*ships in 7-10 business days*

In 1997, the image of the “Welfare Queen” dominated white America’s perceptions of Black women. Legislation was being proposed to deny benefits to children born to welfare mothers and to require insertion of birth-control implants as a condition of receiving aid. Meanwhile, a booming fertility industry was catering primarily to infertile white couples.

Dorothy Roberts’s landmark book, Killing the Black Body, made a powerful entrance into the national conversation of the era, exposing America’s systemic abuse of Black women’s bodies, from slave masters’ economic stake in bonded women’s fertility to government programs that coerced thousands of poor Black women into being sterilized as late as the 1970s. These abuses point not only to the degradation of Black motherhood, but to the exclusion of Black women’s reproductive needs from the feminist agenda. Killing the Black Body turns twenty next year and is as relevant today as it was upon publication. In our current moment of Black Lives Matter, Between the World and Me, and authors like Chimamanda Ngozi Adichie and Roxane Gay speaking out about feminism and race, Killing the Black Body offers a vision of reproductive freedom that respects each and every American.

The daughter of one of the South’s most famous Baptist preachers discovers a shocking secret about her father that puts her at odds with both her faith and her family in this debut novel.

“Spellbinding…Revival Season should be read alongside Alice Walker’s The Color Purple and Chimamanda Ngozi Adichie’s Purple Hibiscus.” —The Washington Post
A New York Times Book Review Editors’ Choice

Every summer, fifteen-year-old Miriam Horton and her family pack themselves tight in their old minivan and travel through small southern towns for revival season: the time when Miriam’s father—one of the South’s most famous preachers—holds massive healing services for people desperate to be cured of ailments and disease. But, this summer, the revival season doesn’t go as planned, and after one service in which Reverend Horton’s healing powers are tested like never before, Miriam witnesses a shocking act of violence that shakes her belief in her father—and her faith.

When the Hortons return home, Miriam’s confusion only grows as she discovers she might have the power to heal—even though her father and the church have always made it clear that such power is denied to women. Over the course of the following year, Miriam must decide between her faith, her family, and her newfound power that might be able to save others, but if discovered by her father, could destroy Miriam.

Celebrating both feminism and faith, Revival Season is a “tender and wise” (Ann Patchett) story of spiritual awakening and disillusionment in a Southern, Black, Evangelical community.

Black Internationalist Feminism examines how African American women writers affiliated themselves with the post-World War II Black Communist Left and developed a distinct strand of feminism. This vital yet largely overlooked feminist tradition built upon and critically retheorized the postwar Left's "nationalist internationalism," which connected the liberation of Blacks in the United States to the liberation of Third World nations and the worldwide proletariat. Black internationalist feminism critiques racist, heteronormative, and masculinist articulations of nationalism while maintaining the importance of national liberation movements for achieving Black women's social, political, and economic rights.

Cheryl Higashida shows how Claudia Jones, Lorraine Hansberry, Alice Childress, Rosa Guy, Audre Lorde, and Maya Angelou worked within and against established literary forms to demonstrate that nationalist internationalism was linked to struggles against heterosexism and patriarchy. Exploring a diverse range of plays, novels, essays, poetry, and reportage, Higashida illustrates how literature is a crucial lens for studying Black internationalist feminism because these authors were at the forefront of bringing the perspectives and problems of black women to light against their marginalization and silencing.

In examining writing by Black Left women from 1945–1995, Black Internationalist Feminism contributes to recent efforts to rehistoricize the Old Left, Civil Rights, Black Power, and second-wave Black women's movements.

A comprehensive survey of Ghanaian sculptor El Anatsui’s experimental prints and paper works

Acclaimed contemporary artist El Anatsui (b. 1944) is renowned for his intricate large-scale sculptures across a range of media―from clay and wood to discarded materials such as bottle caps and cassava graters. Less well known are his inventive prints and paper works, which share an important relationship to his sculptural practice. Examining the connection between the experimental quality of his prints and the radical compositions of his metal sculptures, this book uncovers the invaluable role of printmaking in the development of his artistic imagination and studio practice.

Beginning with Anatsui’s first encounter with printmaking at the University of Nigeria, Nsukka, author Chika Okeke-Agulu traces the artist’s engagement with the techniques and modalities of the medium, investigating how this allowed him to explore line, color, texture, and form. Offering an overview of Anatsui’s six decades of work on paper and aluminum, the book also includes a comprehensive catalogue of his prints. An essay placing Anatsui’s print work within the context of contemporary collaborative studio practices enriches our understanding of the global field of printmaking, and the book is further enlivened by a conversation with the artist himself. 

