Each book pre-ordered with Kindred Stories will include a signed custom bookplate from Tabitha Brown. You must order prior to the book's on-sale date of January 19, 2027.  Available while supplies last.

America’s Mom, New York Times bestselling author, NAACP Award-winning personality, Emmy-winning host, and actress Tabitha Brown, is back with a heartwarming children’s book about hope, faith, and the beauty of the unseen.

Young Tabitha makes a wish, but she can’t see it. So, she wonders if wishes are real and what makes them come true…

That’s when Tab and Mama spend a day in the park, and she soon realizes that wishes—like most of the world’s invisible delights—come to life with a little bit of faith and a whole lot of love.

The #1 New York Times bestselling team behind Hello There, Sunshine, Tabitha Brown and Olivia Duchess, returns with a beautiful lyrical story, that will remind children everywhere about the magic of a single wish. 

• Beautiful lyricism paired with stunning artwork: the lush rhymes and artwork will please tiny readers who are fans of Tabitha’s previous books, as well as children’s books by Emily Winfield Martin and Joanna Gaines.
• Follow up to a New York Times bestseller: you can expect the same quality of storytime from the dynamic duo who brought you the bestseller, Hello There, Sunshine!
• Great lullaby for bedtime: with its soothing rhythm and starry scenes, this is a perfect pick for anytime, but especially for bedtime reading sessions.
• A light message about God’s love: littles will learn about how God’s love, faith, and prayer all have to do with wish fulfillment.

PRE-ORDER: ON SALE DATE: February 10, 2025

This gorgeous debut follows a young transsexual’s feverish passage through the envies and dreams that lace her initiation into New York City’s underground nightlife as she attempts to reconcile its predatory yet deeply salvational euphorias.

She moves to New York for whatever reasons. Then she starts hormones and steps out at night. Everything else falls away. How had it never not been this?

Quickly, Io—freshly feminized and hardly clothed—is yanked into the glamor and vagaries of her times by her obsessive parasocial relationship with a fellow trans woman and renowned DJ. In nightlife she quickly discovers the stakes of living so close to cultural production—fashion, art, literature, it all flashes and dies as her bank account stays empty and her health waxes and wanes.

The lines between transition and cultural capital begin to blur and the currency of femininity demands to sell or be sold. Io must decide how far she will go to attain the dreams of upward mobility free-wheeling through the cloaca of the City.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Nadia

I expect nothing.

From life, from God, from men.

I don't hope or want or pray. Those are luxuries I can't afford when I'm doing the desperate math of survival while walking the tight rope of life on the run in a strange city.

New Haven wasn't supposed to be a fresh start. That would be asking too much from a life that took my parents from me and left me vulnerable to monsters. To be used but not loved. To be kept but not cherished.

I'd accepted my fate, settled in it like sore feet in a pair of ill fitted heels, but then he walked into my life and released me from the prison of my past, leaving me free to hope, to want, to love.

Sebastian

I didn't know I was looking for anything until I was looking at her.

And since the moment she came into my view, I haven't been able to look away. There's something sad behind her eyes. Something desperate in the way she moves through the world. Like the devil is on her heels and she doesn't know whether to run or stay and fight.

Other people's problems aren't usually something I have time for, but for her I'll make time. For her, I'll stand and fight. I'll make her battles my battles, her dreams my dreams, and her safety my top priority.

PRE-ORDER:ON SALE DATE: Oct 6, 2025

A gripping tale of education, violence, and hope, in which one man's dream for a better future collides with a community on the edge of transformation.

Set in 1842, this novel foregrounds a Haiti that is grappling with the weight of an onerous debt imposed by France, forcing its citizens to pay reparations to French colonists in exchange for diplomatic recognition of the first Black republic of the Americas. In the town of Boën, a prosperous notary, Ludovic Possible, decides to take a bold step to secure the future of his community. He opens a schoolhouse where local children can learn both artisanal skills and the essential ability to read and write. For Ludovic, education represents the best chance for the people of Boën to rise above their hardships and build a prosperous future—especially for Aïda, a quiet and enigmatic girl whose mother’s marvelous stories captivate him.

The tranquility of Boën is soon shattered, however, by a series of duels that pit families, neighbors, and even animals against each other. As tensions rise, Ludovic’s vision for a better future is threatened by the escalating violence. In Duels, Néhémy Pierre-Dahomey introduces readers to a rich and unforgettable cast of characters—Aïda, Ludovic, Balthazar Possible, Pépé the Tempest, and many others—who find themselves at the crossroads of a nation on the brink of transformative change.

An overview of Brackens’ magical realist textiles that interfuse mythology with American history and Black identity

This monograph offers an intimate and expansive introduction to the work of American textile artist Diedrick Brackens (born 1989). His practice is shaped through sustained contemplation of American history, autobiography and myth, conjuring imagined spaces where time oscillates between past and future. Drawing from a wide range of textile traditions―West African weaving, quilting from the American South and European tapestry-making―alongside literature and poetry, his figurative and abstract works build a collaged visual language that is both deeply personal and open-ended. Brackens depicts nuanced visions of Black life and identity, while also alluding to the complicated histories of labor and migration through his use of materials: cotton, tea and bleach, to name a few. Through three essays, a poem and an in-depth conversation with the artist, the book foregrounds Brackens’ meticulous process―hand-dyed cotton, deliberate weaving―and considers how his works invite sustained looking, offering textiles as sites of care, ritual and transformation.

