A Millions Most Anticipated 2026 Selection

"This is poetry of the highest order, and a stunning reminder of what words can do.”—Omar El Akkad

"Hold this book, read every word, study every picture, notice the prints you leave behind—a reminder that no one’s hands are clean."—Robin D. G. Kelley, author of Freedom Dreams

From National Book Award Finalist Fady Joudah, a collection of poems, essays, and photographs that offers a Palestinian representation of not only the staggering grief, but the unwavering resilience and prevailing life force of a people and place enduring genocide.  

Fady Joudah writes from the split perspective of a Palestinian American physician caring for the sick while watching the destruction of Gaza from the United States, a nation complicit in that destruction. He locates the paradox of his position everywhere: in the seed a sparrow eats from his proffered hand; in his writing in English, the oppressor’s language; in the faces of Palestinian children receiving meals from aid kitchens—a glimpse into what his life could have been, and what is being lost in a war disproportionately impacting children and their families. Throughout the book, beauty insists on its survival not only through the Palestinian people, but also through the nonhuman world in which he takes occasional refuge from the devastation that humanity brings upon itself.

By placing before readers a series of carefully chosen images from Gaza, Joudah presses his reader to comprehend that the experience of both the individual and the whole are integral to an explicitly Palestinian understanding of genocide, even if that rendering is a nearly impossible endeavor. Exhibit G insists on the immensity of Palestinian interiority, and finds in this collective act of creation a hyper-present awareness. “By claiming what is being actively erased,” Joudah writes, “I become presence.”

At once an indictment of genocide, a rendering of catastrophic loss, and “an affirmation of life instead of a staging of death” (Katherine Larson), Exhibit G insists that love exists in all its variousness, and that it is the only defense against a totalizing, destructive force.

Immerse yourself in Legendborn, the exhilarating first installment of the #1 New York Times bestselling Legendborn Cycle, now available in a gorgeous collector’s edition designed in the style of a medieval rare book.

This breathtaking ancient tome hardcover package features:

* Faux leather textured hardcase with brand-new cover art
* Full-color endpapers in front and back
* Filigree foil flourishes on cover, back, and spine
* Custom designed, ornate sprayed stenciled edges
* Six pieces of original medieval woodblock–style interior artwork
* Never-before-seen Legendborn bonus scenes

Discover why BuzzFeed has called this “one of the best fantasy YA series ever written.” The Legendborn world is one you’ll want to visit again and again, and this edition is a must-have for any fantasy library.

Some legends are meant to be broken.

After her mother dies in an accident, sixteen-year-old Bree Matthews wants nothing to do with her family memories or childhood home. A residential program for bright high schoolers seems like the perfect escape—until Bree witnesses a magical attack her very first night on campus.

A flying demon feeding on human energies.

A secret society of so called “Legendborn” students that hunt the creatures down.

And a mysterious teenage mage who calls himself a “Merlin” and who attempts—and fails—to wipe Bree’s memory of everything she saw.

The mage’s failure unlocks Bree’s own unique magic and a buried memory: The night her mother died, another Merlin was at the hospital. Now, Bree will do whatever it takes to find out the truth, even if that means infiltrating the Legendborn as one of their initiates.

But when the Legendborn reveal themselves as the descendants of King Arthur’s knights and explain that a magical war is coming, Bree must decide whether to take the society down—or join the fight.

A gorgeous new edition of Book 1 of the Patternist series, in which two immortals chase each other across continents and centuries, binding their fates together -- and changing the destiny of the human race.

This deluxe edition includes: 
* A new cover and package
* Premium French flaps and newly designed, full-color interior covers
* High-quality paper with elegant deckled-edges  

Doro knows no higher authority than himself. An ancient spirit with boundless powers, he possesses humans, killing without remorse as he jumps from body to body to sustain his own life. With a lonely eternity ahead of him, Doro breeds supernaturally gifted humans into empires that obey his every desire. He fears no one—until he meets Anyanwu. 

Anyanwu is an entity like Doro and yet different. She can heal with a bite and transform her own body, mending injuries and reversing aging. She uses her powers to cure her neighbors and birth entire tribes, surrounding herself with kindred who both fear and respect her. No one poses a true threat to Anyanwu—until she meets Doro. 

