Deluxe, expanded edition of an out-of-print early novel from Africanfuturist luminary Nnedi Okorafor, with a brand-new introduction from the author

Niger, West Africa, 2074

It is an era of tainted technology and mysterious mysticism. A great change has happened all over the planet, and the laws of physics aren’t what they used to be.

Within all this, I introduce you to Ejii Ugabe, a child of the worst type of politician. Back when she was nine years old, she was there as her father met his end. Don’t waste your tears on him: this girl’s father would throw anyone under a bus to gain power. He was a cruel, cruel man, but even so, Ejii did not rejoice at his departure from the world. Children are still learning that some people don’t deserve their love.  

Now 15 years old and manifesting the abilities given to her by the strange Earth, Ejii decides to go after the killer of her father. Is it for revenge or something else? You will have to find out by reading this book.

I am the Desert Magician, and this is a novel I have conjured for you, so I’m certainly not going to just tell you here.

Don’t miss out on the stunning DELUXE LIMITED EDITION while supplies last. This breathtaking collectible is only available on a limited first print run in the US and Canada only, a must-have for any book lover.

At Blackmore Academy, a magical HBCU, history professor Asa Morgan hides her rare magical lineage, which would make her a prime target for dark casters who know the last living banshee is the key to opening the gates of hell.

Don’t miss out on the stunning DELUXE LIMITED EDITION while supplies last. This breathtaking collectible is only available on a limited first print run in the US and Canada only, a must-have for any book lover.

The Bodyguard meets Romancing the Stone, in this adventure romcom by New York Times bestselling author, Debbie Rigaud, where an R&B singer is recruited to lure a foreign warlord out of hiding after the CIA discovers he is her number one fan.

This deluxe edition is printed with stenciled edges!

In this Southern gothic horror novel, four unlikely allies in a small town investigate a local teen's disappearance, and what they discover festering at the core of their community is far more sinister and ancient than they could’ve ever imagined. For fans of She is a Haunting, True Detective, Mexican Gothic, and Midsommar.

When Dawson Sumter goes missing, all he leaves behind is a smattering of blood in room 4 of the debt-ridden motel owned by Neera Singh's family. Disappearances like this aren't uncommon in the rural Georgia town of Carrion, especially every thirteen years when a periodical cicada brood returns from underground, shrieking their deafening screams.

For Neera, Dawson is another reminder that in this corner of the South, the rich only get richer, and the poor―well, nothing good comes their way.

Neera sets out to investigate Dawson’s whereabouts―if he even still lives―along with three other teens: Isaiah, son of a prominent judge and clandestine true crime podcaster; Reid, son of the wealthiest man in the region; and Sam, estranged daughter of the local hitman. As they find themselves entangled in a messy web of secrets and lies, they discover the riches of the adjacent Lake Clearwater community may have a terrifying source of power dating back to the town’s founding and an ancient urban legend about three devils, each more sinister than the next. How deep does the rot go, and can they find a way to escape its reach?

Begun by Donald Barthelme and Phillip Lopate, Gulf Coast is the nationally-distributed journal housed within the University of Houston's English Department, home to one of the US's top ranked creative writing programs. The journal spent its nascent years (1982-1985) as Domestic Crude, a name that nodded to the major industry of the Houston area. It was a 64-page (magazine-formatted) student-run publication, with editorial advising coming from Mr. Lopate, who also contributed work to the first issues.

In 1986, the name Gulf Coast premiered. It stuck. After some experimenting, the journal found its dimensions and, eventually, its audience. The journal has since moved beyond the student body of the University of Houston and into the larger world. Our readership of the print journal currently exceeds 3,000, with more and more coming to our ever-expanding website. The print journal comes out each April and October.

Gulf Coast is still student-run. We seek to promote and publish quality literature in our local and national communities while simultaneously teaching excellence in literary publishing to graduate and undergraduate students. While we are committed to providing a balanced combination of literary approaches and voices, all of the editorial positions are two-year terms, thus ensuring a regular turnover in the specific personality and style of the journal.

In addition, Gulf Coast differs from many other literary journals in its commitment to exploring visual art and critical art writing. The journal has always featured portfolios by two artists, along with short introductions from critics familiar with their work. Since October 2013, Gulf Coast commits sixteen pages to full-color visual art features and twenty-four pages to critical art writing in each issue. This expansion was made possible by Gulf Coast's merger with Texas art journal Art Lies, a publication with a respected history of putting artists, curators, scholars, and critics in dialogue with their colleagues around the world.

The journal has enhanced its community presence thanks to the Gulf Coast Reading Series, a monthly gathering at Lawndale Art Center in the Museum District neighborhood of Houston, as well as with its annual Spring Issue Release Party. These events continue to bring esteemed writers, editors, publishers and, of course, readers to the Houston area.

Gulf Coast: A Journal of Literature and Fine Arts is a 501(c)3 nonprofit organization, generously funded by grants from the Brown Foundation, Inc.; theThe Cynthia Woods Mitchell Center for the Arts; Inprint, Inc.; Houston Endowment, Inc.; the City of Houston through the Houston Arts Alliance; theTexas Commission on the Arts; the University of Houston English Department; and the National Endowment for the Arts, as well as through the support of individual contributions.

