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"I found these stories both heartening. . . and terrifying as the expression of a racial hatred that has never ceased to grow and gets no chance to die." —Malcolm Cowley, The New Republic

Richard Wright's powerful collection of novellas set in the American Deep South

Each of the poignant and devastating stories in Uncle Tom's Children concerns an aspect of the lives of Black people in the post-slavery era, exploring their resistance to white racism and oppression. This extraordinary collection also includes a personal essay by Wright titled "The Ethics of Living Jim Crow."

Originally published in 1938, Uncle Tom's Children was the first book from Wright, who would go on to win international renown for his powerful and visceral depiction of the Black experience. The author of numerous works, most notably the acclaimed novel Native Son and his stunning autobiography, Black Boy, Wright stands today as one of the greatest American writers of the twentieth century.

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For much of American history, Black people have been conceived and legally defined as nonpersons, a subgenre of the human. In Being Property Once Myself, prize-winning poet Joshua Bennett shows that Blackness has long acted as the caesura between human and nonhuman and delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal―the rat, the cock, the mule, the dog, the shark―in the works of Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the valuation and sale of animals and enslaved people―all place Black and animal life in fraught proximity.

Bennett suggests that animals are deployed to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. And he turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a groundbreaking articulation of undertheorized notions of dehumanization and the Anthropocene.

In over a dozen interviews, Conversations with Kiese Laymon provides an in-depth look at author Kiese Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within these pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, this volume provides an unfiltered look at the prolific Southern writer in his own words.

The success of John Henrik Clarke's American Negro Short Stories, first published in 1966, affirmed the vitality and importance of black fiction. Now this expanded edition of that best-selling book, with a new title, offers the reader thirty-one stories included in the original―from Charles W. Chesnutt and Paul Laurence Dunbar in the late nineteenth century to the rich and productive work of the Harlem Renaissance: writers like Zora Neale Hurston, Langston Hughes, and Richard Wright; the World War II accomplishments of Chester Himes, Frank Yerby, and many others; and the later fiction of James Baldwin, Paule Marshall, and LeRoi Jones (Imamu Amiri Baraka). Seven additional contributions round out a century of great stories with the work of Maya Angelou, Toni Cade Bambara, Eugenia Collier, Jennifer Jordan, James Allan McPherson, Rosemarie Robotham, and Alice Walker. Dr. Clarke has included a new introduction to this 1993 edition, and a short biography of each contributor.

In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand Black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of Black people and Black communities as agents of change and resistance. Black radicalism, Robinson argues, must be linked to the traditions of Africa and the unique experiences of Blacks on Western continents, and any analyses of African American history need to acknowledge this.

To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by Blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century Black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright. This revised and updated third edition includes a new preface by Tiffany Willoughby-Herard, and a new foreword by Robin D. G. Kelley.

#26 on The Guardian's list of 100 best nonfiction books of all time, the essays explore what it means to be Black in America

In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With films like I Am Not Your Negro and the forthcoming If Beale Street Could Talk bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction.

Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.”

Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright’s work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise.

Notes is the book that established Baldwin’s voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin’s own search for identity as an artist, as a black man, and as an American.

Celebrate the final installment of Attica Locke's Highway 59 Series, Guide Me Home! 

EVENT DEETS

When: Wednesday, September 11, 2024 @ 7 PM

Where: Holy Family HTX (3719 Navigation Blvd, HTX, 77004) 

How: RSVP ONLY to reserve your seat or RSVP WITH BOOK to support Attica Locke and the bookstore! 

ABOUT THE BOOK

ABOUT THE AUTHOR

Attica Locke is a NY Times best-selling author of six novels, including Guide Me Home.  She is also a winner of an Edgar Award and the Harper Lee Prize for Legal Fiction, the Ernest Gaines Award for Literary Excellence, and she has been short listed for the Women’s Prize for Fiction and nominated for an LA Times Book Prize and an NAACP Image award for her work as a novelist. Locke is also a screenwriter and TV producer, with credits that include Empire, When They See Us and the Emmy-nominated Little Fires Everywhere, for which she won an NAACP Image award for television writing. She co-created and executive produced an adaptation of her sister Tembi Locke’s memoir From Scratch: A Memoir of Love, Sicily, and Finding Home for Netflix. A native of Houston, Texas, Attica lives in Los Angeles, California

