“This Great Hospital Fight” – Dr. Drake

At the height of racial and political tensions in early twentieth-century Houston, two unlikely figures became allies. Dr. William M. Drake, a pioneering surgeon and Black community leader, and Joseph Cullinan, a White oil magnate and founder of the company that became Texaco, united in a desperate effort to save a hospital that symbolized hope. The Houston Negro Hospital was born from America’s Black Hospital Movement. Dedicated Juneteenth 1926, it embodied a bold experiment to bring dignity and healthcare access to a community systematically denied both in the Jim Crow south.

Journalist and storyteller Carlton Houston―whose ancestors played a role in this remarkable heritage―reveals the untold, human drama behind the institution that would become Riverside General. Recount the vision, conflict, and resilience that shaped a century of healthcare through the struggle of those determined to save lives.

2025 Most Significant Scholarly Book, Texas Institute of Letters

A history of racism and segregation in twentieth-century Houston and beyond.

Through the 1950s and beyond, the Supreme Court issued decisions that appeared to provide immediate civil rights protections to racial minorities as it relegated Jim Crow to the past. For black Houstonians who had been hoping and actively fighting for what they called a “raceless democracy,” these postwar decades were often seen as decades of promise. In Houston and the Permanence of Segregation, David Ponton argues that these were instead “decades of capture”: times in which people were captured and constrained by gender and race, by faith in the law, by antiblack violence, and even by the narrative structures of conventional histories. Bringing the insights of Black studies and Afropessimism to the field of urban history, Ponton explores how gender roles constrained thought in black freedom movements, how the “rule of law” compelled black Houstonians to view injustice as a sign of progress, and how antiblack terror undermined Houston’s narrative of itself as a “heavenly” place.

Today, Houston is one of the most racially diverse cities in the United States, and at the same time it remains one of the most starkly segregated. Ponton’s study demonstrates how and why segregation has become a permanent feature in our cities and offers powerful tools for imagining the world otherwise.

Houston was Boomtown USA in the 1970s, growing through tremendous immigration of people and through frequent annexation of outlying areas. But in the shadow of the high-rise "petropolis" was another city ignored by and invisible to Houston municipal boosters and the national media. Black Houston, the largest black community in the South, remained largely untouched by the benefits of the boom but bore many of the burdens.

Robert D. Bullard systematically explores major demographic, social, economic, and political factors that helped make Houston the "golden buckle" of the Sunbelt. He then chronicles the rise of Houston's black neighborhoods and analyzes the problems that have accrued to the black community over the years, concentrating on the boom era of the 1970s and the dwindling of the economy and of government commitment to affirmative action in the late 1980s. Case studies conducted in Houston's Third Ward--a microcosm of the larger black community--provide data on housing patterns, discrimination, pollution, law enforcement, and leadership, issues that the author discusses and relates to the larger ones of institutional racism, poverty, and politics.

During Houston's rapid growth, freeways were built over black neighborhoods and municipal services were stretched away from the inner city and poverty pockets to the new, far-flung, and mostly white city limits. Businesses thrived, but many jobs called for advanced education and skills, while black youth still suffered from inadequate schools, inexperienced teachers, and, later, unemployment rates nearly double those of whites. When the oil-based economy collapsed in the early eighties, many blacks again bore a heavier share of the burdens.

Invisible Houston describes the rich cultural history of the South's largest black community and analyzes the contemporary issues that offer the chance for black Houston to become visible to itself, to the larger community, and to the nation.

Gather for a cozy evening of puzzles, conversation, and fun. Work on puzzles with old and new friends, enjoy refreshments, and spend time connecting with community.

EVENT DEETS

When: Friday, November 20 at 6:30PM

Where: Kindred Stories (2310 ELGIN ST, HTX, 77004)

How: $5 to reserve your spot. 

Note: This event is intended for adults!

Celebrate the release of The True Confessions of First Lady Freeman with Deesha Philyaw!

EVENT DEETS

When: Monday, November 16 @ 7PM CST

Where: Kindred Stories (2310 Elgin St, HTX 77004)

How:

• RSVP ONLY to reserve your seat.
• RSVP WITH BOOK to reserve your seat and purchase a copy of the book, supporting both the author and our store programming. The book will be available for pickup at the event.
• RSVP (I Already Have the Book) to reserve your seat and let us know you plan to bring one you previously purchased from another bookseller.
• Waitlist (

This author talk is officially sold out. Please join the waitlist, and we’ll email you if a ticket becomes available. Please note that joining the waitlist does not guarantee a ticket.

Please note that books purchased from other retailers are not permitted inside the bookstore and will not qualify for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy of the book from Kindred Stories or select the RSVP (But I ALREADY HAVE THE BOOK) ticket option.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your copy. Books must be claimed within 14 days following the event.

ABOUT THE BOOK

The wife of a popular and powerful megachurch pastor upends her charmed “rags-to-Rolex” life when her secret past comes roaring into the spotlight—in this "funny and juicy and sexy and delicious peek behind the pulpit" (Samantha Irby) from the acclaimed and beloved author of The Secret Lives of Church Ladies.

From the moment Scharisse Freeman ditched her humble roots and married a megachurch pastor fifteen years her senior, she’s been labeled too brash and too “of the world” by church folks who grudgingly accepted her into their fold, and too holy by her estranged childhood bestie Petra. Schar doesn’t have many allies, but that hasn’t stopped her from building an enviable business empire spanning books to clothing to branded products, and living the comfortable life her husband's power affords her.

