A probing essay collection that chronicles one woman’s complicated quest to find home in a fractured America, from the award-winning author of Field Study and contributor to Four Hundred Souls, edited by Ibram X. Kendi and Keisha N. Blain

At eighteen, Chet’la Sebree began, as she writes, “perfecting the art of leaving.” After moving out of her parents’ house in Delaware for college, the lauded poet, essayist, and academic rarely kept the same address for more than two years—bouncing from city to city, country to country, perpetually in search of her next adventure.

For Sebree, traveling has been a life-long passion, forged during family road trips and vacations with friends; college study abroad programs in Europe; and far-flung writing residencies and job opportunities. She dreamed of one day taking her own Great American Road Trip, Jack Kerouac–style—except refashioned as a millennial Black woman who had also begun considering her next chapter: settling down and starting a solo fertility journey.

During the pandemic, Sebree thought she might finally get her chance to hit the road. But then, George Floyd was murdered, following the killings of Breonna Taylor, Ahmaud Aubrey, and so many others. As America continued to reveal its most violent self, Sebree started to wrestle with the very idea of home: Where do I belong in a country not meant for people like me to survive? What does this mean for a child I might bring into it?

In Turn (W)here, Sebree turns to the page for answers, seamlessly weaving memoir with history and cultural criticism in a collection of inventive essays bound by themes of movement, home, inheritance, and belonging. Spanning continents, geographies, and states of mind, Sebree lights a pathway for the wanderer, the seeker—anyone propelled into the unknown by the desire for a place to truly belong.

Assassin priests, mad kings, and the goddess of death collide in the first book of the Dreamblood Duology by NYT bestselling and three time Hugo-Award winning author N. K. Jemisin.

The city burned beneath the Dreaming Moon.

In the ancient city-state of Gujaareh, peace is the only law. Upon its rooftops and amongst the shadows of its cobbled streets wait the Gatherers -- the keepers of this peace. Priests of the dream-goddess, their duty is to harvest the magic of the sleeping mind and use it to heal, soothe . . . and kill those judged corrupt.

But when a conspiracy blooms within Gujaareh's great temple, Ehiru -- the most famous of the city's Gatherers -- must question everything he knows. Someone, or something, is murdering dreamers in the goddess' name, stalking its prey both in Gujaareh's alleys and the realm of dreams. Ehiru must now protect the woman he was sent to kill -- or watch the city be devoured by war and forbidden magic.

"It's time we bring forward Black autistic pain points and celebrate the triumphs of ourselves, family members, and organizations that care for these individuals. Through following the real stories of others from around the world, I hope fellow Black and autistic individuals will be empowered to realize that being Black and autistic is enough."

In this powerful insight into the lives of Black autistic people, Kala Allen Omeiza brings together a community of voices from across the world, spanning religions, sexuality and social economic status to provide a deep and rich understanding of what it means to be autistic and Black.

Exploring everything from self-love and appreciation, to the harsh realities of police brutality, anti-Black racism, and barriers to care, as well as amplifying the voices of the inspiring advocates who actively work towards change, protection, and acceptance for themselves and others, this book is an empowering force, reminding you that as a Black autistic person, you are enough.

Passports 2012–2025 presents an intimate body of work by Keisha Scarville taken from an ongoing series centered around her father’s earliest passport photograph. The artist has reinterpreted the photograph over three hundred times to date, each iteration reworked and collaged with varying materials and found imagery – paints, beads, photograph fragments of Black bodies, gold leaf, glitter – to form a deeply textured act of photomontage. Interwoven with the passport works are archival images taken between the 1960s and 1980s in Guyana and New York City, where her father settled in the US, his self-portraits, Scarville’s own photographs of him and of Guyana’s striking landscape, and short transcripts of their conversations. Together these works excavate untold histories and disrupt the false neutrality of the passport image in an interrogation of citizenship and personhood, absence and materiality. Drawing on all these strands, the book examines and reimagines diaspora, bureaucratic images, and the archive, asking what it means to understand a person, especially a loved one, through an image. With a new text by Tina M. Campt, Professor of Humanities at Princeton University

In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. 

Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.

A groundbreaking guide to understanding-and transforming-the psychological impact of being Black in America.

Despite centuries of systemic trauma, Black communities continue to demonstrate unmatched resilience, creativity, and strength. Yet the emotional burden of navigating race, identity, and survival in modern America remains one of the most overlooked public health issues of our time.

Healing While Black offers a compelling, research-informed look at how trauma shows up-and how to heal from it. Combining modern psychology, historical analysis, and culturally grounded practices, this book provides a practical roadmap for improving mental health, building resilience, and strengthening overall well-being.

Inside, readers will learn:

* How generational trauma affects the brain, body, and behavior
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* The psychological effects of racism and systemic inequity
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* Evidence-based tools for emotional regulation and stress recovery
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* Culturally relevant healing practices backed by science
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* How to transform personal healing into empowerment and legacy
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Engaging, accessible, and deeply relevant, this book is designed for individuals, families, educators, therapists, and organizations committed to supporting Black mental health.

Whether you're looking to understand your own healing, support a loved one, or build healthier communities, this book delivers clear insights and actionable strategies for long-lasting change.

This work reminds you of one truth: Healing is your birthright - and reclaiming it is revolutionary.

*ships/ready for pick-up in 7-10 business days*

Give in to this irresistible paranormal romance anthology filled with tales of the mortal and the monstrous. In Eternally Yours, fifteen of today’s bestselling writers explore love in its many forms . . .

