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"Do You Take This Man has one of the steamiest, most addictive, most satisfyingly hard-earned happily-ever-after I’ve read in ages!"—Ali Hazelwood, New York Times bestselling author of Love on the Brain

A wedding officiant who doesn't believe in love and an event planner who's been burned agree to say "I do" to being enemies with benefits.

Divorce attorney RJ would never describe herself as romantic. But when she ends up officiating an unplanned wedding for a newly engaged couple in a park, her life is turned upside down. The video of the ceremony goes viral, and she finds herself in the unlikely position of being a sought-after local wedding officiant. Spending her free time overseeing “I dos” isn’t her most strategic career move, but she enjoys it, except for the type A dude-bro wedding planner she’s forced to work with.
 
Former pro-football event manager Lear is a people person, but after his longtime girlfriend betrayed him, he isn’t looking for love. He knows how to execute events and likes being in control, so working with an opinionated and inflexible officiant who can’t stand him is not high on his list. He’s never had trouble winning people over, but RJ seems immune to his charms.
 
Surrounded by love at every turn, their physical attraction pulls them together despite their best efforts to stay an arm’s length apart. Lear refuses to get hurt again. RJ refuses to let herself be vulnerable to anyone. But when it comes to happily ever after, their clients might not be the only ones saying “I do.”

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From Christine Pride, the beloved coauthor of the Good Morning America Book Club Pick We Are Not Like Them, comes a dazzling solo debut novel about a woman who finds herself in the impossible situation of being in love with the same two men who won her heart in her early twenties again as she nears forty.

It’s 1999, TLC’s “No Scrubs” is topping the charts, y2k is looming on everyone’s mind, and Cora Belle has arrived at college ready to change her life. She’s determined to grow out of the shy, sheltered girl who attended an all-white prep in her all-white suburb. Cora is ready to conquer her fears and find her people, her place in the world, and herself.

What she’s totally unprepared for is Lincoln, with his dark skin, charming southern drawl, and that smile. Because how can you ever prepare yourself for the rollercoaster of first love with all its glorious, bewildering contradictions? Just when Cora thinks she’s got things figured out, a series of surprises and secrets threaten to upend everything she thought she understood about love and loyalty.

In the wake of these developments and a shocking tragedy, a new man enters Cora’s life—Aaron—further complicating everything. He’s the only one who seems to get her, and the letters she writes to him when the two are separated reveal the truth of their inescapable connection. There’s only one problem—how can she fall in love with one man when her heart belongs to another?

Twenty years later, and Cora is all grown up, or mostly, and has cloaked herself in loneliness like a warm blanket. It’s the safest choice. But then an unexpected reconnection and a chance encounter puts her right back where she started. The same two men, the same agonizing decision.

Finding herself in this position—again—will test everything Cora thought she knew about fate, love, and most importantly, herself. All The Men I’ve Loved Again is a big-hearted coming-of-age story for anyone who’s thought what if about a past love and what it would be like to have a second chance.

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The first major publication on Baltimore-based painter Jerrell Gibbs, whose contemplative portraits of Black sitters thrum with a vivid sense of place and reflect the complexity and emotional depth of everyday Black life.

This book captures a prolific period of self-examination and observation for contemporary artist Jerrell Gibbs (b. 1988). Known for his luminously rendered, expressionistic oil paintings, Gibbs uses the figure as a dynamic and recurring motif to explore themes of Black masculinity, fatherhood, legacy, and remembrance.

Drawing from archival family photographs, Gibbs emphasizes placement, size, and proportion, blending intimate mark-making with bold painterly gestures. By complicating and subverting visual stereotypes, Gibbs engages deeply with the materiality of painting, offering tender, emotionally evocative portrayals of Black men as husbands, fathers, brothers, and sons. These allegorical and autobiographical works underscore quiet moments of joy, sorrow, and beauty as vital components of Black life. Additionally, commissioned portraits of such figures as Elijah Cummings and August Wilson are juxtaposed with allegorical figures from Gibbs’s dreams, reflecting his growth as an artist and individual. Gibbs’s work offers a fresh approach to painting the human form, following in the footsteps of other Black figurative painters Kerry James Marshall, Henry Taylor, and Amy Sherald.

From an MSNBC Political Analyst, a riveting account of the legendary party hosted by Diahann Carroll for Shirley Chisholm's 1972 presidential campaign, which changed the playing field for Black women in politics.

In 1972, New York Representative Shirley Chisholm broke the ice in American politics when she became the first Black woman to run for president of the United States. Chisholm left behind a coalition-building model personified by a once-in-an-era Hollywood party hosted by legendary actress and singer Diahann Carroll, and attended by the likes of Huey P. Newton, Barbara Lee, Berry Gordy, David Frost, Flip Wilson, Goldie Hawn and others. In A More Perfect Party, MSNBC political analyst Juanita Tolliver presents a path to people-centered politics through the lens of this soiree, with surprising parallels to our current electoral reality.

