Join us along with ACLU Texas and the Houston Public Library in celebrating Barracoon: Adapted for Young Readers: The Story of the Last "Black Cargo"!

EVENT DEETS

When: Saturday, February 3 at 1 PM CST

Where: 500 McKinney Street, HTX, 77002

How: To get your free ticket, please use the following link on the Houston Public Library website. If you would like to donate to support our programming, check out by adding this product to your cart!

ABOUT THE BOOK 

ABOUT THE AUTHOR(S)

Ibram X. Kendi is a National Book Award–winning and #1 New York Times bestselling author. His books include Antiracist Baby; Goodnight Racism; How to Be an Antiracist; and How to Raise an Antiracist. Kendi is the Andrew W. Mellon Professor in the Humanities at Boston University and the director of the BU Center for Antiracist Research. In 2020, Time magazine named Kendi one of the 100 most influential people in the world. He has also been awarded a 2021 MacArthur Fellowship.

Zora Neale Hurston was a novelist, folklorist, and anthropologist. She wrote four novels (Jonah’s Gourd Vine, 1934; Their Eyes Were Watching God, 1937; Moses, Man of the Mountains, 1939; and Seraph on the Suwanee, 1948); two books of folklore (Mules and Men, 1935, and Every Tongue Got to Confess, 2001); a work of anthropological research, (Tell My Horse, 1938); an autobiography (Dust Tracks on a Road, 1942); an international bestselling nonfiction work (Barracoon: The Story of the Last “Black Cargo,” 2018); and over fifty short stories, essays, and plays. She attended Howard University, Barnard College, and Columbia University and was a graduate of Barnard College in 1928. She was born on January 7, 1891, in Notasulga, Alabama, and grew up in Eatonville, Florida.

EVENT DEETS

When: October 20 at 7:00PM CST

Where: Project Row House Community Gallery (2521 Holman Street, HTX, 77004)

How: RSVP with book to support our programming and store or grab a free ticket. 

About the Book 

As a little boy grows into a bigger boy, ready to take on the world, he first must have that very difficult conversation far too familiar to so many Black Americans on how to live in a world where racism is ready to take on YOU....

Most Black and Brown children are given some form of The Talk, but it's not the easiest subject to broach. This book, gently and with unexpected humor, offers parents a way into this all too necessary conversation. The Talk isn't all gloom and worry. It shows Black children enjoying life, and that they are deserve to gather in big groups, laugh too loudly, run as fast as they can, and to live freely like the kids that they are.

It's just as vital that kids who aren't given The Talk, or aren't aware of it, BECOME aware of it, become aware of what others have to contend with, because you can't make a change without knowing what needs changing.

About the Author

Alicia D. Williams is the author of Genesis Begins Again, which received the Newbery and Kirkus Prize honors, was a William C. Morris prize finalist, and won the Coretta Scott King--John Steptoe Award for New Talent. Alicia D also debuted a picture book biography, Jump at the Sun: The True Life Tale of Unstoppable Storycatcher Zora Neale Hurston. And followed up with Shirley Chisholm Dared: The Story of the First Black Woman in Congress and The Talk.  

Alicia shares a passion for storytelling which stems from conducting school residencies as a Master Teaching Artist of arts-integration. Alicia D infuses her love for drama, movement, and storytelling to inspire students to write. She resides in Charlotte, NC.

About the Illustrator

Briana Mukodiri Uchendu is an illustrator, visual development artist, and a first-generation Nigerian-American. Her work is inspired by her interests in folklore, film, and animation and her passion to highlight voices that usually go unheard. Briana is a graduate of Ringling College of Art and Design where she majored in Illustration. In her illustration debut, her work for The Talk by Newbery Honor-winner Alicia D. Williams (Caitlyn Dlouhy Books, October 2022) was juried into The Original Art 2022 by the Society of Illustrators and was awarded the Silver Medal. Her forthcoming projects include We Could Fly by Rhiannon Giddens and Dirk Powell (Candlewick, Fall 2023), Soul Step by New York Times-bestseller Jewell Parker Rhodes and Kelly McWilliams (Little Brown, Summer 2024), and Night Market by Seina Wedlick (Random House Studio, Fall 2024). She currently lives in her hometown of Houston, Texas.  

