From the New York Times bestselling author of Behold the Dreamers, a captivating novel about love lost—and the weight of regret

What if I’d never gotten into that car? What if I’d pulled out of the driveway five minutes earlier, or ten minutes later?

Three years ago, Wolo’s pregnant wife was killed in a tragic car accident. In an instant, the great love of his life was gone, and so was their beautiful future: the twins they were expecting, the PhD she was on the cusp of finishing, and the house they’d just bought in New Jersey. In the face of a loss that seemed insurmountable, Wolo has slowly rebuilt a semblance of a life: he goes to work, hangs out with a small circle of friends, and fends off the matchmaking efforts of the older women in his family. The grief that dogged him has, with time, become a little gentler.

Until a letter arrives one day, unbidden, threatening to upend his life once again. It is from Victoria, the woman who was behind the wheel that terrible day. Wolo’s family pastor tells him the letter is the work of the devil; his mother expressly forbids him from making further mention of it; his father’s second wife calls, from Cameroon, to tell him to destroy it. But Wolo ponders it for days, and ultimately agrees to meet with the woman who killed his wife. When he does, the compassion and deep remorse of the woman affects him in ways he had never imagined, and he begins to wonder if the long road to healing can be shared.

What do we owe to those who have hurt us? Are we defined by our worst moments and our deepest regrets? And, more than anything, can forgiveness ease our suffering? Moving and full of life, Every Story Is a Love Story charts the uneven path from heartbreak to healing.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters. This is part one of a trilogy.

Mallory

The first time I kissed Christopher Johnson, I knew he would be my biggest mistake. It didn't stop me from wanting him though, and when the ghosts from my past came barging into the present, it didn't stop me from agreeing to let him help.

It was supposed to be a simple business arrangement, a few months of playing a role that came far too easily to the both of us, but it wasn't long before it became more.

Love. Devotion. Heartbreak in its truest form.

Some people say life is for the living, but I say life is for the prepared. For the planners who know that controlling every piece on the board is the only way to get the result you want.

To avoid unfortunate complications like having your heart broken by a man past experiences taught you, you never should have trusted in the first place.

Christopher

There's nothing in this world I wouldn't do for Mallory Kent.

I think I knew it the first time I laid eyes on her, and it's remained one of my unspoken truths for the two years that I've known her. But I never thought I'd get the opportunity to do anything about it because Mallory is one of those people who doesn't need anyone.

She's strong, serious, and always in control of every situation around her, which is why the second I see her looking panicked and uncertain in the arms of a figure from her past, I don't think. I just act.

I had no idea that one small decision would lead to this. A fake relationship―designed to solve her problems and mine―turned real. An earth shattering love torn apart by the very forces that led to its conception. Forces that turned me into the source of our destruction.

There's nothing in this world I wouldn't do for Mallory Kent, including break her heart to save her soul.

Picture Book

Ringgold recounts the dream adventure of eight-year-old Cassie Louise Lightfoot, who flies above her apartment-building rooftop, the 'tar beach' of the title, looking down on 1939 Harlem.

Part autobiographical, part fictional, this allegorical tale sparkles with symbolic and historical references central to African-American culture. The spectacular artwork resonates with color and texture. Children will delight in the universal dream of mastering one's world by flying over it. 

From the #1 New York Times bestselling author of Long Way Down comes a powerful print adaptation of the acclaimed, award-winning audiobook Soundtrack—a stirring story of music, friendship, and finding your voice in 2000s New York City.

Stuy Grey plays the drums, just like his mom, a founding member of the all-black punk band the Bed-Stuy Magic Dusters. He teaches himself by watching videos of tap dancers. Now he’s left home, estranged from his mom and her abusive boyfriend. He’s camping out with his uncle on the Lower East Side. His landlord, Dunks, has chops: He shreds on only five strings. Add Alexis on bass guitar and Keith on horn: These teens are a band, busking in New York City subway stations to scrape enough money to record an album.

As their popularity grows, so do the pressures, from complicated family dynamics to the glare of unexpected public attention. And when the police start looking for their bassist, Stuy faces his toughest decision yet.

Adapted from the acclaimed Listening Library original audiobook and written with Jason Reynolds’s signature rhythm, heart, and honesty, Soundtrack: A Novel is a raw, resonant story about friendship, creativity, and what it truly means to find, and fight for, your voice.

A sparkling debut mystery set on the south side of Chicago, featuring the quick-witted, unforgettable Savvy Summers, proprietor of a soul food café.

When Savvy Summers first opened Essie's soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie's reputation for the finest soul food in the Chicagoland area.

Even as the police deem Grandy’s death an accident, Savvy quickly finds herself―and her beloved café―in the middle of an entire city’s worth of bad press. Desperate to clear her name and keep her business afloat, Savvy and her snooping assistant manager, Penny Lopés, take it upon themselves to find who really killed Grandy.

