This Library of America volume, with its companion, brings together for the first time all of the best writing of Zora Neale Hurston, one of the most significant twentieth-century American writers, in one authoritative set.

“Folklore is the arts of the people,” Hurston wrote, “before they find out that there is any such thing as art.” A pioneer of African-American ethnography who did graduate study in anthropology with the renowned Franz Boas, Hurston devoted herself to preserving the black folk heritage. In Mules and Men (1935), the first book of African-American folklore written by an African American, she returned to her native Florida and to New Orleans to record stories and sermons, blues and work songs, children’s games, courtship rituals, and formulas of voodoo doctors. This classic work is presented here with the original illustrations by the great Mexican artist Miguel Covarrubias.

Tell My Horse (1938), part ethnography, part travel book, vividly recounts the survival of African religion in Jamaican obeah and Haitian voodoo in the 1930s. Keenly alert to political and intellectual currents, Hurston went beyond superficial exoticism to explore the role of these religious systems in their societies. The text is illustrated by twenty-six photographs, many of them taken by Hurston. Her extensive transcriptions of Creole songs are here accompanied by new translations.

A special feature of this volume is Hurston’s controversial 1942 autobiography, Dust Tracks on a Road. With consultation by Henry Louis Gates, Jr., it is presented here for the first time as she intended, restoring passages omitted by the original because of political controversy, sexual candor, or fear of libel. Included in an appendix are four additional chapters, one never published, which represent earlier stages of Hurston’s conception of the book.

Twenty-two essays, from “The Eatonville Anthology” (1926) to “Court Order Can’t Make Races Mix” (1955), demonstrate the range of Hurston’s concerns as they cover subjects from religion, music, and Harlem slang to Jim Crow and American democracy.

The chronology of Hurston’s life prepared for this edition sheds fresh light on many aspects of her career. In addition, this volume contains detailed notes and a brief essay on the texts.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Register at https://www.crowdcast.io/e/an-evening-with-zora

We're celebrating the release of the boxed set of Zora Neale Hurston's collection of works, all with reimagined covers illustrated by incredible Black artists, and her newest release of essays, You Don't Know Us Negroes and Other Essays.

NYT bestselling author, Morgan Jerkins, will moderate a conversation with Lucy Ann Hurston (scholar and niece of Zora Neale Hurston), Patrick Dougher (cover artist for Their Eyes Were Watching God), and Genevieve West (co-editor of You Don't Know Us Negroes and Other Essays).

About the Boxed Set:

Available for the first time, this amazing boxed set includes 10 repackaged Zora Neale Hurston classics--each with a newly imagined cover by a popular contemporary Black artist. It's a beautifully-imaged package at a very affordable price point.

Cover artists are: Charly Palmer, Toyin Ojih Odutola, Jerome Lagarrigue, Patrick Dougher, Diana Ejaita, Jeff Manning, Samira Addo, Terry Lynn, Jamilla Okubo, and Tizta Berhanu.

Books included in the set:

• Dust Tracks on a Road
• Jonah's Gourd Vine
• Mules and Men
• Tell My Horse
• The Complete Stories
• Every Tongue Got to Confess
• Moses, Man of the Mountain
• Seraph on the Suwanee
• Mule Bone
• Their Eyes Were Watching God

About You Don't Know Us Negroes and Other Essays:

Spanning more than 35 years of work, the first comprehensive collection of essays, criticism, and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.

“One of the greatest writers of our time.”—Toni Morrison

One of the most acclaimed artists of the Harlem Renaissance, Zora Neale Hurston was a gifted novelist, playwright, and essayist. Drawn from three decades of her work, this anthology showcases her development as a writer, from her early pieces expounding on the beauty and precision of African American art to some of her final published works, covering the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing a white doctor. Among the selections are Hurston’s well-known works such as “How It Feels to be Colored Me” and “My Most Humiliating Jim Crow Experience.” 

