A twenty-fifth anniversary edition of Charles Johnson’s National Book Award-winning masterpiece—"a novel in the tradition of Billy Budd and Moby-Dick…heroic in proportion…fiction that hooks the mind" (The New York Times Book Review)—now with a new introduction from Stanley Crouch.

Rutherford Calhoun, a newly freed slave and irrepressible rogue, is lost in the underworld of 1830s New Orleans. Desperate to escape the city’s unscrupulous bill collectors and the pawing hands of a schoolteacher hellbent on marrying him, he jumps aboard the Republic, a slave ship en route to collect members of a legendary African tribe, the Allmuseri. Thus begins a voyage of metaphysical horror and human atrocity, a journey which challenges our notions of freedom, fate and how we live together. Peopled with vivid and unforgettable characters, nimble in its interplay of comedy and serious ideas, this dazzling modern classic is a perfect blend of the picaresque tale, historical romance, sea yarn, slave narrative and philosophical allegory.

Now with a new introduction from renowned writer and critic Stanley Crouch, this twenty-fifth anniversary edition of Middle Passage celebrates a cornerstone of the American canon and the masterwork of one of its most important writers. "Long after we’d stopped believe in the great American novel, along comes a spellbinding adventure story that may be just that" (Chicago Tribune).

Accompanying the largest UK survey to date of work by the legendary Chicago-based figurative painter

This volume is the most extensive publication on Kerry James Marshall to date, celebrating half a century of his work. It reveals the complex ways in which Marshall has transformed histories of Western painting, centering Black bodies in ambitious compositions set in barber shops, public housing projects, parks and beauty salons. It charts his use of portraiture to memorialize individuals such as Nat Turner, Harriet Tubman and Olaudah Equiano. A new series, illustrated here for the first time, looks at under-acknowledged aspects of the history of Africa. With lavish illustrations of all the works in the accompanying exhibition, the book also includes chapters on Marshall's Rythm Mastr project and his various public commissions, including his stained-glass windows for the cathedral in Washington, DC. A survey by Mark Godfrey is accompanied by shorter essays by Aria Dean, Darby English and others, plus an interview between Kerry James Marshall and Benjamin H. D. Buchloh.
Kerry James Marshall was born in Birmingham, Alabama, in 1955, and later moved to Los Angeles. He taught painting for many years at the School of Art and Design at the University of Illinois at Chicago. In 2013, he was named for the Committee on the Arts and the Humanities by President Barack Obama. In 2017, Marshall was included in the annual Time 100 list of the most influential people in the world. The National Cathedral in Washington, DC, is currently working with Marshall to create two new stained-glass windows. Marshall lives and works in Chicago.

A flightless fairy befriends a human girl and discovers her magic in this enchanting picture book from the New York Times bestselling illustrator of Parker Looks Up.

Lily is a young fairy determined to learn to fly just like the others who soar on shimmering, jeweled-colored wings, but she’s worried her own colorless wings will never lift her off the ground. Then she meets a young girl named Willow who helps her not only discover her special magic, but the truly magical gift of friendship.

Introduce your brilliant baby to agricultural scientist, inventor, and environmentalist George Washington Carver.

George Washington Carver was born the son of a slave near the end of the Civil War. When he was a baby, he and his mother were kidnapped by raiders. His mother was never found, but he was brought home. His mother’s owners became his foster parents, raising him and his older brother. As he grew, George worked many jobs and tried many schools to learn everything he could, eventually earning bachelor’s and master’s degrees in agriculture at Iowa State Agricultural College. Then Booker T. Washington asked him to come teach at the Tuskegee Institute in Alabama, an all-black college. George taught and researched there for many years, also creating educational outreach programs to help poor farmers use the land more productively to both take care of the earth and feed people. He is best known for his work with peanuts.

Kate Coombs’ engaging narrative and Seth Lucas’ captivating art teach young readers about this incredible inventor and environmentalist, encouraging little naturalists to Be Kind and Be Adventurous.

When a class-action lawsuit against the US government results in a billion dollar settlement for the aggrieved parties, you’d expect the story to be headline news . . .to be posted on social media everywhere . . . to be adapted to film or even to a popular legal procedural series on TV . . .

So why then have so many people never heard of Pigford vs. Glickman?

Or the follow-up lawsuit, Pigford II?

Or the Black Farmers Case, as the pair of these legal actions is often called?

