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In this beautifully crafted, Rashomon-like novel, Maryse Conde has written a gripping story imbued with all the nuances and traditions of Caribbean culture. Francis Sancher--a handsome outsider, loved by some and reviled by others--is found dead, face down in the mud on a path outside Riviere au Sel, a small village in Guadeloupe.  None of the villagers are particularly surprised, since Sancher, a secretive and melancholy man, had often predicted an unnatural death for himself.  As the villagers come to pay their respects they each--either in a speech to the mourners, or in an internal monologue--reveal another piece of the mystery behind Sancher's life and death.  

Like pieces of an elaborate puzzle, their memories interlock to create a rich and intriguing portrait of a man and a community. In the lush and vivid prose for which she has become famous, Conde has constructed a Guadeloupean wake for Francis Sancher.  Retaining the full color and vibrance of Conde's homeland, Crossing the Mangrove pays homage to Guadeloupe in both subject and structure.

This wild and entertaining novel expands on the true story of the West Indian slave Tituba, who was accused of witchcraft in Salem, Massachusetts, arrested in 1692, and forgotten in jail until the general amnesty for witches two years later.

Maryse Condé brings Tituba out of historical silence and creates for her a fictional childhood, adolescence, and old age. She turns her into what she calls "a sort of female hero, an epic heroine, like the legendary 'Nanny of the maroons, '" who, schooled in the sorcery and magical ritual of obeah, is arrested for healing members of the family that owns her.

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The year is 1797, and the kingdom of Segu is flourishing, fed by the wealth of its noblemen and the power of its warriors. The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade.

Segu follows the life of Dousika Traore, the king’s most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people’s religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian.

Based on actual events, Segu transports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce.

*Paperback Release Date - 3/9/2027*

The first in a vivid and charming crime series set in the Louisiana bayou, introducing the hilariously uncensored amateur sleuth Glory Broussard. Perfect for fans of Richard Osman’s Thursday Murder Club.

It’s a hot and sticky Sunday in Lafayette, Louisiana, and Glory has settled into her usual after-church routine, meeting gamblers at the local coffee shop, where she works as a small-time bookie. Sitting at her corner table, Glory hears that her best friend—a nun beloved by the community—has been found dead in her apartment.

When police declare the mysterious death a suicide, Glory is convinced that there must be more to the story and, with her reluctant daughter, with troubles of her own, in tow, launches a shadow investigation in a town of oil tycoons, church gossips, and a rumored voodoo priestess.

As a Black woman of a certain age who grew up in a segregated Louisiana, Glory is used to being minimized and overlooked. But she’s determined to make her presence known as the case leads her deep into a web of intrigue she never realized Lafayette could harbor. Danielle Arcenaux’s riveting debut brings for an unforgettable character that will charm and delight crime fans everywhere and leave them hungry for her next adventure.

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.

Daughters of Latin America collects the intergenerational voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.

An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 parts representing the 13 Mayan Moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón and celebrated Cervantes Prize–winner Dulce María Loynaz; lyric essays from New York Times bestselling author Naima Coster, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.

More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them. 

In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

Misael Osorio-Conde’s debut collection some were just the Fragments / es qué fueron sólo unos Fragmentos center cultural, psychological, and linguistic border-crossings. Osorio-Conde's poems chart the experiences of his formative years where he learned to live in the shadows of exile as well as within a new language. Threading the needle between disclosure and acceptance, lyricism and narrative, and encapsulating new and inventive formal structures, the poems in some were just the Fragments / es qué fueron sólo unos Fragmentos attempt to make sense of Osorio-Conde’s crossing while grieving an indefinitely deferred return to his native land. The poems presented in this bilingual collection are built for our contemporary moment, while laced with the timeless realities, hardships, and most importantly, the successes, loves, family, and camaraderie that define human experience.

IN AMERICA, DEMONS WEAR WHITE HOODS.

In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die.

Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up.

Can Maryse stop the Klan before it ends the world?

In the dynamic new novel in this award-winning crime series, a young basketball phenom is being blackmailed, and Glory must navigate the ruthless world of college sports gambling before things turn deadly.

"Glory Broussard is a character for the ages."—The New York Times Book Review

Everything is finally falling into place for Glory Broussard. Her daughter Delphine has moved back to Louisiana to start a new legal practice and finally pursue a romance with Beau Landry. It doesn't take long for Glory to announce to everyone in town that her daughter is available for legal services, and for ancient Millie Broward—and her granddaughter Imani Breaux—to walk through the door with a troubling case.

A breakout college basketball star with the University of Lafayette, Imani is as electrifying as she is polarizing—brash and unapologetically aggressive on and off the court. But when she's suddenly suspended amid rumors of gambling, and whispers about her personal life spiral into something darker, her meteoric rise threatens to collapse overnight. Glory and Delphine are certain malign forces are at work to sabotage this rising basketball phenom.

Drawing on her years as a bookie, Glory soon finds herself immersed in the world of modern-day college sports, where NIL, social media, agents, and money blur the line between opportunity and exploitation. Naturally, Lafayette’s prominent Benoit family is one of these influential boosters, and Glory and Delphine are dismayed to learn that Imani has become entangled with this morally dubious family. Glory soon realizes the threats to Imani—and her and Delphine—are closer than she could have ever imagined.

And if that weren't enough, a new priest joins Glory’s congregation and is ruffling feathers in the parish and her long-standing friendship with Noah Singleton, owner of the town's popular coffee shop, begins to shift in ways she can no longer ignore.