The essays in this essential collection are grouped thematically and cover a panoply of topics, including politics, race and gender, and folkloric study from the height of the Harlem Renaissance to the early years of the Civil Rights movement. Demonstrating the breadth of this revered and influential writer’s work, You Don't Know Us Negroes and Other Essays is an invaluable chronicle of a writer’s development and a window into her world and time.

*Ships/ready for pick-up in 7-10 business days*

“A narrative of great power. Warm with friendly personality and pulsating with . . . profound eloquence and religious fervor.”

—New York Times

In this novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith.

Join us along with ACLU Texas and the Houston Public Library in celebrating Barracoon: Adapted for Young Readers: The Story of the Last "Black Cargo"!

EVENT DEETS

When: Saturday, February 3 at 1 PM CST

Where: 500 McKinney Street, HTX, 77002

How: To get your free ticket, please use the following link on the Houston Public Library website. If you would like to donate to support our programming, check out by adding this product to your cart!

ABOUT THE BOOK 

ABOUT THE AUTHOR(S)

Ibram X. Kendi is a National Book Award–winning and #1 New York Times bestselling author. His books include Antiracist Baby; Goodnight Racism; How to Be an Antiracist; and How to Raise an Antiracist. Kendi is the Andrew W. Mellon Professor in the Humanities at Boston University and the director of the BU Center for Antiracist Research. In 2020, Time magazine named Kendi one of the 100 most influential people in the world. He has also been awarded a 2021 MacArthur Fellowship.

Zora Neale Hurston was a novelist, folklorist, and anthropologist. She wrote four novels (Jonah’s Gourd Vine, 1934; Their Eyes Were Watching God, 1937; Moses, Man of the Mountains, 1939; and Seraph on the Suwanee, 1948); two books of folklore (Mules and Men, 1935, and Every Tongue Got to Confess, 2001); a work of anthropological research, (Tell My Horse, 1938); an autobiography (Dust Tracks on a Road, 1942); an international bestselling nonfiction work (Barracoon: The Story of the Last “Black Cargo,” 2018); and over fifty short stories, essays, and plays. She attended Howard University, Barnard College, and Columbia University and was a graduate of Barnard College in 1928. She was born on January 7, 1891, in Notasulga, Alabama, and grew up in Eatonville, Florida.

Florida native Zora Neale Hurston's early twentieth-century ethnographic research and writing emphasizes the essentials of food in Florida through simple dishes and recipes.

It considers foods prepared for everyday meals as well as special occasions and looks at what shaped people's eating traditions in early twentieth-century Florida. Hurston did for Florida what William Faulkner did for Mississippi - provided insight into a state's history and culture through various styles of writing. Her collected food stories, folklore and remedies, and the related recipes food professor Fred Opie pairs with them, are essential reading for those who love to cook and eat.

Kindred Stories is proud to partner with Project Row Houses and Chanecka Williams to present Houston Reads Zora Neale Hurston.

Zora Neale Hurston Meeting Schedule 

November 19 - Jonah’s Gourd (1934)

December 17 - Mules and Men (1935)

January 14 - Their Eyes are Watching God (1937)

February 18 - Tell My Horse (1938)

March 17 - Moses, Man of the Mountain (1939)

April 21 - Dust Tracks on a Road (1942)

May 17 -  Seraph on the Suwanee (1948)

July 7, 2024 11 AM - 2 PM I Love Myself When I'm Laughing

July 28, 2024 11 AM - 2 PM The Completed Stories

August 25, 2024 11 AM - 2 PM Every Tongue Got to Confess

September 15 - Barracoon: The Story of the Last “Black Cargo” (2018)

October 20 - Hitting a Straight Lick with a Crooked Stick (2020)

November 19 - You Don’t Know Us Negros and Other Essays (2022)

The success of John Henrik Clarke's American Negro Short Stories, first published in 1966, affirmed the vitality and importance of black fiction. Now this expanded edition of that best-selling book, with a new title, offers the reader thirty-one stories included in the original―from Charles W. Chesnutt and Paul Laurence Dunbar in the late nineteenth century to the rich and productive work of the Harlem Renaissance: writers like Zora Neale Hurston, Langston Hughes, and Richard Wright; the World War II accomplishments of Chester Himes, Frank Yerby, and many others; and the later fiction of James Baldwin, Paule Marshall, and LeRoi Jones (Imamu Amiri Baraka). Seven additional contributions round out a century of great stories with the work of Maya Angelou, Toni Cade Bambara, Eugenia Collier, Jennifer Jordan, James Allan McPherson, Rosemarie Robotham, and Alice Walker. Dr. Clarke has included a new introduction to this 1993 edition, and a short biography of each contributor.