An Indie bookstore owner finds herself in a love triangle when she meets the author she's had a crush on for years...and his best friend.

Zora has committed every inch of her life to establishing her thriving DC bookstore, making it into a pillar of the community, and she just hasn’t had time for romance. But when a mystery author she’s been crushing on for years agrees to have an event at her store, she starts to rethink her priorities. Lawrence is every bit as charming as she imagined, even if his understanding of his own books seems just a bit shallow. When he asks her out after his reading, she’s almost elated enough to forget about the grumpy guy who sat next to her making snide comments all evening. Apparently the grouch is Lawrence’s best friend, Reid, but she can’t imagine what kind of friendship that must be. They couldn’t be more different.

But as she starts seeing Lawrence, and spending more and more time with Reid, Zora finds first impressions can be deceiving. Reid is smart and thoughtful. And interested. After years of avoiding dating, she suddenly has two handsome men competing for her affection. But even as she struggles to choose between them, she can’t shake the feeling that they’re both hiding something. A mystery she’s determined to solve before she can find her HEA.

Finalist 2023 National Book Critics Circle John Leonard Prize

Black Pastoral explores the complex duality of Black peoples’ past and present relationship with nature. It surveys the ways in which our histories (both Black histories and natural/ecological histories), our suffering and our thriving, are forever wound around one another. They are painful at times and act as a salve at others. Ariana Benson’s poems meditate upon the violence and tenderness that simultaneously characterize the entangling of the two, taking the form of a series of ecopoetic musings that re-envision these confluences.

Moreover, Benson’s poems illustrate the beauty inherent to Blackness, to nature, to the remarkable relationship they share, while also refusing its permission to collect idly, like an opaque skein of film obscuring uglier, necessary truths. Black Pastoral seeks to be both love letter and elegy, both flame to raze the field and flood to nourish the land anew.

How to Carry Water: Selected Poems of Lucille Clifton celebrates both familiar and lesser-known works by one of America’s most beloved poets, including 10 newly discovered poems that have never been collected.

These poems celebrating black womanhood and resilience shimmer with intellect, insight, humor, and joy, all in Clifton’s characteristic style—a voice that the late Toni Morrison described as “seductive with the simplicity of an atom, which is to say highly complex, explosive underneath an apparent quietude.” Selected and introduced by award-winning poet Aracelis Girmay, this volume of Clifton’s poetry is simultaneously timeless and fitting for today’s tumultuous moment.

Cuban American Camila Núñez has always been afraid of the future. She’s been working hard to keep her anxieties in check, but with so many new experiences―her first queer love, trouble with her dog walking job, her mother’s judgments about her body, learning to drive, her father being too busy with work―there’s just so much to worry about.

So when Camila’s best friend gives her a tarot card reading for her sixteenth birthday, she believes it when the cards predict terrible things to come. As the year unfolds, the cards seem to be spot-on―is her papi having an affair? Will her best friend’s love life ruin their friendship? Are all her relationships doomed to fail?

Whether she’s ready or not, Camila will have to reckon with all the ways her fear about the future is ruining her life and learn to find peace amidst it all.

*Use discount code: SALE at check out for 30% off*

If you knew the world was ending, who would you save? And would they let you?

Sixteen-year-old Winnie Bray is a liar. As the resident psychic at an oddities shop, Winnie truly can see the future. But her customers only want reassurance, and Winnie only wants their money. Favorable fortunes are a fast track to funding her way out of Buffalo, New York for good, after all.

But all of that changes when a vision sends her stalking in the remains of her family home that burned down in a fire 10 years ago. Among the ash and rubble, Winnie finds a box made of bone, untouched by flames and…whispering. At the touch of her finger, the box shows her a vision of death, chaos, and apocalypse, with her and rich kids Apollo and Cyrus Rathbun at the center.

Apollo knows their cousin is up to no good, and with the Rathbun family scattered to the wind, they know Cyrus is aiming to present himself as the new patriarch. Despite an initial attraction, Apollo is reluctant to believe Winnie. But soon it becomes clear that their family histories are intertwined, with the whispering, hungry box at the very center, and more than their lives are on the line. Together, they must discover the origins of the box and stop unforeseen forces from fulfilling the apocalyptic prophecy, or die trying.