Could it be that the heart-wrenching story of Black farmers in America, and the monumental legal case that brought long-sought justice to them, is rarely told because it reflects so poorly on the US and its treatment of those whose ancestors helped make the nation an agricultural giant in the first place?

Whatever the reason, the time to tell the full story has come and the person to share the gripping details is Greg Francis, one of the lead counsels in the historic case that finally helped Black farmers achieve equity. In Just Harvest, Francis narrates the dramatic twists and turns of the legal battle fought and won, and evidences the many years of ingrained discrimination and racism that preceded it. Awareness of this story makes us all witnesses to the history still unfolding— and while parts of what is recounted herein will enrage you, the hope is that this book will also inspire, inform, and motivate you to join the continuing fight for the rights of all Black farmers now and in the future.

From Dorothy Roberts, author of Killing the Black Body and a writer who “has brilliantly illuminated the Black experience in America for decades” (Bryan Stevenson), comes a spirited and riveting memoir of growing up in an interracial family in 1960s Chicago and a daughter’s journey to understand her parents’ marriage—and her own identity.

Dorothy Roberts grew up in a deeply segregated Chicago of the 1960s where relationships barely crossed the “colorline.” Yet inside her own home, where her father was white and her mother a Black Jamaican immigrant, interracial marriage wasn’t just a part of her upbringing, it was a shared mission. Her father, an anthropologist, spent her entire childhood working on a book about Black-white marriages—a project he never finished but shaped every aspect of their family life.

As a 21-year-old graduate student, Dorothy’s father dedicated himself to the study of interracial marriage and her mother soon became his full-time partner in that work. Together over the years they interviewed over 500 couples and assembled stunning stories about interracial marriages that took place as early as the 1880s—studying, but also living, championing, and believing in their power to advance social equality.

Decades later, while sorting through her father’s papers, Roberts uncovers a truth that upends everything she thought she knew about her family: her father’s research didn’t begin with her parents’ love story—it came long before it. This discovery forces her to wrestle with her father’s intentions, her own views about interracial relationships, and where she fits in that story. Rather than finish the book her father never published, Roberts immerses herself in their archive of interviews to trace the story of her parents and to better understand her own.

Though grounded in her parents’ research, it’s Roberts’ captivating storytelling that drives this memoir. In following the arc of her parents’ interviews and marriage, The Mixed Marriage Project invites us into the everyday lives of interracial couples in Chicago over four decades. Along the way, Roberts reflects on her own childhood as a Black girl with a white father, and how those experiences shaped her into one of today’s most prominent public thinkers and scholars on race. Blurring the boundaries between the political and the personal, between memoir and history, The Mixed Marriage Project is a deeply moving meditation on family, race, identity, and love.

Here are over 800 haiku by Richard Wright, one of the early forceful and eloquent spokesmen for black Americans, author of the acclaimed Native Son and Black Boy.

Wright discovered the haiku in the last eighteen months of life. He attempted to capture, through his sensibility as an African-American, the elusive Zen discipline and beauty in depicting man’s relationship, not only to his fellow man as he had in the raw and forceful prose of his fiction, but to the natural world. In all, he wrote over 4,000 haiku.

Here are the 817 he personally chose; Wright’s haiku, disciplined and steeped in beauty, display a universality that transcends both race and color without ever denying them. Wright wrote his haiku obsessively—in bed, in cafes, in restaurants, in both Paris and the French countryside. They offered him a new form of expression and a new vision: with the threat of death constantly before him, he found in them inspiration, beauty, and insights.

Fighting illness and frequently bedridden, deeply upset by the recent loss of his mother, Ella, Wright continued, as his daughter notes in her introduction, “to spin these poems of light out of the gathering darkness.”

Can a dare made at Notting Hill Carnival turn into true love? He’s All That meets How to Lose a Guy in 10 Days in this trope-filled sizzling summer romance, perfect for fans of Joya Goffney and Lynn Painter.
 
Popular girl Eva Òjó is used to boys falling for her without her even trying. So when her friend dares her to dance with a random guy at Notting Hill Carnival, she meets Saint.

Comic obsessed Saint Rowe-Falade thinks Eva is cute, but he's not interested in her in that way. He’d rather get lost in stories than look for romance.

