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Bringing together fourteen African-American women, Marita Golden has compiled saucy and spicy essays that serve as an exploration into the contemporary black female psyche. Ranging in style from Audre Lorde's classic polemic on eroticism to Miriam DeCosta Willis's deeply moving essay on her husband's last years, "every single one of these essays is terrific." -- The Washington Post

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.

Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.

An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.

More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them. 

In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

The politics and music of the sixties and early seventies have been the subject of scholarship for many years, but it is only very recently that attention has turned to the cultural production of African American poets. 

In "After Mecca," Cheryl Clarke explores the relationship between the Black Arts Movement and black women writers of the period. Poems by Gwendolyn Brooks, Ntozake Shange, Audre Lorde, Nikki Giovanni, Sonia Sanchez, Jayne Cortez, Alice Walker, and others chart the emergence of a new and distinct black poetry and its relationship to the black community's struggle for rights and liberation. Clarke also traces the contributions of these poets to the development of feminism and lesbian-feminism, and the legacy they left for others to build on. 

She argues that whether black women poets of the time were writing from within the movement or writing against it, virtually all were responding to it. Using the trope of "Mecca," she explores the ways in which these writers were turning away from white, western society to create a new literacy of blackness.
 

Provocatively written, this book is an important contribution to the fields of African American literary studies and feminist theory.

From the author of The Art of Scandal comes a small town romance about the visibility of Black women’s voices in country music, for readers of The Final Revival of Opal & Nev.

Every Thursday night, former country music heartthrob Luke Randall has to sing “Another Love Song.” God, he hates that song. But performing his lone hit at an interstate motel lounge is the only regular money he still has. Following another lackluster performance at the rock bottom of his career, Luke receives the opportunity of his dreams, opening for his childhood idol—90’s era Black country music star, JoJo Lane, who’s being inducted into the Country Music Hall of Fame. But the concert is in Arcadia, Arkansas, the small hometown he swore he’d never see again. Going back means facing a painful past of abuse and neglect. It also means facing JoJo’s daughter, August Lane—the woman who wrote the lyrics he’s always claimed as his own. 
 
August also hates that song. But she hates Luke Randall even more. When he shows up ten years too late to apologize for his betrayal, she isn’t interested in making amends. Instead, she threatens to expose his lies unless he co-writes a new song with her and performs it at the concert, something she hopes will launch her out of her mother's shadow and into a songwriting career of her own. Desperate to keep his secret, Luke agrees to put on the rogue performance, despite the risk of losing his shot at a new record deal.
 
When Luke’s guitar reunites with August’s soulful alto, neither can deny that the passionate bond they formed as teenagers is still there. As the concert nears, August will have to choose between an overdue public reckoning with the boy who betrayed her, or trusting the man he’s become to write a different love song.

From the author of the National Book Award finalist Ghostroots, a debut novel that thrills with its eerie mix of folklore and history.

The lonely daughter of a distant mother, Yosoye arrives in Lagos ready to change her life. Weeks after she begins an internship at a fancy architectural firm, she discovers she is pregnant. Yosoye is joyful―a new life brings the hope of connection and companionship.

But an inexplicable force is haunting the pregnant women of Lagos. As construction speeds ahead on the firm’s glossy new development on land reclaimed from the ocean, stories of the uncanny deaths in the city’s open waters reach a fever pitch. Yosoye finds herself stalked by a presence she can neither ignore nor appease―without risking her unborn baby and her precarious hopes for the future.

In One Leg on Earth, ‘Pemi Aguda turns the question of who belongs in a city into an arresting exploration of what it means to be a mother in an unforgiving world, and a haunting vision of the dark side of progress.

The enchanting tale of mischief and myth—inspired by West African folklore—that became a fantasy classic, from the award-winning author of The Blue, Beautiful World

Paama is a marvelous cook who’s had the bad fortune to marry Ansige. He was the least eligible bachelor in his village: self-centered, foolish, and food-obsessed. Paama has had enough of this miserable life with her gluttonous husband, and so leaves him to return to her old life with her family.

But Paama does not know that this is the beginning of a remarkable adventure. Because the Undying Ones are watching her. These spirits observe the follies of mortal life . . . and sometimes meddle and make mischief.

One of these beings presents her with a magical artifact known as the Chaos Stick, which he says is “great for stirring things up.” As Paama gets to know the powers of this marvelous gift, she learns that the Chaos Stick was stolen from a rival spirit, who decides to stir up some trouble of his own.

But mastering this magical artifact is only the beginning of Paama’s quest. Although Paama has been granted great power by the Undying Ones, her real journey is to find the magic that lies within herself.

An R&B singer and a corporate executive find love that hits the right notes in this romance by Kristina Forest, USA Today bestselling author of The Partner Plot.

Iris Greene used to be a woman with a plan. But all of that changed after she met the love of her life at twenty-five, got pregnant and married…and then became a widow and a single mother all in alittle over two years. Now, after years of hustling, Iris is the director of partnerships at a beauty company and raising sweet six-year-old Calla by herself. Despite her busy life, she still can’t help but feel lonely. She just needs to catch her breath—and one night, at her sister’s wedding, when she steps outside to do just that, she sees a certain singer who takes her breath away. . . .

