Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work. Here, for the first time, these women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives, Beautiful Experiments recovers these women’s radical aspirations and insurgent desires.

A new and expanded edition of one of the essential works of twenty-first-century literature

Zong! is a haunting lifeline between archive and memory, law and poetry.

In November 1781, the captain of the slave ship Zong ordered that some 150 Africans be murdered by drowning so that the ship’s owners could collect insurance monies. Relying entirely on the words of the legal decision Gregson v. Gilbert―the only extant public document related to the massacre―Zong! tells the story that cannot be told yet must be told. Equal parts song, moan, shout, oath, ululation, curse, and chant, Zong! excavates the legal text. Memory, history, and law collide and metamorphose into the poetics of the fragment. Through the innovative use of fugal and counterpointed repetition, Zong! becomes an anti-narrative lament that stretches the boundaries of the poetic form, haunting the spaces of forgetting and mourning the forgotten.

This fifteenth-anniversary edition features a new preface by the author and new essays by Saidiya Hartman and Katherine McKittrick. Widely regarded as one of the most influential and revered works of twenty-first-century literature, this new edition of Zong! will ensure this staggering work’s enduring legacy.

Now in its first American edition, Dionne Brand's groundbreaking A Map to the Door of No Return has emerged as a modern classic, a highly influential exploration of "being" in the Black Diaspora.

Since its first publication in 2001, Dionne Brand's groundbreaking exploration of being in the Black Diaspora, A Map to the Door of No Return, has emerged as a modern classic. The door, in Brand's iconic schema, represents the point of rupture where the ancestors of the Black Diaspora departed one world for another: the place where all names were forgotten, and all beginnings recast. "This door," writes Brand, "is not mere physicality. It is a spiritual location . . . Since leaving was never voluntary, return was, and still may be, an intention, however deeply buried. There is as it says no way in; no return."

Through shards of history, memoir, lyrical investigation, and the unwritten experience of so many descendants of those who passed through the door, Brand constructs a map of this indelible region, culminating in an enduring expression, both definitive and seeking, of what it is to live, think, and create in the wake of colonization.

With a new preface by the author, and an afterword by Saidiya Hartman.

*Paperback Release Date - 09/15/26*

A sweeping story about four women whose lives are shaped by love, longing, and pain. Chiamaka is a Nigerian travel writer living in the US who is unlucky in love and coping with the pandemic on her own. Zikora, is a successful lawyer living in Washington DC who finds herself, unexpectedly, a heartbroken single mother. Omelogor is a scholar researching pornography for a Master's thesis in Women's Studies. And Nafissatou, Chiamaka's housekeeper, is trying to reclaim her dignity after a terrible sexual assault. In Dream Count, we come to know these interesting, challenging, and complicated women as they navigate their rich and complex lives. Long revered as a writer who understands how we talk about race and identity, Adichie uses these themes to explore a group of disparate and fascinating women and their worlds, turning a sharp eye on contemporary society. A major literary event, Dream Count is a thrilling, sizzling new work that confirms Adichie's status as one of the most exciting and dynamic writers on the literary landscape.

Finalist for the National Book Critics Circle Award in Biography • A Washington Post Notable Book • One of Smithsonian Magazine's Ten Best History Books of the Year • One of AAIHS's Best Black History Books of 2024

“Though broad strokes of Tubman’s story are widely known, Miles probes deeper, examining her inner life, faith and relationships with other enslaved Black women to paint a deeper, more vibrant portrait of a historical figure whose mythic status can sometimes overshadow her humanity.” –The New York Times

From the National Book Award–winning author of All That She Carried, an intimate and revelatory reckoning with the myth and the truth behind an American everyone knows and few really understand

Harriet Tubman is among the most famous Americans ever born and soon to be the face of the twenty-dollar bill. Yet often she’s a figure more out of myth than history, almost a comic-book superhero. Despite being barely five feet tall, unable to read, and suffering from a brain injury, she managed to escape from her own enslavement, return again and again to lead others north to freedom without loss of life, speak out powerfully against slavery, and then become the first American woman in history to lead a military raid, freeing some seven hundred people. You could almost say she’s America’s Robin Hood, a miraculous vision, often rightly celebrated but seldom understood.