Distributed for the Philadelphia Museum of Art

Exhibition schedule:

Philadelphia Museum of Art

(December 19, 2026–May 2, 2027)

In a piercing blend of biography, criticism, and memoir, Pulitzer Prize-winning writer Salamishah Tillet explores Nina Simone’s life and the impact of her legacy.

In Nina Simone and the World She Made, Salamishah Tillet traces Nina Simone’s transformation from child prodigy to musical icon and fearless civil rights activist. When racism thwarted her dreams of becoming a classical pianist, Simone reinvented herself and created a sound wholly her own—one that would catapult her into stardom and the heart of the Black Power movement.

Decades later, Simone’s music inspired the hip-hop generation and Tillet’s own profound political awakening. From buying her first Nina Simone album to becoming a creative and activist, Tillet’s private encounters with Simone’s work grew into a broader exploration of her legacy. Exploring Simone’s unique impact on the American cultural landscape through the women who shaped her and those whom she shaped, Tillet reveals how art can be a powerful driver of social activism, and the struggles and sacrifices it involves.

With honest, lyrical prose, Tillet’s intimate portrait brings us close to Simone, while showing us how the singer’s voice captured the pain and promise of America and resonates in the fight for equality today. Nina Simone and the World She Made urges us to listen to Simone’s music—not just as a reflection of the past, but as a guide for the future.

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce White supremacy and deepen social inequity.

Benjamin argues that automation, far from being a sinister story of racist programmers scheming on the dark web, has the potential to hide, speed up, and deepen discrimination while appearing neutral and even benevolent when compared to the racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity by explicitly amplifying racial hierarchies; by ignoring but thereby replicating social divisions; or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of technology, designed to stratify and sanctify social injustice in the architecture of everyday life.

This illuminating guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture.

Celebrate the release of If This World We're Mine with Arriel Vinson!

EVENT DEETS

When: Thursday, January 28 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy If This World We're Mine, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories.If you already have a copy from Kindred Stories feel free to choose the RSVP only option. 

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

ABOUT THE AUTHOR

Arriel Vinson is a Midwesterner who writes about being young, Black, and in search of freedom. Her debut YA novel-in-verse, Under the Neon Lights, is a 2026 Coretta Scott King/John Steptoe New Talent Award winner, a Reese’s Book Club LitUp selection, and a Junior Library Guild Gold Selection. Arriel earned her MFA in Fiction from Sarah Lawrence College and is a Tin House YA Scholar, Highlights Foundation scholarship recipient, and Walter Grant recipient. Her sophomore novel, If This World Were Mine, is forthcoming in spring 2027. You can connect with her on social media at @arriwrites and find her work at arriwrites.com

ABOUT THE CONVERSATION PARTNER

LIARA TAMANI grew up in Houston, Texas, where every spring meant one thing: rodeo season. She loved getting decked out in her best cowgirl gear and soaking up the music, food, and electric energy of the rodeo, a joy she now shares with her daughter and husband. Her deep Texas roots shine through her storytelling, capturing the spirit and rhythms of the state in all her acclaimed novels: Calling My Name, All the Things We Never Knew, and What She Missed. Before becoming a writer, she attended Harvard Law School and worked as a marketing coordinator for the Houston Rockets and Comets, television production assistant, home accessories designer, floral designer, and yoga and dance teacher. She holds an MFA in writing from Vermont College of Fine Arts and a BA from Duke University.

Fifteen-year-old Kambili and her older brother Jaja lead a privileged life in Enugu, Nigeria. They live in a beautiful house, with a caring family, and attend an exclusive missionary school. They're completely shielded from the troubles of the world. Yet, as Kambili reveals in her tender-voiced account, things are less perfect than they appear. Although her Papa is generous and well respected, he is fanatically religious and tyrannical at home—a home that is silent and suffocating.

As the country begins to fall apart under a military coup, Kambili and Jaja are sent to their aunt, a university professor outside the city, where they discover a life beyond the confines of their father’s authority. Books cram the shelves, curry and nutmeg permeate the air, and their cousins’ laughter rings throughout the house. When they return home, tensions within the family escalate, and Kambili must find the strength to keep her loved ones together.