But with a slimy investor harassing her to sell her name and business, customers avoiding her sweet potato pie like the plague, and her police sergeant ex-husband suddenly back in the picture, will Savvy be able to clear the café’s name and solve Grandy’s murder before it all falls apart?

After all, while Savvy always said her sweet potato pie was to die for, she never meant literally.

This book is also freely available online as an open-access digital edition:

https://manifold.ecds.emory.edu/projects/finding-god-in-all-the-black-places

(https://dhjhkxawhe8q4.cloudfront.net/rup-wp-v2/wp-content/uploads/2025/01/28132142/9781978839809.pdf)

In Finding God in All the Black Places, Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.

An NPR Best Book of the Year * The stunning sequel to the critically acclaimed, #1 New York Times bestseller Dear Martin. An incarcerated teen writes letters to his best friend about his experiences in the American juvenile justice system.

An unflinching look into the tragically flawed practices and silenced voices in the American juvenile justice system.

Vernell LaQuan Banks and Justyce McAllister grew up a block apart in the Southwest Atlanta neighborhood of Wynwood Heights. Years later, though, Justyce walks the illustrious halls of Yale University . . . and Quan sits behind bars at the Fulton Regional Youth Detention Center.

Through a series of flashbacks, vignettes, and letters to Justyce--the protagonist of Dear Martin--Quan's story takes form. Troubles at home and misunderstandings at school give rise to police encounters and tough decisions. But then there's a dead cop and a weapon with Quan's prints on it. What leads a bright kid down a road to a murder charge? Not even Quan is sure.

"A powerful, raw, must-read told through the lens of a Black boy ensnared by our broken criminal justice system." -Kirkus, Starred Review

A field-shaping account of how contemporary Black art revitalizes the Black radical tradition

In View of the Tradition argues that contemporary Black artists do not simply comment on politics. They help to generate it. Moving across sculpture, installation, photography, and film, Roderick A. Ferguson shows how Black art clarifies the stakes of capitalism, migration, war, settler colonialism, and ecological crisis while widening the tradition’s feminist, queer, and transnational horizons. The book asks what it means to relocate Black art in the annals of freedom rather than the balance sheets of the marketplace.

Reading work by John Akomfrah, Stephen Hayes, Hew Locke, Fabrice Monteiro, Wangechi Mutu, Noah Purifoy, Cauleen Smith, and Carrie Mae Weems, Ferguson restores the social character of art: how artworks imagine community, connect histories, and model ways of making and remaking the world. Street-level practices associated with Purifoy reframe official narratives of disorder into studies of collective making and civic imagination. Weems’s Hampton Project situates Black and Native lives within intertwined histories of racial governance and settler pedagogy, building an aesthetics of reckoning that links emancipation to captivity.

Across the Atlantic world, artists turn to the sea as both history and prophecy. In the flotillas and filmic ecologies of Locke, Akomfrah, and Monteiro, water becomes a sensor of racial capitalism and refugee flight, and it calls Black radicalism to account for migration’s precarity and the force of deregulated markets. Mutu’s hybrid anatomies trace militarism’s afterlives, from colonial counterinsurgency to Cold War entanglements, where bodies and ecologies register violence yet assemble unexpected kinships. The book closes with art as praxis through Cauleen Smith’s Human 3.0 Reading List, a hand-drawn syllabus that doubles as an engine room of creation. Ferguson names a method that is accessible and rigorous: look closely, connect widely, and link visual literacy to insurgent study and to áshe, the capacity to make things happen. Written with clarity for general readers and with depth for scholars and classrooms, In View of the Tradition shows how Black art and radical thought come together to represent the world and to sketch other possible ones.

From one of North America’s most influential public space experts comes a powerful treatise celebrating Black people’s audacious, complex, and universally embraced public joy expressions.

How much safety, belonging and delight do you feel when you walk through a park? Hang out in a coffee shop? Ride the subway to work? Explore a new neighbourhood? Now, how much do you know about how history, urban planning, culture and even your personal upbringing impact those feelings, and overall access, to public joy? For well over a decade, Jay Pitter has been thinking about public space and the ways it can be designed to not only contribute to social equity but also inspire joy for everyone. Her award-winning work helping cities navigate complex issues such as reimagining Confederate monument sites, the creation of cultural districts and the adoption of gender-responsive street design compels her to ask: “How can I ignite public joy?”

Pitter acknowledges egregious place-based violations faced by her community—historical and contemporary—while unapologetically bending the book’s narrative arc toward public joy. Declaring that Black public joy is so powerful that even the auction block could not extinguish it, Pitter guides the reader through an under-explored placemaking journey. In addition to unearthing historical rituals, the book builds on the current groundswell of Black-led initiatives highlighting hiking, dining, cycling, and frolicking punctuated by hashtags such as #BlackJoy and #BlackOutdoors. Pitter draws upon her practice expertise and research, delving more deeply to situate these moments and online conversations within the phenomenon that is Black public joy.