By all accounts, pop R&B singer Angel Hughes has it made. He’s a successful musician and has just scored a brand ambassador deal with an emerging beauty company. But he’s still not fulfilled; he’s not producing songs he’s passionate about, and there’s a gaping hole in his love life. When he visits the Save Face Beauty office to kickstart his campaign, he’s delighted to see Iris, his stylist’s sister—the beautiful woman he’s secretly had a crush on for years.

Despite their obvious attraction to each other, they must stay professional throughout the campaign tour—a goal that doesn’t quite pan out. But when it becomes clear their lives aren’t in sync, can they fall back in step to the same rhythm and beat?

"Kristina Forest’s Green Sisters series blends swoonworthy romantic moments with a healthy dose of sisterly bonding and a dash of glitz and glamor. Each book is a well-rounded treat."—Alexis Daria, bestselling author of You Had Me at Hola

Spanning four decades and three continents, Bitter Honey is a story about a mother and daughter divided by long buried secrets, struggling to understand each other as they forge their own paths, from the internationally bestselling author of In Every Mirror She’s Black.

1978: A scholarship draws Nancy from Gambia’s warmth into Stockholm’s frigid winter. When her friendship with charismatic scholar Lars blossoms into something more, she thinks she may have finally found her place. But there’s more to Lars than his charming persona, and Nancy is about to discover the danger of being drawn into his world… 

2006: Tina has had her taste of fame as Sweden’s sweetheart pop princess, representing her country at Eurovision. But beneath her glittery façade, she’s uncertain who she really is. Her mother, Nancy, seems desperate to keep the past under wraps, but will the unexpected appearance of Tina’s father—a man she has long thought dead—help open the door to self-discovery?

Nancy just wants to protect her daughter from making the same mistakes she did, but Tina longs for the freedom to mess up, knowing her mother will always be there to support her. The two women love each other unconditionally, but can they learn to trust each other as well?

This poignant novel delves deep into the complicated relationships between mothers and daughters and delivers a warm, heartfelt story of love, forgiveness, and women finding their voices.

She's a gem.

And on an entirely different level than the women I'm accustomed to.

She's loyal and about her paper. That's why I'd sacrifice the only friendships I'd ever known, wait for however long it took her to be ready, and happily sever ties with anyone who didn't agree with or was against our union. Because the little spoiled brat that I once considered off-limits had given me a taste of her forbidden fruit and there was nothing I'd stop at to maintain the privilege of burying my seeds in her garden.

He's a friend.

And doesn't mind risking it all for me.

The truth is, I just can't get enough of him...

Cold.

The first thing that comes to mind when I think of her.

Why you running from me?

The first question comes to mind each time she turns her back on me.

Rigid and cool to the touch, her heart had ice around it. She’d put it in the deepest, darkest hole and dared anyone to try and fetch it. A man that appreciates a challenge took this one on head first. And, with little bruising, I retrieved it. The red, barely recognizable organ was lifeless. Day by day, I nurtured it, nurtured her, and eventually, it began to beat again. Not just for anyone, but for me. Its revival was life’s greatest reward. The victory didn’t last very long. My lack of experience with handling something so precious led me to make rookie mistakes, ones that cost me her heart and mine, too.

Different.

That’s what I believe him to be.

Who sent you after my heart?

It’s the question that plagued me each time he set out on my path.

His pockets were stuffed and his accounts were limitless, affording him luxuries that not everyone had when it came to me. He didn’t flinch at the notion that he had to pay to play. It enticed him. That was my type. He was my type. But, he knew no boundaries. His quest commenced the second our eyes met, my body hypnotizing him and everyone else in the room around us. Sadly, they were a blur. All I saw was him. Tenacity was his specialty. He was as confident as he was persistent, tireless in his efforts to retrieve the one part of me that I’d buried for safekeeping. And, once he had it in his grasp, like every other man I’d shamefully given it to, he crushed it.

Karen Lord’s debut novel won the prestigious Frank Collymore Literary Prize in Barbados, the Mythopeic, Carl Brandon Parallax, and Crawford Awards. It is an intricately woven tale of adventure, magic, and the power of the human spirit.

Paama’s husband is a fool and a glutton. Bad enough that he followed her to her parents’ home in the village of Makende, now he’s disgraced himself by murdering livestock and stealing corn. When Paama leaves him for good, she attracts the attention of the undying ones—the djombi—who present her with a gift: the Chaos Stick, which allows her to manipulate the subtle forces of the world. Unfortunately, a wrathful djombi with indigo skin believes this power should be his and his alone.

Bursting with humor and rich in fantastic detail, Redemption in Indigo is a clever, contemporary fairy tale that introduces readers to a dynamic new voice in Caribbean literature. Lord’s world of spider tricksters and indigo immortals, inspired in part by a Senegalese folk tale, will feel instantly familiar—but Paama’s adventures are fresh, surprising, and utterly original.

"Fantasy as a genre does not have boundaries," writes Lord. "It has roots. You may call it fantasy. I call it life.”