Watch out world, Artemis Owusu is entering her villain era...
Artemis 'Temz' Owusu has bags of confidence, and plenty of opportunity for hook-ups; she fiercely embraces her beautiful size 26 body and expects any man to do the same. Her marketing career is on fire, and she has a thriving side-hustle as a 'plantfluencer'.

But for some reason, her romantic relationships just won't stick.

So, when sexy California-based tech entrepreneur Ruben slides into her DMs looking for plant care advice, Temz doesn't waste an opportunity. Soon their long-distance digital flirtation is growing roots - until, in an out-of-character bout of self-doubt, Temz commits the cardinal online sin...

Suddenly she's embroiled in a web of deception as her relationship with Ruben gets increasingly serious. When her job lands her the opportunity to visit her man's stomping ground in Oakland, could it be a chance for her to finally come clean - or it could lead to total chaos?
For fans of Bolu Babalola, Bethany Rutter and Candice Carty-Williams, CHAOTIC ENERGY is a romcom with a difference.

WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTION

“An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel Wilkerson

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. South to America is an essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America

We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole.

This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life.

Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line.

A young woman discovers that dancers at a local discotheque are being driven to acts of insane violence.

“The place was full of swarming, pugnacious, dangerous missellneous reptile’s… Teenager’s everywhere pounded their way on top of each other crazily strangling, biting and slashing each other’s with broken glass, smashed records or sharpened blades… ”

16-year-old Jennifer Gibbons (1963–1993) wrote Discomania in 1980, alongside her twin sister June-Alison, who was also writing her own novel, The Pepsi Cola Addict, in the bedroom that they shared.

Jennifer offered Discomania to the same English vanity press who would publish June-Alison’s book, but Discomania was turned down for being “too violent, too sexual, and too futuristic.”

Long thought to have been lost or destroyed, June-Alison had in fact preserved the typescript of this unique, furious, funny, and strange novel, which we present with her blessing, alongside additional texts from June-Alison, and editors David Tibet and Ania Goszczyńska.

The New York Times bestselling author of Begin Again confronts America’s unfinished story in this blistering reassessment of race, freedom, and the myths that bind us.

Celebrated public intellectual Eddie S. Glaude, Jr. presents a groundbreaking analysis of the vicious cycles of American history and the country’s enduring refusal to face its true nature—especially at the moments when national anniversaries steer us back toward the mythology meant to disguise the truth.

America, U.S.A., deliberately formulated and beautifully written, details a heart-wrenching exploration of America’s legacy. It is a magnificently complex combination of lessons and voices—from W.E.B. DuBois and John Dos Passos to Herman Melville and Martin Luther King, Jr.—that, together, paint a sprawling and honest tableau of the United States, its complicated past, and ever more tenuous future. Glaude’s is a powerful voice of conscience in our tumultuous world. He pulls no punches, calling on us to interrogate our conceptions of innocence and freedom and the stories we tell ourselves about our past and present.

Centered around the major celebrations of America’s milestone birthdays across 250 years of history, the book offers a riveting look at the battles over who has a stake in writing the American story. Devastatingly candid, profoundly moving, and deeply reflective, America, U.S.A. is a shining meditation on how we must reckon with a grim past in order to strive for the better angels of our future.

The collected creative nonfiction of a singular American writer, Jesmyn Ward, including widely shared classics, three never-before-published speeches, and an introductory essay.

Respair (noun, obsolete), fresh hope after despair.

From the two-time National Book Award winner and New York Times bestselling author Jesmyn Ward, this collection of essays documents more than a decade of work in the life of a singular writer often lauded as “the heir apparent to Toni Morrison” (LitHub). Beginning with her upbringing in a multigenerational household in rural Mississippi, the cradle of both her youth and her gift for storytelling, Ward brings her keen wisdom and hauntingly lyrical prose to a range of topics, following in her grandmother Dorothy’s footsteps when she promises always to “Tell it straight. Tell it all.”

