In this debut picture book from Taraji P. Henson, quirky, stylish and a bit off-the-cuff Lil TJ is ready for her first day of school. But when she gets there, TJ finds that everything she does is a little different than everyone else and she’s standing out in all the wrong ways. Once TJ’s classmate Beau notices, he relentlessly teases her. TJ is filled with anxiety and doubt until she recalls some important words of wisdom from her Grandma Patsy. When she looks inside to her own creativity and personality, she figures out how to help herself make new friends! —and helps someone else too!

You Can Be a Good Friend (No Matter What!) is the perfect read for:

• Easing back-to-school jitters and setting a course for the new school year
• Helping children ages 4-8 to overcome anxieties and embrace what makes them unique
• Classroom and library story time, as well as bedtime reading
• Promoting mental wellness and learning socialization skills, embracing the importance of standing in their own uniqueness, and promoting friendship over bullying.

Love, one fitting at a time?

Calisha "Cal" Duke, a bespoke tailor with a dapper flair, thrives in her world of men's fashion. As a third-generation tailor, she feels pressure to uphold the sterling family tradition and name, but also wants to carve out a path that is uniquely hers.

When Rocky Beckford, a striking new client, requests a custom-made suit for a wedding, sparks fly, leaving Cal questioning her feelings and her reputation. This is the first time she's ever crushed hard on a client, and onanother stud.

As Cal and Rocky explore this unexpected connection together, will they find out if genuine chemistry transcends labels?

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From #1 New York Times bestselling author Terry McMillan comes an honest look at a modern romance, from love at first sight to painful reality to working toward a happy ending....

Franklin Swift was a sometimes-employed construction worker and a not-quite-divorced dad of two. Zora Banks was a teacher, singer, and songwriter. They met in a Brooklyn brownstone, and there could be no walking away....

In this funny, gritty love story, Franklin and Zora join the ranks of fiction’s most compelling couples as they move from Scrabble to sex, from layoffs to the limits of faith and trust. Disappearing Acts is about the mystery of desire and the burdens of the past. It’s about respect—what it can and can’t survive. And it’s about the safe and secret places that only love can find.

A poet watches the limbs of a eucalyptus tree get sawed off: the image persists, refracting and recurring across poems of art, language, selfhood, memory, and loss.

Joan Mitchell said, When I talk about love, I mean loving a tree. When I talk about love, I mean loving where a tree used to be.

Men assess the eucalyptus tree growing on the poet’s street; a crane arrives. The sound of a chainsaw rings in the air and branches begin to fall. This tree-cutting haunts the poet and becomes the locus from which the rest of the collection spirals. It refracts across works by artists such as Pablo Picasso, Joan Mitchell, and Hilma af Klint, whose painting series lends the collection its title and who becomes a model for engaging with the world. At the core of the collection, the long poem “Eureka” examines the violent 1885 expulsion of Chinese Americans from the eponymous California town. Roving, evocative, and intricate, Tree of Knowledge is rooted in Victoria Chang’s crystalline voice and generous, probing gaze, and by certain images ―trees, a hanging figure, a branch, fingertips, a briefcase―that resurface like apparitions.

“Our Gen is warm and smart, accessible yet meaningful, a beach read with strong writing and emotional heft.”—BookPage

Residents of an active-living retirement community revert to lives of youthful indulgence, even as time-bomb secrets of their pasts tick toward explosion. 

The Gen—short for Sexagenarian—is an upscale fifty-five-plus community located in the bucolic suburbs of Philadelphia. Main character Cynthia befriends the Gen’s two other Black residents, Bloc and Tish, as well as Lavia, who everyone assumes is from India. They regularly convene to smoke weed, line dance, and debate politics and philosophy as the wine goes down like silk. Their camaraderie is exhilarating. 

But beneath the fun and froth, storms gather. With its walls of windows gushing light and air, the Gen becomes the catalyst for secrets to be exposed. 

Shifting the narrative between the characters’ pasts and the present day, Diane McKinney-Whetstone deftly builds suspense as she captures with insight, poignancy, and humor, the scars, tenderness, and swagger of those not yet old, but no longer young, coming to the mean acceptance that life is finite after all, who knew.

After several years of silence and seclusion in Beetlecreek's black quarter, a carnival worker named Bill Trapp befriends Johnny Johnson, a Pittsburgh teenager living with relatives in Beetlecreek. Bill is white. Johnny is black. Both are searching for acceptance, something that will give meaning to their lives. Bill tries to find it through good will in the community. Johnny finds it in the Nightriders, a local gang. David Diggs, the boy's dispirited uncle, aspires to be an artist but has to settle for sign painting. David and Johnny's new friendship with Bill kindles hope that their lives will get better. David's marriage has failed; his wife's shallow faith serves as her outlet from racial and financial oppression. David's unhappy routine is broken by Edith Johnson's return to Beetlecreek, but this relationship will be no better than his loveless marriage. Bill's attempts to unify black and white children with a community picnic is a disaster. A rumor scapegoats him as a child molester, and Beetlecreek is titillated by the imagined crimes.

