A tender, searching collection that breaks open notions of faith to ask how a daughter, alienated from kin, can find love and a home in the world, from the award-winning author of If They Come for Us and When We Were Sisters

at the edge of an edge
is an edge. at that edge
is a cliff. beyond that cliff
is me.

Exiled from ancestral homelands, how can one find a place for themself in the world? In this stunning sophomore collection, the acclaimed poet Fatimah Asghar unweaves residual grief to reckon with their relationship to Allah, long-estranged but deeply loved kin, the landscape of their ancestors, and love itself.

In meditative poems, Daughter of the Mountains grapples with multiple facets of fulfillment, betrayal, love, loss, and longing, illustrating how place, lineage, and environment inform the practice of spirituality and vice versa. With wisps of humor, imagery that is as beautiful as it is startling, and powerfully disruptive formal invention, this is an intimately lyrical and explosive collection.

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An orphan grapples with gender, siblinghood, family, and coming-of-age as a Muslim in America in this lyrical debut novel from the acclaimed author of If They Come For Us

In this heartrending, lyrical debut work of fiction, Fatimah Asghar traces the intense bond of three orphaned siblings who, after their parents die, are left to raise one another. The youngest, Kausar, grapples with the incomprehensible loss of her parents as she also charts out her own understanding of gender; Aisha, the middle sister, spars with her "crybaby" younger sibling as she desperately tries to hold on to her sense of family in an impossible situation; and Noreen, the eldest, does her best in the role of sister-mother while also trying to create a life for herself, on her own terms.
 
As Kausar grows up, she must contend with the collision of her private and public worlds, and choose whether to remain in the life of love, sorrow, and codependency she's known or carve out a new path for herself. When We Were Sisters tenderly examines the bonds and fractures of sisterhood, names the perils of being three Muslim American girls alone against the world, and ultimately illustrates how those who’ve lost everything might still make homes in each other.

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A BreakBeat Poets anthology of writings by Muslims who are women, queer, genderqueer, nonbinary, or trans.

The collected poems dispel the notion that there is one correct way to be a Muslim by holding space for multiple, intersecting identities while celebrating and protecting those identities.

Halal If You Hear Me features poems by Safia Elhillo, Fatimah Asghar, Warsan Shire, Tarfia Faizullah, Angel Nafis, Beyza Ozer, and many others.

Fatimah Asghar is the creator of the Emmy-Nominated web series Brown Girls, now in development for HBO. She is the author of If They Come For Us and a recipient of a 2017 Ruth Lilly and Dorothy Sargent Rosenberg Fellowship. She is a member of the Dark Noise Collective and a Kundiman fellow. In 2017, she was listed on Forbes’s 30 Under 30 list.

Safia Elhillo is the author of The January Children. Sudanese by way of Washington, DC and a Cave Canem fellow, she holds an MFA from the New School. In 2018, she was awarded a Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship from the Poetry Foundation.

Literature has the power to help build a shelter in language for a way of being that holds integrity and love as its root. In the tradition of Audre Lorde, Angela Davis, and many other Black writers and theorists, poet and professor Khadijah Queen observes questions of life and literature, human feeling and behavior, and explores language-based solutions to common cultural conflicts that are often rooted in harmful assumptions.

Instead of operating from a base of unquestioned thought and systemic tradition, Radical Poetics presents more inclusive and accurate ways of contemplating literary work. Building on ideas and theoretical practices from Édouard Glissant, Toni Morrison, bell hooks, Saidiya Hartman, and Kimberlé Crenshaw, Queen reads for where love is present as well as for where it is absent—tracing systems of thought and aesthetic choices to track how characters are portrayed in terms of race, gender, class, and disability. She analyzes short stories, novels, nonfiction narratives, poetry, and a play from authors such as Herman Melville, Kate Chopin, Dionne Brand, Frances Ellen Watkins Harper, Ma-ka-tai-me-she-kia-kiak, Sor Juana Inés de la Cruz, Natasha Trethewey, and Muriel Rukeyser. Queen’s essays offer shifts in thinking about language—beyond calling out the ways language punishes vulnerability, entrenches harm, and suppresses true intercultural communication. Her intuitive approach aims to correct inaccuracies that have served as a foundation for the discriminatory thinking that undergirds American institutions and culture, particularly the continued glorification of violence. Radical Poetics makes a case for the imperative and practical value of understanding poetics beyond artistic and academic spaces and into everyday life.

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From an award-winning, innovative poet, a bold reimagination of Arab American womanhood in the modern military age

In her second full-length collection, Maya Salameh offers a profound exploration of Arab American identity, weaving together themes of myth, science, and cultural heritage. This daring collection deploys psychological evaluation forms, ritual incantations, and captivating visual poetry. 

Salameh transcends simple narratives of shame or violence to offer a nuanced portrayal of identity, exploring both the privileges and heartbreaks of diasporic exile. Her multilingual poetry bridges Arabic and English, enriching the poems’ sonic texture. Salameh scrutinizes established academic and cultural narratives, inviting readers to rethink their own understandings of history and identity.

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“When an author’s unmitigated brilliance shows up on every page, it’s tempting to skip a description and just say, Read this! Such is the case with this breathlessly powerful, deceptively breezy book of poetry.” —Booklist, Starred Review

Black Women in Bloom is a limited-edition coffee table book celebrating the becoming journeys of Black women across the diaspora. Curated from Carefree’s archives (with new, never-published essays!) and edited by Carefree Magazine founder Anayo Awuzie, it is both a collectible art object and an intimate reading experience.

