The iconic NAACP magazine’s most dynamic and daring African American voices gathered together for the first time in a groundbreaking literary collection, from founding editor W. E. B. DuBois and Jessie Fauset to today's modern day cultural critics, including June Shagaloff and Michael A. Lawrence.

The Crisis magazine is the official publication of NAACP. It was created in 1910 by renowned historian, civil rights activist, and NAACP co-founder W. E. B. DuBois. The magazine appeared three years before Conde Nast launched an American version of Vanity Fair and fifteen years before Harold W. Ross introduced The New Yorker to readers.

Du Bois started The Crisis in one room of the New York Evening Post building in New York City and edited the publication until 1934. A group of NAACP leaders adapted the name from James Russell Lowell's poem The Present Crisis, written at the height of the Civil War.

In the premier issue Du Bois made clear of the publication’s goals: "The Crisis will record important happenings and movements in the world which bear on the great problem of inter-racial relations, and especially those which affect the Negro-American. Secondly, it will be a review of opinion and literature, recording briefly books, articles, and important expressions of opinion in the white and colored press on the race problem. Thirdly, it will publish a few short articles. Finally, its editorial page will stand for the rights of men, irrespective of color or race, for the highest ideals of American democracy."

At the time, Du Bois noted, "it was the rule of most white papers never to publish a picture of a colored person except as a criminal and the colored papers published mostly pictures of celebrities who sometimes paid for the honor. In general, the Negro race was just a little afraid to see itself in plain ink." Everything changed with the advent of The Crisis.

Now, for the first time ever The Best of the Crisis will bring together the magazine’s previously published most dynamic and daring voices and stories from its founding until today in one extraordinary collection, including W. E. B. Du Bois, Thurgood Marshall, Bayard Rustin, Francis Grimke, J.A. Rogers, Stetson Kennedy, E. Franklin Frazier, Oswald Garrison Villard, Jessie Fauset and Arna Bontemps.

This edition will spotlight the first section devoted to Negro children, the first presentation of Negro artwork, the first feature stories about successful Negroes, the first full-fledged drive for Pan-Africanism, the first special numbers devoted to Negro educational advancement, the first articles on consumers cooperation all tied together with contemporary voices on where we stand on these issues today.

For the first time ever, one of the world’s most iconic business leaders shares the story of his remarkable life and career.

Ken Chenault has lived his life at the confluence of the historical forces that have shaped modern America, keenly aware of both the burdens of its past and the dynamic potential of its future. Born in 1951, when segregation was still inscribed in the laws of the land, he ascended to the peak of corporate America over the course of the next fifty years. In his thoughtful and wide-ranging memoir, Chenault reflects on his personal journey, the mentors who shaped him, and his lifelong quest to realize his own potential and make a meaningful difference in people’s lives. Equal to the Task is a classic American story for our times.

After joining American Express, Chenault steadily worked his way up to the very top. He led the company for almost two decades, driving market-leading innovations, before stepping down and making another surprising life choice. Eschewing the more traditional roles for former CEOs, he joined a dynamic venture capital firm, seeking to help build enduring companies that leverage technology for both profit and purpose. Over the past years, he has continued to be a steady voice of moral clarity in the public and private sectors.

“In these pages, I share how I managed the opportunities and challenges encountered over the course of my life and career. In doing so, I hope to convey the values I hold most dear. Values passed down to me by my ancestors, my parents, my teachers, my heroes, and my mentors. These values have guided me throughout my journey, and I consider them pivotal to meeting these extraordinary times as my country wrestles with its own identity, its future, and its role in the 21st century.”

We Made the World: Five Centuries of Queens, Warriors, and Other Foremothers traces five centuries of history through twelve extraordinary women of African descent—from queens and warriors to artists and activists—weaving together collective memory, oral tradition, and personal grief into a landmark work that places Black women at the center of world history.

In 1949, a seamstress from a small coastal town in the Gold Coast colony stood up in a room full of men and voted to split from the most powerful political party in the country. Her name was Hannah Kudjoe. She spent the next decade organizing the women who would win Ghana's first democratic election and help make it the first sub-Saharan African nation to gain independence from European colonial rule. When Nkrumah published his autobiography, she wasn't in it.

We Made the World does for twelve women what it does for Hannah Kudjoe. It finds the woman who was in the room, who was essential to the room, and whose name was removed from the record the moment her usefulness to powerful men was exhausted.

We're talking about Queen Njinga of Angola, who fought the Portuguese to a standstill for forty years and died at eighty still a sovereign. Wangarĩ Maathai, the Nobel Peace Prize winner who saved a Nairobi forest by walking upstream through a river at dawn to plant trees while the police watched. Brenda Fassie, the queer Black pop icon who sang South Africa through the end of apartheid and whose music still stops a room on any continent.

The author traveled to eleven countries to write this book. She gathered oral histories from descendants and community keepers across four continents. And she wrote it while experiencing great loss and grief which means this book knows in its bones what it costs to carry someone's memory, and what it costs not to.

We Made the World is five hundred years of history rewritten from the inside. It is the book that asks what we have lost by not knowing these women's names, and begins the important work of giving that back to us all.

