A new anthology celebrating the African American voices that influenced and shaped the history of the White House

A Penguin Classic

The People’s House is an anthology comprised primarily of first-person accounts, from the eighteenth century to the present, detailing the Black experience in the White House — in turn illustrating how African Americans have influenced the presidency and policy over America’s 250-year history. The collection’s diversity of perspectives — from dressmakers and domestic staff members to abolitionists and civil rights activists, as well as cabinet members, candidates, and elected officials — charts not only a history of African Americans in the most recognizable U.S. institution, but how African Americans have used their power and presence in the White House to urge the nation toward its democratic ideals. Through the words of Frederick Douglass, Ida B. Wells-Barnett, Thurgood Marshall, Shirley Chisholm, Colin M. Powell, Barack Obama, and dozens of other figures, both prominent and lesser-known, this anthology offers an expansive and intimate view of the White House as a key site in the struggle for Black freedom and equal citizenship. Each entry is accompanied by insight from editors Michelle D. Commander and Kathleen M. Kendrick, providing biographical information and historical context to help readers further understand how African Americans have shaped the story and meaning of the People’s House.

Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

This rich and moving novel traces the lives of two black heroines from their close-knit childhood in a small Ohio town, through their sharply divergent paths of womanhood, to their ultimate confrontation and reconciliation.

Nel Wright has chosen to stay in the place where she was born, to marry, raise a family, and become a pillar of the black community. Sula Peace has rejected the life Nel has embraced, escaping to college, and submerging herself in city life. When she returns to her roots, it is as a rebel and a wanton seductress. Eventually, both women must face the consequences of their choices. Together, they create an unforgettable portrait of what it means and costs to be a black woman in America.

A passionate, powerful memoir by a trailblazing Black transgender activist, tracing her life of transformation and her work towards collective liberation.

Born in Augusta, Georgia, to Black Catholic parents, Raquel spent years feeling isolated, even within a loving, close-knit family. There was little access to understanding what it meant to be queer and transgender. It wasn’t until she went to the University of Georgia that she found the LGBTQ+ community, fell in love, and explored her gender for the first time. But the unexpected death of her father forced her to examine her relationship with herself and those she loved. These years of grief, misunderstanding, and hard-won epiphanies seeped into the soil of her life, serving as fertilizer for growth and allowing her to bloom within.

Upon graduation, Raquel entered a career in journalism against the backdrop of the burgeoning Movement for Black Lives, intersectional feminism going mainstream, and unprecedented visibility of the trans community. After hiding her identity as a newspaper reporter, her increasing awareness of the epidemic of violence plaguing trans women of color and the heightened suicide of trans teens inspired her to come out publicly. Within just a few short years of community organizing in Atlanta, Oakland, and New York, Raquel emerged as one of the most formidable Black trans activists in history.

In The Risk It Takes to Bloom, Raquel Willis recounts the possibility of transformation after tragedy, and how complex moments can push us all to take necessary risks and bloom toward collective liberation.

A wickedly funny, adrenaline-rush of a novel about a graduate student who murders bad men and justifies it in the name of feminism, by a bold new voice in fiction

Yrsa is in a funk. She’s bored of her PhD program, bored of her research on Afropessimism, bored of the entitled undergrads she has to cater to. But most of all, she’s bored of the men in her life—especially the bad ones.

When her best friend, Nina, confesses to having an affair with her professor, and that he’s stolen her research, Yrsa is mad. On the quad, Yrsa bumps into the professor and witnesses his death: an unfortunate incident involving his San Pelligrino and a bee allergy. What she sees that afternoon awakens something in her: a taste for murder.

Emboldened, Yrsa decides to chase that high, and soon, no sexist, misbehaving man within commuting distance is safe.

With each murder, Yrsa feels a greater sense of meaning and purpose—finally, her doctoral research feels useful. But how long can killing in the name of feminist and racial solidarity justify her actions? Will her rampage ever assuage her feelings of rage and revenge? And how long until her actions—and buried family secrets—come back to haunt her?

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In It’s Always Been Ours eating disorder specialist and storyteller Jessica Wilson challenges us to rethink what having a "good" body means in contemporary society. By centering the bodies of Black women in her cultural discussions of body image, food, health, and wellness, Wilson argues that we can interrogate white supremacy’s hold on us and reimagine the ways we think about, discuss, and tend to our bodies.

