Winner of a Shirley Jackson Award

For fans of “The Lottery” and The Hunger Games, this novel set in a small town with a sinister tradition is chilling in the best possible way.

“Curdle Creek is a thoughtful, sinister tour-de-force.”
―Tananarive Due, L.A. Times Book Prize-winning author of The Reformatory

Welcome to Curdle Creek, a place just dying to make you feel at home.

Osira, a forty-five-year-old widow, is an obedient follower of the strict conventions of the remote all-Black town that’s stuck in the past and governed by ominous rituals including a one in, one out population policy. Though she’s always been considered blessed, her luck changes when her grown children run off to parts unknown, she comes in second to last in the Running of the Widows, and her father flees after his name is called in the annual Moving On ceremony.

Forced to jump into a well in a test of allegiance, Osira finds herself transported first back in time, and then into another realm where she must answer for crimes committed by Curdle Creek. Exile forces her to jump realms again, landing Osira even farther away from home, in rural England. Safe there as long as she sticks to the rules, she quickly learns there are consequences for every kindness. Each jump could lead Osira anywhere, but will she ever find a place to call home?

Curdle Creek is an American Gothic in the tradition of Shirley Jackson that offers a mash-up of the surreal and literary horror that will appeal to fans of Ring Shout, The Salt Grows Heavy, and Lovecraft Country. Yvonne Battle-Felton’s propulsive tale is layered and eerie and quite unlike anything else.

A Voodoo witch must navigate a magically and racially divided nineteenth-century New Orleans to save her mother—and the soul of the city itself—in this lush debut novel inspired by the life of Marie Laveau.

“An edgy, intoxicating novel pulsing with the dark heartbeat of 1840s New Orleans and a fiery mother-daughter dynamic I won’t soon forget . . . Readers will devour this!”—Sarah Penner, New York Times bestselling author of The Lost Apothecary

In 1843 New Orleans, the reigning Voodoo queen is Marie Laveau, feared by her enemies and followers alike. Her daughter, Marie "Ree" Laveau the Second, is everything her cutthroat and principled mother is not—spoiled and entitled, with a wickedly rebellious streak—and defies her mother at every turn. But Ree’s world is turned upside down when she finds Marie comatose in the bayou, cursed by exiled Voodoo king Jon the Conjurer—Marie’s former teacher, lover, and greatest enemy.

As Marie hovers on the brink of death, Ree races to uncover the secrets of her mother’s life in search of a cure and gradually uncovers a web of alliances, dangers, and deception. What’s worse, Henryk Broussard, Ree’s long-missing childhood best friend, returns as a witch hunter of the Church, tasked with investigating her. With so many enemies circling, including a puritanical-minded Brotherhood of alchemists and the slave-holding mayor of the city, Ree must confront the past and face her mother’s demons that have now become her own—or die trying.

Told in alternating timelines between Ree in the present and Marie’s rise to power twenty-five years earlier, The Quarter Queen is an intimate yet epic portrait of a mother and daughter who have struggled all their lives to understand one another, and a captivating exploration of racism, family, and womanhood.

From one of the most brilliant writers and thinkers of the twentieth century comes a collection of "passionate, probing, controversial" essays (The Atlantic) on topics ranging from race relations in the United States to the role of the writer in society.

Told with Baldwin's characteristically unflinching honesty, this “splendid book” (The New York Times) offers illuminating, deeply felt essays along with personal accounts of Richard Wright, Norman Mailer and other writers. 

“James Baldwin is a skillful writer, a man of fine intelligence and a true companion in the desire to make life human. To take a cue from his title, we had better learn his name.” —The New York Times

For fans of the New Camelot series by Sierra Simone and Kennedy Ryan’s All the King’s Men duet, comes The Illusion of Power. A spicy, contemporary romance that follows future First Lady, Selene Taylor, during the integral months of her husband's campaign for the Oval where she finds herself navigating the embarrassment of his infidelity, the dangers of being a Black woman in proximity to political power, and perhaps worst of all, falling for the two men tasked with protecting her.

An extraordinary new novel about family, legacy, and an inherited curse, from National Book Award–nominated author LaToya Watkins

Set across Texas and spanning four generations, The Book of Chuck is a gimlet-eyed investigation into birthright and belonging through the story of one family in which certain members have clairvoyant powers.

“Pa, no go. Him burn.” When baby Nannie utters these prophetic words in 1936, she marks herself as cursed. The ability to see death before it happens forever changes the course of her life, and the lives of her descendants.

Forty years later, Chuck is about to become a father. He intends to make a home filled with love, unlike the one he was born into. But when he begins paying visits to his estranged mother, Nannie, in search of answers, she starts pushing him away from the life he’s always wanted.

It’s the cusp of a new millennium, and Baby is on the precipice of major change. Her mother is packing up their home and moving them into a religious community that believes the world is ending. But when Baby begins to have surprising visions of death, she investigates her lineage, piecing together what she can about her father, Chuck, and her family’s deeply shrouded past. These visions, once seen as a curse, become an indelible link to her history—recasting what she thought she understood of love, parentage, and prophecy.

From the author of Natural Beauty, set in the fiercely competitive art world, a novel about an obsessive friendship upended by a cutting-edge technology purported to enhance empathy and connection

Enka meets Mathilde in art school. Mathilde is a dizzyingly talented yet tortured artist whose star is on the rise—and Enka, struggling to make art that feels original, is immediately drawn to her. The two strike up an intense bond that soon turns codependent. But when Mathilde’s fame reaches new heights, Enka becomes desperate to keep her best friend close—no matter the cost.
 
