Join us for the official launch event of Black Chameleon: Memory, Womanhood & Myth with author, Deborah D.E.E.P Mouton and artist, Delita Martin. 

Event DEETS

When: March 7, 2023 at 7PM CST

Where: Project Row House Community Gallery (2521 Holman Street, HTX 77004)

How: Please RSVP reserve your spot. Checkout for RSVP with Book to support our store and the author/artists. 

About Black Chameleon

In the literary tradition of Carmen Maria Machado’s In the Dream House, Maxine Hong Kingston’s The Woman Warrior, and Jesmyn Ward’s Men We Reaped, this debut memoir confronts both the challenges and joys of growing up Black and making your own truth.

Growing up as a Black girl in America, Deborah Mouton felt alienated from the stories she learned in class. She yearned for stories she felt connected to—true ones of course—but also fables and mythologies that could help explain both the world and her place in it. What she encountered was almost always written by white writers who prospered in a time when human beings were treated as chattel, such as the Greek and Roman myths, which felt as dusty and foreign as ancient ruins. When she sought myths written by Black authors, they were rooted too far in the past, a continent away.

Mouton writes, “The phrases of my mother and grandmother began to seem less colloquial and more tied to stories that had been lost along the way. . . . Mythmaking isn’t a lie. It is our moment to take the privilege of our own creativity to fill in the gaps that colonization has stolen from us. It is us choosing to write the tales that our children pull strength from. It is hijacking history for the ignorance in its closets. This, a truth that must start with the women.”

Mouton’s memoir is a song of praise and an elegy for Black womanhood. With a poet’s gift for lyricism and poignancy, Mouton reflects on her childhood as the daughter of a preacher and a harsh but loving mother, living in the world as a Black woman whose love is all too often coupled with danger, and finally learning to be a mother to another Black girl in America. Of the moment yet timeless, playful but incendiary, Mouton has staked out new territory in the memoir form.

About Deborah DEEP Mouton

Deborah D.E.E.P. Mouton is an internationally known writer, educator, activist, and performer and the first Black poet laureate of Houston, Texas. She was formerly ranked the #2 Best Female Performance Poet in the World (PSI). Her recent poetry collection, Newsworthy, garnered her a Pushcart nomination, was named a finalist for the 2019 Writers’ League of Texas Book Award, and received an honorable mention for the Summerlee Book Prize. Its German translation, under the title Berichtenswert, was released in Summer 2021 by Elif Verlag. The opera Marian’s Song, for which she wrote the libretto, debuted in 2020. 

About Delita Martin

Delita Martin is an artist currently based in Huffman, Texas. She received a BFA in drawing from Texas Southern University and an MFA in printmaking from Purdue University. Formerly a member of the fine arts faculty at UA Little Rock in Arkansas, Martin currently works as a full-time artist in her studio, Black Box Press. Martin’s work has been exhibited both nationally and internationally. Most recently Martin’s work was included in the State of the Arts: Discovering American Art Now, an exhibition that included 101 artists from around the United States. Her work is in numerous portfolios and collections.

Join us as we examine the intersection of Black feminist politics and public housing with author Dr. Akira Drake Rodriguez and Josie Pickens!

EVENT DEETS:

When: Wednesday, April 6 at 7:00 PM CST

Where: Virtual via Crowdcast.

How:  Register on this page or head over to register on Crowdcast directly using this link.  If you register using our website (with or without purchasing the book) and not Crowdcast, you will register a Crowdcast watch link at least 24 hours before the start of the event.

We hope you can join us!

ABOUT THE BOOK:

This book explores the often-overlooked positive role of public housing in facilitating social movements and activism. Taking a political, social, and spatial perspective, the author offers Atlanta as a case study. Akira Drake Rodriguez shows that the decline in support for public housing, often touted as a positive (neoliberal) development, has negative consequences for social justice and nascent activism, especially among Black women. Urban revitalization policies target public housing residents by demolishing public housing towers and dispersing poor (Black) residents into new, deconcentrated spaces in the city via housing choice vouchers and other housing-based tools of economic and urban development.