ABOUT THE CONVERSATION PARTNER

Through his work across many media, Houston and Los Angeles-based artist Vincent Valdez bears witness to the world around him, chronicling an America at the margins. Vincent Valdez: Just a Dream… features work from over twenty years and writings addressing Valdez's work through the lens of politics, history and humanity. Valdez's approach to imaging his country, its people, politics, pride, and foibles includes boxing, lynchings of Mexican Americans, border walls, politics, greed, the Ku Klux Klan, and the failings and triumphs of American society. Vincent Valdez: Just a Dream… accompanies survey exhibitions of his work by the same name at the Contemporary Art Museum of Houston (CAMH) in 2024-5 and MASS MoCA in 2025-6. The bilingual (English/Spanish) publication features both full-color works and a gatefold for The Strangest Fruit as well as a sewn-in booklet of behind-the-scenes studio images. Texts include a reprint of Joyce Carol Oates' On Boxing, essays by exhibition co-curators Denise Markonish and Patricia Restrepo; and a text by Evan Garza on the artist's relationship to Texas.

Join us as we talk to Margaret Wilkerson Sexton about her new release, On The Rooftop. 

EVENT DEETS

When: November 3 at 7PM CST

Where: Kindred Stories' Reading Garden

How: Grab a free ticket OR purchase the book with your ticket to support the authors and our store programming. 

About the Book

A stunning novel about a mother whose dream of musical stardom for her three daughters collides with the daughters’ ambitions for their own lives—set against the backdrop of gentrifying 1950s San Francisco

At home they are just sisters, but on stage, they are The Salvations. Ruth, Esther, and Chloe have been singing and dancing in harmony since they could speak. Thanks to the rigorous direction of their mother, Vivian, they’ve become a bona fide girl group whose shows are the talk of the Jazz-era Fillmore.

Now Vivian has scored a once-in-a-lifetime offer from a talent manager, who promises to catapult The Salvations into the national spotlight. Vivian knows this is the big break she’s been praying for. But sometime between the hours of rehearsal on their rooftop and the weekly gigs at the Champagne Supper Club, the girls have become women, women with dreams that their mother cannot imagine.

The neighborhood is changing, too: all around the Fillmore, white men in suits are approaching Black property owners with offers. One sister finds herself called to fight back, one falls into the comfort of an old relationship, another yearns to make her own voice heard. And Vivian, who has always maintained control, will have to confront the parts of her life that threaten to splinter: the community, The Salvations, and even her family.

About the Author

MARGARET WILKERSON SEXTON, born and raised in New Orleans, studied creative writing at Dartmouth College and law at UC Berkeley. Her most recent novel, The Revisioners, won a 2020 Janet Heidinger Kafka Prize, an NAACP Image Award for Outstanding Literary Work and a George Garrett New Writing Award; was a California and Northern California Book Award finalist, a 2020 Hurston/Wright Foundation Legacy Award Finalist and a Willie Morris Award for Southern Writing finalist; was nominated for the 2020 Simpson/Joyce Carol Oates Prize; and was a national bestseller as well as a New York Times Notable Book of the Year. Her debut novel, A Kind of Freedom, was long-listed for the National Book Award and the Northern California Book Award, won the Crook's Corner Book Prize, and was the recipient of the First Novelist Award from the Black Caucus of the American Library Association. Her work has been published or is forthcoming in Zyzzyva, The Paris Review; O, The Oprah Magazine; The New York Times Book Review; and other publications. She lives in Oakland with her family.

About the Moderator

Kiese Laymon is a Black southern writer from Jackson, Mississippi. He is the Libby Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of “The Catherine Coleman Literary Arts and Justice Initiative,” a program aimed at getting Mississippi young people and their parents more comfortable reading, writing, revising and sharing.

Founder of Civil Righteousness Jonathan Tremaine Thomas equips Christians with a Spirit-led roadmap to navigate division with Christlike engagement and reconciling action.

Many Christians feel both heartbreak and anger over what is happening in America today, and the church often feels the most divided of all. How do we move from lament and overwhelm to Spirit-empowered impact?

In this compelling call to act as intercessors in the "radical middle," pastor and activist Jonathan Tremaine Thomas shows us how to resist both apathy and rage as we respond to the injustices and brokenness around us. Make Straight the Path reorients our call to renewal and offers practical tools:

* Integrate spiritual practices like prayer and fasting with public peacemaking.
* Receive fresh vision and language for social righteousness.
* Process our times and our own identity through the eyes and example of Jesus.
* Be empowered to co-labor with Christ in the "reconciliation of all things."
* Move beyond polarized extremes to embody the way of the Kingdom.

It is possible to turn places of pain into places of God's presence. Rich in historical context and grounded in biblical truth, Make Straight the Path is a personal, cultural, and spiritual formation guide that invites us off the sidelines and into the sacred work of reconciliation, bringing Jesus-shaped transformation to a deeply divided culture.