From the #1 New York Times bestselling author of Heart Talk (named “The Millennial Oprah” by New York magazine) comes an essential book of daily wisdom, a secular devotional designed to uplift and comfort readers across 365 days.

In a World of Sunrises is an entirely new collection of poetry, Heart Talkesque prose, and inspiring quotes designed to uplift and comfort Cleo Wade’s readers over 365 days: ideas you will want to savor; mantras that motivate you to hold onto hope; and quotes from authors that helped shaped her.

The entries will remind readers that change is always possible, not only within ourselves but in the world around us. This book is about feeling good, and feeling like wherever you are in your life is okay and wherever you want to go is possible. It’s about smiling through our tears, it’s about miracles and joy. Befriending each other and ourselves, lightening up, and giving ourselves (and everyone else) grace because life rains its challenges on all of us.

Finally, as with all of Cleo’s books, it’s a hug. A friend who is always happy to see you.

While more and more people are looking to log off social media to find calm and encouragement, In a World of Sunrises is designed to fit easily into daily life. The pages are filled with loving, wise, and warm ways to start, end, or find pause throughout the day. As Cleo has learned from her Heart Talk readers over the years, what people need most, is a small moment to themselves. Life is so complicated, inspiration at its best and most helpful feels simple and easeful. In a World of Sunrises gives readers that gift...every day.

Their love was supposed to last forever. But when life delivered blow after devastating blow, Yasmen and Josiah Wade found that love alone couldn’t solve or save everything.

It couldn’t save their marriage.

Yasmen wasn’t prepared for how her life fell apart, but she’s is finally starting to find joy again. She and Josiah have found a new rhythm, co-parenting their two kids and running a thriving business together. Yet like magnets, they’re always drawn back to each other, and now they’re beginning to wonder if they’re truly ready to let go of everything they once had.

Soon, one stolen kiss leads to another…and then more. It's hot. It's illicit. It's all good—until old wounds reopen. Is it too late for them to find forever? Or could they even be better, the second time around?

Award-winning and bestselling "powerhouse" author Kennedy Ryan is at her absolute best in this compelling, scorching novel about hope and healing, and what it truly means to love for a lifetime (USA Today).

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An exciting account of the international adventures of fashion model Pat Cleveland—one of the first black supermodels during the wild sixties and seventies.

“Taking her reader through fifty years of fashion from the intersection of the Civil Rights Movement, the disco era's decadence, and the grandeur of Hollywood’s late 70s renaissance, Cleveland provides a glimpse at some of design’s most important moments—and her own personal history.” —Vogue

“Pat Cleveland is to fashion what Billie Holiday is to the blues; a muse for all ages.” —Essence

Chronicling of the glamorous life and adventures of Pat Cleveland—one of the first black supermodels—this compelling memoir evokes the bohemian lifestyle and creative zeitgeist of 1970s New York City and features some of today’s most prominent names in fashion, art, and entertainment as they were just gaining their creative footage.

New York in the sixties and seventies was glamorous and gritty at the same time, a place where people like Warhol, Avedon, and Halston as well as their muses came to pursue their wildest ambitions, and when the well began to run dry they darted off to Paris. Though born on the very fringes of this world, Patricia Cleveland, through a combination of luck, incandescent beauty, and enviable style, soon found herself in the center of all that was creative, bohemian, and elegant. A “walking girl,” a runway fashion model whose inimitable style still turns heads on the runways of New York, Paris, Milan, and Tokyo, Cleveland was in high demand.

Ranging from the streets of New York to the jet-set beaches of Mexico, from the designer drawing rooms of Paris to the offices of Vogue, here is Cleveland’s larger-than-life story. One minute she’s in a Harlem tenement making her own clothes and dreaming of something bigger, the next she’s about to walk Halston’s show alongside fellow model Anjelica Huston. One minute she’s partying with Mick Jagger and Jack Nicholson, the next she’s sharing the dance floor next to a man with stark white hair, an artist the world would later know as Warhol. In New York, she struggles to secure her first cover of a major magazine. In Paris, she’s the toast of the town. And through the whirlwind of it all, she is forever in pursuit of love, truth, and beauty in this “riveting, celeb-drenched account of her astonishing life in fashion” (Simon Doonan, author of The Asylum).

Bernardo Wade’s A Love Tap—introduced by award-winning poet and essayist Ross Gay—reckons with complexities of racial identity, masculinity, recovery, and spirituality, revealing the narrative and psychic evolution of a poet who has found himself in the language.

