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The riveting new novel by the author of the 2021 National Book Award winner and bestseller Hell of a Book

People Like Us is Jason Mott’s electric new novel. It is not memoir, yet it has deeply personal connections to Jason’s life. And while rooted in reality, it explodes with dreamlike experiences that pull a reader in and don’t let go, from the ability to time travel to sightings of sea monsters and peacocks, and feelings of love and memory so real they hurt.

In People Like Us, two Black writers are trying to find peace and belonging in a world that is riven with gun violence. One is on a global book tour after a big prize win; the other is set to give a speech at a school that has suffered a shooting. And as their two storylines merge, truths and antics abound in equal measure: characters drink booze out of an award trophy; menaces lurk in the shadows; tiny French cars putter around the countryside; handguns seem to hover in the air; and dreams endure against all odds.

People Like Us is wickedly funny and achingly sad all at once. It is an utter triumph bursting with larger-than-life characters who deliver a very real take on our world. This book contains characters experiencing deep loss and longing; it also is buoyed by riotous humor and characters who share the deepest love. It is the newest creation of a writer whose work amazes, delivering something utterly new yet instantly recognizable as a Jason Mott novel. 

Finishing the novel will leave you absolutely breathless and, at the same time, utterly filled with joy for life, changed forever by characters who are people like us.

The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads, Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

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Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

This contemporary fantasy debut is "a conjuring of magnificence" (Nic Stone) with powerful magical families, intergenerational curses, and deadly drama in New Orleans.

Thirty years ago, a young woman was murdered, a family was lynched, and New Orleans saw the greatest magical massacre in its history. In the days that followed, a throne was stolen from a queen.

On the anniversary of these brutal events, Clement and Cristina Trudeau—the sixteen-year-old twin heirs to the powerful, magical, dethroned family—are mourning their father and caring for their sick mother. Until, by chance, they discover their mother isn’t sick—she’s cursed. Cursed by someone on the very magic council their family used to rule. Someone who will come for them next.

Cristina, once a talented and dedicated practitioner of Generational magic, has given up magic for good. An ancient spell is what killed their father and she was the one who cast it. For Clement, magic is his lifeline. A distraction from his anger and pain. Even better than the random guys he hooks up with.

Cristina and Clement used to be each other’s most trusted confidant and friend, now they barely speak. But if they have any hope of discovering who is coming after their family, they’ll have to find a way to trust each other and their family's magic, all while solving the decades-old murder that sparked the still-rising tensions between the city’s magical and non-magical communities. And if they don't succeed, New Orleans may see another massacre. Or worse.

A twisty and prescient new thriller in the #1 New York Times bestselling Avery Keene series, by nationally renowned author and leader Stacey Abrams, Coded Justice follows Avery down a dark rabbit hole into the breathtaking—and dangerous—use of AI in the medical industry.

Avery Keene is back! The fan-favorite former Supreme Court clerk has finally gone out on her own, securing a prestigious position at a high-end law firm in Washington, D.C., where she is about to earn real money and get her life in order after a tumultuous run working as a clerk on the Supreme Court. With her reputation preceding her, Avery is quickly tasked at her new job with becoming a corporate internal investigator. Her new client is Camasca—a mega-tech firm that's on the forefront of developing a new integrated AI system poised to revolutionize the medical industry, particularly by delivering vastly improved health care to veterans. The AI potential is breathtaking, but some disturbing anomalies have plagued Camasca in early testing—including the mysterious death of a Camasca engineer. Avery and her colleagues, Jared, Ling, and Noah, find themselves on a journey to determine whether the anomalies are mere technical glitches, or something much more concerning. Full of twists, behind-the-scenes financial machinations, and the continued blossoming of Avery and her vibrant cast of friends, Coded Justice finds Stacey Abrams' riveting series to be in full swing.

A powerful, unsettling, and unflinching exploration that forces readers to confront lynching as a devastating legacy of white childhood conditioning, and to reckon with the corrupting force of a system that trained children to become its willing executioners

Strung Up examines how the lynching of Black children became not an aberration, but a normalized feature of American racial violence. Drawing on meticulous archival research and vivid narrative storytelling, Strung Up traces how white supremacy trained itself socially, culturally, and psychologically to tolerate and ritualize the destruction of Black childhood, including the unborn.

Nationally recognized child advocate Dr. Stacey Patton locates the roots of this violence not solely in the United States, but in Europe’s long history of anti-child brutality. She reveals how centuries of public executions, corporal punishment, religious spectacle, and sanctioned cruelty exposed white children to extreme violence early and often. This violence, she argues, conditioned them to associate pain, domination, and death with moral order.

Patton traces this desensitization across the Atlantic where white children raised within these traditions became adults primed to reproduce racial terror, transforming inherited practices of child cruelty into instruments of white supremacy in the post-emancipation United States.

Blending history with developmental psychology, neuroscience, epigenetics, and research on adverse childhood experiences, Strung Up shows how violence is not only taught, but biologically and psychologically embedded across generations. Patton demonstrates how racial terror functioned as a system of socialization that shaped perception, behavior, and moral reasoning long before it produced the mob, the rope, or the fire.

The image on the front cover is a World War I era photograph depicting a mock lynching of a Black child, reportedly at Camp Zachary Taylor in Louisville, Kentucky. The author purchased it from the Philip J. Merrill, Nanny Jack & Co Archives.

Sloane

Dominic Alexander is my late husband's best friend and the last man on Earth that I should want. He's arrogant, dismissive, and up until recently has only ever used those dark eyes of his to look right through me. For the last twelve years, he's taken a sick pleasure in making me feel paper thin, like my entire existence is of no consequence to him at all.

But now, things are different.

After one drunken night and a surprisingly sexy act of heroism, he's started to be...nice. Treating me like something other than the physical embodiment of his annoyance, which would be nice if it didn't make me feel all the things I swore to never feel for another man after my husband died.

Dominic

Sloane Kent is going to be my undoing.

What's worse: I think I'm going to enjoy being unraveled by the gold flecks in her hazel eyes and the adorable little way she scrunches her nose up when we're arguing, which we've done a lot of over the past decade. She thinks it's because I hate her, and I've always let her think that because the alternative is...untenable.

But something is changing between us, and I don't know how to stop myself from breaking every promise I've ever made to myself regarding my best friend's wife. Promises that include never telling her that there's a long list of things I feel about her, but hate isn't one of them.

It’s 200 years after Cinderella found her prince, but the fairy tale is over. Young girls are now required to appear at the Annual Ball, where the men select wives based on the level of finery a girl displays. If a suitable match is not found, the girls left behind are forfeited—never to be heard from again.
Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. When she flees the ball in a moment of desperation, she begins a journey that reveals the dark secrets of Cinderella’s tale and leads her to a love she never expected. Her only hope is to destroy the king once and for all.
This fresh take on a classic story will make readers question the tales they’ve been told, and root for girls to break down the constructs of the world around them.

IN A FAMILY BUILT ON LIES, WHAT HAPPENS WHEN THE TRUTH COMES OUT?

‘A glamorous, dramatic portrait of the lives, desires, and tensions of Nigeria’s upper class.' Oyinkan Braithwaite

Bukola Obanile’s 60th birthday party is the hottest ticket in town. But champagne isn’t all that is being served…

The Obaniles' picture-perfect life is the envy of all Lagos society, and everyone wants a piece. So, when renowned matriarch Bukola’s birthday approaches, there are no expenses spared. Five hundred guests are invited, and her four children are all in attendance. Everything will be perfect, just as planned.

Except living the dream comes at a price and, as the party draws closer, each of the Obanile children find themselves embroiled in scandals that could shatter the flawless reputation their mother has carefully built.

As the music builds and chandeliers glitter, this one perfect night could be all it takes to destroy a family built on deception…

READERS LOVE THE TALK OF THE PARTY!

'The thrills and twist will keep you reading into the night' ⭐⭐⭐⭐⭐

'TWISTED AND SUSPENSEFUL' ⭐⭐⭐⭐⭐

'A sharp, unsettling novel' ⭐⭐⭐⭐⭐

‘A tender, incisive, and deeply human exploration of life and death―and everything in between. Agbaje writes beautifully of love and of secrets; of what we inherit, what we choose to protect, and the cost of knowing. And ultimately, if we are lucky, redemption.’ Chika Unigwe

‘A highly entertaining family drama’ Rukky Brume, author of It Comes in Waves

'With remarkable empathy and objectivity, Foluso Agbaje boldly exposes the shallowness and decadence of Lagos society’ Sefi Atta