Along the way, she introduces us to beloved colleagues creating public joy in their communities, and also reveals vulnerable personal stories as ground for the book’s narrative. Black Public Joy’s themes—our collective desire for safely taking up space, feeling belonging, and freeing ourselves from fears of judgement—are universal. Pitter’s work calls on all of us to become better stewards of each other’s public joy, as well as to claim our own.

A searing sci-fi thriller about a woman reckoning with her past to solve a series of sudden and inexplicable deaths in the face of a coming apocalypse—from the Compton Crook Award–winning author of The Space Between Worlds.

“A bold, beautiful, gut-punch of a story, at turns ferocious and poetic—and sometimes both at once.”—Veronica Roth, New York Times bestselling author of Chosen Ones

“[Those Beyond the Wall] reads like Mad Max: Fury Road was written by Phillip K. Dick and N.K. Jemisin.”—CrimeReads

SHORTLISTED FOR THE URSULA K. LE GUIN PRIZE FOR FICTION • A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, Elle

In Ashtown, a rough-and-tumble desert community, the Emperor rules with poisoned claws and an iron fist. He can’t show any sign of weakness, as the neighboring Wiley City has spent lifetimes beating down the people of Ashtown and would love nothing more than its downfall. There’s only one person in the desert the Emperor can fully trust—and her name is Scales.

Scales is the best at what she does: keeping everyone and everything in line. As a skilled mechanic—and an even more skilled fighter, when she needs to be—Scales is a respected member of the Emperor’s crew, who’s able to keep things running smoothly. But the fragile peace Scales helps to maintain is fractured when a woman is mangled and killed before her eyes. Even more incomprehensible: There doesn’t seem to be a murderer.

When more bodies start to turn up, both in Ashtown and in the wealthier, walled-off Wiley City, Scales is tasked with finding the cause—and putting an end to it by any means necessary. To protect the people she loves, she teams up with a frustratingly by-the-books partner from Ashtown and a brusque-but-brilliant scientist from the City, delving into both worlds to track down an invisible killer.

But the answers Scales finds are bigger than she ever could have imagined, leading her into the brutal heart beneath Wiley City’s pristine façade and dredging up secrets from her own past that she would rather keep hidden. If she wants to save the world from the earth-shattering truths she uncovers, she can no longer remain silent—even if speaking up costs her everything.

In this part-memoir, part-manifesto, an acclaimed poet interprets Black radical literary traditions to reimagine freedom through refusal.

“In these fierce yet tender pages, Camonghne Felix reveals how imagination can become a form of governance—an instrument for creating a world rooted in care, community, and radical possibility.”—Michelle Alexander, New York Times bestselling author of The New Jim Crow

Over the past decade, Camonghne Felix has been at the center of American politics, working in strategy, communications, and as a speechwriter. Throughout it all, she has maintained her unwavering belief in language’s foundational revolutionary potential, outside of its deployment for legislative and political ends. In this groundbreaking work of nonfiction, she argues that Black radical poetic traditions model an ethical code and overcome entrenched structures of patriarchy and paternalism, inventing a new form that examines the historical and legislative, and the personal and poetic.

Felix draws on stories from her life in campaigns and the decisions she has had to make: preparing speeches for candidates, responding to harassment, recruiting staff. She recounts her moving personal history—accompanying her mother, a lawyer, to court, and her father, a participant in the Grenadian revolution of 1983, to protests—as well as her coming-of-age being schooled in a wider tradition of Black radical thinkers, from Gwendolyn Brooks to Audre Lorde.

Through rupture, rhythm, and a refusal of politics as usual, Let the Poets Govern encourages us to hold ourselves to the standards of our highest ideals and embraces our shared humanity.

A Better Way to Live Is Within Reach

Number one national bestselling author and trusted financial expert Anthony O'Neal provides the practical tools and everyday habits needed to build margin even if you're starting from zero. Drawing from his own story and years of coaching thousands toward financial freedom, Anthony shows you how to create real breathing room and finally take control of your money. Through simple, proven steps, you'll learn how to:

* Stabilize your finances and cast a vision for the goals that will guide you forward
* Eliminate all consumer debt and regain control of your spending
* Save three to six months of take-home pay and create habits that protect your progress
* Invest with confidence so your money starts working harder than you do
* Pay off your home, lock in your family's legacy, and start building wealth that blesses the people you love most

If you're tired of the stress and exhaustion of barely getting by, this book offers a proven roadmap to break the cycle for good. You don't need more shame. You need a plan and someone to walk with you while you take the first step. This is your fresh start.