968. Weakened and worn, she succumbed to heart failure four years later at the age of sixty.

Weaving together Mahalia Jackson’s inspiring life journey with her soulful music into a transcendent text, this biography ultimately casts Mahalia Jackson as we’ve never seen her before, as a guiding light for the Civil Rights Movement, whose message still speaks to our struggles today.

5 illustrations

From the award-winning anthologists, a beautiful new book of short stories, designed as a perfect gift for readers of the supernatural, and a lifetime of reading pleasure.

A new anthology of Folk Horror stories, covering a wide range of mythologies and dark corners from around the world, revealing tales from the shadows of isolation, creepy forests and horrors rising from the land itself. Award-winning anthologists Paul Kane and Marie O'Regan have commissioned and chosen an outstanding selection of stories with contributions from authors including Neil Gaiman, John Connolly, Adam L.G. Nevill, Alison Littlewood and Jen Williams. Five brand new stories have also been selected from open submissions.

The full list of featured authors in this book is: Linda D. Addison, V. Castro, John Connolly, Neil Gaiman, Helen Grant, Kathryn Healy, H.R. Laurence, Alison Littlewood, Lee Murray, Adam L.G. Nevill, Cavan Scott, Christina Sng, Benjamin Spada, Stephen Volk, Jen Williams, Katie Young and B. Zelkovich.

The Flame Tree Beyond and Within short story collections bring together tales of myth and imagination by modern and contemporary writers, carefully selected by anthologists, and sometimes featuring short stories from a single author. Overall, the series presents a wide range of diverse and inclusive voices with myth, folkloric-inflected short fiction, and an emphasis on the supernatural, science fiction, the mysterious and the speculative. The books themselves are gorgeous, with foiled covers, printed edges and published only in hardcover editions, offering a lifetime of reading pleasure.

Frederick Douglass was the most prominent African American of the 19th Century and Sidney Morrison has created a mesmerizing historical novel richly detailing his life and the Civil War Era

Born into slavery, Frederick Douglass did what seemed impossible: he escaped, reinvented himself, and rose to become one of the most powerful voices in American history—a fierce abolitionist, gifted orator, founder of The North Star, and collaborator with Abraham Lincoln, William Lloyd Garrison, John Brown, and Susan B. Anthony in ending slavery and shaping U.S. democracy itself.

But in this singular work of historical fiction, Sidney Morrison is able to move beyond the legend to explore the full complexity of Douglass's interior life: the loves he protected, the choices he made, the costs paid for his greatness. Anna Murray Douglass, the wife instrumental to his escape. Julia Griffith, the British abolitionist whose closeness sparked scandal. Ottilie Assing, the German journalist who died by suicide after Douglass married another woman. Here is Douglass as history has never quite shown him: a towering public figure and a deeply complex private man, whose life was rich in conflict, consequence, and humanity.

An authoritative anthology tracing the history of one of the most important concepts Black people drew on to challenge the brutal, totalizing system of Jim Crow racism

This book brings together a wealth of readings on the metaphor of the “New Negro,” charting how generations of thinkers debated its meaning and seized on its potency to stake out an astonishingly broad and sometimes contradictory range of ideological positions. It features dozens of newly unearthed pieces by major figures such as W. E. B. Du Bois, Charles S. Johnson, and Drusilla Dunjee Houston as well as writings from Cuba, the US Virgin Islands, Dominica, France, Sierra Leone, South Africa, colonial Zimbabwe, and the United States. Demonstrating how this evocative and supremely protean concept predates its popularization in Alain Locke’s 1925 anthology of the same name, The New Negro takes readers from its beginnings as a response to Henry Grady’s famous “New South” address in 1886 through the Harlem Renaissance and the New Deal.

Opening a fascinating window into a largely unexplored chapter in African American, Afro-Latin American, and African intellectual history, this groundbreaking anthology includes writings by Gwendolyn Bennett, Marita Bonner, John Edward Bruce (“Bruce Grit”), Nannie Helen Burroughs, Charles W. Chesnutt, James Bertram Clarke (“José Clarana,” “Jaime Gil”), Anna Julia Cooper, Alexander Crummell, Countee Cullen, Alice Dunbar-Nelson, Marcus Garvey, Hubert Harrison, Langston Hughes, Zora Neale Hurston, D. Hamilton Jackson, Fenton Johnson, Claude McKay, Oscar Micheaux, Jeanne “Jane” Nardal, Jean Toomer, Gustavo Urrutia, Booker T. Washington, Dorothy West, Ruth Whitehead Whaley, Fannie Barrier Williams, Carter G. Woodson, and a host of others.

The Davenports delivers a totally escapist, swoon-worthy romance while offering a glimpse into a period of African American history often overlooked.

"A fresh, utterly enchanting read.” —Ayana Gray, New York Times bestselling author of the Beasts of Prey trilogy

The Davenports are one of the few Black families of immense wealth and status in a changing United States, their fortune made through the entrepreneurship of William Davenport, a formerly enslaved man who founded the Davenport Carriage Company years ago. Now it's 1910, and the Davenports live surrounded by servants, crystal chandeliers, and endless parties, finding their way and finding love—even where they’re not supposed to.

