*Paperback Release Date - 9/22/2026*

A powerful, joyful novel in verse about a Black teen with ADHD who finds self-expression and first love during one epic summer school season, perfect for fans of Jason Reynolds and On the Come Up.

For the third summer in a row, Pernell is back in the classroom, facing the same struggles that have always made school seem more like a battlefield than a place of learning. This summer is different, though: he’s battling to become the Cypher King, leader of the lunchroom’s impromptu rap circles. Here, the rhythm flows and the words fly, creating a space where the wittiest and most rhythmically inclined reign supreme. Here, Pernell’s ADHD gives him an edge.

But life outside the cypher isn’t as forgiving. Pernell’s English teacher has it out for him. His parents are pressuring him to see a doctor for his lack of focus. And Electra, his friend-slash-crush and the only one who truly gets him, is too busy chasing her dream internship to give him the time of day.

If Pernell doesn’t pull himself together, he won’t just lose the title of Cypher King—he’ll lose his chance to graduate high school. In a world where the systems are turned against kids like him, Pernell needs to find a way to succeed with his ADHD, rather than in spite of it.

*Paperback Release Date - 10/6/2026*

Named one of the Most Anticipated Books of 2025 by Foreign Policy

“Howard French’s The Second Emancipation stands the second half of the last century on its geopolitical head.” ―David Levering Lewis, winner of the Pulitzer Prize

From the acclaimed author of Born in Blackness comes an extraordinary account of Africa’s liberation from colonial oppression, a work that fundamentally reshapes our understanding of modern history.

A work of epic dimension that recasts the liberation of twentieth-century Africa through the lens of revolutionary leader Kwame Nkrumah.

The Second Emancipation, the second work in a trilogy from best-selling author Howard W. French about Africa’s pivotal role in shaping world history, underscores Adam Hochschild’s contention that French is a “modern-day Copernicus.” The title―referring to a brief period beginning in 1957 when dozens of African colonies gained their freedom―positions this liberation at the center of a “movement of global Blackness,” with one charismatic leader, Kwame Nkrumah (1909–1972), at its head.

That so few people today know about Nkrumah is an omission that French demonstrates is “typical of our deliberate neglect of Africa’s enormous role in the birth of the modern world.” Determined to re-create Nkrumah’s life as “an epic twentieth-century story,” The Second Emancipation begins with his impoverished, unheralded birth in the far-western region of Ghana’s Gold Coast. But blessed with a deep curiosity, a young Nkrumah pursued an overseas education in the United States. Nowhere is French’s consummate style more vivid than in Nkrumah’s early years in Depression-era America, especially in his mesmerizing portrait of a culturally effervescent Harlem that Nkrumah encountered in 1935 before heading to college. During his student years in Pennsylvania and later as an activist in London, Nkrumah became steeped in a renowned international Black intellectual milieu―including Du Bois, Garvey, Fanon, Padmore, and C.L.R. James, who called him “one of the greatest political leaders of our century”―and formed an ideology that readied him for an extraordinarily swift and peaceful rise to power upon his return to Ghana in 1947.

Four years later, in a political landslide he engineered while imprisoned, Nkrumah stunned Britain by winning the first general election under universal franchise in Africa, becoming Ghana’s first independent prime minister in 1957. As leader of a sovereign nation, Nkrumah wielded his influence to promote the liberation of the entire continent, pushing unity as the only pathway to recover from the damages of enslavement and subjugation. By the time national military and police forces, aided by the CIA, overthrew him in 1966, Nkrumah’s radical belief in pan-African liberation had both galvanized dozens of nascent African states and fired a global agenda of Black power.

In its dramatic recasting of the American civil rights story and in its tragic depiction of a continent that once exuded all the promise of a newly won freedom, The Second Emancipation becomes a generational work that positions Africa at the forefront of modern-day history.

16 pages of illustrations; 3 maps

From theatrical costumes to leather accessories and jewelry, Saar’s early wearable artworks are as transformative as her assemblages

Organized around Betye Saar’s early work in costume and jewelry design during the 1960s and 1970s, Let’s Get It On explores how this formative period profoundly shaped her pioneering work in assemblage and installation. Through original drawings, essays, archival materials and installation images, the book traces Saar’s evolution from designer to artist, revealing the enduring connections between her wearable creations and her broader visual language. It features newly commissioned scholarship alongside rare photographs, sketches, jewelry, garments and ephemera from Saar’s personal archives, offering fresh insight into the artist’s lifelong engagement with materials, memory and Black cultural expression. The book also includes a custom-designed sewing pattern by Betye Saar, inspired by her studio practice. This set features comprehensive instructions, precision-cut pattern pieces and an exclusive artist-designed iron-on: everything you need to spark your own creative journey. Let’s Get It On provides an invaluable resource for understanding the full scope of Saar’s creative practice and her influence across generations.
Betye Saar (born 1926) is renowned for pioneering Black feminism and West Coast assemblage in her visionary artistic practice, through dense, complexly referential objects. For over seven decades, Saar’s work has led dialogues on race and gender, reflecting changing cultural and political contexts. Most recently, solo presentations have been hosted by the Museum of Modern Art, New York, and the Los Angeles County Museum of Art. Saar’s work was prominently featured in We Wanted a Revolution: Black Radical Women, 1965–85 at the Brooklyn Museum and in Soul of a Nation: Art in the Age of Black Power at Tate Modern.