A narrative that spans the year of racial reckoning (that wasn't), It’s Always Been Ours is an incisive blend of historical documents, contemporary writing, and narratives of clients, friends, and celebrities that examines the politics of body liberation. Wilson argues that our culture’s fixation on thin, white women reinscribes racist ideas about Black women's bodies and ways of being in the world as "too much." For Wilson, this white supremacist, capitalist undergirding in wellness movements perpetuates a culture of respectability and restriction that force Black women to perform unhealthy forms of resilience and strength at the expense of their physical and psychological needs.

With just the right mix of wit, levity, and wisdom, Wilson shows us how a radical reimagining of body narratives is a prerequisite to well-being. It’s Always Been Ours is a love letter that celebrates Black women’s bodies and shows us a radical and essential path forward to rediscovering their vulnerability and joy.

A surprising and beautiful meditation on the color blue—and its fascinating role in Black history and culture—from National Book Award winner Imani Perry

Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for that which lies beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, “What did I do to be so Black and blue?” In this book, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey—an examination of race and Blackness that transcends politics or ideology.

Perry traces both blue and Blackness from their earliest roots to their many embodiments of contemporary culture, drawing deeply from her own life as well as art and history: The dyed indigo cloths of West Africa that were traded for human life in the 16th century. The mixture of awe and aversion in the old-fashioned characterization of dark-skinned people as “Blue Black.” The fundamentally American art form of blues music, sitting at the crossroads of pain and pleasure. The blue flowers Perry plants to honor a loved one gone too soon.

Poignant, spellbinding, and utterly original, Black in Blues is a brilliant new work that could only have come from the mind of one of our greatest writers and thinkers. Attuned to the harrowing and the sublime aspects of the human experience, it is every bit as vivid, rich, and striking as blue itself.

Denishia Boswell is a successful florist and owner of Happily Ever After Floral Shop. Although she creates beautiful bouquets and floral designs to enhance any romantic or intimate setting, she’s having problems enhancing her own love life. She’s in a lackluster relationship that she is ready to give the ax to, but the fear of being alone has kept her from doing so. However, a celebrity client comes her way, and he is after more than just flowers. She finds it extremely hard to ignore his romantic advances, despite her current relationship status.

Ezekiel Wheeler is focused on advancing his acting career. He’s determined to be a sought-after actor that can name his price. None of that means anything if he has no one to celebrate his accolades with. He doesn’t want the celebrity girlfriend or the women approaching him. He wants to be the aggressor. While planning a surprise party for his mother, he contacts a florist to provide the perfect setup for the festivities. The moment he hears her voice, he’s all in.

Denishia and Ezekiel have an undeniable attraction to one another, although her current situation forces her to somewhat deny it in the beginning. When things change and heartache suddenly finds her address, Ezekiel is there to help her pick up the pieces. However, will the ensuing drama force them apart, or will they tread through the moments of uncertainty together?

From bestselling author B.B. Reid comes a wicked retelling of your favorite fairytale.

America's sweetheart has been canceled.

From teen star to international phenom to the biggest celebrity in the world, Aurelia George has suddenly found herself on the other side of adoration. The public thinks they hate her when they never really knew her. The saddest tragedy of all is that she doesn't know herself.

Done with the fame, glitz, and glam―the whole doe-eyed princess charade―Aurelia decides she's taking back her life, even if it costs her everything.

But her uncle has other plans.

Shipped far away until the heat dies, Aurelia finds herself in the one place where her name means nothing. When a blizzard causes her plane to crash, she becomes stranded in the wilds of Northern Canada, a sole survivor with no one to turn to.

No one except them.

The misanthropic mountain men who've shut themselves away.

It's their cabin Aurelia finds in the icy wilderness and their obsession she ignites when they discover her sleeping in one of their beds. Thorin, Khalil, and Ezekiel (and all of his personalities) have only longed for one thing in nine long years...a woman to warm their beds.

Surviving a plane crash, wolves, avalanches, frozen lakes, and a harsh winter with three feral men is nothing compared to Aurelia's hardest trial of all―finding herself.

The first book in a brand-new series, Hunt the Red Hood, from TikTok sensation B.B. Reid, a dark romantic retelling of Red Riding Hood.

"Guard your heart, foolish girl. The wolves will come to steal it."

