In this classic work—a blend of memoir social criticism, and political analysis that remains relevant today—the first Black Congresswoman to serve in American history, New York’s dynamic representative Shirley Chisholm, traces her extensive political struggle and examines the problems that have long plagued the American system of government.

“A tremendously impressive book.”—Washington Post

“Her motto and title of her autobiography—Unbossed and Unbought—illustrates her outspoken advocacy for women and minorities during her seven terms in the U.S. House of Representatives.”—National Women’s History Museum

“I want to be remembered as a woman . . . who dared to be a catalyst of change.”

Political pioneer Shirley Chisholm—activist, member of the House of Representatives and former presidential candidate—was a woman who consistently broke barriers and inspired generations of American women, and especially women of color. Unbossed and Unbought is her story, told in her own words—a thoughtful and informed look at her rise from the streets of Brooklyn to the halls of Congress. Chisholm speaks out on her life in politics while illuminating the events, personalities, and issues of her time, including the schism in the Democratic party in the 1960s and ’70s—all which speak to us today.

In this frank assessment, “Fighting Shirley” recalls how she took on an entrenched system, gave a public voice to millions, and embarked on a trailblazing bid to be the first woman and first African American President of the United States. By daring to be herself, Shirley Chisholm shows how one person forever changed the status quo.

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An exciting account of the international adventures of fashion model Pat Cleveland—one of the first black supermodels during the wild sixties and seventies.

“Taking her reader through fifty years of fashion from the intersection of the Civil Rights Movement, the disco era's decadence, and the grandeur of Hollywood’s late 70s renaissance, Cleveland provides a glimpse at some of design’s most important moments—and her own personal history.” —Vogue

“Pat Cleveland is to fashion what Billie Holiday is to the blues; a muse for all ages.” —Essence

Chronicling of the glamorous life and adventures of Pat Cleveland—one of the first black supermodels—this compelling memoir evokes the bohemian lifestyle and creative zeitgeist of 1970s New York City and features some of today’s most prominent names in fashion, art, and entertainment as they were just gaining their creative footage.

New York in the sixties and seventies was glamorous and gritty at the same time, a place where people like Warhol, Avedon, and Halston as well as their muses came to pursue their wildest ambitions, and when the well began to run dry they darted off to Paris. Though born on the very fringes of this world, Patricia Cleveland, through a combination of luck, incandescent beauty, and enviable style, soon found herself in the center of all that was creative, bohemian, and elegant. A “walking girl,” a runway fashion model whose inimitable style still turns heads on the runways of New York, Paris, Milan, and Tokyo, Cleveland was in high demand.

Ranging from the streets of New York to the jet-set beaches of Mexico, from the designer drawing rooms of Paris to the offices of Vogue, here is Cleveland’s larger-than-life story. One minute she’s in a Harlem tenement making her own clothes and dreaming of something bigger, the next she’s about to walk Halston’s show alongside fellow model Anjelica Huston. One minute she’s partying with Mick Jagger and Jack Nicholson, the next she’s sharing the dance floor next to a man with stark white hair, an artist the world would later know as Warhol. In New York, she struggles to secure her first cover of a major magazine. In Paris, she’s the toast of the town. And through the whirlwind of it all, she is forever in pursuit of love, truth, and beauty in this “riveting, celeb-drenched account of her astonishing life in fashion” (Simon Doonan, author of The Asylum).

In Gauthier, love isn’t just found. It’s forever.

Tamryn West, Ph.D., did not plan to swap Boston lecture halls for dirt roads, a failing radiator, or a surprise motorcycle rescue. But a research grant leads her to Gauthier, Louisiana, where the past opens doors she never meant to knock on, including the one belonging to Matthew Gauthier, the lawyer who avoided her calls and showed up anyway with dimples fully deployed.

Matt knows the town’s legacy like second nature, a generational inheritance he’d rather protect than narrate. The Gauthier Law Firm has long been the heartbeat of quiet justice, and Matt guards his family history the same way he wins a case, carefully, privately, and without extra commentary. Charming? Occasionally. Cooperative? Never on the first request, or the twentieth.

Their collision begins with a ride into town, luggage retrieved like a good deed that came with invisible fine print, and a quiet spark that grows louder than expected. Archives and chance meetings steer their summer off course, but their journey to happily ever after is worth the ride.

A twisty and prescient new thriller in the #1 New York Times bestselling Avery Keene series, by nationally renowned author and leader Stacey Abrams, Coded Justice follows Avery down a dark rabbit hole into the breathtaking—and dangerous—use of AI in the medical industry.

Avery Keene is back! The fan-favorite former Supreme Court clerk has finally gone out on her own, securing a prestigious position at a high-end law firm in Washington, D.C., where she is about to earn real money and get her life in order after a tumultuous run working as a clerk on the Supreme Court. With her reputation preceding her, Avery is quickly tasked at her new job with becoming a corporate internal investigator. Her new client is Camasca—a mega-tech firm that's on the forefront of developing a new integrated AI system poised to revolutionize the medical industry, particularly by delivering vastly improved health care to veterans. The AI potential is breathtaking, but some disturbing anomalies have plagued Camasca in early testing—including the mysterious death of a Camasca engineer. Avery and her colleagues, Jared, Ling, and Noah, find themselves on a journey to determine whether the anomalies are mere technical glitches, or something much more concerning. Full of twists, behind-the-scenes financial machinations, and the continued blossoming of Avery and her vibrant cast of friends, Coded Justice finds Stacey Abrams' riveting series to be in full swing.

Around the clock recipes, from “the most important chef in America” (San Francisco Chronicle), the visionary behind Tatiana, the New York Times #1 Restaurant in New York City.

Chef Kwame Onwuachi is always on the go. But no matter when—or where—he’s eating, you know it’s going to be good. In All Hours, Kwame shares the bold, craveable recipes that keep him going, 24/7, so that everyone can get a taste of his home cooking (even when you can’t get a table at one of his red-hot restaurants).

From morning glories like Corn Milk French Toast and the ultimate Bodega BEC to afternoon delights like Souped-Up Top Ramen and Red Stew Chicken Parm, these are recipes for quiet nights in and ragers with friends, cookouts with family and snacking on the go—and everything in between.

Filled with the mad-genius creations and cross-cultural mash-ups that only a great chef could dream of: Drunken Noodles alla Vodka, Creole Sausage Roll-Ups, Brussels Sprout Suya—plus showstopping dishes from Kwame’s restaurants (Tatiana’s legendary Cosmic Brownie with Powdered Donut Mousse!) and his own spins on New York classics (Bougie Chopped Cheese!)—this is killer home cooking, with a little je ne sais kwame.

From Newbery Medal honoree and #1 New York Times bestselling author Jason Reynolds comes the sequel to the hilarious, hopeful, and action-packed middle grade novel Stuntboy, in the Meantime about the greatest young superhero you’ve never heard of, jam packed with illustrations by Raúl the Third!

Portico Reeves is the greatest superhero a lot of people have never heard of. He likes it that way—then no one can get in the way of him from keeping other other people safe. Super safe. He’s Stuntboy. He’s got the moves. And the saves. Except. There’s been one major fail.

He couldn’t save his parents from becoming Xs. Which is a word that sounds like coughing up a hairball. But don’t talk to him about the divorce, because of the hairball thing, and also, it gives Portico the frets.

What’s also giving him frets is his parents living on two separate floors in their apartment building. He’s never fully with one parent or the other. He’s in-between, all the time. The in-between time. And the elevator is busted, so to get between floors means getting past the bullies who hang in the stairwells.

So when Portico and new friend, Herbert, and best best friend, Zola, discover an empty apartment, unlocked, they are psyched. It’s a perfect hideout, and hangout, and it’s not half anyone’s…it’s all theirs. So they decide to make it their own…let’s say with stunts of the drawing kind. Problem is, that gives some Grown Up People the frets, which leads to double frets for Portico. And he’s not sure his arsenal of stunts can combat that.

The New York Times best-selling author’s time-travel classic that makes us feel the horrors of American slavery and indicts our country’s lack of progress on racial reconciliation

Soon to be an FX Networks TV series adaptation with a pilot directed by Janicza Bravo (Zola), written by Branden Jacobs-Jenkins (Watchmen), and executive produced by Jacobs-Jenkins and Darren Aronofsky (The Fountain)

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

Longtime NBC News reporter Char Adams writes a deeply compelling and rigorously reported history of Black political movements told through the lens of Black-owned bookstores, which have been centers for organizing from abolition to the Civil Rights Movement to Black Lives Matter.

In Black-Owned, Char Adams celebrates the living history of Black bookstores. Packed with stories of activism, espionage, violence, community, and perseverance, Black-Owned starts with the first Black-owned bookstore, which an abolitionist opened in New York in 1834, and after the bookshop’s violent demise, Black book-lovers carried on its cause. In the twentieth century, civil rights and Black Power activists started a Black bookstore boom nationwide. Malcolm X gave speeches in front of the National Memorial African Book Store in Harlem—a place dubbed “Speakers’ Corner”—and later, Black bookstores became targets of FBI agents, police, and racist vigilantes. Still, stores continued to fuel Black political movements.

Amid these struggles, bookshops were also places of celebration: Eartha Kitt and Langston Hughes held autograph parties at their local Black-owned bookstores. Maya Angelou became the face of National Black Bookstore Week. And today a new generation of Black activists is joining the radical bookstore tradition, with rapper Noname opening her Radical Hood Library in Los Angeles and several stores making national headlines when they were overwhelmed with demand in the Black Lives Matter era. As Adams makes clear, in an time of increasing repression, Black bookstores are needed now more than ever.

Full of vibrant characters and written with cinematic flair, Black-Owned is an enlightening story of community, resistance, and joy.

From #1 New York Times bestselling author Julia Quinn and television pioneer Shonda Rhimes comes a powerful and romantic novel of Bridgerton's Queen Charlotte and King George III's great love story and how it sparked a societal shift, inspired by the original series Queen Charlotte: A Bridgerton Story, created by Shondaland for Netflix.

“We are one crown. His weight is mine, and mine is his…”

In 1761, on a sunny day in September, a King and Queen met for the very first time. They were married within hours.

Born a German Princess, Charlotte of Mecklenburg-Strelitz was beautiful, headstrong, and fiercely intelligent… not precisely the attributes the British Court had been seeking in a spouse for the young King George III. But her fire and independence were exactly what she needed, because George had secrets… secrets with the potential to shake the very foundations of the monarchy.

Thrust into her new role as a royal, Charlotte must learn to navigate the intricate politics of the court… all the while guarding her heart, because she is falling in love with the King, even as he pushes her away. Above all she must learn to rule, and to understand that she has been given the power to remake society. She must fight—for herself, for her husband, and for all her new subjects who look to her for guidance and grace. For she will never be just Charlotte again. She must instead fulfill her destiny… as Queen.

A raw and lyrical exploration of the confining expectations of womanhood and, if we dare, what lies beyond those limitations--from a writer Roxane Gay calls "vibrant and thoughtful."

Gorgeous, badass, and practically waiting to pounce, Good Woman: A Reckoning is acclaimed essayist Savala Nolan's follow-up to her "standout collection" (New York Times Book Review) Don't Let It Get You Down.

A lifetime of playing by the rules of female social conditioning is not what it's cracked up to be for Nolan. The years of making herself smaller (literally and metaphorically); the sexual advances that led to more than she wanted; the bad marriage she fought like hell to keep; all the ways others questioned her identity or choices and she let it slide to keep the peace; her silence when requested; her body when desired--none of it worked. None of it protected her the way it was advertised to.

Nolan noticed the same was true for the women around her and the women in history she read about. Across time and location, they were raised to be agreeable and "good." Hyper-visible as sexual objects but invisible as full people. Living in a physical world created by men for men. Taking on the ultimate role of birth-giver and caretaker, yet seeing it remain an unsung act, even as it's a God-like endeavor. Only in midlife did Nolan begin to realize she was capable of living outside these cages of conditioning so slyly insidious that they're nearly invisible.

Good Woman elegantly probes the knotty conditions themselves, the costs of adhering to them, and what happens when one refuses to comply. The twelve stunning and unforgettable essays blend memoir, reportage, and history to create a collection that is alternately bold, brash, and explosive ... and ravishingly tender, sensual, and joyous. Nolan takes aim at big and old ideas, and she does not miss. Hers is a testimony to witness and to savor.

"Beautifully crafted and captivating.This triumphant tale is sure to be an instant classic."--Victoria Christopher Murray, New York Times bestselling co-author of The Personal Librarian

"How do we not all know the name of Elizabeth Taylor Greenfield? The story of this brilliant singer -- a Black woman born enslaved who performed both sides of the Atlantic in the years before and during the Civil War -- is finally given its just due."   --Marie Benedict, New York Times bestselling author of The First Ladies

Before the Civil War, Black opera singer Elizabeth Taylor Greenfield reigned supreme on Northern stages—even performing at Buckingham Palace. Novelist Tiffany L Warren brings this remarkable but forgotten diva’s remarkable story to life for modern readers.

Born into slavery on a Mississippi plantation, Elizabeth Taylor Greenfield has been raised in the safety of Philadelphia’s Quaker community by a wealthy adoptive mother. Sheltered and educated, Eliza’s happy childhood always included music lessons to nurture her unique gift: a glorious three octave singing voice that leaves listeners in awe. But on the eve of her twenty-fourth birthday, young Eliza’s world is thrown into a tailspin when her mother dies.

Eliza’s inheritance is contested by her mother’s white cousins, leaving her few options. She can marry her longtime beau, Lucien, though she has no desire to be a wife and mother. Or she can work as a tutor for rich families. Her mother’s dying wish was for Eliza to pursue her talent and become a professional singer, but that grand vision now seems out of reach.

When a chance performance on a steamboat to Buffalo, New York, leads to a surprising opportunity, fearless Eliza seizes her moment. Within a year she is touring America, singing to packed houses, and igniting controversy wherever she goes. In a country captivated by “the Swedish Nightingale” Jenny Lind, Eliza is billed by tour promoters as “the Black Swan.” An unlikely diva, Eliza is tall, dark-skinned, and robust of figure compared to the petite European prima donna, but even the harshest critics can’t deny Eliza’s extraordinary gift. Menaced by racist crowds, threatened by slave-catchers who kidnap free Black people, Eliza lives a public life full of risk, but one which also holds the promise of great riches, and the freedoms those buy.

From the churches of Philadelphia to Queen Victoria’s salon in Buckingham Palace, Eliza Greenfield will blaze her own path—with a voice that no listener will ever forget.

“Strikingly dramatic, yet simple and unrestrained . . . an unusual and intensely interesting book richly packed with strange information.”

—New York Times Book Review