There is Olivia, the beautiful elder Davenport daughter, ready to do her duty by getting married . . . until she meets the charismatic civil rights leader Washington DeWight and sparks fly. The younger daughter, Helen, is more interested in fixing cars than falling in love—unless it’s with her sister’s suitor. Amy-Rose, the childhood friend turned maid to the Davenport sisters, dreams of opening her own business—and marrying the one man she could never be with, Olivia and Helen’s brother, John. But Olivia’s best friend, Ruby, also has her sights set on John Davenport, though she can’t seem to keep his interest . . . until family pressure has her scheming to win his heart, just as someone else wins hers.

Inspired by the real-life story of the Patterson family, The Davenports is the tale of four determined and passionate young Black women discovering the courage to steer their own path in life—and love.

Celebrate the release of Toni At Random with Dana A. Williams!

EVENT DEETS

When: Monday, October 13 @ 7PM

Where: Kindred Stories ( 2310 Elgin St. , #2, Houston, TX 77004)

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming

ABOUT THE BOOK

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon’s profound impact as a visionary editor who helped define an important period in American publishing and literature.

A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation’s most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms.

Toni Morrison herself had great enthusiasm about Dana Williams's work on this story, generously sharing memories and thoughts with the author over the years, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison’s contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

ABOUT THE AUTHOR

Dana A. Williams is Professor of African American literature and Dean of the Graduate School at Howard University. She is former president of the College Language Association and the Modern Languages Association, and is the author of In the Light of Likeness—Transformed: The Literary Art of Leon Forrest. She is also the editor of several books. Her work has been published in prestigious journals, including PMLA, CLA Journal, African American Review, Early American Literature, American Literary History, and the Langston Hughes Review. Her research has been supported by the Ford Foundation, the John Hope Franklin Humanities Institute, and the National Endowment for the Humanities. She co-directs the Center for Medical Humanities and Health Justice, a Mellon Foundation-funded collaboration between Howard and Georgetown universities. Williams lives in Maryland.

ABOUT THE CONVERSATION PARTNER

Dr. Tara T. Green is the CLASS Distinguished Professor and Chair of African American Studies at the a University of Houston. She also has a joint appointment in the English department. Dr. Green is a literature and interdisciplinary scholar with degrees in English. She is the award-winning author and editor of six books, including Love, Activism, and the Respectable Life of Alice Dunbar Nelson and See Me Naked: Black Women Defining Pleasure During the Interwar Era as well as the co-curator of the Triad Black Lives Matter Collection housed at University of North Carolina at Greensboro.

Winner of the John Boswell Prize from the American Historical Association 2018
Winner of the William Sanders Scarborough Prize from the Modern Language Association 2018
Winner of an American Library Association Stonewall Honor 2018
Winner of Lambda Literary Award for Transgender Nonfiction 2018
Winner of the Sylvia Rivera Award in Transgender Studies from the Center for Lesbian and Gay Studies

The story of Christine Jorgensen, America’s first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives—ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence.

Drawing on a deep and varied archive of materials—early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films—Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the “father of American gynecology,” to the negation of blackness that makes transnormativity possible.

Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of “cross dressing” and canonical black literary works that express black men’s access to the “female within,” Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don’t Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds.

EVENT DEETS

When: October 20 at 7:00PM CST

Where: Project Row House Community Gallery (2521 Holman Street, HTX, 77004)

How: RSVP with book to support our programming and store or grab a free ticket. 

About the Book 

As a little boy grows into a bigger boy, ready to take on the world, he first must have that very difficult conversation far too familiar to so many Black Americans on how to live in a world where racism is ready to take on YOU....

Most Black and Brown children are given some form of The Talk, but it's not the easiest subject to broach. This book, gently and with unexpected humor, offers parents a way into this all too necessary conversation. The Talk isn't all gloom and worry. It shows Black children enjoying life, and that they are deserve to gather in big groups, laugh too loudly, run as fast as they can, and to live freely like the kids that they are.

It's just as vital that kids who aren't given The Talk, or aren't aware of it, BECOME aware of it, become aware of what others have to contend with, because you can't make a change without knowing what needs changing.

About the Author

Alicia D. Williams is the author of Genesis Begins Again, which received the Newbery and Kirkus Prize honors, was a William C. Morris prize finalist, and won the Coretta Scott King--John Steptoe Award for New Talent. Alicia D also debuted a picture book biography, Jump at the Sun: The True Life Tale of Unstoppable Storycatcher Zora Neale Hurston. And followed up with Shirley Chisholm Dared: The Story of the First Black Woman in Congress and The Talk.  

Alicia shares a passion for storytelling which stems from conducting school residencies as a Master Teaching Artist of arts-integration. Alicia D infuses her love for drama, movement, and storytelling to inspire students to write. She resides in Charlotte, NC.

About the Illustrator

Briana Mukodiri Uchendu is an illustrator, visual development artist, and a first-generation Nigerian-American. Her work is inspired by her interests in folklore, film, and animation and her passion to highlight voices that usually go unheard. Briana is a graduate of Ringling College of Art and Design where she majored in Illustration. In her illustration debut, her work for The Talk by Newbery Honor-winner Alicia D. Williams (Caitlyn Dlouhy Books, October 2022) was juried into The Original Art 2022 by the Society of Illustrators and was awarded the Silver Medal. Her forthcoming projects include We Could Fly by Rhiannon Giddens and Dirk Powell (Candlewick, Fall 2023), Soul Step by New York Times-bestseller Jewell Parker Rhodes and Kelly McWilliams (Little Brown, Summer 2024), and Night Market by Seina Wedlick (Random House Studio, Fall 2024). She currently lives in her hometown of Houston, Texas.