Enka quickly falls in love with and marries a billionaire whose family’s company is funding an unconventional technology purported to heighten empathy, which could allow someone else to inhabit Mathilde’s mind and absorb the trauma from her brain. Soon, the boundaries between Mathilde and Enka begin to blur even further, setting in motion a disturbing series of events that forever changes their lives.

Blisteringly smart, thought-provoking, and shocking, Immaculate Conception deftly navigates big questions of art, technology, authorship, and what makes us human. Ling Ling Huang offers us a portrait of close friendship—achingly tender and twisted—that captures the tenuous line between love and possession that will haunt you long after you turn the final page.

In her searing collection of essays, Mikki Kendall takes aim at the legitimacy of the modern feminist movement arguing that it has chronically failed to address the needs of all but a few women. Drawing on her own experiences with hunger, violence, and hypersexualization, along with incisive commentary on politics, pop culture, the stigma of mental health, and more, Hood Feminism delivers an irrefutable indictment of a movement in flux. An unforgettable debut, Kendall has written a ferocious clarion call to all would-be feminists to live out the true mandate of the movement in thought and in deed.

The critically acclaimed author of In the Wake, "Christina Sharpe is a brilliant thinker who attends unflinchingly to the brutality of our current arrangements . . . and yet always finds a way to beauty and possibility" (Saidiya Hartman).

A singular achievement, Ordinary Notes explores profound questions about loss and the shapes of Black life that emerge in the wake. In a series of 248 notes that gather meaning as we read them, Christina Sharpe skillfully weaves artifacts from the past—public ones alongside others that are poignantly personal—with present realities and possible futures, intricately constructing an immersive portrait of everyday Black existence. The themes and tones that echo through these pages, sometimes about language, beauty, memory; sometimes about history, art, photography, and literature—always attend, with exquisite care, to the ordinary-extraordinary dimensions of Black life.

At the heart of Ordinary Notes is the indelible presence of the author’s mother, Ida Wright Sharpe. “I learned to see in my mother’s house,” writes Sharpe. “I learned how not to see in my mother’s house . . . My mother gifted me a love of beauty, a love of words.” Using these gifts and other ways of seeing, Sharpe steadily summons a chorus of voices and experiences to the page. She practices an aesthetic of "beauty as a method,” collects entries from a community of thinkers toward a “Dictionary of Untranslatable Blackness,” and rigorously examines sites of memory and memorial. And in the process, she forges a brilliant new literary form, as multivalent as the ways of Black being it traces.

“This is a tender, deeply perceptive tale of what kin owes kin, and how we might work to mend old wounds together.”—Elle

In this stunning debut novel, four generations of complex Black women contend with motherhood and daughterhood, generational trauma and the deeply ingrained tensions and wounds that divide them as they redefine happiness and healing for themselves.

Erudite Evelyn, her cynical daughter Charlotte, and Charlotte’s optimistic daughter Corinna see the world very differently. Though they love each other deeply, it’s no wonder that their personalities often clash. But their conflicts go deeper than run-of-the-mill disagreements. Here, there is deep, dark resentment for past and present hurt.  

When Corinna gives birth to her own daughter, Camille, the beautiful, intelligent little girl offers this trio of mothers something they all need: hope, joy, and an opportunity to reconcile. They decide to work together to raise their collective daughter with the tenderness and empathy they missed in their own relationships. Yet despite their best intentions, they cannot agree on what that means.

After Camille eventually leaves her mother and grandmother in rural Tennessee for a more cosmopolitan life in Washington, DC with her great-grandmother, it’s unclear whether this complex and self-contained girl will thrive or be overwhelmed by the fears and dreams of three generations she carries. As she grows into a gutsy young woman, Camille must decide for herself what happiness will look like.

 In masterful, elegant prose, debut novelist Sarai Johnson has created a rich and moving portrait of Black women’s lives today.

A dark, bloody epic fantasy reimagining of The Little Mermaid that goes far beyond the fairy tale to explore family legacy, war, and what we will sacrifice for vengeance—the perfect read for fans of The Priory of the Orange Tree and Circe.

The fairy tale mermaid Arielle might have gotten her happily-ever-after, but her granddaughter Yemi is having a much harder time. Her father, the king of Ixia, was assassinated years ago, her mother is slowly dying of a poisoned wound, and she faces whispers and slights from her own people. Yemi has been raised as the shield of the kingdom and is soon to inherit the throne, but she cannot shake her fury at how Ixia has treated her family after all they’ve sacrificed. Only her patient mother and steadfast personal bodyguard (and fiancée), Nova, help Yemi rein in that fury...most of the time.

When the kingdom’s discontented rumblings reach a fever pitch, a coup erupts and Yemi’s throne is usurped, stripping her of her family and forcing her into exile. Now, only one being has the power to help her: Ursla.

Like her grandmother before her, Yemi is tempted by a deal with the sea-witch. With powerful and ancient magic behind her, Yemi could avenge her family, take back her throne, and protect the love of her life. But she should know more than anyone that there is always a price. As much as Yemi wants vengeance, Ursla has been waiting a very, very long time for her own—and it may take more fortune than Yemi possesses to keep her from losing everything all over again.