From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret

“One of the best books I’ve read in my entire life. It’s epic. It’s transportive . . . It was unputdownable!”—Oprah Winfrey, OprahDaily.com

The Covenant of Water is the long-awaited new novel by Abraham Verghese, the author of the major word-of-mouth bestseller Cutting for Stone, which has sold over 1.5 million copies in the United States alone and remained on the New York Times bestseller list for over two years.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl—and future matriarch, known as Big Ammachi—will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants.

A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the difficulties undergone by past generations for the sake of those alive today. It is one of the most masterful literary novels published in recent years.

The definitive early-career survey of one of the most compelling photographers of his generation.

Tyler Mitchell’s photography is animated by dreams of paradise and joy against the backdrop of history. Since his rise to prominence in the worlds of art and fashion, Mitchell has created images of beauty, utopia, and the American landscape that expand the imaginary of Blackness in the twenty-first century. Wish This Was Real is the definitive early-career survey of Mitchell’s work, offering a comprehensive look into the subjects driving his artistic practice, from his genre-bending portraits made in the United States, Europe, and West Africa to his photographs printed on diaphanous fabrics and sculptures that reference Black intellectual heritage. Presenting new perspectives by leading writers on his long-standing themes of self-determination and the extraordinary radiance of the everyday, Wish This Was Real shows how photography can be rooted in a collective past while evoking imagined futures.

A young adult anthology featuring fictional stories of everyday resistance.

You might be the kind of person who stands up to online trolls.Or who marches to protest injustice.Perhaps you are #DisabledAndCute and dancing around your living room, alive and proud.Or perhaps you are the trans mentor that you wish you had when you were younger.Maybe you call out false allies, or stand up to loved ones. Maybe you speak your truth and drop the mic, or maybe you take it with you when you leave.This anthology features fictional stories--in poems, prose, and art--that reflect a slice of the varied and limitless ways that readers like you resist every day. Take the Mic's powerful collection of stories features work by literary luminaries and emerging talent alike, including Newbery-winner Jason Reynolds, New York Times bestseller Samira Ahmed, anthologist and contributor Bethany C. Morrow, Darcie Little Badger, Keah Brown, Laura Silverman, L.D. Lewis, Sofia Quintero, Ray Stoeve, Yamile Mendez, and Connie Sun, with cover and interior art by Richie Pope.

Black Gurl Reliable does the original work of curating Black girls’ and women’s experiences and experiential knowledge, indexing sociocultural tactics (schooling) that foreclose Black girl aliveness, while advancing embodiment as a key ingredient of Black mattering. Elevating Black Girlhood Studies as an ethos, narratives presented offer redress to inequities and hauntings of race-gender structures of dominance and position Black girls and girlhood as more than lamentation and what happens to the body. Hill solicits the strength and utility of arts-based methods in capturing identity, performance, and experimental design for ephemerality and improvisation. Hill makes clear Black feminism’s insistence that knowledge and possibility are produced through the body.

As a means of mitigating the deleterious effects of schooling on Black girls’ and women’s bodies and making legible the insights and knowledge produced from schooling experiences, Hill introduces the concept of Transgressngroove. This living feminist practice explores the relationships between Black girlhood, education, and the body, as researched for over a decade through workshops, consulting, classrooms, personal development, and other teaching/learning spaces.

“This singular memoir stunned me. With a poet’s precision, Rachel Eliza Griffiths renders two interwoven tragedies few others could have lived through, much less written about with such clear-eyed candor.”—Mary Karr, New York Times bestselling author of The Liars’ Club

On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.

In the process of rebuilding a self, Griffiths chronicles her friendship with Moon, the seventeen years since their meeting at Sarah Lawrence College. Together, they embraced their literary foremothers—Lucille Clifton, Toni Morrison, Alice Walker, to name a few—and fought to embrace themselves as poets, artists, and Black women. Alongside this unbreakable bond, Griffiths weaves the story of her relationship with Rushdie, of the challenges they have faced and the unshakeable devotion that endures.