True to her word, in these pages Ward contemplates the writers and novels of her youth and adulthood—the transformative power of discovering Octavia Butler as a twenty-something, the mirror that Richard Wright’s novels held up to her own childhood, and of course, her lifelong love for Toni Morrison. Ward ruminates on her approach to both fiction and life, reflecting on the power of the novel, how to raise a Black son in an era of rising divisiveness and cruelty, as well as her own personal tragedies—including the titular essay of the collection, which tells the story of her partner’s sudden death on the eve of the COVID-19 epidemic. Every bit as piercing and moving as her fiction, On Witness and Respair is a testament to Ward’s powers as “one of America’s finest living writers” (San Francisco Chronicle) and is a monument to hope, beauty, and personal and collective resilience.

Break the Cycle. Empower Your Child.

From board-certified gynecologist Dr. Charis Chambers, known to millions as @theperioddoctor, comes a revolutionary guide that transforms how we parent kids through puberty.The Period and Puberty Parenting Revolution equips you to raise confident, informed children who understand and respect their bodies―without shame, confusion, or fear.

Whether your puberty experience was riddled with silence and embarrassment, or you simply want to show up differently for your child, this book is your roadmap. It's for the mom determined to give her daughter what she never had. It's for the dad ready to break generational silence. It's for every caregiver who believes reproductive education is a cornerstone of liberation, safety, and self-worth.

In this powerful book, you will learn:

* How to talk to your child about periods and puberty without shame, stigma, or awkwardness
* Practical tools to prepare your child for their first period―and what to do if it comes unexpectedly
* Ways to teach body autonomy, safety, and protection in an age-appropriate, empowering manner
* Strategies to support your child's mental health and self-esteem through hormonal and body changes
* How to become the trusted adult your child turns to first about periods, sex, relationships, and beyond

Your child deserves better than fear and secrecy. You deserve to feel confident, calm, and prepared. Join the revolution of parents guiding kids positively through periods and puberty―and change your child's life forever.

One of The Atlantic’s Great American Novels

“If one had to identify the single most influential shaping force in modern Black literary history, one would probably have to point to Wright and the publication of Native Son.” – Henry Louis Gates Jr.

In celebration of the 250th anniversary of the United States, HarperCollins is proud to present this library of American classics drawn from our storied catalog. When it was first published in 1940, Native Son established Richard Wright as a literary star. In the decades since, Wright's masterpiece—hailed as "a novel of tremendous power and beauty" (Newsweek)—has become a revered classic that remains as timely and relevant today as when it first appeared.

Set in Chicago in the 1930s, Native Son is the story of Bigger Thomas, a young Black man caught in a downward spiral after killing a young white woman in a brief moment of panic. Written with the distinctive rhythm of a modern crime story, this formidable work is both a condemnation of social injustice and an unsparing portrait of the Black experience in America, revealing the tragic effect of poverty, racism, and hopelessness on the human spirit. As Wright explained, "I wrote Native Son to show what manner of men and women our 'society of the majority' breeds, and my aim was to depict a character in terms of the living tissue and texture of daily consciousness."

This edition of Native Son isthe restored text established by the Library of America—the novel as Wright intended it to be published. It also includes an essay by Wright titled, How "Bigger" was Born, along with notes on the text.

Interweaving the sacred and the erotic, This Elegance engages with visual arts through the concept of sacra conversazione (“sacred conversation”), a style of Renaissance painting that imagines divine communion across time and space. Here, artists, thinkers, and pop icons commune in a similar sacred dialogue—Kathleen Collins, André Leon Talley, Richmond Barthé, Lyle Ashton Harris, Juan de Pareja, Janelle Monáe, Symone, and others appear as guiding spirits and creative kin.

For a Black, queer person so often dislocated from time and place, pleasure becomes an act of resistance—a grounding in the now. This Elegance is a love song—an offering to Black artistry, a tribute to visionary lives, and a testament to the power of beauty in even our most precarious moments.

Explores three generations of Black American Muslims pursuing education and liberation beyond the borders of the United States

Since the 1970s, hundreds of Black American Muslims in the Tijani Sufi order have sought refuge in a new world that would nurture their racial, religious and gendered identities away from anti-Black and anti-Muslim racism in the United States. This new world is in Medina Baye, a city in Senegal that is the headquarters of a pan-African Sufi movement with tens of millions of members in Africa alone.

