A vital path home. Employing African epistemologies and an embodied African beingness, this book embraces the revelation and miracle of Blackness.

Creating a world worthy of our children requires recalling the dignity and distinction of the African way of life.

This book is not written for settler consumption. Kindred Creation is a call and response to dream and design better worlds rooted in African lifeways: a path to Black freedom, a love letter to Black futures, and a blueprint to intergenerational Black joy and dignity—all (and always) on Black terms.

Author, organizer, and designer Aida Mariam Davis explores the historical and ongoing impacts of settler colonialism, making explicit the ways that extraction, oppression, and enslavement serve the goals of empire—not least by severing ancestral connections and disrupting profound and ancient relationships to self, nature, and community.

Structured in three parts—Remember, Refuse, and Reclaim—Kindred Creation is a philosophical guidebook and a vital invitation to power and reconnection. Davis employs parable, poetry, theory, memory, narrative, and prophecy to help readers:

* Remember: By unforgetting the unending and cascading violence of settler colonialism and other forms of domination and exploring the ways that African land, language, lifestyle, and labor are stolen, distorted, and repackaged for colonial consumption to extract capital and sever ties to ancestral knowledge, lifeways, and dignity

* Refuse: By rejecting and interrupting death-making institutions and relationships and choosing kinship and self-determination in the face of settler colonial violence

* Reclaim: By revealing that freedom is within us—and within reach. Davis shares how the reader can birth new worlds and relationships and offers strategies for reclaiming land, language, lifestyle, and labor.

The colonial violence and dispossession of African land, language, and labor is inflicted intentionally—and by design. Reclaiming African lifeways and remembering what was forcibly forgotten must be by creation: a re-membering of our interconnectedness and kinship.

The #1 New York Times bestselling author of Between the World and Me journeys to three resonant sites of conflict to explore how the stories we tell—and the ones we don’t—shape our realities.

Ta-Nehisi Coates originally set out to write a book about writing, in the tradition of Orwell’s classic “Politics and the English Language,”but found himself grappling with deeper questions about how our stories—our reporting and imaginative narratives and mythmaking—expose and distort our realities.

In the first of the book’s three intertwining essays, Coates, on his first trip to Africa, finds himself in two places at once: in Dakar, a modern city in Senegal, and in a mythic kingdom in his mind. Then he takes readers along with him to Columbia, South Carolina, where he reports on his own book’s banning, but also explores the larger backlash to the nation’s recent reckoning with history and the deeply rooted American mythology so visible in that city—a capital of the Confederacy with statues of segregationists looming over its public squares. Finally, in the book’s longest section, Coates travels to Palestine, where he sees with devastating clarity how easily we are misled by nationalist narratives, and the tragedy that lies in the clash between the stories we tell and the reality of life on the ground. 

Written at a dramatic moment in American and global life, this work from one of the country’s most important writers is about the urgent need to untangle ourselves from the destructive myths that shape our world—and our own souls—and embrace the liberating power of even the most difficult truths.

Originally published in 2005, former NBA star Etan Thomas’s first poetry collection defies the stereotype of the apolitical athlete; featuring brand-new poems by Thomas and his son―and University of Dayton basketball star―Malcolm Thomas

RETIRED NBA STAR, AUTHOR, AND OUTSPOKEN POLITICAL ACTIVIST, Etan Thomas is more than an athlete. In this, his first collection of poems―originally published in 2005 and reissued here with many new poems―the former center for the NBA’s Washington Wizards defies the stereotype of the apolitical athlete, and plants his roots in his budding literary career. With the conviction of a Bill Russell, and the poetic finesse of Muhammad Ali, Thomas takes on controversial topics such as the Death Penalty, the GOP, and racism. 

This fiery poet approaches his work fearlessly, writing in the strong, historical lineage of his literary elders Amiri Baraka and Sonia Sanchez, and in the tradition of more contemporary poets Ras Baraka, Tony Medina, and asha bandele. More Than an Athlete is not just a book of poetry; it’s a statement about new generations not being confined to a box, a definition, or a label. Some people play ball, and some people write poems. Etan Thomas has mastered the art of both.