Wade’s evocative debut swaggers through time, through family, through love, through the perseverance of growing up in the deep South as a Black son with a white mom. Illustrating the strangeness and cacophony of his native New Orleans, he divines sweet relief in small mercies—a rosary strung with Mardi Gras beads, a Sunday football game, Nigel Hall covering Frankie Beverly in Lafayette Square, bare feet in a stream, a mother kneading dough. In intimate, nuanced portraits of loved ones, in requiems and broken sestinas, he pushes past his trauma, troubling the years he spent in addiction or resenting his father.

As he maps out the parts he played in his life’s most formative moments, he can’t help but “retune the heart / strings of hard men,” teaching us how to become more human, often in the face of inhumanity. Here, he manages to land, not a crushing blow, but a love tap—the softest way to knuckle another’s cheek.

Cleo Forsum is a bestselling novelist turned scriptwriter whose TV series, 'The Baking Detective' is a huge success. Writing is all she's ever wanted to do, and baking and murder stories have proved a winning combination.

But now she has decided to walk away from it all - including divorcing her husband, Wallace - before her past secrets catch up with her.

As Cleo drafts the final ever episodes of the series, people she knows start getting hurt. And it's soon clear that someone is trying to frame her for murder.

She thinks she knows why, but Cleo can't tell the police or prove her innocence. Because then she'd have to confess about her other husband . . .

A series of terrifying murders. A set of complex lies. And a woman with no way to clear her name.

Cleopatra tells her own story in this evocative and sensuous historical epic from the bestselling and award-winning author of Faebound and The Final Strife.

This stunning edition includes designed endpapers and a custom case stamp.

YOU KNOW MY NAME, BUT YOU DO NOT KNOW ME.

Your historians call me seductress, but I was ever in love's thrall.

Your playwrights speak of witchcraft, but my talents came from the gods themselves.

Your poets sing of my bloodlust, but I was always protecting my children.

How wilfully they refuse to concede that a woman could be powerful, strategic, and divinely blessed to rule.

Death will silence me no longer.

This is not the story of how I died. But how I lived.

A mythic love story set in Trinidad, Ayanna Lloyd Banwo’s radiant debut introduces two unforgettable outsiders brought together by their connection with the dead.

“Heartwarming and heartbreaking, fantastical and familiar, with characters that burrow their way into your heart and mind…  [When We Were Birds] is glorious.”—ROBERT JONES JR., New York Times bestselling author of THE PROPHETS

In the old house on a hill, where the city meets the rainforest, Yejide’s mother is dying. She is leaving behind a legacy that now passes to Yejide: one St Bernard woman in every generation has the power to shepherd the city’s souls into the afterlife. But after years of suffering her mother’s neglect and bitterness, Yejide is looking for a way out.

Raised in the countryside by a devout Rastafarian mother, Darwin has always abided by the religious commandment not to interact with death. He has never been to a funeral, much less seen a dead body. But when the only job he can find is grave digging, he must betray the life his mother built for him in order to provide for them both. Newly shorn of his dreadlocks and his past, and determined to prove himself, Darwin finds himself adrift in a city electric with possibility and danger.

Yejide and Darwin will meet inside the gates of Fidelis, an ancient and sprawling cemetery, where the dead lie uneasy in their graves and a reckoning with fate beckons them both. A masterwork of lush imagination and exuberant storytelling, When We Were Birds is a spellbinding and hopeful novel about inheritance, loss, and love’s seismic power to heal.

A lyrically haunting and powerful account of women surviving femicide and destruction in Mexico, using fantasy to relate atrocities that exist beyond language.

From the award-winning author of the highly praised novel, Fury, one of Publisher’s Weekly’s Best Books of 2024 and an Indie Next Pick.

Silencio tells the story of Águeda, a young woman mourning the death of her mother. When the townspeople deny her a grave in the local cemetery, the mother’s body vanishes. Águeda knows her father is hiding it, and when she confronts him, he punishes her defiance with confinement.

Serving her sentence in a house, Águeda lives within those walls as if in a second maternal womb—one that will transform her. In chapters alternating between the real and the imaginary, she mourns the destroyed futures of those who were silenced as she listens to her neighbors’ stories of loss—a child worker; a boy from the Tacuate community; and Mexican refugees in Canada. Through the walls, she senses the world: birds in dialogue, the beauty of the arid landscape, experiences of love and devastation. She comes to realize that in this mountain region that resembles the author’s hometown of Oaxaca, where organized crime holds sway, many—like her—mourn their dead and search for the disappeared.

In her second book to be translated into English, Clyo Mendoza transcends the limits of language and realism to represent with lyric brutality the unspeakable violence in towns where narcotrafficking rules.