Diverging Space for Deviants establishes alternative functions for public housing developments that would necessitate their existence in any city. In addition to providing affordable housing for low-income residents—a necessity as wealth inequality in cities increases—public housing developments function as a necessary political space in the city, one of the last remaining frontiers for citizens to engage in inclusive political activity and make claims on the changing face of the state.

ABOUT THE AUTHOR:

AKIRA DRAKE RODRIGUEZ is an assistant professor at the University of Pennsylvania's Weitzman School of Design. She received her PhD from the Edward J. Bloustein School of Urban Planning and Public Policy at Rutgers University.  She has a MPA from the Fels Institute at the University of Pennsylvania and a BS in Economics from the Wharton School at the University of Pennsylvania.  Her husband Ruben and her son Jack keep her laughing in their home in Philadelphia.

ABOUT THE MODERATOR:

Josie Pickens is a womanist and abolitionist professor, organizer, writer and thought leader. In addition to speaking and writing about topics that focus on the intersections of race, gender, and sexuality, Josie is also the program director for upEND Movement, which is an organization committed to abolishing the the child welfare system. Connect with Josie and follow her musings on Twitter and Instagram at @jonubian.

Join us as we celebrate the release of Golden Ax with Rio Cortez and poet author, Ariana Brown. 

EVENT DEETS

When: September 25 @7PM CST

Where: Virtual via Crowdcast

How: Register on this page or head over to register on Crowdcast directly using this link.  If you register using our website (with or without purchasing the book) and not Crowdcast, you will register a Crowdcast watch link at least 24 hours before the start of the event.

About the Book 

“Outstanding . . . the poetry in these pages is intelligent, lyrical, as invested in the past as the present and future with witty nods to pop culture.” —Roxane Gay, author of Hunger
 
“I’ve never read anything like it. Truly a sublime experience.” —Jason Reynolds, author of Ain’t Burned All the Bright

A groundbreaking collection about Afropioneerism past and present from Pushcart Prize-nominated poet and New York Times bestselling author Rio Cortez

From a visionary writer praised for her captivating work on Black history and experience, comes a poetry collection exploring personal, political, and artistic frontiers, journeying from her family's history as "Afropioneers" in the American West to shimmering glimpses of transcendent, liberated futures. 
 
In poems that range from wry, tongue-in-cheek observations about contemporary life to more nuanced meditations on her ancestors—some of the earliest Black pioneers to settle in the western United States after Reconstruction—Golden Ax invites readers to re-imagine the West, Black womanhood, and the legacies that shape and sustain the pursuit of freedom. 

About the Author 

Born and raised in Salt Lake City, Utah, Rio Cortez is the New York Times bestselling author of The ABCs of Black History (Workman, 2020) and I Have Learned to Define a Field As a Space Between Mountains, winner of the 2015 Toi Dericotte and Cornelius Eady Chapbook Prize. Her honors include a Poets & Writers Amy Award, as well as fellowships from Cave Canem, Canto Mundo, The Jerome Foundation, and Poet’s House. Rio holds an MFA in Creative Writing from New York University.

About the Conversation Partner

Ariana Brown is a queer Black Mexican American poet from San Antonio, TX, currently based in Houston. She is the author of We Are Owed. (Grieveland, 2021) and Sana Sana (Game Over Books, 2020). Ariana’s work investigates queer Black personhood in Mexican American spaces, Black relationality and girlhood, loneliness, and care. She holds a B.A. in African Diaspora Studies and Mexican American Studies, an M.F.A. in Poetry, and is pursuing an M.L.S. in Library Science. Ariana is a 2014 national collegiate poetry slam champion and owes much of her practice to Black performance communities led by Black women poets from the South. She has been writing, performing, and teaching poetry for over ten years. Follow Ariana online @ArianaThePoet.

EVENT DEETS

When: Sunday, April 23, 2023 at 5PM CST

Where: Hogan Brown Gallery (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY for TICKET or RSVP WITH BOOK to get your copy of THE HOUSE OF EVE!

ABOUT THE BOOK

ABOUT THE AUTHOR

Sadeqa Johnson is the award-winning author of four novels, including Yellow Wife. Her accolades include the National Book Club Award, the Phillis Wheatley Book Award, and the USA Best Book Award for Best Fiction. She is a Kimbilio Fellow, former board member of the James River Writers, and a Tall Poppy Writer. Originally from Philadelphia, she currently lives near Richmond, Virginia, with her husband and three children. To learn more, visit SadeqaJohnson.net.