This novel portraying race relations in a remote West Virginia town has been termed an existential classic. It would be hard, said The New Yorker, to give Mr. Demby too much praise for the skill with which he has maneuvered the relationships in this book. During the 1960s Arna Bontemps wrote, "Demby's troubled townsfolk of the West Virginia mining region foreshadow present dilemmas. The pressing and resisting social forces in this season of our discontent and the fatal paralysis of those of us unable or unwilling to act are clearly anticipated with the dependable second sight of a true artist."

First published in 1950, Beetlecreek stands as a moving condemnation of provincialism and fundamentalism. Both a critique of racial hypocrisy and a new direction for the African-American novel, it occupies fresh territory that is neither the ghetto realism of Richard Wright nor the ironic modernism of Ralph Ellison. Even after fifty years, more or less, William Demby said in 1998, "It still seems to me that Beetlecreek is about the absence of symmetry in human affairs, the imperfectibility of justice the tragic inevitability of mankind's inhumanity to mankind."

William Demby is the author of The Catacombs and Love Black. He lives in Sag Harbor, N. Y. James C. Hall, a professor of African-American Studies and English at the University of Illinois, Chicago, is the author of the forthcoming book, Mercy, Mercy, African-American Culture and the American Sixties, and editor of Langston A Collection of Poems.

How Stella Got Her Groove Back is full of Terry McMillan's signature humor, heart, and insight. More than a love story, it is ultimately a novel about how a woman saves her own life—and what she must risk to do it.

Stella Payne is forty-two, divorced, a high-powered investment analyst, mother of eleven-year-old Quincy- and she does it all. In fact, if she doesn't do it, it doesn't get done, from Little League carpool duty to analyzing portfolios to folding the laundry and bringing home the bacon. She does it all well, too, if her chic house, personal trainer, BMW, and her loving son are any indication. So what if there's been no one to share her bed with lately, let alone rock her world? Stella doesn't mind it too much; she probably wouldn't have the energy for love—and all of love's nasty fallout—anyway.

But when Stella takes a spur-of-the-moment vacation to Jamaica, her world gets rocked to the core—not just by the relaxing effects of the sun and sea and an island full of attractive men, but by one man in particular. He's tall, lean, soft-spoken, Jamaican, smells of citrus and the ocean—and is half her age. The tropics have cast their spell and Stella soon realizes she has come to a cataclysmic juncture: not only must she confront her hopes and fears about love, she must question all of her expectations, passions, and ideas about life and the way she has lived it.

*Paperback Release Date - 9/8/26*

From the #1 New York Times bestselling author of How Stella Got Her Groove Back and Waiting to Exhale comes a remarkable, career-spanning collection of short fiction and essays about love, aging, culture and all the things in between.

For the first time, a single volume brings together renowned author Terry McMillan’s previously published short fiction and nonfiction pieces, as well as never-before-seen works.

Before McMillan found success as a novelist in the early 1990s, she published provocative, boundary-pushing short stories, capturing the struggles and triumphs of Black life in America with vitality and honesty, from the workaday factory man’s malaise in “The End” to the cast-aside lover’s resolve in “Touching” to the elderly woman’s wiles in “Ma’Dear.” McMillan’s inimitable voice bravely explores the dark corners of human relationships with compassion, humor, and nuance. This collection also features five unpublished stories that reveal how she wrestled with controversial topics rarely addressed in short fiction, from domestic abuse in “Mama, Take Another Step” to extreme poverty in “Can’t Close My Eyes to It.”

Whether she’s revealing life lessons, pontificating about aging, recalling her sources of inspiration, or laying bare the beginnings of her life as a writer, McMillan approaches every piece with enduring candor, wit, and fearlessness.

Devoted fans and new readers alike will be delighted to discover these treasures spanning McMillan’s long, groundbreaking career. Indeed, it wasn’t only what Terry McMillan has said that made her so beloved . . . it was the way she said it.

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"These are the stories that came to me to be told after the close of a magical marriage to an extraordinary man that ended in a less-than-magical divorce. I found myself unmoored, unmated, ungrounded in a way that challenged everything I'd ever thought about human relationships. Situated squarely in that terrifying paradise called freedom, precipitously out on so many emotional limbs, it was as if I had been born; and in fact I was being reborn as the woman I was to become."