In The Flower Bearers, Griffiths inscribes the trajectories of two transformational relationships with grace and honesty, chronicling the beauty and pain that comes with opening oneself fully to love.

For readers of Homegoing and Frying Plantain, a stirring intergenerational saga stretching from the Caribbean to Canada where womanhood and mothering demands what the body wants to forget.

Woven together with folklore and memory, We've Been Here Before begins with the childhood stories of Lise-Rose, who struggles with speech and coming of age in a community anchored in both West African spirituality and the Catholic Church. Lise-Rose must choose either to follow the ancestral ways of her father, who is spiritually bound to the sea, or her mother, who has rooted herself in Catholicism. The path of her life changes, however, after an encounter with a shape-shifting figure from the village.

Like Lise-Rose's ancestors, her descendants struggle to honour ancestral knowledge while living on foreign lands. Margaux, Lise-Rose's great-granddaughter, embarks on a new life with her mother in Canada. Facing racism and isolation, they attempt to establish roots in a country that seems both limitless and oppressive.

Across generations, Sodhi explores how a woman reclaims a connection to her stories and ancestors while forging her own voice.

Melvin Mitchell believes that the 2016 opening of the NMAAHC signals either a black architect renaissance or the demise of the black architect-practitioner corps in the U.S. by 2040 if not earlier…along with the demise of Black America’s cultural, political, and spatial beachheads in America’s big cities. He argues in this book that America’s perennial housing crisis - most acutely manifested in Black America’s accelerating displacement from America’s cities – must be countered by a new progressive 21st century movement that re-invents the revolutionary construction-based architecture modus operandi deployed 100 years ago by Booker T. Washington. Mitchell believes that Washington completed the build-out of the Tuskegee Institute campus as a counter to America’s building of the “White City” aka the 1893 Chicago World’s Fair-Columbian Exposition 600 miles to the north in Chicago, Illinois. Mitchell argues that the centerpiece of a new “architecture” must realign with the needs of Black America for majorincreases in home and business ownership and wealth creation. That requires a massive “Buy the Block”-type redevelopmentin urban Black America. Today that must entail nothing short of the literal building of at least one million newaffordable housing units in urban Black America by Black America between now and 2030. The means to accomplishsuch a moon shot are there in existing and emerging progressive legislation. The American Housing and Economic Mobility Act, the Green New Deal, and the Opportunity Zones Act must all beharnessed with the trillions of available public dollars, private equity funds, and black nouveau rich wealth to createand sustain an African American-dominated urban affordable housing industry. That may not be the answer but is mostcertainly one of several heretofore missing pieces.

This pioneering and pathbreaking book brings together the rich spirituality of Black literary giants with the profound spirituality of the Buddhist tradition. Never before have we been informed and transformed with this unprecedented encounter—and our catastrophic times require it! —Dr. Cornel West

Black, queer, feminist, Buddhist: The Fire Inside casts a fresh new light on the radical literary legacies of James Baldwin and Audre Lorde

Includes meditation exercises

The Fire Inside explores the writings of Audre Lord and James Baldwin through a Dharmic lens, revealing for the first time how two of America’s greatest literary voices reflect—and expand—Buddhism’s most timeless truths toward justice and liberation.

Dr. Rima Vesely-Flad dives deeply into a dharma of liberation as lived by Baldwin and Lorde, offering timely lessons to help us each meet this moment. She explores the writers’ enduring legacies to show that liberation depends not only on organizing and mass movements, but the generative power of inner well-being, authenticity, art, and embodiment. Each chapter shares how looking inward is the way forward, examining Baldwin and Lorde through key Buddhist principles:

* Suffering as a teacher: how Baldwin and Lorde investigated suffering in their own lives—and how expanded and disrupted interpretations of the Dharma
* Denial, impermanence, and death: on Baldwin’s exploration of white supremacy and fear of death and Lorde’s understanding of illness and inevitable change
* Ultimate and relative reality: how honoring race, gender, sexuality, and difference lies at the heart of Buddhist liberation
* Karma and not-self: how the doctrine of karma can be reclaimed to cultivate inner liberation and support activists working to dismantle oppression
* Anger and compassion: how we metabolize internalized rage, reject hatred, and embrace compassion toward transformation
* Erotic paths to enlightenment: on the power of sensuality and erotic energy; rejecting dominant heteronormativity; and attaining enlightenment through sexual union

This book offers space for emerging conversations within spiritual communities—ones that don’t shy away from difficult or uncomfortable truths; that center—and celebrate—Black, queer, radical thought; and that embrace the ways our inner lives, creative fire, sensuality, and expressions of love can ignite and sustain revolutionary liberation.

One of the most highly praised novels of the year, the debut from an astonishing young writer, Freshwater tells the story of Ada, an unusual child who is a source of deep concern to her southern Nigerian family.

Young Ada is troubled, prone to violent fits. Born “with one foot on the other side,” she begins to develop separate selves within her as she grows into adulthood. And when she travels to America for college, a traumatic event on campus crystallizes the selves into something powerful and potentially dangerous, making Ada fade into the background of her own mind as these alters—now protective, now hedonistic—move into control. Written with stylistic brilliance and based in the author’s realities, Freshwater dazzles with ferocious energy and serpentine grace.

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From Ibi Zoboi, bestselling, award-winning author of American Street and co-author of Punching the Air, comes a bold new YA coming-of-age story, which explores race, feminism, and complicated family dynamics. The ideal next read for fans of Roxane Gay, Jacqueline Woodson, and Elizabeth Acevedo.

Warrior Princess. That’s what Nigeria Jones’s father calls her. He has raised her as part of the Movement, a Black separatist group based in Philadelphia. Nigeria is homeschooled and vegan and participates in traditional rituals to connect her and other kids from the group to their ancestors. But when her mother—the perfect matriarch of their Movement—disappears, Nigeria’s world is upended. She finds herself taking care of her baby brother and stepping into a role she doesn’t want.

Nigeria’s mother had secrets. She wished for a different life for her children, which includes sending her daughter to a private Quaker school outside of their strict group. Despite her father’s disapproval, Nigeria attends the school with her cousin, Kamau, and Sage, who used to be a friend. ­There, she begins to flourish and expand her universe.

As Nigeria searches for her mother, she starts to uncover a shocking truth. One that will lead her to question everything she thought she knew about her life and her family.

From award-winning author Ibi Zoboi comes a powerful story about discovering who you are in the world—and fighting for that person—by having the courage to be your own revolution.

From the recipient of the 2010 Clifton Fadiman Medal, an unforgettable novel of one woman's courageous coming-of-age

Jamaica Kincaid’s The Autobiography of My Mother is a story of love, fear, loss, and the forging of character, an account of one woman’s inexorable evolution, evoked in startling and magical prose.

This novel tells the deeply charged story of a woman’s life on the island of Dominica. Xuela Claudette Richardson, the daughter of a Carib mother and a half-Scottish, half-African father, loses her mother to death the moment she is born and must find her way on her own.

Kincaid takes us from Xuela’s childhood in a home where she can hear the song of the sea to the tin-roofed room where she lives as a schoolgirl in the house of Jack LaBatte, who becomes her first lover. Xuela develops a passion for the stevedore Roland, who steals bolts of Irish linen for her from the ships he unloads, but she eventually marries an English doctor, Philip Bailey. Xuela’s is an intensely physical world, redolent of overripe fruit, gentian violet, sulfur, and rain on the road, and it seethes with her sorrow, her fear of her father, her desperate loneliness, and her deep sympathy for those who share her history. But underlying all is “the black room of the world” that is Xuela’s motherlessness and barrenness.