In a quiet French town steeped in old folklore, Nyx has always believed in logic―not legends. So discovering she's descended from a line of Red Hood witches feels more like a mistake than destiny. But some stories refuse to stay buried.

The Volkovs have been cursed for generations, and time is running out. The only way to break it? A Red Hood witch must fall in love with one of them. Mikhail Volkov is desperate to save someone he loves―and ending the curse is his last hope. Getting close to Nyx was supposed to be a means to an end… until it becomes something far more dangerous.

Gray, the watchful hunter who seems to linger on the edges of every secret, is thrust into Nyx's life next. Protective, intense, and impossible to ignore, he draws Nyx deeper into a world she doesn't understand―and can't escape.

Caught between wolf and hunter, instinct and reason, Nyx must decide who to trust―and what she's willing to risk.

Mara Brock Akil, the award-winning creator of Girlfriends, Being Mary Jane, Love Is, and Forever, pens an emotionally enthralling debut novel about enduring love, world-shattering secrets, and self-awakening.

What happens when one knock at your door sends your entire world into chaos? When a stranger becomes a lifeline? When the reality you’ve meticulously curated seems to be a mirage?

From the outside looking in, one might say that Dionne Daphne had it all: being the beauty editor at a prestigious New York magazine, a boyfriend who could have been plucked out of its model pages, the social life of the upper echelon, and a girlhood steeped in debutant balls.

But that is from the outside. When the now ex-boyfriend arrives at her Brooklyn doorstep Dionne imagines reconciliation, going back to the good life brimming with the possibility of marriage; the life her mother always wanted for her. Instead, he delivers life-threatening news that creates a crack in her picture-perfect world. A crack that grows legs and runs her right into her past, unearthing a secret that she has hidden since childhood.

In an effort to run toward the truth and away from a lie, Dionne sets out on a spur-of-the-moment road trip with an unlikely stranger to confront the long-buried darkness of her past and the family who made it so. As Dionne comes to a final reckoning, she begins to unravel new layers of herself and fresh possibilities for her life, her family, and even her love.

The Revelation of Dionne Daphne is at once a deeply moving and provocatively gripping novel that shows when you dig deep enough into the shadows of your life, light can be revealed. It’s a novel of broken lovers, a fractured family, and distant friendships all making their way back to one another.

Aurelia George was prepared to let the world believe she was dead. Tangled in the arms of her mountain men and bound only by the rules they make, the twice disgraced pop star had found her happily ever after.

Or so she thought.

The only thing surprising about learning her uncle wants her dead is realizing how eager she is to return the favor. Convincing her mountain men to leave their world behind and step into hers won’t be easy. Thorin is desperate to disappear again, Khalil is quietly drowning, and Zeke wants her gone.

For better or worse, this quartet of villains will have to leave their Eden.

And now that the tables have turned, Aurelia’s the one they’ll need to survive. But as she and the rest of the world are about to learn, you can take these men out of the wilds, but you can’t take the wilds out of them.

A pilgrimage of poems, stories, voices, and mixed-media collage through the lives of three generations of Black women.

How can we memorialize our dead? How can that memorialization rend the veil between the dead and the living? In her debut volume, brittny ray crowell sifts through decades of obituaries, journals, and other ephemera to exhume the generations of her family from her hometown of Texarkana, Texas. She preserves her relatives’ stories in writing and in works of collage, a style of archive that layers the past and the present literally and poetically.

This unique approach transforms Cord Swell into an altar, an artistically enshrined space where crowell communes with the past and looks to the future. The title poem, in which crowell speaks to an aunt who passed away, poignantly asks, “if there’s any such thing / as paradise . . . / better than the warmth / of your neck . . . / how close am i / to that context of space?” Her question acts as a provisional thesis statement for this collection, a poetic attempt to reveal, redress, and interpret those who came before her, especially in the absence of physical traces. Each poem imagines ways to access family members who have died and calls out to ancestors crowell never met.

In the process, crowell demonstrates capacious syntactical range, nimbly leaping from haibun to erasure poems, interviews to sonnets. She also invents forms she calls “grooves,” which are structured as album tracklists. These techniques marry form with meaning, echoing the voices of lost loved ones in indelible verse. Rhapsodic, inventive, and ambitious, Cord Swell establishes crowell as one of the most creative and dynamic new voices in poetry.

9 black-and-white illustrations