Freshly expanded and resequenced, McClellan’s beloved photobook chronicling Black American cowboy culture returns to print

Ivan McClellan’s Eight Seconds is the result of more than a decade spent living inside Black cowboy culture. What began as an introduction to the Black rodeo in 2015 has become a sustained artistic collaboration built on trust and curiosity. Moving across the United States with his camera, McClellan makes intimate portraits of a community where individualism, place, style and athleticism converge, and where a new generation is reshaping the image of the American West in real time. The title refers to how bull riding is scored, but here it speaks to an interval in time where life and death are at stake. Like the cowboys he photographs, McClellan works in a space that demands total presence, where the connections to animals and land meet to create moments of universal appeal. These photographs move beyond the rodeo arena to foreground a culture that demands individuality and self-expression. The result is a contemporary language that builds a new myth out of the old West. First published to great acclaim in 2024, the second edition of Eight Seconds is newly sequenced and includes 91 previously unpublished images as well as a new introduction and foreword.
Ivan McClellan (born 1982) is a photojournalist based in Portland, Oregon. His work has been featured in Andscape and Fast Company. As a designer, he has led projects for Nike, Adidas, Disney and the US National Soccer Team.

From the #1 New York Times bestselling author of Long Way Down comes a powerful print adaptation of the acclaimed, award-winning audiobook Soundtrack—a stirring story of music, friendship, and finding your voice in 2000s New York City.

Stuy Grey plays the drums, just like his mom, a founding member of the all-black punk band the Bed-Stuy Magic Dusters. He teaches himself by watching videos of tap dancers. Now he’s left home, estranged from his mom and her abusive boyfriend. He’s camping out with his uncle on the Lower East Side. His landlord, Dunks, has chops: He shreds on only five strings. Add Alexis on bass guitar and Keith on horn: These teens are a band, busking in New York City subway stations to scrape enough money to record an album.

As their popularity grows, so do the pressures, from complicated family dynamics to the glare of unexpected public attention. And when the police start looking for their bassist, Stuy faces his toughest decision yet.

Adapted from the acclaimed Listening Library original audiobook and written with Jason Reynolds’s signature rhythm, heart, and honesty, Soundtrack: A Novel is a raw, resonant story about friendship, creativity, and what it truly means to find, and fight for, your voice.

The acclaimed, definitive and essential guide to 1980s Jamaican Dancehall—featuring hundreds of photographs with interviews and biographies

This widely admired book, back in print with a new introduction, captures a previously unseen era of musical culture, fashion and lifestyle. With unprecedented access to the incredibly vibrant music scene during this period, Beth Lesser’s photographs are a unique way into a previously hidden part of Jamaican culture. Born in the 1950s out of the neighborhood sound systems of Kingston, Dancehall grew to its height in the 1980s before a massive influx of drugs and guns made the scene too dangerous for many.
Dancehall is a culture that encompasses music, fashion, drugs, guns, art, community, technology and more. Many of today’s music and fashion styles can be traced back to Dancehall culture and continue to be influenced by it today.
Dancehall is an essential reference book for anyone interested in reggae, as well as a unique photographic and textual sourcebook of the musical, cultural and political life of Jamaica.
In the early 1980s, as Jamaica was in the throes of political and gang violence, Beth Lesser ventured where few other dared, documenting the producers, singers, DJs and sound systems who all made a living out of the slums of Kingston. This book is a thrilling record of the exciting, dangerous and vibrant world of Dancehall.

Join us for an evening with Phenderson Djèlí Clark!

EVENT DEETS

When:  Monday, October 2 @ 7:30 PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP here for your free ticket or RSVP with book to reserve your book and support our programming

ABOUT THE BOOK

Like a West African and African Diaspora-inspired Spirited Away, Abeni's Song follows a reluctant apprentice witch out of her village and into a world of spirits on a quest to save her friends. This is P. Djèlí Clark's kids' debut.

On the day of the spirits festival, the old woman who lives in the forest appears in Abeni's village with a terrible message:

You ignored my warnings. It’s too late to run. They are coming.

The old woman hasn't come to save them, only to collect one child as payment for her years of service and protection. When warriors with burning blades storm the village and a man with a cursed flute plays an impossibly alluring song, everyone Abeni has ever known and loved is captured and marched toward far-off ghost ships set for even more distant lands.

But not Abeni. Abeni escapes the warriors in the clutches of the old woman, magically whisked into the forest away from all she’s ever known. And there she begins her unwanted magical apprenticeship, her journey to escape the witch, and her impossible mission to bring her people home.

Abeni’s Song is the beginning of a timeless, enchanting fantasy adventure about a reluctant apprentice, a team of spirit kids, and the town they set out to save from the evil Witch Priest who enslaved Abeni’s people.

ABOUT THE AUTHOR

Born in New York and raised mostly in Houston, P. DJÈLÍ CLARK spent the formative years of his life in the homeland of his parents, Trinidad and Tobago. He is the author of the novel A Master of Djinn, the novellas Ring Shout, The Black God’s Drums, and The Haunting of Tram Car 015, and a contributor to the #1 New York Times bestseller Black Boy Joy. He has won the Nebula, Locus, and Alex Awards and been nominated for the Hugo, World Fantasy, and Sturgeon Awards. His stories have appeared in online venues such as Tor.com, Daily Science Fiction, Heroic Fantasy Quarterly, Apex, Lightspeed, Beneath Ceaseless Skies, and in print anthologies, including Griots, Hidden Youth, and Clockwork Cairo. He is also a founding member of FIYAH Magazine of Black Speculative Fiction and an infrequent reviewer at Strange Horizons.

ABOUT THE INTERLOCUTOR

Stevens is a writer, organizer, and archivist. As part of the Kindred Stories family he is the Operations & Community Facilitator, and part-time Adjunct Professor. Stevens' current work and concentration is centered around his social-political analysis and its intersections with the arts, community, and revolutionary politics.