Chisholm worked the crowd of movie stars, media moguls, music executives and activists gathered at Carroll's opulent Beverly Hills home, forging relationships with laughter as she urged guests to unify behind her campaign. With the feminist movement on the rise and eighteen- to twenty-year-olds voting for the first time in American history, the Democratic Party and the nation were on the cusp of long-overdue change.

Zooming in on one party attendee per chapter, A More Perfect Party brings this whimsical event out of the margins of history to demonstrate that there is an opportunity for all of us to fight for a better nation and return power to the people.

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INSTANT NEW YORK TIMES BESTSELLER

Embark on a captivating journey with Love & Whiskey. New York Times bestselling author Fawn Weaver unveils the hidden narrative behind one of America’s most iconic whiskey brands. This book is a vibrant exploration set in the present day, delving into the life and legacy of Nearest Green, the African American distilling genius who played a pivotal role in the creation of the whiskey that bears Jack Daniel's name.

Set against the backdrop of Lynchburg, Tennessee, this narrative weaves together a thrilling blend of personal discovery, historical investigation, and the revelation of a story long overshadowed by time. Through extensive research, personal interviews, and the uncovering of long-buried documents, Weaver brings to light not only the remarkable bond between Nearest Green and Jack Daniel but also Daniel’s concerted efforts during his lifetime to ensure Green’s legacy would not be forgotten. This deep respect for his teacher, mentor, and friend was mirrored in Jack's dedication to ensuring that the stories and achievements of Nearest Green's descendants, who continued the tradition of working side by side with Jack and his descendants, would also not be forgotten.

Love & Whiskey is more than just a recounting of historical facts; it's a live journey into the heart of storytelling, where every discovery adds a layer to the rich tapestry of American history. Weaver's pursuit highlights the importance of acknowledging those who have shaped our cultural landscape; yet remained in the shadows.

As Weaver intertwines her present-day quest with the historical threads of Green and Daniel's lives, she not only pays homage to their legacy but also spearheads the creation of Uncle Nearest Premium Whiskey. This endeavor has not only brought Nearest Green's name to the forefront of the whiskey industry but has also set new records, symbolizing a step forward in recognizing and celebrating African American contributions to the spirit world.

Love & Whiskey invites readers to witness a story of enduring friendship, resilience, and the impact of giving credit where it’s long overdue. It's an inspiring tale of how uncovering the past can forge new paths and how the spirit of whiskey has connected lives across generations. Join Fawn Weaver on this extraordinary adventure, as she navigates through the layers of history, friendship, and the unbreakable bonds formed by the legacy of America's native spirit, ensuring the stories of Nearest Green and his descendants live on in the heart of American culture.

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From the cofounder of the Amazon Labor Union, a definitive how-to guide to workplace organizing told through a David vs. Goliath chronicle for the ages.

On April 1, 2022, the Amazon warehouse known as JFK8, in Staten Island, notched an improbable victory when its workers voted to become the company’s first unionized facility. Miraculously, a completely self-taught and worker-led union had defeated one of the most powerful corporations on the planet. In the aftermath, two of the founders of the Amazon Labor Union, Derrick Palmer and Chris Smalls, began traveling across the country to help workers at Amazon and other corporations form their own unions. Unsurprisingly, nearly everyone they met had the same question: How did they do it?

In Handbook for the Revolution, Derrick Palmer, who continues to work at JFK8, provides the answer in the form of a how-to guide to organizing in today’s workplace while providing gripping, never before-told anecdotes from the ALU's fight and its plans for the future. Practical, philosophical, and full of personality, Palmer’s manual-cum-manifesto is an accessible step-by-step playbook for the often contentious and complex process of unionization, and a powerful call for equality―and greater understanding―through worker solidarity.

Full of hard-won lessons and personal experience, and written in the context of mass consolidation, fluctuating labor laws, and an ever widening wealth gap, Handbook for the Revolution is an invaluable resource for the modern labor movement, a thrilling chronicle of persistence, and an inspiring push for change in the workplace―and beyond.

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"The Chicago-born artist Charles White (1918–79) was celebrated during his lifetime for depictions of African-American men, women and children that acquired the name “images of dignity. White’s draftsmanship, his direct address of the social and political concerns of his time, and his commitment to media that gave his art wide circulation established him as a major artist, and one with significant influence both on his contemporaries and on later generations.