From the author of I Feed Her to the Beast and the Beast is Me comes a speculative thriller about the ties that bind us to places and people, perfect for fans of Andrew Joseph White and Tochi Onyebuchi.

Unburying the Bones is a book of poetry that serves as an ode to those with grief lingering in their bodies, latent or bubbling—but always present—either in the firm of their ribcage or the soft of their thighs. The poems bring to the fore pain made corporeal, the roots of misogyny, femicide, and the depths of matrilineality. It is an exploration of intimacy while reflecting on the lengths society has gone to subdue women. The writer reclaims sex as pleasure, her body as home, and her fear into drive.

*ships in 7 - 10 business days*

Before there was E.L. James’s 50 Shades of Grey, there was Zane’s Addicted. Once described as “the hottest paperback in the country” by the New York Times and now a major motion picture distributed by Lionsgate, this wildly popular novel by the Queen of Erotica follows one woman’s life as it spirals out of control when her three extramarital affairs lead her down a dark and twisted path.

For successful African-American businesswoman Zoe Reynard, finding the pleasure she wants, the way she wants it, is not worth the risk of losing everything she has: marriage to the man she has loved since childhood, a thriving company, and three wonderful children. But Zoe feels helpless in the grip of an overpowering addiction…to sex.

Finding a compassionate woman therapist to help her, Zoe finally summons the courage to tell her torrid story, a tale of guilt and desire as shocking as it is compelling. From the sensitive artist with whom she spends stolen hours on rumpled sheets to the rough and violent man who draws her toward destruction, Zoe is a woman desperately searching for fulfillment—and something darker, deeper, and perhaps deadly. As her life spins out of control and her sexual escapades carry her toward a dangerous choice, Zoe is racing against time to uncover the source of her “fatal attraction”—as chilling secrets tumble forth from the recesses of a woman's mind, and perilous temptations lead toward a climax that can threaten her sanity, her marriage…and her life.

The USA Today bestselling author of The Worst Best Man is back with another hilarious #ownvoices rom-com about two strangers who get trapped in a lie and have to fake date their way out of it… 

Just weeks away from ditching DC for greener pastures, Solange Perreira is roped into helping her wedding planner cousin on a random couple’s big day. It’s an easy gig... until she stumbles upon a situation that convinces her the pair isn’t meant to be. What’s a true-blue romantic to do? Crash the wedding, of course. And ensure the unsuspecting groom doesn’t make the biggest mistake of his life.

Dean Chapman had his future all mapped out. He was about to check off “start a family” and was on track to “make partner” when his modern-day marriage of convenience went up in smoke. Then he learns he might not land an assignment that could be his ticket to a promotion unless he has a significant other and, in a moment of panic, Dean claims to be in love with the woman who crashed his wedding. Oops.

Now Dean has a whole new item on his to-do list: beg Solange to be his pretend girlfriend. Solange feels a tiny bit bad about ruining Dean’s wedding, so she agrees to play along. Yet as they fake-date their way around town, what started as a performance for Dean’s colleagues turns into a connection that neither he nor Solange can deny. Their entire romance is a sham... there’s no way these polar opposites could fall in love for real, right? 

A lush tapestry of poetry and prose, Here to Stay is an invitation to engage with a new field of contemporary American poetry.

"I cannot separate my work from my undocumented identity." --Aline Mello

From the indomitable writers and activists Janine Joseph, Esther Lin, and Marcelo Hernandez Castillo comes an anthology gathering some of the best work from currently and formerly undocumented poets, as well as poets from mixed status families from across the undocumented diaspora in America. Here to Stay is a collection of honest, searing, and evocative poems interspersed with short personal narratives. Deeply intimate, these works explore how to exist in the space between the familiar and the unknown, between the safety of silence and the desire to share. Highlighting the significant insights of undocumented poets, this brilliant compendium challenges misconceptions of what it means to live and write as an undocumented person in modern America.

Beautiful, poignant, and timely, this must-read collection is a rich and essential new chapter in the ongoing story of the eclectic immigrant experience and the United States itself.