Celebrate the release of Black Girls Breathing with Jasmine Marie!

EVENT DEETS:

When: Thursday, February 6th @ 7PM

Where: Hogan Brown Gallery, 2310 Elgin St, HTX, 77004

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming

ABOUT THE BOOK:

As a Black woman, Jasmine Marie knows the impact that intergenerational trauma and systemic racism have had—and continue to have—on her community. Those experiences, along with her own journey through chronic stress, are why she created black girls breathing®, a movement dedicated to helping Black women understand the power of the mind‑body connection and its impact on their holistic health, one breath at a time.  

In Black Girls Breathing, Jasmine Marie offers you the power of breathwork, and the revolutionary nature of slowing down and turning inward. With each intentional breath, you’ll learn how to sink deeper into your body to begin to undo the trauma that’s long been stored. Sharing exercises from her unique somatic philosophies proven by data and utilized by tens of thousands of participants to date, Jasmine Marie will also help you:

• Connect more fully to your body
• Give yourself permission to rest
• Heal the chronic stress you carry in your body and nervous system
• Address emotional pain
• Rebuild your sense of self and your community

This is a long-overdue resource for every Strong Black Woman—the woman ready to break cycles of trauma, heal the internalized beliefs of perfectionism and conditional self‑worth, and follow the wisdom of her inner voice.

ABOUT THE AUTHOR:

Jasmine Marie is a speaker, breathwork practitioner, and founder of black girls breathing®, a wellness platform that provides Black women with tools to heal trauma in the body and reduce chronic stress and anxiety. An alum of NYU Stern School of Business, Jasmine Marie’s work has been featured in Good Morning America, VOGUE, Forbes, Harper’s Bazaar, Marie Claire, Glamour, Nylon Mag, Black Enterprise, Oprah Magazine, Well + Good, Wall Street Journal, Bust Magazine, Goop, MindBodyGreen, Refinery29, Pix11 NY, The Cut, FoxSoul, Cosmopolitan, and PopSugar Fitness, among others.

ABOUT THE CONVERSATION PARTNER:

Raveen Johnson is a Wellness Writer, Registered Yoga Teacher, Journaling Workshop Guide and a deep advocate for Mental/Emotional Health.
Raveen has been hosting journaling workshops in Houston since 2016, and has since expanded the offering locally and internationally. She offers the practice of journaling as a form of expression that supports mental, emotional and even physical healing. The intention is to be able to use our words in ways that compassionately support the lives that we desire for ourselves.
Raveen's yoga journey began in 2016 as a student. The practice re-introduced her to herself in way that was more empowering, strong and gracious than before. Raveen knew she wanted to effectively share the practice with others so she received her 200HR-RYT certification in 2020 at BIG Power Yoga in Houston, Texas. Four years later in 2024, Raveen received another 200HR certification under the guidance of Sarah Montross and Gioconda Parker so that she could further expand her knowledge and practice of yoga.
Journaling and yoga offer a relationship with ourselves and others that is loving, accepting and trustworthy; these are important ingredients in the recipe of following your gut and being present to your life. Raveen is delighted to use these tools to support the mental, spiritual and physical aspects of your personal healing journey.

Join us as we celebrate the release of Black Roses by Harold Green III at the Houston Museum of African American Culture.  

Event Deets:

When: Tuesday, March 22 at 7:00 pm CST

Where: Houston Museum of African American Culture (HMAAC)-4807 Caroline Street, Houston, Texas, 77004

How:   Limited in-person tickets are available.  Book purchase required with entry.