When Eva’s birthday party gets out of control and causes damage to her dad’s beloved car, her friends set the ultimate dare: get Saint to take her on one date and they’ll help her pay to fix her dad’s car. Operation fall-in-love-with-Eva is set in motion and Eva makes it her mission to make Saint fall head over heels. But just as Saint starts to warm to Eva, and her own feelings towards him grow, Saint finds out about the dare. Can Eva convince Saint she’s truly into him, or has she lost him for good?

PRAISE FOR ABIOLA BELLO'S LOVE IN WINTER WONDERLAND:

‘A screen-worthy holiday romance.’ Joya Goffney, author of Excuse Me While I Ugly Cry

‘Gorgeous writing, witty dialogue, a magical setting and two characters you'll fall head over heels for.’ Jennifer Niven, author of All the Bright Places
 
‘I devoured this delicious YA rom-com. A treat to read any time of year.’ Katherine Webber, author of Twin Crowns
 
‘A wonderfully warm love story.’ Candice Brathwaite, author of Cuts Both Ways

‘A warm and cosy read that pulls you into the perfect winter romance. Abiola has given us all a gift to swoon over.’ Benjamin Dean, author of The King is Dead

The Astrology of Healing offers a spiritual map quest to our unfolding, a way to navigate tough times, knowing they will end and shift just as the planets do above us. Our ability to speak with the symbolism of the stars gives us the keys to unlock our full potential.

There is a magical moment when you see your trauma embedded within your own birth chart. It's a come to God moment. When you realize the wounds you endured in your life were already written in the archetypal signature at the time you took your first breath. It was already there. Waiting for you to live through it, to alchemize into something more, because everything really does happen for a reason. Our most impactful events in our lives are packed into our birth charts.

In The Astrology of Healing, author Nada Yousif shares her knowledge of the stars and how they impact the most significant events of our lives. She takes a scholarly approach, tying in history with astrological placements for a macro view of the world. But she also invites the reader to examine their own life events, traumas, and accomplishments through specific evaluations of birth charts and what each placement means.

Astrology not only shows us all of our core wounds, but it gives context to why we need them and how we can work with them in this lifetime. It's alchemy at it's finest. Astrology gives our wounds the map to the integration of our special healing elixir that we are meant to offer back to the world around us. As within, so without… The Astrology of Healing says, “Not only was this meant to happen, but here's why.” That alone heals at a deeper level.

Throughout the pages of this book, Yousif examines the charts of famous figures, both historical and modern and breaks down the events of their lives to show how astrology affects us all. The author also weaves in her personal story and shares how astrology changed her life. Then, she provides guidance to the reader, so they can use astrology to unlock their full potential, use the gifts they've been given, and heal the meaningful wounds within so they can fulfill their highest destinies.

Astrology is like an ancient language. Once we remember this ancient language, we can begin to decipher what our own charts are trying to teach us. We can come to understand the ‘why’ and the ‘how’ to use these lessons and life experiences for our spiritual evolution. It’s an opportunity to shine the light on our innermost selves. Seeing our birth charts for the first time is like turning on a flashlight in a dark hidden room that’s been locked up our entire life. Suddenly we can see everything, each one of our traumas show up in a symbolic, energetic signature… our ‘Natal Promise’. It’s a worldview-changing moment for most, and gives credibility to the saying, “Everything happens for a reason." Our power is truly written in the stars.

An unexplained tragedy. A handsome stranger. A house of ghosts and memories. In this fresh take on the Gothic tale, a young Nigerian woman returns to the family mansion where her brother died—only to find the past ready to consume her.

1967, Nigeria. Celia has been estranged from her family since they banished her to St. Agnes’s reform school after her brother’s death. When the school closes down, she has nowhere to go and no one to write for help.

She secures a job as a typist, marking the beginning of a new chapter; she hopes to leave behind the demons of her past and become a normal, happier person. And when a charismatic yet secretive aspiring politician hires her to be his fiancé, Celia begins to dream of a possible new future. But everything falls apart and Celia, in desperation, returns to her childhood home, the Water House.

There, Celia is confronted by her hostile mother, a past love, and the horrors that the house holds deep in its walls. As a civil war brews in the outside world, Celia begins to suspect that the truth behind her brother’s death might be more sinister than she imagined. In a twist on Jane Eyre and Rebecca, Nneoma Ife-Njoku weaves a mesmerizing story of a woman confronting a home where the past refuses to stay buried.