Beginning with White’s early days as an artist in the Chicago of the 1930s and ’40s, moving through his time spent developing his craft in New York in the late 1940s and ’50s, and closing with his final decades as a revered figure in Los Angeles, Charles White: Black Pope explores the artist’s practice and strategies through consideration of key works. It devotes particularly close examination to his late masterwork "Black Pope (Sandwich Board Man)," in the collection of The Museum of Modern Art. By creating visually compelling, ideologically complex works that engage audiences on many levels, White established himself as a key figure of his time, one whose work continues to resonate today."

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Artist and filmmaker Steve McQueen continues his exploration of colonial history and its legacies in this new book comprised of meditative photographs of Grenada’s flora. Taken on a trip to the island in the summer of 2024, these images reckon with the connections between landscape and historical trauma, studying Grenada’s plant life as permanent markers of beauty in a land ravaged by exploitation. Rendered in vivid colour, the images reflect the complex interlocking of history, heritage, and survival contained in the simplicity of the island flora. Taking as his touchpoint the late Saint Lucian poet Derek Walcott’s elegy to his mother, ‘The Bounty’, McQueen’s project adopts a similarly poetic sensibility, attuned to the resilience of the island’s landscape and the dualities of the word ‘bounty’, which alludes to both the generosity of nature and the sum paid to slave catchers. Grounded in a deep reverence for the sublime natural world, Bounty invites a visceral engagement with the silent endurance of nature despite the grim realities of human history.

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On Saturday walks with her grandfather, a young girl connects with her Cabo Verdean heritage while learning about the true meaning of home in this moving debut picture book.

Papa always speaks of someday bringing his granddaughter back home to Cabo Verde. But the young girl has never set foot on their ancestral island’s faraway shores. And each time Papa urges her to speak Kriolu, the Portuguese creole native to the West African country, the girl’s tongue betrays her, and she stumbles over her own words. If she can’t even get the language right, can her grandfather’s home ever truly be hers, too?

But each Saturday afternoon when she helps guide her sight-impaired grandfather through their close-knit Massachusetts community, the girl swears she can smell, hear, feel Kriolu. And each Saturday she comes closer to discovering where home truly lies.

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From the critically acclaimed, award-winning author of Blackberries, Blackberries and Water Street comes an astonishing new novel. A lyrical exploration of love and loss, The Birds of Opulence centers on several generations of women in a bucolic southern black township as they live with and sometimes surrender to madness.

The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive.

Crystal Wilkinson offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love―and love that's handed down―can conquer. At once tragic and hopeful, this captivating novel is a story about another time, rendered for our own.

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Dedicated to Gilliam's late-career sewn and collaged fabric works, this colorful catalog embraces the artist's restless creativity and visionary approach to abstraction

A pioneering artist who redefined the boundaries of painting, Sam Gilliam (1933–2022) transformed the medium with his radical approach to color, material and space. Sewing Fields focuses on a lesser-known yet crucial period in Gilliam's later career: that of his sewn and collaged works. His residency at the Ballinglen Arts Foundation in 1993 reshaped his artistic practice. Far from his Washington, DC, studio, Gilliam embraced new materials, working with pre-stained fabrics that he shipped to Ireland, cutting and layering them into sculptural compositions. A collaboration with a local dressmaker further expanded his process, reinforcing his innovative fusion of painting and textile techniques. Sewing Fields brings these groundbreaking works back to the Irish Museum of Modern Art, nearly 50 years after Gilliam's first Dublin exhibition, positioning him within a broader transatlantic dialogue on abstraction.

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The eloquent story of Eileen Harris Norton's collection and its pivotal role in championing the work of women artists, artists of color, and changing narratives of contemporary art.

Since she acquired her very first artwork from Los Angeles printmaker Ruth Waddy in 1976, Eileen Harris Norton's collection has bloomed into a beautiful reflection of her interest in the practices of women and artists of color, and work made in California. Alongside the eponymous exhibition Hauser & Wirth Los Angeles, Destiny Is a Rose celebrates fifty years of Harris Norton's remarkable collection, taking its title from a painting in the collection by Kerry James Marshall and featuring numerous iconic works of contemporary art by Mark Bradford, Felix Gonzalez-Torres, David Hammons, Glenn Ligon, Yoshimoto Nara, Adrian Piper, Betye Saar, Lorna Simpson, Carrie Mae Weems, and more. Texts by art historian Kellie Jones and curator Ingrid Schaffner delve into the critical role that education and philanthropy, representation and identity, and personal relationships with artists and curators have played in shaping Harris Norton's visionary collecting practice. Offering deep insight into the act and impact of collecting, Destiny Is a Rose is a tribute to Harris Norton's ongoing role as a vital agent of change and growth within the contemporary art world.