Drawing on a decade and a half of ethnographic engagement, Black Muslim Freedom Dreams explores the Islamic educational opportunities created for and by Black American Muslims in Medina Baye, chronicling the dreams, sacrifices, struggles, and joys of young people and parents who live, learn, and strive for liberation between the United States and Senegal. The volume traces their journeys between these two worlds, zooming in to vividly portray everyday Black American and West African religious life, and zooming out to map the sociopolitical landscapes, educational conditions and Islamic and pan-African ideologies that shape believers' perspectives.

Black Muslim Freedom Dreams argues that Black Muslims’ experiences of Islamic education and pan-African exchange are oriented towards collective care – a radical way of being and belonging through which believers journey on the path towards Allah’s love by caring for one another and addressing the material inequities that constrain their communities. This notion disrupts narratives of religion that are limited to systems of personal belief, showcasing instead how their educational experiences foster a collective responsibility and solidarity. The book offers a compelling account of how Black Muslims engage with transnational religious and racial networks to build liberatory communities beyond the United States.

We all feel it, the teetering toward a place in America from which there is no return. The battle to remain hopeful in spite of injustice after injustice. In this powerful story of one lawyer’s fight for his community, both justice and hope are redeemed.

The Greenwood neighborhood of North Tulsa was once a promised land for African Americans, deemed “Black Wall Street.” But on May 31, 1921, the deadliest race massacre in U.S. history sent Greenwood up in flames. At the time, Lessie Randle was just a child running to safety as bullets ricocheted around her. Almost a century later, lawyer Damario Solomon-Simmons knocks on her door asking if she’d be willing to run toward justice this time.

In Redeem a Nation, we follow Solomon-Simmons’s fight for justice, from the courtrooms of Tulsa to our nation’s capital, representing three centenarians: the last survivors of the Tulsa Race Massacre. Documenting a race against the calendar and the courts, Redeem a Nation grapples with the truth about corruption and disenfranchisement in America through this historic legal case for reparations and the deeply moving stories of survivors and descendants of the Massacre.

Yet this isn’t just a story of Tulsa. The community is a microcosm of the continued harm America inflicts through racial violence and economic injustice. The damage of generational poverty and loss of opportunity isn’t some relic of the past. It is happening right now. Redeem a Nation offers a way forward for communities across the nation through systemic change and community love. The Time is now to resist, repair, and redeem a land once promised.

“You think we can win?” Randle asked that day. This story is Solomon-Simmons’s answer.

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene.

Isolated in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter Valentina to raise herself in the wake of her mother’s death. Valentina longs to discover the details of her mother’s drowning and for Ignacio to snap out of his depression―his listless afternoons spent smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted by memories of the young man he loved and betrayed.

From Ignacio’s dark past emerges the luminous Mamadora Eléctrica, the wise travesti who introduced Ignacio to the city’s queer scene years prior. Stepping into a maternal role for Valentina, Mamadora fears the worst: that Ignacio’s self-loathing may have unleashed a curse on them all. A profound and irreverent story about coming undone, Pretend You’re Dead and I Carry You affirms Julián Delgado Lopera as a brilliant and singular voice―“a writer who is grinding their own colors” (Dwight Garner, The New York Times).

An exploration of how African American innovators and artists—whose impact and financial value in American music, movies, and TV is disproportionately greater than their numbers—have fought for and often won the rights to own and benefit from their own work.

When we think about the things that have barred success for African Americans, intellectual property law is hardly the first thing that comes to mind, if we even think of it all. We certainly don’t think of it as the launching pad for building generational wealth in the Black community, so it follows that we don’t see our favorite pop stars as revolutionary race warriors.

African American artists have finally, belatedly, come to be the owners of their art and beneficiaries of the money their art makes, after centuries of producing life-changing art. There were hundreds and thousands of Bessie Smiths before we ever got Beyoncé or Kendrick Lamar.

Lisa E. Davis, one of the foremost entertainment attorneys in the country, traces the epic journey Black Americans have been on, from being claimed as property to claiming the benefits of intellectual property. As she notes, “Under slavery, our minds were always free, but there was no profit from what our minds created.”

Beginning in the 18th century with the drafting of the Constitution and ending in the 21st century with a warning about the role technology will play in creative industries, Our Minds Were Always Free tells the story of the indelible legacy of Black American genius and the struggle to receive the credit and the profit that they deserved.