So says Pulitzer Prize-winning author Alice Walker about her beautiful new book, in which "one of the best American writers today" (The Washington Post) gives us superb stories based on rich truths from her own experience. Imbued with Walker's wise philosophy and understanding of people, the spirit, sex and love, The Way Forward Is with a Broken Heart begins with a lyrical, autobiographical story of a marriage set in the violent and volatile Deep South during the early years of the civil rights movement. Walker goes on to imagine stories that grew out of the life following that marriage—a life, she writes, that was "marked by deep sea-changes and transitions." These provocative stories showcase Walker's hard-won knowledge of love of many kinds and of the relationships that shape our lives, as well as her infectious sense of humor and joy. Filled with wonder at the power of the life force and of the capacity of human beings to move through love and loss and healing to love again, The Way Forward Is with a Broken Heart is an enriching, passionate book by "a lavishly gifted writer" (The New York Times Book Review).

In-Depth, intense, insightful.

For more than a decade, radical science fiction author and activist journalist Terry Bisson interviewed some of the most provocative and outspoken authors of the twentieth and twenty-first centuries. Anarchism, sexuality, creativity, and the future of humanity itself—no topic was taboo. Bisson's prankster spirit also shone through as he quizzed his subjects about what cars they drove, played free association games, and created an atmosphere of two old friends having intimate late-night chats. Collected from PM Press's award-winning Outspoken Authors Series for the first time, The Outspoken and the Incendiary showcases insightful and long-form explorations into the lives and minds of some of today’s most politically charged fiction writers.

“PM's Outspoken Authors Series looks almost like a science fiction Who’s Who or Hall of Fame, except that I included myself. Because I could.” —Terry Bisson

Words and Thoughts By: Eleanor Arnason, Terry Bisson, Michael Blumlein, John Crowley, Samuel R. Delany, Cory Doctorow, Meg Elison, Karen Joy Fowler, Eileen Gunn, Elizabeth Hand, Cara Hoffman, Nalo Hopkinson, James Patrick Kelly, John Kessel, Paul Krassner, Joe R. Lansdale, Jonathan Lethem, Ursula K. Le Guin, Ken Macleod, Nick Mamatas, Michael Moorcock, Paul Park, Gary Phillips, Marge Piercy, Rachel Pollack, Rudy Rucker, Kim Stanley Robinson, Carter Scholz, Nisi Shawl, John Shirley, Vandana Singh, and Norman Spinrad, with additional new contributions by Nalo Hopkinson, Jonathan Lethem, Nisi Shawl, Peter Coyote, and Rudy Rucker.

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By the Light of My Father's Smile is Alice Walker's first novel in six years--a stunning, original, and important book by "one of the best American writers of today" (The Washington Post).

A family from the United States goes to the remote Sierras in Mexico--the writer-to-be, Susannah; her sister, Magdalena; her father and mother.  And there, amid an endangered band of mixed-race Blacks and Indians called the Mundo, they begin an encounter that will change them more than they could ever dream.  Moving back and forth in time, and among unforgettable characters and their stories, Walker crosses conventional borders of all kinds as she explores in this magical novel the ways in which a woman's denied sexuality leads to the loss of the much prized and necessary original self; and how she regains that self, even as her family's past of lies and love is transformed.

By the Light of My Father's Smile presents, as Alice Walker puts it, "a celebration of sexuality, its absolute usefulness in the accessing of one's mature spirituality, and the father's role in assuring joy or sorrow in this arena for his female children."  It explores the richness and coherence of alternative culture, experience of sexuality as a celebration of life, of trust in Nature and the Spirit, even as it affirms the belief, as Walker says, "that it is the triumphant heart, not the conquered heart, that forgives.  And that love is both timeless and beyond time."

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A gripping, radically intimate debut novel about a group of enslaved women staging a covert rebellion against their owners

On a struggling Texas plantation, six enslaved women slip from their sleeping quarters and gather in the woods under the cover of night. The Lucys—as they call the plantation owners, after Lucifer himself—have decided to turn around the farm’s bleak financial prospects by making the women bear children. They have hired a “stockman” to impregnate them. But the women are determined to protect themselves.

Now each of the six faces a choice. Nan, the doctoring woman, has brought a sack of cotton root clippings that can stave off children when chewed daily. If they all take part, the Lucys may give up and send the stockman away. But a pregnancy for any of them will only encourage the Lucys further. And should their plan be discovered, the consequences will be severe.

Visceral and arresting, Night Wherever We Go illuminates each woman’s individual trials and desires while painting a subversive portrait of collective defiance. Unflinching in her portrayal of America’s gravest injustices, while also deeply attentive to the transcendence, love, and solidarity of women whose interior lives have been underexplored, Tracey Rose Peyton creates a story of unforgettable power.