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New Suns 2 brings you fresh visions of the strange, the unexpected, the shocking—breakthrough stories, stories shining with emerging truths, stories that pierce stale preconceptions with their beauty and bravery. Like the first New Suns anthology (winner of the World Fantasy, Locus, IGNYTE, and British Fantasy awards), this book liberates writers of many races to tell us tales no one has ever told.

Many things come in twos: dualities, binaries, halves, and alternates. Twos are found throughout New Suns 2, in eighteen science fiction, fantasy, and horror stories revealing daring futures, hidden pasts, and present-day worlds filled with unmapped wonders.

Including stories by Daniel H. Wilson, K. Tempest Bradford, Darcie Little Badger, Geetanjali Vandemark, John Chu, Nghi Vo, Tananarive Due, Alex Jennings, Karin Lowachee, Saad Hossain, Hiromi Goto, Minsoo Kang, Tlotlo Tsamaase, Rochita Loenen-Ruiz, Malka Older, Kathleen Alcalá, Christopher Caldwell and Jaymee Goh with a foreword by Walter Mosley and an afterword by Dr. Grace Dillon.

We're meeting to discuss Blood Slaves by Markus Redmond!

BOOK CLUB MEETING DEETS

When: Tuesday, July 21 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend! Support the Horror Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT BLOOD SLAVES

For readers of Victor LaValle, Tananarive Due, and Colson Whitehead’s The Underground Railroad, this ingenious reimagining of the vampire origin story set during the early days of American slavery blends alternate history with supernatural horror, as the last surviving member of an ancient African vampire tribe meets a slave desperate for freedom, and together, they lead an army of enslaved people in a cinematically blood-soaked battle for freedom and revenge.

What if nobody ever freed the slaves…because they freed themselves – 150 years before the Civil War?

In the Province of Carolina, 1710, freedom seems unattainable for Willie, for his beloved Gertie, and for their unborn child. They live, suffer, and toil under their brutal master, James “Big Jim” Barrow, whose grand plantation was built by the blood, sweat, and tears of the enslaved. To flee this hell on earth is be hunted and killed. Until one strange night Willie is offered a dark hope by Rafazi, an enigmatic slave with an irresistible and blood-chilling path to liberation.

Hailing from the Kingdom of Ghana, Rafazi is the lone survivor of the Ramanga, an African vampire tribe rendered nearly extinct by plague. Rafazi has roamed the world for centuries with an undying desire to replenish the power that once defined his heritage. In Willie, Rafazi has found his first biddable subject to be turned and to help in a hungry revolt. And Willie desires nothing more than to free his people from malicious bondage. Whatever it takes.

One by one, as an army of blood slaves thirsting for revenge is gathered, the headstrong Gertie fears that no good can come from the vampiric legacy that courses through Rafazi’s veins. Willie knows that only evil can fight evil. And when the woman he loves stands between the reemergence of the Ramanga and the justified slaughter of the oppressors, Willie must make an irreversible decision. Only one thing is certain: on the Barrow plantation, and beyond, blood will spill.

Part historical drama, part supernatural horror, and part alternate history, Blood Slaves is an ingenuous and defiant new creation myth of the vampire, one rooted in both justice and the sometimes-violent means necessary to achieve it.

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation.

A cop begins seeing huge, blinking eyes where the headlights of cars should be that tell him who to pull over. Two freedom riders take a bus ride that leaves them stranded on a lonely road in Alabama where several unsettling somethings await them. A young girl dives into the depths of the Earth in search of the demon that killed her parents. These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor, and Cadwell Turnbull.

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In her first new book in seven years, Tananarive Due further cements her status as a leading innovator in Black horror and Afrofuturism

“Tananarive Due is the master of Black horror, even teaching a class where Jordan Peele guest-lectured. So her new collection, The Wishing Pool, out in mid-April, is a major treat, full of major scares. Due excels at twist endings but also brilliantly creates an atmosphere of creeping dread in which you know something terrible is coming. The Wishing Pool is helpfully divided into four sections, and each feels like a movement in a symphony. There are classic tales of horror, then a series of stories set in a Florida town where the swamp tends to swallow people up; the final two sections shift to science fiction about post-apocalyptic futures. (These last sections include pandemic stories, written before 2020, which hit harder now.) Due shows just how much territory she can cover in one short book and just how versatile terrifying tales can be.”
—Washington Post

American Book Award–winning author Tananarive Due’s second collection of stories includes offerings of horror, science fiction, and suspense—all genres she wields masterfully. From the mysterious, magical town of Gracetown to the aftermath of a pandemic to the reaches of the far future, Due’s stories all share a sense of dread and fear balanced with heart and hope.

In some of these stories, the monster is racism itself; others address the monster within, each set against the supernatural or surreal. All are written with Due’s trademark attention to detail and deeply drawn characters.

In addition to previously published work, this collection contains brand-new stories, including “Rumpus Room,” a supernatural horror novelette set in Florida about a woman’s struggle against both outer and inner demons.

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Newly Reissued

A man risks his soul and his sanity to save his family from malevolent forces in this brilliant novel of horror and the supernatural, now updated with new material, from the award-winning pioneer of speculative fiction and author of the classic My Soul to Keep. 

When Hilton was a boy, his grandmother sacrificed her life to save him from drowning. Thirty years later, he begins to suspect that he was never meant to survive that accident, and that dark forces are working to rectify that mistake. 

When Hilton's wife, the only elected African American judge in Dade County, Florida, begins to receive racist hate mail from a man she once prosecuted, Hilton becomes obsessed with protecting his family. The demons lurking outside are matched by his internal terrors—macabre nightmares, more intense and disturbing than any he has ever experienced. Are these bizarre dreams the dark imaginings of a man losing his hold on sanity—or are they harbingers of terrible events to come? 

As Hilton battles both the sociopath threatening to destroy his family and the even more terrifying enemy stalking his sleep, the line between reality and fantasy dissolves . . . 

Chilling and utterly convincing, The Between is the haunting story of a man desperately trying to hold on to the people and life he loves as he slowly loses himself. 

Winner of a Shirley Jackson Award

For fans of “The Lottery” and The Hunger Games, this novel set in a small town with a sinister tradition is chilling in the best possible way.

“Curdle Creek is a thoughtful, sinister tour-de-force.”
―Tananarive Due, L.A. Times Book Prize-winning author of The Reformatory

Welcome to Curdle Creek, a place just dying to make you feel at home.

Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of the remote all-Black town that’s stuck in the past and governed by ominous rituals including a one in, one out population policy. Though she’s always been considered blessed, her luck changes when her grown children run off to parts unknown, she comes in second to last in the Running of the Widows, and her father flees after his name is called in the annual Moving On ceremony.

Forced to jump into a well in a test of allegiance, Osira finds herself transported first back in time, and then into another realm where she must answer for crimes committed by Curdle Creek. Exile forces her to jump realms again, landing Osira even farther away from home, in rural England. Safe there as long as she sticks to the rules, she quickly learns there are consequences for every kindness. Each jump could lead Osira anywhere, but will she ever find a place to call home?

Curdle Creek is an American Gothic in the tradition of Shirley Jackson that offers a mash-up of the surreal and literary horror that will appeal to fans of Ring Shout, The Salt Grows Heavy, and Lovecraft Country. Yvonne Battle-Felton’s propulsive tale is layered and eerie and quite unlike anything else.