From New York Times bestselling author Kalynn Bayron comes a new horror novel about a group of teens with unique-and potentially deadly-gifts.

Moll, Redd, Agnes, and Ossie are powerful-and dangerous. But they don't want people to fear them. They've spent their lives trying to understand and control their supernatural gifts, trying to help people instead of hurt them.

That's why they offer paranormal investigative services to anyone who needs them. But when the case of a missing young woman brings them to an old (and potentially haunted) Victorian mansion, soon it's the four teens who are in the greatest danger. The secrets they uncover about the paranormal forces inhabiting the house may shed light on the darkness that exists at the edge of their powers and finally help them gain control-if they can make it out alive.

Paperback Release Date - 9/29/2026

An allegorical love story — a modern day Alchemist meets The Never Ending Story —set in a world where a book shopkeeper becomes a reluctant matchmaker, bringing soulmates together through books.

It’s Me They Follow is an allegorical love story set in a not so distant past. It follows The Shopkeeper, a bookseller and reluctant matchmaker. Helping others find love through books comes easily for The Shopkeeper, until it is time for her to find love for herself.

She secretly yearns for her first customer, ME, who took both her most prized book and a piece of her heart when he left. But just when she begins to lose hope, she discovers that she may hold the key to her own happily ever after as well.

Real life Shopkeeper and author Jeannine A. Cook has conjured a magical story that is a book within a book within a book. Soon, readers will find themselves falling under the same love spell as her customers and characters. In this magical bookshop where the line between fiction and reality blurs, stories and real life intertwine in an enchanting and moving narrative about human connection, the power of storytelling, and the spirit of love.

Paperback Release Date - 11/3/2026

Spanning four decades and three continents, Bitter Honey is a story about a mother and daughter divided by long buried secrets, struggling to understand each other as they forge their own paths, from the internationally bestselling author of In Every Mirror She’s Black.

1978: A scholarship draws Nancy from Gambia’s warmth into Stockholm’s frigid winter. When her friendship with charismatic scholar Lars blossoms into something more, she thinks she may have finally found her place. But there’s more to Lars than his charming persona, and Nancy is about to discover the danger of being drawn into his world… 

2006: Tina has had her taste of fame as Sweden’s sweetheart pop princess, representing her country at Eurovision. But beneath her glittery façade, she’s uncertain who she really is. Her mother, Nancy, seems desperate to keep the past under wraps, but will the unexpected appearance of Tina’s father—a man she has long thought dead—help open the door to self-discovery?

Nancy just wants to protect her daughter from making the same mistakes she did, but Tina longs for the freedom to mess up, knowing her mother will always be there to support her. The two women love each other unconditionally, but can they learn to trust each other as well?

This poignant novel delves deep into the complicated relationships between mothers and daughters and delivers a warm, heartfelt story of love, forgiveness, and women finding their voices.

Published with Musée d'Ethnographie de Genève .

Developed in collaboration with the Musée d'Ethnographie de Genève to accompany an exhibition of the same name, Afrosonica is a multidisciplinary editorial and sound project that illuminates the richness, diversity and resonance of African and Afro-diasporic sound traditions. The collected essays, conversations and visual contributions by artists, academics and musicians alike revisit Western-centric frameworks in ethnomusicology, delineating how African musical phenomena and their diasporas have shaped cultural identity worldwide. Complementing the book, the Afrosonica record features new works by prominent sound artists such as KMRU, Midori Takada, Yara Mekawei and Ntshepe Tsekere Bopape, whose compositions bridge the gap between sonic archives and living practice.

*Paperback Release Date - 9/29/26*

Malcolm Gladwell returns with his most urgent book yet: a provocative investigation of America's epidemic of gun violence. 

The United States has far more homicides than any of its peers around the world. Why?

In this groundbreaking book, Malcolm Gladwell explores the American “peculiarity”―how the world’s wealthiest country came to suffer from a problem typically only seen in the world’s poorest countries.

Drawing on original interviews, archival and social science research, and his trademark insight, Gladwell approaches the American paradox through a series of stories. What can we learn from the miracle of a young gunshot victim in Washington, D.C.? How have the legal troubles of a seventeenth-century English knight influenced American attempts at gun control? Why would a European police chief be baffled by the graduation ceremony at any American police academy?

In a sweeping narrative, Gladwell travels from a shooting range in North Carolina, to the South Side of Chicago, to an old plantation house in Alabama, painting a picture of a country that does not understand its most pressing social problem, and as result, does not understand how to fix it.

Begun by Donald Barthelme and Phillip Lopate, Gulf Coast is the nationally-distributed journal housed within the University of Houston's English Department, home to one of the US's top ranked creative writing programs. The journal spent its nascent years (1982-1985) as Domestic Crude, a name that nodded to the major industry of the Houston area. It was a 64-page (magazine-formatted) student-run publication, with editorial advising coming from Mr. Lopate, who also contributed work to the first issues.

