Portrayals of James Baldwin and others in his circle highlight the iconic writer’s activism

The American writer and activist James Baldwin (1924–87) considered himself a “witness” as he challenged perspectives on America and its history through his work. He was often recognized for speaking out against injustice when other like-minded artists, collaborators and organizers were overshadowed or silenced. By bringing together artworks that feature James Baldwin alongside portraits of other key figures who had an impact on his life, This Morning, This Evening, So Soon situates Baldwin among a pantheon of culture bearers who were instrumental in shaping his life and legacy, particularly in relationship to his advocacy for gay rights. The book accompanies an exhibition at the National Portrait Gallery in Washington, DC, curated by the National Portrait Gallery's Director of Curatorial Affairs, Rhea L. Combs, in consultation with Pulitzer Prize–winning author Hilton Als. Well-known portraits by Beauford Delaney and Bernard Gotfryd are shown alongside paintings, photographs and films representing key figures in Baldwin’s circle. By viewing Baldwin in this context of community, readers will come to understand how Baldwin’s sexuality and faith, artistic curiosities and notions of masculinity―coupled with his involvement in the civil rights movement―helped shape his writing and long-lasting legacy.
The book relies on portraiture to explore the interwoven lives of Baldwin, Lorraine Hansberry (writer and activist), Barbara Jordan (lawyer, educator and politician), Bayard Rustin (leader in social movements), Lyle Ashton Harris (artist), Essex Hemphill (poet and activist), Marlon Riggs (filmmaker, poet and activist) and Nina Simone (singer-songwriter, pianist and activist), among others.
Artists include: Richard Avedon, Glenn Ligon, Donald Moffett, Beauford Delaney, Bernard Gotfryd, Faith Ringgold, Lorna Simpson, Jack Whitten.

From Marlon James, author of the Booker Prize–winning A Brief History of Seven Killings: a propulsive novel about the murder of a gay man in 1980s Jamaica and its tragic consequences

In 1988, eight men in Kingston, Jamaica, begin rehearsals for a play. The men are strangers to one another and each has a different reason for being involved. But they all share one inescapable truth: All of them are gay―a “battyman” in Jamaican argot―and all of them must contend with the dangers that such a truth lays bare.

One night a mob savagely attacks them, killing one of the men. For the survivors, their recovery is as much emotional as it is physical. As their bodies heal, each man grapples with the violence, the hatred, and the rage that the attack made plain. Some try to ignore what the attack has unearthed, while others double down on retribution.

In The Disappearers, Marlon James has written a riveting and deeply human story of men forced to make compromises to survive what the society they live in demands. It is both a dramatic page-turner and an unflinching exploration of queer life in Jamaica during the 1980s and 1990s.

From Marlon James, author of the bestselling National Book Award finalist Black Leopard, Red Wolf, the second book in the Dark Star trilogy, his African Game of Thrones.

In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.

Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.

Story Locale: Mythical Africa

Series Overview: Three characters—Tracker, the Moon Witch, and the Boy—are locked in a dungeon in the castle of a dying king, awaiting torture and trial for the death of a mysterious child. They were three of eight mercenaries who had been hired to find a particular child who had been missing for three years. The search, expected to take two months, took nine years. In the end, five of the eight mercenaries, as well as the child, were dead. What happened? Where did their stories begin? And how did each story end? These are the questions posed in the Dark Star Trilogy, three novels set amid African legend and Marlon James’ expansive imagination.

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From the start of this extraordinary debut, Nana Kwame Adjei-Brenyah’s writing will grab you, haunt you, enrage and invigorate you. By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day in this country.

These stories tackle urgent instances of racism and cultural unrest, and explore the many ways we fight for humanity in an unforgiving world. In “The Finkelstein Five,” Adjei-Brenyah gives us an unforgettable reckoning of the brutal prejudice of our justice system. In “Zimmer Land,” we see a far-too-easy-to-believe imagining of racism as sport. And “Friday Black” and “How to Sell a Jacket as Told by Ice King” show the horrors of consumerism and the toll it takes on us all.

Entirely fresh in its style and perspective, and sure to appeal to fans of Colson Whitehead, Marlon James, and George Saunders, Friday Black confronts readers with a complicated, insistent, wrenching chorus of emotions, the final note of which, remarkably, is hope.

We're meeting to discuss Augustown by Kei Miller!

BOOK CLUB MEETING DEETS

When: Thursday, September 25 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, Houston, TX 77004)

How: RSVP ONLY to let us know you plan to attend. Support Fiction Book Club by purchasing a copy of the book from Kindred Stories here!

ABOUT AUGUSTOWN

In the wake of Marlon James's Man Booker Prize-winning A Brief History of Seven Killings, Augustown-set in the backlands of Jamaica-is a magical and haunting novel of one woman's struggle to rise above the brutal vicissitudes of history, race, class, collective memory, violence, and myth. Ma Taffy may be blind but she sees everything. So when her great-nephew Kaia comes home from school in tears, what she senses sends a deep fear running through her. While they wait for his mama to come home from work, Ma Taffy recalls the story of the flying preacherman and a great thing that did not happen. A poor suburban sprawl in the Jamaican heartland, Augustown is a place where many things that should happen don't, and plenty of things that shouldn't happen do. For the story of Kaia leads back to another momentous day in Jamaican history, the birth of the Rastafari and the desire for a better life.

Celebrate release of The American Daughters, Maurice Carlos Ruffin's new historical fiction novel!

EVENT DEETS

When: Tuesday, March 5, 2024 @ 7PM

Where: Kindred Stories' Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP Only to reserve your seat or RSVP WITH BOOK to purchase your copy and support the author. No refunds.

ABOUT THE BOOK

A gripping historical novel about a spirited  girl who joins a sisterhood working to undermine the Confederates—from the award-winning author of We Cast a Shadow

Ady, a curious, sharp-witted girl, and her fierce mother, Sanite, are an inseparable duo. Enslaved to a businessman in the French Quarter of New Orleans, the pair spend their days dreaming of a loving future and reminiscing on their family's rebellious and storied history. When mother and daughter are separated, Ady is left hopeless and direction-less, until she stumbles into the Mockingbird Inn and meets Lenore, a free Black woman with whom she becomes fast friends. Lenore invites Ady to join a clandestine society of spies called the Daughters. With the courage instilled in her by Sanite—and help from these strong women—Ady learns how to choose herself. So begins her journey toward liberation and imagin­ing a new future.

The American Daughters is a novel of hope and triumph that reminds us what is possible when a community bands together to fight for their freedom.

ABOUT THE AUTHOR 

Maurice Carlos Ruffin is the author of The Ones Who Don't Say They Love You, longlisted for The Story Prize and a finalist for The Ernest J. Gaines Award for Literary Excellence, and We Cast a Shadow, which was a finalist for the PEN/Faulkner Award, the PEN/Open Book Award, and the Dayton Literary Peace Prize and longlisted for the Center for Fiction First Novel Prize and International Dublin Literary Award. A recipient of an Iowa Review Award in fiction, he has been published in the Virginia Quarterly Review, AGNI, the Kenyon Review, The Massachusetts Review, and Unfathomable City: A New Orleans Atlas. A native of New Orleans, he is a graduate of the University of New Orleans Creative Writing Workshop and a member of the Peauxdunque Writers Alliance.

ABOUT THE FACILITATOR 

Sharon Sochil Washington, PhD is a cultural anthropologist, social entrepreneur, and writer. Her debut novel, The Blue Is Where God Lives, was published last year by Abrams Books. She’s also author of The Educational Contract, and creator of White Space, a Substack newsletter that explores the meaning between the words we use. She’s written for The American Scholar, Huffington Post, Newsday (New York), Dallas Times Herald, and the Akron Beacon Journal; and she speaks regularly at universities and conferences on issues of education, social justice, economic insecurity, and media influences.