Featuring over 30 essays from Black women writers around the world, alongside photography and original illustrations from Black artists. Each chapter follows the six stages of growth inspired by the lifecycle of a flower: Seeds, Growth, Reproduction, Pollination, Thorns, and Blooming.

The soul-stirring intersectional biography of the most famous Islamic woman scholar working today, from the two-time Pulitzer Prize finalist author of If the Oceans Were Ink and Home, Land, Security.

“A testament to what it means to labor for justice from inside a faith tradition—to love it enough to transform it . . . The Lady Imam is right on time to ignite our courage.”—Valarie Kaur, bestselling author of See No Stranger and Sage Warrior

A feminist scholar-activist, single mother of five, and queer advocate, amina wadud has led a struggle against Islam’s patriarchal establishment that’s been felt keenly all over the world. Like Martin Luther King, Jr. and Malcolm X before her, wadud has mobilized faith’s potential as an engine of equality. Yet this American trail-blazer’s story has never been told in book form—until now.

Born Mary Teasley, the daughter of a Methodist preacher, wadud grew up in Maryland with a rare vantage on socioeconomic divides, living through poverty and her sister’s death from an illegal abortion. A gifted student, teenage wadud was sent to live with affluent white families in Weston, Massachusetts. After cross-country hitchhiking and a stint in a Buddhist ashram, she converted to Islam as a twenty-year-old Ivy League student.

wadud devoted her life to studying the Qur’an and challenged centuries of patriarchal interpretations, finding in it equality for all. In Manhattan in 2005, she became the world’s most famous—and infamous—Islamic scholar when she became the first woman in 1400 years to lead men and women together in public Friday prayers.

The Lady Imam chronicles the life of a singular figure not only in Islam, but also in feminism, Black history, and gender studies. With unprecedented access through years of interviews and archival research, Carla Power has written the definitive account of wadud's extraordinary life while shedding light on our deepest questions about faith, family, and social justice.

On May 2, 1973, Black Panther Assata Shakur (aka JoAnne Chesimard) lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike that had claimed the life of a white state trooper. Long a target of J. Edgar Hoover's campaign to defame, infiltrate, and criminalize Black nationalist organizations and their leaders, Shakur was incarcerated for four years prior to her conviction on flimsy evidence in 1977 as an accomplice to murder.

This intensely personal and political autobiography belies the fearsome image of JoAnne Chesimard long projected by the media and the state. With wit and candor, Assata Shakur recounts the experiences that led her to a life of activism and portrays the strengths, weaknesses, and eventual demise of Black and White revolutionary groups at the hand of government officials. The result is a signal contribution to the literature about growing up Black in America that has already taken its place alongside The Autobiography of Malcolm X and the works of Maya Angelou.

Two years after her conviction, Assata Shakur escaped from prison. She was given political asylum by Cuba, where she now resides.

75 recipes spanning cherished classics and modern interpretations, bringing the soul of Somali cooking to the world stage.

Known by many names, the cape of spices, the nation of poets, and the land of cinnamon, Somalia is nestled in the Horn of Africa and is blessed with fertile fields, rich in spices, and endowed with the longest coastline in mainland Africa. This location and natural abundance have made Somalia a corridor between east and west, and a central point in global trade and migration, dating back millennia.   

In Soomaaliya, Ifrah F. Ahmed tells the story of her country through its history, its food, and its people. Somalia’s role in the spice trade yields xawaash, the most distinctive of Somali flavors, a heady blend of cumin, coriander, black pepper, cinnamon, cardamom, cloves, and turmeric that’s used in everything from marinades to stews. Cardamom also finds its ways into thin, fragrant crepes, sweet fried beignets called bur, and bariis, rice spiced with cardamom and cumin. This rice is paired hilib ari, tender goat meat stew that is a product of Somalia’s deep roots in herding and agrarianism. Baasto, or pasta, a relic of the long Italian colonial rule, is served with a range of simple tomato sauces to ragus. The bountiful waters supply fish freshly caught and fried. And for afternoon tea, a pot of spiced shaah, served with thick slices doolsho, an aromatic cardamom cake. These are a just a few of the over 70 recipes included that introduce the foundational flavors and tastes of the Somali palate.  

Through profiles of food producers, writers, and chefs, Ahmed shines a light on the many Somalis, at home and abroad, working to both preserve and transform the cuisine. Expansive and generous, and fueled by a deep love, Soomaaliya is a celebration of the richness of Somali food, and the remarkable resilience of its people.

What does it mean to be queer and Muslim in a world that insists you cannot be both?

Queer and Muslim is a powerful collection by and for LGBTQ+ Muslims navigating layered identities across lines of faith, family, culture, and community. With contributions spanning essays, poems, letters to past and future selves, and more, the book explores the emotional and spiritual dimensions of queer Muslim life and challenges the perception that faith and queerness are inherently incompatible.

These raw accounts confront the psychological toll of grappling with tensions between religious expectations and queer identity and offer rare insight into the ways mental health is lived, expressed, and supported across diverse cultural and theological landscapes. They tell of building chosen families and reconnecting with birth families, radical healing, cultivating spaces of belonging, and reclaiming faith on your own terms.

In an era of rising Islamophobia and escalating threats to queer and trans lives, the stories contained within Queer and Muslim―stories of resilience, grief, pleasure, rage, and joy―are vital, each of them an affirmation of the multiplicity of queer Muslim identities. Queer and Muslim invites readers to listen deeply, think expansively, and care more courageously.