In 1986, the name Gulf Coast premiered. It stuck. After some experimenting, the journal found its dimensions and, eventually, its audience. The journal has since moved beyond the student body of the University of Houston and into the larger world. Our readership of the print journal currently exceeds 3,000, with more and more coming to our ever-expanding website. The print journal comes out each April and October.

Gulf Coast is still student-run. We seek to promote and publish quality literature in our local and national communities while simultaneously teaching excellence in literary publishing to graduate and undergraduate students. While we are committed to providing a balanced combination of literary approaches and voices, all of the editorial positions are two-year terms, thus ensuring a regular turnover in the specific personality and style of the journal.

In addition, Gulf Coast differs from many other literary journals in its commitment to exploring visual art and critical art writing. The journal has always featured portfolios by two artists, along with short introductions from critics familiar with their work. Since October 2013, Gulf Coast commits sixteen pages to full-color visual art features and twenty-four pages to critical art writing in each issue. This expansion was made possible by Gulf Coast's merger with Texas art journal Art Lies, a publication with a respected history of putting artists, curators, scholars, and critics in dialogue with their colleagues around the world.

The journal has enhanced its community presence thanks to the Gulf Coast Reading Series, a monthly gathering at Lawndale Art Center in the Museum District neighborhood of Houston, as well as with its annual Spring Issue Release Party. These events continue to bring esteemed writers, editors, publishers and, of course, readers to the Houston area.

Gulf Coast: A Journal of Literature and Fine Arts is a 501(c)3 nonprofit organization, generously funded by grants from the Brown Foundation, Inc.; theThe Cynthia Woods Mitchell Center for the Arts; Inprint, Inc.; Houston Endowment, Inc.; the City of Houston through the Houston Arts Alliance; theTexas Commission on the Arts; the University of Houston English Department; and the National Endowment for the Arts, as well as through the support of individual contributions.

Hit the ground running with all five books in Jason Reynolds’s award-winning and New York Times bestselling Track series, now available together in one paperback boxed set.

Ghost. Patina. Sunny. Lu. A fast and fiery group of kids from wildly different backgrounds, chosen to compete on an elite track team. They all have a lot to lose, a lot to gain, and, most of all, a lot to prove, not only to each other, but to themselves. Under the caring yet firm-handed guidance of their coach, however, they may achieve more than they ever dreamed possible.

Here are all their stories, even Coach’s from when he was a boy coming into his own as a track superstar, in this explosive five-book series.

This paperback boxed set includes:
Ghost
Patina
Sunny
Lu
Coach

In this haunting historical novel, a light-skinned Black man goes undercover to investigate lynchings in the Jim Crow South, only to be confronted by the very evil that has pursued him since childhood.

Clark Wendell White first encountered the Nightmare as a child during the Atlanta Race Riot of 1906, when he and his father stood guard over their family home. In the eyes of the mob surging through his neighborhood, Clark sensed this malevolent presence. It was then that the Nightmare took shape, burrowing deep into his mind and feeding on his fear.

Years later, the same evil presence drives Clark to the NAACP's headquarters in New York City, where he answers an ad seeking light-skinned Black men for dangerous undercover work. As a spy for the NAACP, Clark investigates lynchings, impersonating the very Nightmare that once tormented him.

As Clark descends deeper into this double life, another force rises: a new chapter of the Ku Klux Klan, finding a foothold in the storied streets of New York City. Among its eager recruits is Sam Cahill—the one man who can see past his disguise. Now Clark must outwit both the living and the dead, as he confronts a past that refuses to stay buried and a future where the act of passing exacts a soul-deep price.

Inspired by the life of civil rights activist Walter White, who passed as a white man to expose the brutality of lynchings from the South to the Midwest, American Nightmare is a gripping historical thriller that reveals the most terrifying monsters aren't those that go bump in the night but those that walk among us.

Substantial book is a unique exploration of a major collection of art by Black American and African American artists, comprising some 1,000 works by more than 200 individuals.

Over 55 years, a museum in the American South has built one of the nation’s most significant collections of Black American art. This new publication brings together every Black American artist represented in the Birmingham Museum of Art, spanning the early 19th century to the present day. The volume features over 250 artworks across various media—paintings, prints, photographs, sculpture, quilts and mixed-media works—by artists living and working both in Alabama and across the United States.

Artists featured include David Driskell, Jacob Lawrence, Romare Bearden, Robert S. Duncanson, Meta Vaux Warrick Fuller, Sister Gertrude Morgan, Jimmy Lee Sudduth, Mary Frances Whitfield, Trena Banks, Purvis Young, Glenn Ligon, Edmonia Lewis, Lorna Simpson, Chakaia Booker, Sam Gilliam, Kerry James Marshall, Joshua Johnson, Nick Cave, Elizabeth Catlett, Amalia Amaki and Carrie Mae Weems.

Publication accompanies an exhibition marking the Birmingham Museum of Art, AL's 75th Anniversary celebrations.