Contributors include Kalynn Bayron, Kendare Blake, Kat Cho, Melissa de la Cruz, Hafsah Faizal, Sarah Gailey, Chloe Gong, Alexis Henderson, Adib Khorram, Anna-Marie McLemore, Casey McQuiston, Sandhya Menon, Akshaya Raman, Marie Rutkoski, and Julian Winters.

Vampires and merpeople, angels and demons—the stories in this anthology imagine worlds where the only thing more powerful than the supernatural, is love.


A girl in a graveyard goes on an unexpected date, a shipwrecked sailor makes a connection on a forbidden island, a piano melody summons a soul mate. Creatures of folktales and legend, of land and sea, of centuries past and life after life, all wrapped into one spellbinding compendium. Once you sink into its pages, it’ll never let you go.

From the buzzy, viral sensation Only For The Week, comes the next book in Natasha Bishop’s The Forever Falling series, featuring an intimate bucket list road trip, sexy banter, and a sweet and spicy second chance romance.

If you’re reading this, I’m dead.

Dani Jenkins is a boss. A model turned influencer, she doesn’t have time for taking a risk on romance. She prefers to keep things casual, but when her mentor Tanya dies, she is brought face-to-face with the man who broke her heart.

Dani and Micah had their chance at love...

Artist Micah Wright is a protector who loves fiercely. He’s known as the man everyone can count on, but he’s never forgiven himself for letting down the woman he loves. With Tanya’s dying wish forcing Dani and Micah back together to complete a scavenger hunt road trip, Micah sees a second chance for them to get things right.

Does time heal all wounds?

Tensions are high as their undeniable connection reignites, but Dani refuses to let her guard down. As they continue their journey, Micah is determined to prove to Dani that love is worth fighting for, but can she release her fears and relearn the art of loving?

Tropes: Friends to lovers / He falls first / Second chance romance / Black joy /Forced proximity / Right person, wrong time / Fling to forever

A vital path home. Employing African epistemologies and an embodied African beingness, this book embraces the revelation and miracle of Blackness.

Creating a world worthy of our children requires recalling the dignity and distinction of the African way of life.

This book is not written for settler consumption. Kindred Creation is a call and response to dream and design better worlds rooted in African lifeways: a path to Black freedom, a love letter to Black futures, and a blueprint to intergenerational Black joy and dignity—all (and always) on Black terms.

Author, organizer, and designer Aida Mariam Davis explores the historical and ongoing impacts of settler colonialism, making explicit the ways that extraction, oppression, and enslavement serve the goals of empire—not least by severing ancestral connections and disrupting profound and ancient relationships to self, nature, and community.

Structured in three parts—Remember, Refuse, and Reclaim—Kindred Creation is a philosophical guidebook and a vital invitation to power and reconnection. Davis employs parable, poetry, theory, memory, narrative, and prophecy to help readers:

* Remember: By unforgetting the unending and cascading violence of settler colonialism and other forms of domination and exploring the ways that African land, language, lifestyle, and labor are stolen, distorted, and repackaged for colonial consumption to extract capital and sever ties to ancestral knowledge, lifeways, and dignity

* Refuse: By rejecting and interrupting death-making institutions and relationships and choosing kinship and self-determination in the face of settler colonial violence

* Reclaim: By revealing that freedom is within us—and within reach. Davis shares how the reader can birth new worlds and relationships and offers strategies for reclaiming land, language, lifestyle, and labor.

The colonial violence and dispossession of African land, language, and labor is inflicted intentionally—and by design. Reclaiming African lifeways and remembering what was forcibly forgotten must be by creation: a re-membering of our interconnectedness and kinship.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

An approachable guide to being an informed, compassionate, and socially conscious person today—from discussions of race, gender, and sexual orientation to disability, class, and beyond—from critically acclaimed historian, educator, and author Blair Imani.

“Blair answers the questions that so many of us are asking.”—Layla F. Saad, author of Me and White Supremacy

We live in a time where it has never been more important to be knowledgeable about a host of social issues, and to be confident and appropriate in how to talk about them. What’s the best way to ask someone what their pronouns are? How do you talk about racism with someone who doesn’t seem to get it? What is intersectionality, and why do you need to understand it? While it can seem intimidating or overwhelming to learn and talk about such issues, it’s never been easier thanks to educator and historian Blair Imani, creator of the viral sensation Smarter in Seconds videos.

Accessible to learners of all levels—from those just getting started on the journey to those already versed in social justice—Read This to Get Smarter covers a range of topics, including race, gender, class, disability, relationships, family, power dynamics, oppression, and beyond. This essential guide is a radical but warm and non-judgmental call to arms, structured in such a way that you can read it cover to cover or start with any topic you want to learn more about.

With Blair Imani as your teacher, you’ll “get smarter” in no time, and be equipped to intelligently and empathetically process, discuss, and educate others on the crucial issues we must tackle to achieve a liberated, equitable world.

The #1 New York Times bestselling author of Between the World and Me journeys to three resonant sites of conflict to explore how the stories we tell—and the ones we don’t—shape our realities.

Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,”but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities.

In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind. Then he takes readers along with him to Columbia, South Carolina, where he reports on his own book’s banning, but also explores the larger backlash to the nation’s recent reckoning with history and the deeply rooted American mythology so visible in that city—a capital of the Confederacy with statues of segregationists looming over its public squares. Finally, in the book’s longest section, Coates travels to Palestine, where he sees with devastating clarity how easily we are misled by nationalist narratives, and the tragedy that lies in the clash between the stories we tell and the reality of life on the ground. 

Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive myths that shape our world—and our own souls—and embrace the liberating power of even the most difficult truths.