The reimagined 2027 edition features brand-new poems by Thomas as well as his son Malcolm, who is following in his father’s footsteps on the court as a collegiate athlete, and on―and off―the page as a poet and activist.

A novel about the extraordinary partnership between First Lady Eleanor Roosevelt and civil rights activist Mary McLeod Bethune—an unlikely friendship that changed the world, from the New York Times bestselling authors of the Good Morning America Book Club pick The Personal Librarian.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance. Initially drawn together because of their shared belief in women’s rights and the power of education, Mary and Eleanor become fast friends confiding their secrets, hopes and dreams—and holding each other’s hands through tragedy and triumph.

When Franklin Delano Roosevelt is elected president, the two women begin to collaborate more closely, particularly as Eleanor moves toward her own agenda separate from FDR, a consequence of the devastating discovery of her husband’s secret love affair. Eleanor becomes a controversial First Lady for her outspokenness, particularly on civil rights. And when she receives threats because of her strong ties to Mary, it only fuels the women’s desire to fight together for justice and equality.

This is the story of two different, yet equally formidable, passionate, and committed women, and the way in which their singular friendship helped form the foundation for the modern civil rights movement.

Story Locale: Washington, D.C., Mid-20th Century - A novel about the extraordinary partnership between First Lady Eleanor Roosevelt and civil rights activist Mary McLeod Bethune—an unlikely friendship that changed the world, from the New York Times bestselling authors of the Good Morning America Book Club pick The Personal Librarian.

The daughter of formerly enslaved parents, Mary McLeod Bethune refuses to back down as white supremacists attempt to thwart her work. She marches on as an activist and an educator, and as her reputation grows she becomes a celebrity, revered by titans of business and recognized by U.S. Presidents. Eleanor Roosevelt herself is awestruck and eager to make her acquaintance. Initially drawn together because of their shared belief in women’s rights and the power of education, Mary and Eleanor become fast friends confiding their secrets, hopes and dreams—and holding each other’s hands through tragedy and triumph.

When Franklin Delano Roosevelt is elected president, the two women begin to collaborate more closely, particularly as Eleanor moves toward her own agenda separate from FDR, a consequence of the devastating discovery of her husband’s secret love affair. Eleanor becomes a controversial First Lady for her outspokenness, particularly on civil rights. And when she receives threats because of her strong ties to Mary, it only fuels the women’s desire to fight together for justice and equality.

This is the story of two different, yet equally formidable, passionate, and committed women, and the way in which their singular friendship helped form the foundation for the modern civil rights movement.

*Ships in 7-10 Business Days*

The first volume in an anthology series that amplifies the voices of unsung Black poets to paint a more robust picture of our national past, and of the Black literary imagination, with a foreword by Tracy K. Smith

A Penguin Classic

Joshua Bennett and Jesse McCarthy repeatedly found themselves struck by the number of exciting poets they came across in long-out-of-print collections and forgotten journals whose work has been neglected or entirely ignored, even by scholars of Black poetry. Minor Notes is an excavation initiative that recovers and curates archival materials from these understudied, though supremely gifted, African American poets of the nineteenth and twentieth centuries, and aims to bridge scholarly interest with the growing general audience who reads, writes, and circulates poetry within that tradition. As Minor Notes clarifies, the work of contemporary Black poets is perhaps best understood through the lens of a long-standing tradition of the poet as witness, as prophetic voice, as communal bard, and as scholar of the everyday and the miraculous. The poets featured in Volume 1 are George Moses Horton, Fenton Johnson, Georgia Douglas Johnson, Henrietta Cordelia Ray, David Wadsworth Cannon Jr., Anne Spencer, and Angelina Weld Grimké.

Celebrate the release of Gather Me: A Memoir In Praise of the Books That Saved Me with Glory Edim!

EVENT DEETS

When: Sunday, November 3 @ 4PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: Get your ticket here (all tickets include a copy of Gather Me)! 