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A dangerous cult craves a dark power. The Legacy of Arniston House is the spellbinding fourth instalment of the USA Today bestselling Edinburgh Nights series by T. L. Huchu

Ropa Moyo is a wannabe magician, can speak to the dead, and has officially given up being an intern. Leaving Scottish magic behind, she now works for the English Sorcerer Royal. But just as she adjusts to working for the English, an old enemy reveals a devastating secret about her Gran, and Ropa’s world falls apart.

Outraged, she rushes home, but finds her grandmother dead – murdered – with no killer in sight. What’s more, she’s the prime suspect. In her quest to find the true murderer, Ropa becomes caught in the dark tendrils of a cult, hell-bent on resurrecting an ancient power. Ropa must use her wits, her magic, and call in all favors to stop the ritual – and clear her name.

Edinburgh Nights series:
The Library of the Dead
Our Lady of Mysterious Ailments
The Mystery at Dunvegan Castle
The Legacy of Arniston House

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A poignant, unflinching study of black grief as a form of elegy found in visual art, music, literature—everywhere, if you know how to see it.

In Black Elegies, Kimberly Juanita Brown examines the form of the elegy and its unique capacity to convey the elongated grief borne of sustained racial violence. Structured around the sensorial, the book moves through sight, sound, and touch to reveal what Okwui Enwezor calls the “national emergency of black grief.” With her characteristic literary skill, Brown analyzes the work of major figures including Toni Morrison, Carrie Mae Weems, Audre Lorde, and Marvin Gaye, among others.

Brown contemplates recognizable sites of mourning: forced migration and enslavement, bodily violations, imprisonment and death. And she examines sites that do not register immediately as archives of grief: the landscape of southern U.S. slave plantations, a spontaneous street party, a quilt constructed out of the clothing worn by a loved one, a dance performance to hold the memory of history, and an aeolian harp installed at an institute of European art, among others. In this, the book offers a framework of mourning while black, within the parameters of contemporary artistic production. Brown asks: How do you mourn those you are not supposed to see? And where does the grief go? She shows us that grief is everywhere: “It spills out of photographs and modulates music. It hovers in the tenor and tone of cinematic performances. It resides in the body like an inspired concept, waiting for its articulation.”

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From Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic, comes Certain Dark Things, a pulse-pounding neo-noir that reimagines vampire lore.

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.

Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

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Set in the universe Africanfuturist luminary Nnedi Okorafor first introduced in the World Fantasy Award-winning Who Fears Death, One Way Witch is the second in the She Who Knows trilogy

The world has forgotten Onyesonwu.

As a teen, Najeeba learned to become the beast of wind, fire and dust: the kponyungo. When that took too much from her, including the life of her father, she let it all go, and for a time, she was happy — until only a few years later, when the small, normal life she’d built was violently destroyed.

Now in her forties and years beyond the death of her second husband, Najeeba has just lost her beloved daughter. Onyesonwu saved the world. Najeeba knows this well, but the world does not. This is how the juju her daughter evoked works. One other person who remembers is Onyesonwu’s teacher Aro, a harsh and hard-headed sorcerer. Najeeba has decided to ask him to teach her the Mystic Points, the powerful heart of sorcery. There is something awful Najeeba needs to kill and the Mystic Points are the only way. Najeeba is truly her daughter’s mother.

When Aro agrees to help, Najeeba is at last ready to forge her future. But first, she must confront her past — for certain memories cannot lie in unmarked graves.

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Artist and filmmaker Steve McQueen continues his exploration of colonial history and its legacies in this new book comprised of meditative photographs of Grenada’s flora. Taken on a trip to the island in the summer of 2024, these images reckon with the connections between landscape and historical trauma, studying Grenada’s plant life as permanent markers of beauty in a land ravaged by exploitation. Rendered in vivid colour, the images reflect the complex interlocking of history, heritage, and survival contained in the simplicity of the island flora. Taking as his touchpoint the late Saint Lucian poet Derek Walcott’s elegy to his mother, ‘The Bounty’, McQueen’s project adopts a similarly poetic sensibility, attuned to the resilience of the island’s landscape and the dualities of the word ‘bounty’, which alludes to both the generosity of nature and the sum paid to slave catchers. Grounded in a deep reverence for the sublime natural world, Bounty invites a visceral engagement with the silent endurance of nature despite the grim realities of human history.

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"I found these stories both heartening. . . and terrifying as the expression of a racial hatred that has never ceased to grow and gets no chance to die." —Malcolm Cowley, The New Republic

Richard Wright's powerful collection of novellas set in the American Deep South

Each of the poignant and devastating stories in Uncle Tom's Children concerns an aspect of the lives of Black people in the post-slavery era, exploring their resistance to white racism and oppression. This extraordinary collection also includes a personal essay by Wright titled "The Ethics of Living Jim Crow."

Originally published in 1938, Uncle Tom's Children was the first book from Wright, who would go on to win international renown for his powerful and visceral depiction of the Black experience. The author of numerous works, most notably the acclaimed novel Native Son and his stunning autobiography, Black Boy, Wright stands today as one of the greatest American writers of the twentieth century.