Join us to celebrate the release of Decent People with Center for Fiction First Novel Prize winner, De'Shawn Charles WInslow & MacArthur Genius Grant Fellow, Kiese Laymon. 

EVENT DEETS

When: January 18 at 7PM CST

Where: Kindred Stories Reading Garden, 2304 Stuart Street, Houston, TX 77004

How: RSVP for a free ticket or RSVP with book to support the author and our programming. 

ABOUT DECENT PEOPLE

From prizewinning author De’Shawn Charles Winslow, a sweeping and unforgettable novel of a Black community reeling from a triple homicide, and the secrets the killings reveal.

In the still-segregated town of West Mills, North Carolina, in 1976, Marian, Marva, and Lazarus Harmon—three enigmatic siblings—are found shot to death in their home. The people of West Mills— on both sides of the canal that serves as the town’s color line—are in a frenzy of finger-pointing, gossip, and wonder. The crime is the first reported murder in the area in decades, but the white authorities don’t seem to have any interest in solving the case.

Fortunately, one person is determined to do more than talk. Miss Josephine Wright has just moved back to West Mills from New York City to retire and marry a childhood sweetheart, Olympus “Lymp” Seymore. When she discovers that the murder victims are Lymp’s half-siblings, and that Lymp is one of West Mills’s leading suspects, she sets out to prove his innocence. But as Jo investigates those who might know the most about the Harmons’ deaths, she starts to discover more secrets than she’d ever imagined, and a host of cover-ups—ranging from medical misuse to illicit affairs—that could upend the reputations of many.

For readers of American Spy and Bluebird, Bluebird, Decent People is a powerful new novel about shame, race, money, and the reckoning required to heal a fractured community.

ABOUT THE AUTHOR

Join us as we talk to Margaret Wilkerson Sexton about her new release, On The Rooftop. 

EVENT DEETS

When: November 3 at 7PM CST

Where: Kindred Stories' Reading Garden

How: Grab a free ticket OR purchase the book with your ticket to support the authors and our store programming. 

About the Book

A stunning novel about a mother whose dream of musical stardom for her three daughters collides with the daughters’ ambitions for their own lives—set against the backdrop of gentrifying 1950s San Francisco

At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.

Now Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she’s been praying for. But sometime between the hours of rehearsal on their rooftop and the weekly gigs at the Champagne Supper Club, the girls have become women, women with dreams that their mother cannot imagine.

The neighborhood is changing, too: all around the Fillmore, white men in suits are approaching Black property owners with offers. One sister finds herself called to fight back, one falls into the comfort of an old relationship, another yearns to make her own voice heard. And Vivian, who has always maintained control, will have to confront the parts of her life that threaten to splinter: the community, The Salvations, and even her family.

About the Author

MARGARET WILKERSON SEXTON, born and raised in New Orleans, studied creative writing at Dartmouth College and law at UC Berkeley. Her most recent novel, The Revisioners, won a 2020 Janet Heidinger Kafka Prize, an NAACP Image Award for Outstanding Literary Work and a George Garrett New Writing Award; was a California and Northern California Book Award finalist, a 2020 Hurston/Wright Foundation Legacy Award Finalist and a Willie Morris Award for Southern Writing finalist; was nominated for the 2020 Simpson/Joyce Carol Oates Prize; and was a national bestseller as well as a New York Times Notable Book of the Year. Her debut novel, A Kind of Freedom, was long-listed for the National Book Award and the Northern California Book Award, won the Crook's Corner Book Prize, and was the recipient of the First Novelist Award from the Black Caucus of the American Library Association. Her work has been published or is forthcoming in Zyzzyva, The Paris Review; O, The Oprah Magazine; The New York Times Book Review; and other publications. She lives in Oakland with her family.

About the Moderator

Kiese Laymon is a Black southern writer from Jackson, Mississippi. He is the Libby Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of “The Catherine Coleman Literary Arts and Justice Initiative,” a program aimed at getting Mississippi young people and their parents more comfortable reading, writing, revising and sharing.

2 inch round button with pin back