The moment Doro meets Anyanwu, he covets her; and from the villages of 17th-century Nigeria to 19th-century United States, their courtship becomes a power struggle that echoes through generations, irrevocably changing what it means to be human.

Now in its first American edition, Dionne Brand's groundbreaking A Map to the Door of No Return has emerged as a modern classic, a highly influential exploration of "being" in the Black Diaspora.

Since its first publication in 2001, Dionne Brand's groundbreaking exploration of being in the Black Diaspora, A Map to the Door of No Return, has emerged as a modern classic. The door, in Brand's iconic schema, represents the point of rupture where the ancestors of the Black Diaspora departed one world for another: the place where all names were forgotten, and all beginnings recast. "This door," writes Brand, "is not mere physicality. It is a spiritual location . . . Since leaving was never voluntary, return was, and still may be, an intention, however deeply buried. There is as it says no way in; no return."

Through shards of history, memoir, lyrical investigation, and the unwritten experience of so many descendants of those who passed through the door, Brand constructs a map of this indelible region, culminating in an enduring expression, both definitive and seeking, of what it is to live, think, and create in the wake of colonization.

With a new preface by the author, and an afterword by Saidiya Hartman.

From the New York Times bestselling author of What’s Mine and Yours, a rich, panoramic exploration of female friendship, class, new motherhood, and independence

Val and Milly fell in love with France at the same time they fell in love with each other and became immediate best friends. Then, they bonded as the only Black students on a study-abroad trip. Now, they are in their thirties, each married and with a baby girl on the way. When Milly suggests Val move to New York to raise their daughters together after a decade apart, it’s a resounding yes.

Despite their excitement, the pair secretly wonder if their friendship has always worked best as a trio. From that first trip to France, these two motherless daughters were taken under the wing of an older woman named Helene. She showered them with money, love and attention, and showed them the possibilities of a meaningful future. But without Helene, who are Milly and Val?

Milly, a successful influencer married to restaurant royalty, is occupied with her desire for independence. Val, a brilliant journalist, is struggling to write her first book and fit into her old friend’s new world. The realities of class and social capital, of strained marriages and the demands of motherhood, serve as constant reminders of how far apart they’ve grown. And no matter how much they try to avoid it, everything comes back to the rift that began all those years ago in France. What they’ve long tried to bury may finally destroy their sisterhood.

Weaving between Brooklyn brownstones and the glittering beaches of southern France, Take What You Can is a dazzling novel exploring what it means to be a mother when you have none, a sister without blood ties, and a woman in pursuit of the life she wants. With her signature sharply-observed prose, Coster illustrates what it means to be—and to stay—someone’s person through all phases of life.

A groundbreaking collection of photographs and essays that shed new light on the history of Black America, from the Picturing Black History project

Picturing Black History uncovers untold stories and rarely seen images of the Black experience, providing new context around culturally significant moments, as part of an ongoing collaborative effort between Getty Images, Origins: Current Events in Historical Perspective, and the History Departments at The Ohio State and Miami Universities.

Picturing Black History informs, educates, and inspires our current moment by exploring the past, blending the breadth and depth of Getty Images’s archives with the renowned expertise of Origins contributors and The Ohio State’s and Miami’s History Departments, including Daniela Edmeier, Damarius Johnson, Nicholas Breyfogle, and Steve Conn.

Created by a growing collective of professional historians, art historians, Black Studies scholars, and photographers, this book is full of rousing, vibrant essays paired with rarely seen photographs that expand our understanding of Black history. Showcasing Getty Images’s unmatched collection of photographs, Picturing Black History embraces the power of visual storytelling to relay little-known stories of oppression and resistance, perseverance and resilience, freedom, dreams, imagination, and joy within the United States and around the world.

In collecting these new photographic essays, this book furthers an ongoing dialogue on the significance of Black history and Black life, sharing new perspectives on the current status of prejudice and discrimination bias with a wider audience. Picturing Black History embraces the power of academic learning and scholarship to recontextualize and dispel prejudices, while uncovering, digitizing, and preserving new archival materials to amplify a more inclusive visual landscape.