Celebrate the release of The Gift of Us with Lula White!

EVENT DEETS

When: Friday, November 6 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, tX 77004)

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy The Gift of Us, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories. If you already purchased your book from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

Welcome to so-tiny-you'll-blink-and-miss-it town of Elaine for Christmas.

SUNDAY

Just days before Christmas, Sunday Conklin is on the brink of losing everything-her family's scenic farm-in the heart of her small Arkansas town. It's the legacy she's given up her life to protect. With the bank out of mercy and her options gone, her family's oldest enemy, the Adlers, will finally take the Conklin Fields for themselves. But a miracle arrives-one that could save Sunday, her neighbors, and the historic town of Elaine itself. There's just one problem: that miracle comes tangled up with the most infuriating man she's ever met... who belongs right back in Texas where he came from.

SEVEN

Seven Hardcastle can't believe his luck this Christmas, when he's assigned to a middle-of-nowhere Arkansas town. He's ready to return to his perfectly manicured life in Dallas with his wife and kids. All he needs is one signature-Sunday Conklin's. But when the town of Elaine strikes it big, Seven's fate is tied up with that of its most stubborn, maddening, and undeniably magnetic farm-owner. As the town's secrets unravel, and Sunday's fight becomes his own, Seven is handed a Christmas gift he never expected... one that forces him to question his past, his future, and where home truly is.

ABOUT THE AUTHOR

Lula White is the pen name for Shannon Humphrey. She grew up on Confederate Boulevard not far from Sweet Home, Arkansas, fishing with her grandfather, baking with her grandmother, and riding her bicycle to Granite Mountain in her bare feet.

Lula is the original creator of the fictional Black Hamptons with her first romance series, Sag Harbor Black Romances, using her fiction to open conversations on generational wealth and high society that were previously limited to history and sociology texts. In her follow-up, Explore Men of the Hamptons, Lula continued using her creativity to expand our collective self-perception. 

She has continued telling the truth in ways that reexamine our potential in The Young and Luxurious, Who’s Lovin’ You and now, The Gift of Us.

Her hunger for life and travel took her from college to Capitol Hill, law school, and now Los Angeles where she is a civil rights litigator and author of over thirty novels. Having traveled the turbulent road of success herself, she is uniquely positioned to fight for indigent families and create worlds where we can have our dreams. 

When she dons her lawyer cape, Shannon is the 40th President of Black Women Lawyers Association of Los Angeles, Inc., a former Deputy District Attorney for the County of Los Angeles, and a former appellate lawyer whose advocacy secured the reversal of several trial courts at the California Court of Appeals.

She was named one of the Top Forty Attorneys Under Forty for the National Bar Association, and is a graduate of the Los Angeles African American Women’s Public Policy Institute. 

A 2018 writer-in-residence at the prestigious Hedgebrook for women writers in Seattle, whether she writes as Lula or Shannon, or the genre be romance, historical fiction, or science fiction fantasy, she weaves every plot to entertain, inspire, and illuminate our highest selves.  

Her stories are for every soul ready to claim their heaven on Earth now. We don’t need permission.

ABOUT THE CONVERSATION PARTNER

Alexandrea LeChelle is a contemporary romance author whose stories explore love, grief, healing, and the complicated beauty of human connection.

Her novels unfold between Houston and Louisiana and center Black characters navigating family legacies, emotional vulnerability, and the quiet courage it takes to love deeply and unapologetically.

Through rich, emotional storytelling and cinematic detail, Alexandrea writes the kind of love stories she rarely saw growing up and entering adulthood. Stories where Black characters are allowed to be flawed, passionate, and deeply human.

What began as a way to process emotions and channel creativity through her own healing journey, slowly evolved into something much bigger: an urge to create and share stories about love, healing, and the complicated paths of life that bring people together.

Her stories often explore themes such as emotional healing, family dynamics, grief and growth, healthy Black love, the courage to begin again. Every story is planted in the belief that love, in all its forms, has the power to change us for the better.

When she’s not reading, Alexandrea can be found working her way through her own TBR, journaling or planning new creative projects, adding recipes to her personal cookbook, and listening to playlists that eventually inspire new stories.

At the heart of everything she creates is a simple hope: That readers will find pieces of themselves in her stories.

A woman reexamines her past and reveals long-held secrets by annotating a former lover’s diary in this extraordinary novel by Yiyun Li, newly reissued.

Lilia Liska has shrewdly outlived three husbands, raised five children, and seen the arrival of seventeen grandchildren. Now she has turned her keen attention to the diary of a long-forgotten man named Roland Bouley, with whom she once had a fleeting affair.

Increasingly obsessed with Roland’s intimate history, Lilia begins to annotate the diary with her own rather different version of events, revealing the surprising, long-held secrets of her past. She returns inexorably to the memory of her daughter Lucy. Must I Go is a novel about life in all its messy glory, and of a life lived absolutely on its own terms. With her characteristic candor and insight, Yiyun Li navigates the twin poles of grief and resilience, loss and rebirth, that act as compass to our human hearts.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.