Purple Hibiscus is an exquisite novel about the emotional turmoil of adolescence, the powerful bonds of family, and the bright promise of freedom.

What does “feminism” mean today? That is the question at the heart of We Should All Be Feminists, a personal, eloquently-argued essay—adapted from her much-viewed TEDx talk of the same name—by Chimamanda Ngozi Adichie, the award-winning author of Americanah and Half of a Yellow Sun. With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

Celebrate the release of Chichi and Didi Love Their Names with Peace and Ndidi Amadi!

EVENT DEETS

When: Saturday, September 20 @ 12PM

Where: 2310 ELGIN ST, HOUSTON, TX 77004

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

*Note that books not purchased from Kindred Stories are not allowed in the venue.*

ABOUT THE BOOK

Nigerian American sisters Chichi and Didi are ready for the first day of school! But after Chichi is teased for her “different” name, she comes home feeling discouraged.

Daddy and Mama tell the sisters the stories behind their names, helping Chichi return to school with her head held high.

Inspired by the childhood experiences of real-life sisters Peace Amadi and Ndidi Amadi, Chichi and Didi Love Their Names will teach readers:

• to be curious about the origin and meanings of their own names
• the importance of identity and saying names correctly
• the beauty in celebrating difference and taking pride in uniqueness 

ABOUT THE AUTHOR

Although most people now know Peace Amadi by her middle name, her first name is Chinyere and she is the real-life Chichi. Peace is a psychology professor, author, and speaker, and her work lies at the intersection of mental health, faith, and culture. 

“The life and teachings of Swamini Turiyasangitananda are precious spiritual jewels waiting to be discovered. This book reveals many inspiring and unknown parts of Swamini’s life. Numerous personal accounts of divine healings enhance her quiet yet determined focus to be of service locally and globally. Perhaps most moving is this servitor’s willingness to take on herself, the effects of others’ negative karma. Portrait of Devotion is a doorway that leads to the life of a modern saint. If we pass through this door, there is a good chance that our own life will change for the better.” — Purushottama Hickson, H.Y.T.

“A.C. Swami Turiyasangitananda is a bhakti yogi who practiced karma yoga, a spiritual guru who, with dedication, followed the footsteps of her Satguru. She was a living example of true mental detachment ...while still physically being in the midst of society. She is spiritually evolved in the truest sense.” — Sai Ram Iyer of Mumbai

“Many of us are aware of the musical talents of Alice Coltrane, a gifted pianist, harpist and composer. In this beautiful book, the author takes us on a journey of the spiritual transformation of the artist, Alice Coltrane Turiyasangitananda, who became a teacher of life with feminine strength and conviction. The author brings out what a pure relationship is like between a Guru and student, and most important how a spiritual journey may be straight and narrow at any moment, but that moment will pass on to the next moment of joy. Lastly, the story and lessons of Clarity, Compassion, and Courage, which Alice taught day in and day out to her students will call us to embrace our own spiritual journey.”
— Stephen Rosen, Ph.D

Join us as we celebrate the release of God is a Black Woman by Dr. Christena Cleveland.

God Is a Black Woman presents a powerful critique of a society shaped by white patriarchal Christianity and culture. Cleveland reveals how America’s collective idea of God as a white man has perpetuated hurt, hopelessness, and racial and gender oppression. Integrating womanist ideology, and theological, historical, and social science research, she invites readers to take seriously the truth that God is not white nor male and points to a new path for connecting with the divine and honoring the sacredness of all Black people.

Christena Cleveland Ph.D. is a social psychologist, public theologian, author, and activist. She is the founder and director of the Center for Justice + Renewal as well as its sister organization, Sacred Folk, which creates resources to stimulate people’s spiritual imaginations and support their journeys toward liberation. An award-winning researcher and. An award-winning researcher and a former professor at Duke University’s Divinity School, Christena’s work has appeared in magazines ranging from Essence to Christianity Today. She lives in Boston, Massachusetts. 

EVENT DEETS:

When: Friday, February 11 at 6:30 PM CST

Where: Virtual via Crowdcast.  You can register using this event page or directly through Crowdcast.

How:  Registration is required.  You can RSVP with a book purchase or without a book purchase.  We appreciate your support of our store by purchasing the book with us.  This empowers us to continue bringing amazing author programming to Houston and beyond.