NATIONAL BESTSELLER • In “one of Morrison’s most haunting works” (The New York Times),the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.

One of the New York Times’s 100 Best Books of the 21st Century

In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.

This is the Underground. We go by a different set of rules here―ones steeped in magic, history, and well . . . blood.

Maggie Grey always dismissed her grandmother’s tales as superstition. Bedtime stories of vampiric priests, midnight covens, and secret conjurers from her youth during the Civil Rights Era. Even Maggie’s stark white hair felt like nothing more than an inherited quirk. But when her grad school presentation retelling those stories catches the interest of her professor, she discovers the truth buried within them. He directs Maggie to Drew Collins University, a hidden HBCU beneath the streets of Atlanta where the legends come to life.

At DCU, necromancy is a major, students with claws and fangs roam the campus, and Maggie leans on a new circle of unlikely allies: Souxie, a mysterious priestess; Asha, a scarred siren; Isis, a water-bending nymph; and Quan, a snarky talking cat. Soon, Maggie learns she comes from the most feared bloodline in the Underground: the First Family, a lineage of vampires whose power has haunted the community for generations. That makes her not only dangerous but a target, especially to Namir, the sharp-eyed werewolf whose family has long despised hers. Distrust simmers between them, even as an undeniable pull grows harder to ignore.

When a murder shatters the campus, suspicion lands on Maggie. Not just because of what she is but because of the family she comes from. In a world where legacy is everything, hers might be the deadliest of all.

A revelatory look at the life, work, and legacy of the legendary choreographer Alvin Ailey
 
Alvin Ailey is one of the most celebrated choreographers of the twentieth century. The creator of iconic works such as Blues Suite, Revelations, and Cry, he is widely recognized for the dance company he founded in 1958 when he was just twenty-seven years old. Ailey imagined and cultivated a platform for modern dance through his innovative repertoire, interdisciplinary sensibility, and support of dancers and choreographers. This expansive volume situates Ailey within a broader social, creative, and cultural context, looking at the artists who influenced and collaborated with him, the spaces and scenes he frequented, the dynamic themes within his dances, and how his vision and work changed contemporary dance.
 
Essays by artists, scholars, and critics cover topics ranging from the Black church, the South, and the Great Migration to nightclubs, musical influences, and queerness. With more than four hundred images including photographs of works Ailey choreographed, archival materials such as notebooks, sketches, letters, and never-before-published behind-the-scenes photos, and conversations about the legacy of the company with Sylvia Waters, Judith Jamison, and Masazumi Chaya as well as several contemporary dancers and scholars, this study offers an unprecedented full picture of one of the twentieth century’s leading artists and the way his work continues to inspire today’s generation of dancers.
 
Distributed for the Whitney Museum of American Art  
 
Exhibition Schedule:
 
Whitney Museum of American Art, New York
(September 25, 2024–February 9, 2025)

Substantial book is a unique exploration of a major collection of art by Black American and African American artists, comprising some 1,000 works by more than 200 individuals.

Over 55 years, a museum in the American South has built one of the nation’s most significant collections of Black American art. This new publication brings together every Black American artist represented in the Birmingham Museum of Art, spanning the early 19th century to the present day. The volume features over 250 artworks across various media—paintings, prints, photographs, sculpture, quilts and mixed-media works—by artists living and working both in Alabama and across the United States.

Artists featured include David Driskell, Jacob Lawrence, Romare Bearden, Robert S. Duncanson, Meta Vaux Warrick Fuller, Sister Gertrude Morgan, Jimmy Lee Sudduth, Mary Frances Whitfield, Trena Banks, Purvis Young, Glenn Ligon, Edmonia Lewis, Lorna Simpson, Chakaia Booker, Sam Gilliam, Kerry James Marshall, Joshua Johnson, Nick Cave, Elizabeth Catlett, Amalia Amaki and Carrie Mae Weems.

Publication accompanies an exhibition marking the Birmingham Museum of Art, AL's 75th Anniversary celebrations.