Tiya Miles’s extraordinary Night Flyer changes all that. With her characteristic tenderness and imaginative genius, Miles explores beyond the stock historical grid to weave Tubman’s life into the fabric of her world. She probes the ecological reality of Tubman’s surroundings and examines her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. What emerges, uncannily, is a human being whose mysticism becomes more palpable the more we understand it—a story that offers us powerful inspiration for our own time of troubles. Harriet Tubman traversed many boundaries, inner and outer. Now, thanks to Tiya Miles, she becomes an even clearer and sharper signal from the past, one that can help us to echolocate a more just and sustainable path.

Finalist for the National Book Critics Circle Award in Biography • A Washington Post Notable Book • Finalist for the PEN America Literary Award •One of Smithsonian Magazine's Ten Best History Books of the Year • One of AAIHS's Best Black History Books of 2024

“Though broad strokes of Tubman’s story are widely known, Miles probes deeper, examining her inner life, faith and relationships with other enslaved Black women to paint a deeper, more vibrant portrait of a historical figure whose mythic status can sometimes overshadow her humanity.” –The New York Times

From the National Book Award–winning author of All That She Carried, an intimate and revelatory reckoning with the myth and the truth behind an American everyone knows and few really understand

Harriet Tubman is among the most famous Americans ever born and soon to be the face of the twenty-dollar bill. Yet often she’s a figure more out of myth than history, almost a comic-book superhero. Despite being barely five feet tall, unable to read, and suffering from a brain injury, she managed to escape from her own enslavement, return again and again to lead others north to freedom without loss of life, speak out powerfully against slavery, and then become the first American woman in history to lead a military raid, freeing some seven hundred people. You could almost say she’s America’s Robin Hood, a miraculous vision, often rightly celebrated but seldom understood.

Tiya Miles’s extraordinary Night Flyer changes all that. With her characteristic tenderness and imaginative genius, Miles explores beyond the stock historical grid to weave Tubman’s life into the fabric of her world. She probes the ecological reality of Tubman’s surroundings and examines her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. What emerges, uncannily, is a human being whose mysticism becomes more palpable the more we understand it—a story that offers us powerful inspiration for our own time of troubles. Harriet Tubman traversed many boundaries, inner and outer. Now, thanks to Tiya Miles, she becomes an even clearer and sharper signal from the past, one that can help us to echolocate a more just and sustainable path.

This poetry book is a raw and unfiltered memoir about love and heartbreak-the kind that shapes you and shatters you. It's about first loves and lost loves, about the way girls are taught to shrink themselves for affection and the journey of unlearning that. It delves into grief, the loss of a sibling and the quiet ways absence rewrites you. It is about a childhood marked by hardship, by domestic violence, by wounds that take years to name. And yet, at its core, this book is about survival. It is about finding the strength to keep loving, to keep hoping, and to turn even the deepest sadness into something resembling joy.

The complete early work of the renowned poet—available for the first time ias a Harper Perennial Modern Classic. . . . “Nikki Giovanni is one of our national treasures.”—Gloria Naylor

Ackowledged by Oprah WInfrey as “one of the 25 women who changed her life,” Nikki Giovanni is a living legend. When her poems first emerged during the Black Arts Movement in the 1960s, Giovanni immediately became one of the most celebrated, controversial, and influential poets of the era. Today, Giovanni remains one of the most commanding and luminous voices to grace our political and poetic landscape.

This omnibus includes her first seven volumes of poetry from her early years, 1967 to 1983: Black Feeling Black Talk; Black Judgement; Re: Creation; My House; The Women and the Men; Cotton Candy on a Rainy Day; and Those Who Ride the Night Winds. A timeles classic, it is both a refelction of the changes in her own life and an evocation of a nation’s past and its present.

THE NEW YORK TIMES BESTSELLER

Most Anticipated LGBTQ+ Books of 2025 by Pride • Best New Books of Spring 2025 by Bustle • Most Anticipated Books of 2025 by LitHub • Biggest Books of March by Book Riot • Most Anticipated Books of March by Goodreads

Featuring two new songs written for the audiobook and performed by Bob the Drag Queen!

“Harriet Tubman: Live in Concert is magnificent! I want to send to the folks who do the Nobel Prize for Literature. I don’t know them, but I want them to read this!” —Whoopi Goldberg

“It’s a knockout.” —Publishers Weekly (starred review)

“An emotional exploration of religion, external and internalized homophobia, the pressure of progressing Black liberation, and the importance of revisiting the past.” —New York magazine

From RuPaul’s Drag Race winner, Traitors contestant, and host of HBO’s We’re Here comes an inventive, wondrous novel about American hero Harriet Tubman that remixes history into a fresh, dynamic novel about love, freedom, salvation, and hip-hop.

In an age of miracles where our greatest heroes from history have magically, unexplainably returned to shake us out of our confusion and hate, Harriet Tubman is back, and she has a lot to say.

Harriet Tubman and four of the enslaved persons she led to freedom want to tell their story in a unique way. Harriet wants to create a hip-hop album and live show about her life, and she needs a songwriter to help her.

She calls upon Darnell, a once successful hip-hop producer who was topping the charts before being outed on a BET talk show. Darnell has no idea what to expect when he steps into the studio with Harriet, only that they have a short period of time to write a legendary album she can take on the road. Over the course of their time together, they not only create music that will take the country by storm, but confront the horrors of both their pasts, and learn to find a way to a better future.

Original, evocative, and historic, Harriet Tubman: Live in Concert is a landmark achievement that will burrow deep into our hearts (and ears).

The first in-depth analysis of the stunning designs of one of the world’s most captivating and prominent architects

Born in Tanzania, David Adjaye (b. 1966) is rapidly emerging as a major international figure in architecture and design—and this stunning catalogue serves only to cement his role as one of the most important architects of our time. His expanding portfolio of important civic architecture, public buildings, and urban planning commissions spans Europe, the United States, Africa, Asia, and the Middle East. He transforms complex ideas and concepts into approachable and innovative structures that respond to the geographical, ecological, technological, engineering, economic, and cultural systems that shape the practice of global architecture. The publication of this compendium of work and essays coincides with the scheduled opening of Adjaye’s National Museum of African American History and Culture on the National Mall in Washington, D.C. Adjaye’s completed work in the United States includes the Museum of Contemporary Art in Denver, a pair of public libraries in D.C., and several private residences. He is also known for his collaborations with artists, most recently with the British painter Chris Ofili (b. 1968).
 
Following an introduction by Zoë Ryan, Adjaye writes on his current and future work, with subsequent essays by an extraordinary cadre of architectural scholars on Adjaye’s master plans and urban planning, transnational architecture, monuments and memorials, and, finally, the forthcoming museum in D.C. Portfolios of Adjaye’s work thread throughout this comprehensive volume.

Distributed for the Art Institute of Chicago and Haus der Kunst

Exhibition Schedule:

Haus der Kunst, Munich
(01/30/15–06/28/15)

The Art Institute of Chicago
(09/19/15–01/03/16)

Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full length for the first time in his dazzling debut novel

A 2021 NEIBA Book Award Finalist!

Forty years ago in Egypt, the mystic and inventor Al-Jahiz pierced the veil between realms, sending magic into the world before he vanished into the unknown.

Now in 1912 Cairo, humans brush elbows with djinn in crowded tramcars and airships sail the skies. In this new world the Egyptian Ministry of Alchemy, Enchantments, and Supernatural Entities maintains an uneasy peace. When someone claiming to be Al-Jahiz "returned" murders a secret brotherhood dedicated to his legacy, however, that peace dissolves into disarray.

The Ministry’s youngest agent, Fatma el-Sha’arawi, has saved the world before. But this case is a special challenge. The imposter's dangerous magical abilities and revolutionary message threaten to tear apart the fabric of this new Egyptian society, and spill over onto the global stage. Can Agent Fatma unravel the mystery of Al-Jahiz in time to save the world—again?

*ship in 7-10 business days

Made at a critical juncture in Betye Saar’s (born 1926) career, the enigmatic assemblage Black Girl’s Window (1969) was recognized by the artist as a crucial link between her past and future even at the time she made it. Saar has drawn upon family history, spirituality, astrology and politics consistently throughout her 60-year career, and all are present in the prints, drawings and found material neatly ensconced within the gridded panes of the antique window frame that is the work’s defining element.

This in-depth study by curators Christophe Cherix and Esther Adler expands our understanding of Saar’s early career and casts light on all that followed. Drawing on new research into the work’s construction and materials, and on firsthand discussions with the artist regarding the making of Black Girl’s Window and the themes behind her evocative imagery, this concise, generously illustrated volume explores one of Saar’s best-known and most iconic works.