ABOUT THE BOOK

An inspiring memoir of family, community, and resilience, and an ode to the power of books to help us understand ourselves, from the renowned founder of Well-Read Black Girl

“She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.”—Toni Morrison

For Glory Edim, that "friend of my mind" is books. Edim, who grew up in Virginia to Nigerian immigrant parents, started the popular Well-Read Black Girl book club at age thirty eventually reaching a community of half a million other readers. But her love of books stretches far back.

When Edim's father moved back to Nigeria while she was still a child, she and her brothers were left with a single mother and little money, often finding a safe space at their local library. Books were where Edim found community, and as she grew older, she discovered authors and ideas she wasn't being taught in class. In dorm rooms and airplanes and on subway rides, she found the Black writers whose words would forever change her life: Nikki Giovanni through children's poetry cassettes; Maya Angelou through a critical high school English teacher; Toni Morrison while attending Morrison's alma mater, Howard University; Audre Lorde on a flight to Nigeria. In prose full of both joy and heartbreak, Edim recounts how these writers and so many others helped her to value herself: to find her own voice when her mother lost hers, to trust her feelings when her father remarried, to create bonds with other Black women and uplift their stories.

Gather Me is a glowing testament to the power of representation and the lasting impact of literature to gather our disparate parts and put them back together.

ABOUT THE AUTHOR

Glory Edim is a literary tastemaker, entrepreneur, and advocate for diverse voices in literature. In 2015, she founded Well-Read Black Girl (WRBG), an online platform and book club dedicated to celebrating the works of Black women authors and creating a supportive online community for readers. Under Glory's leadership, WRBG has grown into a non-profit organization, hosting events, book festivals, and author conversations that highlight the richness and diversity of Black literature. Her efforts have earned her accolades such as the 2017 Innovator’s Award from the Los Angeles Times and the Madam C.J. Walker Award from the Hurston/Wright Foundation. As an author herself, Glory has contributed to the literary landscape with her best-selling anthologies Well-Read Black Girl: Finding Our Stories, Discovering Ourselves, and On Girlhood: 15 Stories from the Well-Read Black Girl Library.

ABOUT THE CONVERSATION PARTNER

Wale is a licensed mental health therapist and a passionate reader who uses her platform (@theehottgirlbooks) to dive deep into powerfully emotional stories written by BIPOC authors. Her love for reading and mental health fosters a passionate approach to her work both online and in the therapy room.  When she is not immersed in the literary world, you can find her watching the real housewives or building an elaborate Lego set.

Thirty years after its original publication, this newly imagined edition brings the work and musings of fifteen Black literary luminaries in conversation with a new generation of writers and readers.

The first edition of I Know What the Red Clay Looks Like, published in 1994, remains an essential text for readers of Black feminist literature in all genres. Featuring interviews with and excerpts by writers like Rita Dove, Pearl Cleage, Barbara Neely, June Jordan, and others, this indispensable work speaks to the intersections of politics and art-making along the lines of race, gender, sexuality, and class.

Now, writer and cultural critic Rebecca Carroll presents the original conversations alongside personalized introductions by some of the brightest voices in today’s literary world, including Donika Kelly, Safiya Sinclair, Diamond Sharp, and Chanda Prescod-Weinstein, among others. This new edition also includes an introductory poem by Morgan Parker, a foreword by Salamishah Tillet, and a new author’s note. The new contributors carry the torch of the original interviewees’ lives and words with heart, rigor, gratitude, and radical imagination, illuminating how these conversations are about more than just writing―they are about life, relationships, joy, gratitude, wellness, and self-preservation.

I Know What the Red Clay Looks Like is a book unbound by time, lifting up a chorus of past and present voices. Paying homage to a historic lineage of Black feminist writers and their impact on our current literary landscape, it is a book by and for the storytellers, the poets, the playwrights, the dreamers, and all readers interested in what it means to make art within and from marginalized spaces.

A rediscovered classic from the Harlem Renaissance about a young Black woman’s journey passing as white in 1920s New York City and her quest for self-acceptance—with an introduction by Glory Edim, founder and author of Well-Read Black Girl.

Jessie Redmon Fauset is one of the literary titans and foremost tastemakers of the Harlem Renaissance—hired by W. E. B. Du Bois to edit The Crisis, she helped popularize writers like Nella Larsen, Claude McKay, Langston Hughes, amongst countless others. And yet, her own work has been largely underread in the twenty-first century. Written in 1929, at the height of the Harlem renaissance, Fauset’s celebrated second novel tells the story of Angela Murray.
 
Growing up in a Black middle-class Philadelphia neighborhood, Angela has always dreamed of becoming a painter. But the profession is largely reserved for white society. So when Angela’s parents prematurely pass away, she moves to roaring New York City, where she befriends elite artists and presents herself as a white woman. While her sister Virginia’s complexion resembles that of their father’s, Angela’s is lighter, like her mother’s, and passing, she believes, is the only way she’ll ever achieve success. Virginia, meanwhile, refuses to bow to racist pressures, and stays in Philadelphia to embrace her heritage with pride. 
 
Each time Angela thinks she’s found artistic, professional, and romantic fulfillment, her ethnicity gets exposed and she finds herself stripped of everything she cares about. As she navigates a world of seduction, betrayal, lust, and heartbreak, she’s forced to consider: What does it mean to find genuine success in a society marred by injustice? Fauset’s “novel without morals” never passes judgement and stays teeming with tenderness. Full of moments that underline the joy of every day Black life, Plum Bun is a pertinent meditation on art, identity, and what it means to find community—as relevant today as ever before.

A revival of the iconic anthology of best Southern short stories featuring eminent and emerging voices.

This anthology marks the much-anticipated return of the annual story collection, New Stories from the South, gathering outstanding short stories written by Southern writers or about the American South. Stories were nominated by editors of literary journals and magazines, publishers of short story collections, and by prominent Southern writers who served as contributing editors for this volume.

The 2026 edition contains an exciting lineup of both well-known Southern writers and talented newcomers: 

* Ron Rash
* Deesha Philyaw
* Mesha Maren
* Emily Nemens
* Ashleigh Bryant Phillips
* Tony Earley
* Exodus Oktavia Brownlow
* A. J. Bermudez
* Heather Swain
* Chelyen Davis
* Joanna Pearson
* Jody Hobbs Hesler
* Catherine Niolet
* Dean Marshall Tuck
* Emily Harper Ellis
* Farheen Raparthi
* Randy F. Nelson
* Lisa Wartenberg Vélez
* Pritha Bhattacharyya

This year’s volume has an introduction by Appalachian writer Silas House, New York Times bestselling author of seven novels, and the poetry collection All These Ghosts (Blair, 2025) and is edited by Blair’s Editorial Director, Robin Miura, who assumes this mantle from Shannon Ravenel, the Algonquin editor who launched the series and edited the volumes through 2006.

In keeping with Blair’s mission, this anthology contains a wide range of voices reflecting the rich diversity of the South. The following talented writers served as contributing editors who helped select stories for this volume: Jason Mott, LaTanya McQueen, Daniel Wallace, Monique Truong, Chantel Acevedo, and Susan Gregg Gilmore.

Black poets from the early twentieth century and onward come together for a moving anthology, edited and organized by the late, revered poet June Jordan.

First published in 1970, soulscript is a poignant, panoramic collection of poetry from some of the most eloquent voices in the art. Selected for their literary excellence and by the dictates of Jordan’s heart, these works tell the story of both collective and personal experiences, in Jordan’s words, “in tears, in rage, in hope, in sonnet, in blank/free verse, in overwhelming rhetorical scream.”
Soulscript features works by Jordan and other luminaries like Gwendolyn Brooks, Countee Cullen, Paul Laurence Dunbar, Nikki Giovanni, Langston Hughes, Gayl Jines, James Weldon Johnson, Audre Lorde, Claude McKay, Ishmael Reed, Sonia Sanchez, and Richard Wright, as well as the fresh voices of a turbulent era’s younger writers. Celebrated spoken-word poet Staceyann Chin, an original cast member of Def Poetry Jam on Broadway, has also added an introduction that speaks to Jordan’s legacy, helping to further cement soulscript as a visionary compilation that has already become a modern classic.