Dreams of Glory is a riveting and thrilling read that cements Glory Broussard as one of crime fiction’s most delightful “character for the ages.”

Use discount code: SALE to receive 30% off. 

Monsters, magic, and mischief abound once more in the spellbinding sequel to Where There Be Monsters, perfect for fans of The Marvellers and Amari and the Night Brothers.

Glory Brown is finally set to start her training as a junior spherinaut at the Parliamentarium. Will she turn out to be an owl, a bee, a fox, or a magpie, like her mama? She's been waiting a lifetime for this adventure . . . and yet all she wants to do is make her family proud and try not to be homesick for the Seam and all its charm.

As Glory struggles to find her place as the new kid―one with a lot of questions and a soft spot for monsters―she's also coping with the after-effects of Paxton's treachery, like the curse that still plagues her. In fact, the worlds of the Outersphere are all in the process of recovering―and Glory suspects they haven't seen the last of Paxton, either.

When top secret spherinautical charts go missing, parcels are tampered with, and the pocket-orreries go haywire, the Parliamentarium of Junior Spherinauts plunges into chaos. Now, Glory, Marcus, and their new friends must work together to figure out who the thief is and if they have what it takes to save the worlds again.

From high fashion to everyday clothes, this book looks at the personal and political importance of Black style from the 1880s to the present.

Both during and after slavery in North America, “Sunday best” referred to clothes reserved for church or special occasions. Dressing in one’s Sunday best conveyed a sense of dignity and self-worth. Sunday best styling evolved after emancipation into the twentieth century, reflecting subsequent periods of Black cultural liberation, empowerment, and upward mobility. It is emblematic of the ways that self-fashioning in African-diasporic communities affirms humanity and communicates identity.

With examples from Canada, the Caribbean, the United States, and the United Kingdom, Sunday Best features archival and contemporary fashion alongside photography, painting, sculpture, and time-based media, looking at the significance of Black style. Essays by an interdisciplinary group of curators, designers, and scholars consider how communities throughout the African diaspora have used style as a reminder of one’s value, visibility, and agency, and the enduring influence of Sunday best dressing on artistic expression.

This richly illustrated volume is organized around the following themes:

• Origins, featuring fashion design by Christopher John Rogers and photography by James Van Der Zee
• Black church, with art by Coreen Simpson, Gordon Parks, and Laura Wheeler Waring
• Migration, through designers such as Foday Dumbuya
• Liberation, with fashion design by Spencer Badu and photography by Chantal Regnault
• Call and response, including fashion design by Patrick Kelly and photography by Melodie McDaniel

Published in association with the Art Gallery of Ontario and the Philadelphia Museum of Art

Exhibition Schedule

Art Gallery of Ontario
(October 6, 2026–February 28, 2027)

Philadelphia Museum of Art
(May 1, 2027–August 8, 2027)

Celebrate the release of Gather Me: A Memoir In Praise of the Books That Saved Me with Glory Edim!

EVENT DEETS

When: Sunday, November 3 @ 4PM

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: Get your ticket here (all tickets include a copy of Gather Me)! 

ABOUT THE BOOK

An inspiring memoir of family, community, and resilience, and an ode to the power of books to help us understand ourselves, from the renowned founder of Well-Read Black Girl

“She is a friend of my mind. She gather me, man. The pieces I am, she gather them and give them back to me in all the right order.”—Toni Morrison

For Glory Edim, that "friend of my mind" is books. Edim, who grew up in Virginia to Nigerian immigrant parents, started the popular Well-Read Black Girl book club at age thirty eventually reaching a community of half a million other readers. But her love of books stretches far back.

When Edim's father moved back to Nigeria while she was still a child, she and her brothers were left with a single mother and little money, often finding a safe space at their local library. Books were where Edim found community, and as she grew older, she discovered authors and ideas she wasn't being taught in class. In dorm rooms and airplanes and on subway rides, she found the Black writers whose words would forever change her life: Nikki Giovanni through children's poetry cassettes; Maya Angelou through a critical high school English teacher; Toni Morrison while attending Morrison's alma mater, Howard University; Audre Lorde on a flight to Nigeria. In prose full of both joy and heartbreak, Edim recounts how these writers and so many others helped her to value herself: to find her own voice when her mother lost hers, to trust her feelings when her father remarried, to create bonds with other Black women and uplift their stories.

Gather Me is a glowing testament to the power of representation and the lasting impact of literature to gather our disparate parts and put them back together.

ABOUT THE AUTHOR

Glory Edim is a literary tastemaker, entrepreneur, and advocate for diverse voices in literature. In 2015, she founded Well-Read Black Girl (WRBG), an online platform and book club dedicated to celebrating the works of Black women authors and creating a supportive online community for readers. Under Glory's leadership, WRBG has grown into a non-profit organization, hosting events, book festivals, and author conversations that highlight the richness and diversity of Black literature. Her efforts have earned her accolades such as the 2017 Innovator’s Award from the Los Angeles Times and the Madam C.J. Walker Award from the Hurston/Wright Foundation. As an author herself, Glory has contributed to the literary landscape with her best-selling anthologies Well-Read Black Girl: Finding Our Stories, Discovering Ourselves, and On Girlhood: 15 Stories from the Well-Read Black Girl Library.

ABOUT THE CONVERSATION PARTNER

Wale is a licensed mental health therapist and a passionate reader who uses her platform (@theehottgirlbooks) to dive deep into powerfully emotional stories written by BIPOC authors. Her love for reading and mental health fosters a passionate approach to her work both online and in the therapy room.  When she is not immersed in the literary world, you can find her watching the real housewives or building an elaborate Lego set.