About the Book

Black Roses is a love letter to the underrepresented women that inspire and uplift author and poet, Harold Green III. After going viral on Instagram for these beautiful poems, Green assembled BLACK ROSES, a stunning collection of his odes and artist Melissa Koby’s stunning, full-color illustrations.

With poems on figures such as Ava DuVernay, Janelle Monae, Issa Rae, Kamala Harris, Lizzo, Misty Copeland, Robin Roberts, Roxane Gay, and Simone Biles, BLACK ROSES reflects the diversity of Black female excellence. Divided into five sections—dedicated to advocates, curators, innovators, luminaries, and trailblazers—Green’s odes and Koby’s portraits highlight a range of women.

About the Author

Harold Green III is an ever-evolving and internationally admired artist. Using poetry as his central art form, he is a highly sought-after talent, bandleader, and event producer. He earned the prestigious Carl Sandburg Literary Award for his self-published debut poetry collection From Englewood, with Love. He has created commissioned work in partnership with major brands and organizations, including Nike, Lululemon, Jordan, and Go

About the Moderator

Sherhara Downing the CoFounder and Chief Visionary Officer of SpeakHaus, a training and professional development company dedicated to transforming business and thought leaders into confident and bold speakers. SpeakHaus is the first in the public speaking industry to provide mobile in-person group coaching that goes directly to the homes of leaders, jumpstarting speaking transformation in one workshop.

With over 16 years of coaching and corporate training experience, Sherhara has elevated the speaking skills of leaders from companies like Under Armour, Capital One, Toyota, AT&T and more.

She has a deep passion for facilitating human connection and cultivating community! She loves tacos and remains the world-leading subject matter expert of the cult classic, Coming to America!

For all the girls in your life who are inspired, deserving, and worthy, bestselling author Marshawn Evans Daniels’ debut picture book Worthy Girl offers a lyrical, inspirational message about believing in yourself and realizing God’s higher purpose for your life.

From early on, young girls seek to find their place and voice in a complex world that tells them who they’re supposed to be. Worthy Girl uses soaring language to combat the forces trying to keep girls small and instead awaken their ambition and instill in them an unshakeable sense of self-worth, confidence, and identity bathed in possibility. This beautifully illustrated picture book anchors girls in God’s promises and challenges them to believe—even at a young age—that God made them for such a time as this.

Worthy Girl is perfect for:

* Any girl at any time, but especially for birthdays, graduations, and milestones that celebrate a girl’s life and potential.
* Parents desiring to inspire their daughters to embrace their uniqueness.
* Reassuring girls that God has a plan for their lives and there are limitless possibilities ahead of them.

The long-awaited reissue of Alice Coltrane’s original spiritual teachings and reflections, which provide powerful insight into her transcendent music, cherished by millions across the globe 

ALICE COLTRANE (1937–2007) was a composer, master of various musical instruments, improviser, spiritual leader, and wife of John Coltrane. Throughout her adult life, she worked within and combined a broad range of musical genres, including gospel, R&B, bebop, free jazz, Indian devotional song, and Western art music. She recorded more than twenty full-length albums for Impulse and Warner Bros. Her music speaks to her experiences as a child playing for church congregations in Detroit; the transcendent and mind-bending avant-garde improvisations she performed with her husband John Coltrane; and her religious pilgrimages to India. 

When Monument Eternal was originally published in 1977, Alice Coltrane was living in Southern California and had recently become a swami, building and nurturing an alternative spiritual community. In these pages, she says that the book is “based upon the soul’s realizations in Absolute Consciousness and its spiritual relationships with the Supreme One.” Monument Eternal offers deep insight into Coltrane’s tremendous musical output, and shines a light on her transformation from Alice McLeod, Detroit church organist and bebopper, to sage thought leader Swami Turiyasangitananda. It also reflects the extraordinary fluidity of American religious customs in the mid and late twentieth century. 

Akashic’s long-awaited reissue of Monument Eternal includes a new foreword by Ashley Kahn.