On the eve of her 40th birthday, Schar gets the final bit of validation she’s always dreamt of: a coveted invitation to participate in the First Lady USA pageant. This is her chance to be accepted by the other pastors’ wives—First Ladies—who are “like Jesus’ disciples if they had been a group of mean girls.” Finally, blissfully, the ice between Schar and the other First Ladies begins to thaw.

But as the pageant nears, a sensational scandal breaks with Schar at its center, and her carefully curated life implodes. Schar faces down shame and terrible secrets from her childhood and is reminded that in the eyes of the church, optics can matter more than the truth.

Unflinchingly funny, frank, and splendidly unruly, The True Confessions of First Lady Freeman exults in the luscious, messy pleasure of finally feeling free.

ABOUT THE AUTHOR

Deesha Philyaw’s debut short story collection, The Secret Lives of Church Ladies, won the PEN/Faulkner Award for Fiction, the Story Prize, the LA Times Book Prize: The Art Seidenbaum Award for First Fiction and was a finalist for the National Book Award for Fiction. Deesha is a Kimbilio Fiction Fellow, a Baldwin for the Arts Fellow, a United States Artists Fellow, and co-host of two podcasts, Ursa Short Fiction (with Dawnie Walton) and Reckon True Stories (with Kiese Laymon). She is currently at work developing TV shows based on her short fiction.

ABOUT THE CONVERSATION PARTNER

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard.

Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. He is the co-host of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

Event Purchases Are Non-Refundable

Celebrate W. J. Lofton's debut poetry collection, boy maybe! 

EVENT DEETS

When: Wednesday, April 20 @ 7 PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to let us know to expect you or RSVP WITH BOOK to secure your copy of boy maybe: poems!

ABOUT THE BOOK

ABOUT THE AUTHOR

W.J. Lofton has earned fellowships from Cave Canem and Emory University. His work has been featured or is forthcoming in TIME, wildness, Obsidian, Scalawag, Academy of American Poets’ Poem-A-Day, American Poets Magazine, Prose to the People, No Justice, No Peace: From the Civil Rights Movement to Black Lives Matter, and film festivals nationwide. 

Texas is a Southern state, and in many ways, Houston is a typical Southern city. While Houston did not experience the types or degrees of racial violence found in other Southern cities during the Jim Crow era, black Houstonians nonetheless found themselv

Celebrate the release of Black Women In Bloom with Anayo Awuzie!

EVENT DEETS

When: Thursday, November 5 @ 7 PM CST

Where: 2310 Elgin St. Houston, TX 77004

How: 

• RSVP ONLY to reserve your seat.

• PAID RSVP ONLY to reserve your seat.to reserve your seat and support our store programming.
  

• RSVP WITH BOOK to reserve your seat and purchase a copy Black Women In Bloom, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Copies of Black Women in Bloom purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories. If you already purchased your book from Kindred Stories, you may select the RSVP Only ticket option and bring your Kindred Stories copy to the event.

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

Black Women in Bloom is a limited-edition coffee table book and global storytelling experience celebrating the becoming journeys of Black women across the diaspora.

Featuring over 30 essays by writers from around the world, alongside stunning photography and original illustrations, the book traces Black women’s stories through the many stages of growth.

Curated and edited by Carefree Magazine founder Anayo Awuzie, Black Women in Bloom is both a work of art and an intimate reading experience. Designed to live on your coffee table but meant to be slowly savored, the book captures the quiet, powerful transformations that too often go unseen: taking risks, choosing softness, seeking healing, and blooming into themselves—unapologetically and on their own terms.

ABOUT THE AUTHOR

Anayo is an editor, storyteller, and creative marketer exploring the in-between spaces of Black womanhood—where healing, identity, and everyday life unfold. She is the founder of Carefree Magazine, a slow storytelling platform sharing personal essays from Black women on life, love, and adventure, and the editor of Black Women in Bloom, a coffee table book featuring over 30 essays from Black women across the diaspora on their journeys of becoming. With a background spanning brand, experiential, and creator marketing, her work sits at the intersection of story and strategy—building worlds that feel as intentional as they are honest. She currently lives in Los Angeles, where she is constantly on the hunt for new restaurants and live shows.

ABOUT THE CONVERSATION PARTNER

Bria Lauren (b. 1993) is a transdisciplinary visual artist, community architect, and Third Ward, Houston native. Her practice bridges portraiture, storytelling, creative writing, and arts activism, centering Black women while building infrastructures of radical care and liberation around their livelihoods and futures.

Bria engages community building as a political and cultural practice of resistance. As a curatorial visionary, she centers ancestral memory, Black mother-daughter relationships, and the dimensions of Black women’s relationships with one another alongside community preservation, working across multimedia installation and community programming to honor the interior lives of Black femmehood without censorship.

In 2022, Bria founded Gold Was Made Fa’ Her (GWMFH), a 501(c)(3) arts and healing movement. It grew from a question she carried after her 2021 solo exhibition Gold Was Made Fa’ Her at Lawndale Art Center, a body of work dedicated to her mother and Black hood women on the Southside of Houston: What do Black women need more than being seen?

In the city of Houston - a sprawling, diverse microcosm of America - the son of a black mother and a Latino father is coming of age. He’s working at his family’s restaurant, weathering his brother’s blows, resenting his older sister’s absence. And discovering he likes boys.

Around him, others live and thrive and die in Houston’s myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra.

Bryan Washington’s brilliant, viscerally drawn world vibrates with energy, wit, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms.