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The 20th-anniversary edition of Kelley’s influential history of 20th-century Black radicalism, with new reflections on current movements and their impact on the author, and a foreword by poet Aja Monet

First published in 2002, Freedom Dreams is a staple in the study of the Black radical tradition. Unearthing the thrilling history of grassroots movements and renegade intellectuals and artists, Kelley recovers the dreams of the future worlds Black radicals struggled to achieve.

Focusing on the insights of activists, from the Revolutionary Action Movement to the insurgent poetics of Aimé and Suzanne Césaire, Kelley chronicles the quest for a homeland, the hope that communism offered, the politics of surrealism, the transformative potential of Black feminism, and the long dream of reparations for slavery and Jim Crow.

In this edition, Kelley includes a new introduction reflecting on how movements of the past 20 years have expanded his own vision of freedom to include mutual care, disability justice, abolition, and decolonization, and a new epilogue exploring the visionary organizing of today’s freedom dreamers.

This classic history of the power of the Black radical imagination is as timely as when it was first published.

IN AMERICA, DEMONS WEAR WHITE HOODS.

In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die.

Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up.

Can Maryse stop the Klan before it ends the world?

A long-awaited, comprehensive collection of renowned poet and performance artist Jayne Cortez’s poetry.

Like the jazz rhythms that inspired and punctuated her practice, Jayne Cortez improvised her way through and across disciplines, bridging poetry and performance with music and the visual arts to create a unique body of work. Consciously rupturing the boundaries between art and politics, Cortez’s practice uneasily fits within literary movements of the 20th century, residing everywhere and nowhere between the Black Arts Movement, Surrealism, feminism, and early performance art. As intersectional as it is interdisciplinary, her work is consistently visceral and fearless, acting as a powerful expression of collective rage on behalf of the disenfranchised and dispossessed. In the words of historian Robin D.G. Kelley, “her poetry was never ‘protest’ but a complete revolt, a clarion call for a new way of life.”

The Responsibility of Intellectuals in the Age of Fascism and Genocide is Boston Review’s 50th anniversary issue. This milestone issue features many of our longtime contributors, including Robin D. G. Kelley, Vivian Gornick, and Elaine Scarry, and celebrates classics from our archive.  In this issue, historian and Boston Review contributing editor Robin D. G. Kelley revisits Noam Chomsky’s landmark 1967 essay, “The Responsibility of Intellectuals,” published near the height of the Vietnam War. The essay’s dissident injunction―that those in privileged positions have a duty to “speak the truth and expose lies”―remains a powerful call to conscience, Kelley argues, but the anti-fascist and anti-colonial struggles of even earlier decades reveal its limits, and they show how to refuse and resist complicity in our own age of fascism and genocide. Political philosopher Martin O’Neill, Palestinian human rights lawyer Jennifer Zacharia, and historian David Waldstreicher expand on what this moment requires―of intellectuals, of journalists, and of us all.

Also in the issue, Vivian Gornick reviews Shulamith Firestone’s Airless Spaces, Elaine Scarry challenges the wisdom that Plato banished the poets, Brandon M. Terry interviews political scientist Cathy Cohen about social movements and the future of Black politics, Joelle M. Abi-Rached exposes the contradictions of the liberal international order over Gaza, Samuel Hayim Brody reviews three memoirs on the Arab Jewish world destroyed by colonialism, David Austin Walsh explains what Zohran Mamdani’s triumph means for the future of the Democratic Party, and Sandeep Vaheesan looks to the New Deal to assess the “abundance” agenda.

Plus, seven writers reflect on notable essays from our archive in a special anniversary feature:

* Susan Faludi on Vivian Gornick and anti-feminism
* Naomi Klein on William Callison + Quinn Slobodian and the global right
* Jay Caspian Kang on Olúfẹ́mi O. Táíwò and identity politics
* Ryu Spaeth on Merve Emre and the personal essay
* Lea Ypi on Joseph Carens and amnesty
* Nathan J. Robinson on Noam Chomsky and U.S. foreign policy
* Rick Perlstein on Elaine Scarry and democracy after 9/11

The stunning, thought-provoking first novel by a "lost giant of American literature" (The New Yorker)

June, 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.

Updated with a new introduction from Robin Wall Kimmerer, the special edition of Braiding Sweetgrass, reissued in honor of the fortieth anniversary of Milkweed Editions, celebrates the book as an object of meaning that will last the ages. Beautifully bound with a new cover featuring an engraving by Tony Drehfal, this edition includes a bookmark ribbon and five brilliantly colored illustrations by artist Nate Christopherson. In increasingly dark times, we honor the experience that more than 350,000 readers in North America have cherished about the book—gentle, simple, tactile, beautiful, even sacred—and offer an edition that will inspire readers to gift it again and again, spreading the word about scientific knowledge, indigenous wisdom, and the teachings of plants.

As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on “a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise” (Elizabeth Gilbert).

Drawing on her life as an indigenous scientist, and as a woman, Kimmerer shows how other living beings—asters and goldenrod, strawberries and squash, salamanders, algae, and sweetgrass—offer us gifts and lessons, even if we've forgotten how to hear their voices. In reflections that range from the creation of Turtle Island to the forces that threaten its flourishing today, she circles toward a central argument: that the awakening of ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings will we be capable of understanding the generosity of the earth, and learn to give our own gifts in return.

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With racial justice struggles on the rise, a probing collection considers the past and future of Black radicalism

Black rebellion has returned. Dramatic protests have risen up in scores of cities and campuses; there is renewed engagement with the history of Black radical movements and thought. Here, key intellectuals—inspired by the new movements and by the seminal work of the scholar Cedric J. Robinson—recall the powerful tradition of Black radicalism while defining new directions for the activists and thinkers it inspires.

In a time when activists in Ferguson, Palestine, Baltimore, and Hong Kong immediately connect across vast distances, this book makes clear that new Black radical politics is thoroughly internationalist and redraws the links between Black resistance and anti-capitalism. Featuring the key voices in this new intellectual wave, this collection outlines one of the most vibrant areas of thought today.

With contributions from Greg Burris, Jordan T. Camp, Angela Davis, Ruth Wilson Gilmore, Avery F. Gordon, Stefano Harney, Christina Heatherton, Robin D.G. Kelley, George Lipsitz, Fred Moten, Paul Ortiz, Steven Osuna, Kwame M. Phillips, Shana L. Redmond, Cedric J. Robinson, Elizabeth P. Robinson, Nikhil Pal Singh, Damien M. Sojoyner, Darryl C. Thomas, and Françoise Vergès.

Weaving ancestral wisdom with contemporary insight, Black Women Rising speaks directly to Black women’s lived realities of racial trauma, chronic stress, care fatigue, and resilience through a wholistic lens.

Filling a long-standing gap in the self-help and wellness market, Black Women Rising is a culturally grounded, deeply resonant guide created specifically for Black women seeking balance, purpose, and grounding in perilous times. This bold, African-centered book arrives at a moment of profound urgency. Informed by the authors’ expertise in African-centered social work and trauma-informed psychotherapy, each chapter brings to life one of the 18 Principles—rooted in Ma’at and the Nguzo Saba (Kwanzaa)—and closes with an action-oriented exercise readers can immediately apply.

Moving beyond reflection to action, this book offers clear pathways to healing and sustained liberation. Positioned at the intersection of race, gender, and mental health, the book meets a growing demand for self-care that is culturally intentional and affirming. With far-reaching impact in wellness, mental health, and social justice spaces, giving Black women a self-help book that sees and supports their capacity to rise and thrive individually and in community.

Black Women Rising positions healing as sacred and care as a powerful force for renewal and transformation, making it a timely, standout title in wellness, mental health, and cultural nonfiction.

Celebrate Brenda Jackson's 150th book, Spilling the Tea! 

EVENT DEETS

When: Tuesday, May 15 @ 7PM

Where: Kindred Stories Reading Garden (2304 Stuart Street, HTX, 77004)

How: RSVP WITH BOOK

ABOUT THE BOOK

Ninety-something Mama Laverne is determined to find all of her great-grandchildren their perfect match before going home to glory. So far, her success rate is 100 percent—and she intends to keep it that way.

Ninety-something-year-old Felicia Laverne Madaris, known in the family as Mama Laverne, is determined to find all of her great-grandchildren the perfect match before she goes home to glory. So far, her success rate is 100 percent, and she intends to keep it that way.

After sustaining injuries in Iraq, US Army Ranger Chancellor (Chance) Madaris was told he’d never walk again. Chance credits his great-grandmother, Mama Laverne, with giving him the will and fortitude to heal and prove the doctors wrong. He has a healthy respect for her meddling ways and knows he’ll eventually end up next on her matchmaker’s list.

When Zoey Pritchard was eight, she survived a car accident that left both her parents dead. She was sent to live with her great-aunt who refused to speak about her parents. Zoey has no memory from before the crash, but she’s been having the same dream over and over…

Guided by nothing but a hunch and images from her dream, Zoey travels to Houston. Searching for answers, Zoey uncovers a scandal involving her parents and the wealthy and powerful Madaris family. Her trail leads her straight to Chance’s door. The dislike and intense attraction are instant and simultaneous. Was it chance or Mama Laverne’s plan to throw this pair together?

ABOUT THE AUTHOR

BRENDA JACKSON is a New York Times and USA Today bestselling author of more than one hundred contemporary multicultural romance novels, including the Madaris Family series, the Westmorelands series, and The Playas series. She was the first African-American author to have a book published under the Harlequin/Silhouette Desire line and the first African-American romance author to hit both the New York Times and USA Today bestseller lists in the series romance genre. Many of her books have been adapted into movies. Brenda lives in Jacksonville, Florida, and divides her time between family, writing and traveling. brendajackson.net.

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Celebrate the release of If This World We're Mine with Arriel Vinson!

EVENT DEETS

When: Thursday, January 28 @ 7 PM CST

Where: Kindred Stories (2310 Elgin St. Houston, TX 77004)

How: 

• RSVP ONLY to reserve your seat.

• RSVP WITH BOOK to reserve your seat and purchase a copy If This World We're Mine, supporting both the author and our store programming. The book will be available for pickup at the event.

Please Note: Books purchased from other retailers are not permitted in the bookstore and are not eligible for the signing or photo line. To participate in the signing and photo opportunity, you must purchase a copy from Kindred Stories.If you already have a copy from Kindred Stories feel free to choose the RSVP only option. 

If you purchase a ticket and are unable to attend the event, your ticket is non-refundable. If your ticket includes a book, an email will be sent to all attendees before and after the event with instructions on how to receive your book. Books must be claimed within 14 days following the event. If your book is not retrieved it will be returned to the publisher and will not be available for pick up in the future.

ABOUT THE BOOK

ABOUT THE AUTHOR

Arriel Vinson is a Midwesterner who writes about being young, Black, and in search of freedom. Her debut YA novel-in-verse, Under the Neon Lights, is a 2026 Coretta Scott King/John Steptoe New Talent Award winner, a Reese’s Book Club LitUp selection, and a Junior Library Guild Gold Selection. Arriel earned her MFA in Fiction from Sarah Lawrence College and is a Tin House YA Scholar, Highlights Foundation scholarship recipient, and Walter Grant recipient. Her sophomore novel, If This World Were Mine, is forthcoming in spring 2027. You can connect with her on social media at @arriwrites and find her work at arriwrites.com

ABOUT THE CONVERSATION PARTNER

LIARA TAMANI grew up in Houston, Texas, where every spring meant one thing: rodeo season. She loved getting decked out in her best cowgirl gear and soaking up the music, food, and electric energy of the rodeo, a joy she now shares with her daughter and husband. Her deep Texas roots shine through her storytelling, capturing the spirit and rhythms of the state in all her acclaimed novels: Calling My Name, All the Things We Never Knew, and What She Missed. Before becoming a writer, she attended Harvard Law School and worked as a marketing coordinator for the Houston Rockets and Comets, television production assistant, home accessories designer, floral designer, and yoga and dance teacher. She holds an MFA in writing from Vermont College of Fine Arts and a BA from Duke University.

In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand Black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of Black people and Black communities as agents of change and resistance. Black radicalism, Robinson argues, must be linked to the traditions of Africa and the unique experiences of Blacks on Western continents, and any analyses of African American history need to acknowledge this.

To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by Blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century Black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright. This revised and updated third edition includes a new preface by Tiffany Willoughby-Herard, and a new foreword by Robin D. G. Kelley.