This pioneering and pathbreaking book brings together the rich spirituality of Black literary giants with the profound spirituality of the Buddhist tradition. Never before have we been informed and transformed with this unprecedented encounter—and our catastrophic times require it! —Dr. Cornel West

Black, queer, feminist, Buddhist: The Fire Inside casts a fresh new light on the radical literary legacies of James Baldwin and Audre Lorde

Includes meditation exercises

The Fire Inside explores the writings of Audre Lord and James Baldwin through a Dharmic lens, revealing for the first time how two of America’s greatest literary voices reflect—and expand—Buddhism’s most timeless truths toward justice and liberation.

Dr. Rima Vesely-Flad dives deeply into a dharma of liberation as lived by Baldwin and Lorde, offering timely lessons to help us each meet this moment. She explores the writers’ enduring legacies to show that liberation depends not only on organizing and mass movements, but the generative power of inner well-being, authenticity, art, and embodiment. Each chapter shares how looking inward is the way forward, examining Baldwin and Lorde through key Buddhist principles:

* Suffering as a teacher: how Baldwin and Lorde investigated suffering in their own lives—and how expanded and disrupted interpretations of the Dharma
* Denial, impermanence, and death: on Baldwin’s exploration of white supremacy and fear of death and Lorde’s understanding of illness and inevitable change
* Ultimate and relative reality: how honoring race, gender, sexuality, and difference lies at the heart of Buddhist liberation
* Karma and not-self: how the doctrine of karma can be reclaimed to cultivate inner liberation and support activists working to dismantle oppression
* Anger and compassion: how we metabolize internalized rage, reject hatred, and embrace compassion toward transformation
* Erotic paths to enlightenment: on the power of sensuality and erotic energy; rejecting dominant heteronormativity; and attaining enlightenment through sexual union

This book offers space for emerging conversations within spiritual communities—ones that don’t shy away from difficult or uncomfortable truths; that center—and celebrate—Black, queer, radical thought; and that embrace the ways our inner lives, creative fire, sensuality, and expressions of love can ignite and sustain revolutionary liberation.

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The definitive monograph on contemporary African American painter Kerry James Marshall, accompanying a major traveling retrospective. This long-awaited volume celebrates the work of Kerry James Marshall, one of America’s greatest living painters. Born before the passage of the Civil Rights Act, in Birmingham, Alabama, and witness to the Watts riots in 1965, Marshall has long been an inspired and imaginative chronicler of the African American experience. Best known for large-scale interiors, landscapes, and portraits featuring powerful black figures, Marshall explores narratives of African American history from slave ships to the present and draws upon his deep knowledge of art history from the Renaissance to twentieth-century abstraction, as well as other sources such as the comic book and the muralist tradition. With luscious color and brushstrokes and highly detailed patterning, his direct and intimate scenes of black middle-class life conjure a wide range of emotions, resulting in powerful paintings that confront the position of African Americans throughout American history. Richly illustrated, this monumental book features essays by noted curators as well as the artist, and more than 100 paintings from throughout the artist’s career arranged thematically by subject: history painting; beauty, as expressed through the nude, portraiture, and self-portraiture; landscape; religion; and the politics of black nationalism.

Portrayals of James Baldwin and others in his circle highlight the iconic writer’s activism

The American writer and activist James Baldwin (1924–87) considered himself a “witness” as he challenged perspectives on America and its history through his work. He was often recognized for speaking out against injustice when other like-minded artists, collaborators and organizers were overshadowed or silenced. By bringing together artworks that feature James Baldwin alongside portraits of other key figures who had an impact on his life, This Morning, This Evening, So Soon situates Baldwin among a pantheon of culture bearers who were instrumental in shaping his life and legacy, particularly in relationship to his advocacy for gay rights. The book accompanies an exhibition at the National Portrait Gallery in Washington, DC, curated by the National Portrait Gallery's Director of Curatorial Affairs, Rhea L. Combs, in consultation with Pulitzer Prize–winning author Hilton Als. Well-known portraits by Beauford Delaney and Bernard Gotfryd are shown alongside paintings, photographs and films representing key figures in Baldwin’s circle. By viewing Baldwin in this context of community, readers will come to understand how Baldwin’s sexuality and faith, artistic curiosities and notions of masculinity―coupled with his involvement in the civil rights movement―helped shape his writing and long-lasting legacy.
The book relies on portraiture to explore the interwoven lives of Baldwin, Lorraine Hansberry (writer and activist), Barbara Jordan (lawyer, educator and politician), Bayard Rustin (leader in social movements), Lyle Ashton Harris (artist), Essex Hemphill (poet and activist), Marlon Riggs (filmmaker, poet and activist) and Nina Simone (singer-songwriter, pianist and activist), among others.
Artists include: Richard Avedon, Glenn Ligon, Donald Moffett, Beauford Delaney, Bernard Gotfryd, Faith Ringgold, Lorna Simpson, Jack Whitten.

Includes If Beale Street Could Talk, now a major motion picture directed by Barry Jenkins.

The Library of America completes its edition of the collected fiction of the literary voice of the Civil Rights era with this volume gathering three revealing later works of the 1960s and ’70s.

With such landmark novels as Go Tell It on the Mountain, Giovanni’s Room, and the essay collections Notes of a Native Son and The Fire Next Time, James Baldwin established himself as the indispensable voice of the Civil Rights era, a figure whose prophetic exploration of the racial and sexual fissures in American society raised the consciousness of American readers. But by the late 1960s and ’70s many regarded Baldwin as being out of sync with the political and social currents transforming America: too integrationist for Black Arts Movement writers and others on the Left, yet too “pessimistic” for many white readers, and as a result his later novels have never received the consideration given his earlier fiction. Sober in outlook but ambitious in scope, these works show Baldwin responding with his signature passion—for music, for justice, for life—and searching intelligence to the new realities of a rapidly changing cultural landscape, as the Movement era gives way to the age of identity politics that we still live in today. This culminating volume in the Library of America edition of his fiction illustrates how Baldwin continues to be relevant in twenty-first-century America, especially in his dramatizing of the unequal treatment of black men by the police and the justice system, his nuanced depictions of the black family, and his explorations of sexuality.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Evidence of Things Not Seen, award-winning author James Baldwin’s searing 1985 indictment of the nation’s racial stagnation, is contextualized anew by an introduction from New York Times bestselling author and political leader Stacey Abrams.

In this essential work, James Baldwin examines the Atlanta child murders that took place over twenty-two months in 1979 and 1980. Examining this incident with a reporter’s skill and an essayist’s insight, he notes the significance of Atlanta as the site of these brutal killings—a city that claimed to be “too busy to hate”—and the permeation of race throughout the case: the Black administration in Atlanta; the murdered Black children; and Wayne Williams, the Black man tried for the crimes. In Baldwin’s hands, this specific set of events has transcended its era and remains as relevant today as ever.

Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us to a moment in history when we are forced to reckon with some of the country’s most ingrained, foundational issues and when, too often, public officials fail to ask real questions about “justice for all.” In this, his last book, Baldwin also reveals his optimistic faith in America’s ability to move toward repair: “This is the only nation in the world that can hope to liberate—to begin to liberate—mankind from the strangling idea of the national identity and the tyranny of the territorial dispute. I know this sounds remote, now, and that I will not live to see anything resembling this hope come to pass. Yet, I know that I have seen it—in fire and blood and anguish, true, but I have seen it. I speak with the authority of the issue of the slave born in the country once believed to be: the last best hope of earth.”

A high-energy YA contemporary love story, following multicultural geek and nerd club member Cameron Carson... and his secret relationship with school queen bee Karla Ortega.

Cameron Carson has a big senior-year secret. A secret with the power to break apart his friend group.

Cameron Carson, member of the multicultural Geeks and Nerds United (GANU) club, has been secretly hooking up with student council president, cheerleader, theater enthusiast, and all-around queen bee Karla Ortega since the summer. The one problem—what was meant to be a summer fling between coffee shop coworkers has now evolved into a clandestine school-year entanglement, where Karla isn’t intending on blending their friend groups anytime soon, or at all.

Enter Mackenzie Briggs, who isn’t afraid to be herself or wear her heart on her sleeve. When Cameron finds himself unexpectedly bonding with Mackenzie and repeatedly snubbed in public by Karla, he starts to wonder who he can truly consider a friend and who might have the potential to become more…

James Beard Outstanding Pastry Chef finalist and Food & Wine Best New Chef Caroline Schiff believes a sweet treat is the perfect daily ritual, and her book is designed to sweeten life in just the right dose.

Why wait for a special occasion when dessert can be part of every day?

Star chef Caroline Schiff believes a sweet treat is an important daily ritual―something small and simple, or occasionally a showstopper to celebrate big moments. Daily Dessert is her joyful, highly versatile collection of recipes designed to sweeten life in just the right dose.

Sometimes that means one perfect cookie warm from the oven, a snacking cake to last all week, a no-bake refresher on a scorching day, or a cozy pudding for a winter night. Organized by mood and moment, chapters move from Simple Little Sweets (quick, small-batch recipes) to Weekly Snacking Bakes, Sunny Day Sweets, Cozy Day Confections, Dessert for Breakfast, No-Bake Treats, and Celebration Sweets―plus a Basics section with Schiff’s essential doughs, sauces, and toppings.

Recipes are approachable yet irresistible, the kind of things fans already love from Schiff: Hot Butterscotch Pecan Blondies, Upside-Down Clementine Olive Oil Snacking Cake, Raspberry Crème Fraîche Galette, Espresso Crunch Coffee Cake, Gingersnap and Orange Cream Sandwiches, No-Churn Toasted Cinnamon Ice Cream, and her iconic Baked Alaska for a Crowd.

Daily Dessert is an invitation to embrace the joy of sweets as part of everyday life. With Schiff’s playful voice, professional know-how, and unfussy recipes, this book is for everyone―novice bakers, seasoned pros, and anyone who simply believes dessert makes life better.

Here, in a Library of America volume edited by Nobel laureate Toni Morrison, is the fiction that established James Baldwin's reputation as a writer who fused unblinking realism and rare verbal eloquence. His first novel, Go Tell It on the Mountain (1953), tells the story, rooted in Baldwin's own experience, of a preacher's son coming of age in 1930's Harlem. Ten years in the writing, its exploration of religious, sexual, and generational conflicts was described by Baldwin as "an attempt to exorcise something, to find out what happened to my father, what happened to all of us." Giovanni's Room (1956) is a searching, and in its day controversial, treatment of the tragic self-delusions of a young American expatriate at war with his own homosexuality. Another Country (1962), a wide-ranging exploration of America's racial and sexual boundaries, depicts the suicide of a gifted jazz musician and its ripple effect on those who knew him. Complex in structure and turbulent in mood, it is in many ways Baldwin's most ambitious novel. Going to Meet the Man (1965) collects Baldwin's short fiction, including the masterful "Sonny's Blues," the unforgettable portrait of a jazz musician struggling with drug addiction in which Baldwin came closest to defining his goal as a writer: "For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness."

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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In a beautiful picture book brimming with P for Pride, writer and poet Seema Yasmin and illustrator Lucy Kirk celebrate all the joys and challenges of queer history in the United States through lively, rhyming verse and bright, colorful illustrations.

This is a book of people, of ideas, of accomplishments and events. It’s a book about Allies and Ancestors, about Belonging and Being accepted, about Hope, Knowledge, and Love. About historic moments like Stonewall, and how it changed the world. And all about Trailblazers, like Audre Lorde, James Baldwin, Josephine Baker, Harvey Milk, Barbara Jordan, George Takei, Elliot Page, and Sally Ride.

And ultimately, it’s a book to help kids learn a different kind of ABCs—not just words like apple, ball or cat, but rather the essence of what it means to be diverse, to be equitable, to be inclusive. That no one counts unless we all count, and how we must open our eyes and ears, minds and hearts, to hear everyone’s story and understand and celebrate their experience.