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A renowned historian traces the life of a single object handed down through three generations of Black women to craft an extraordinary testament to people who are left out of the archives.

Finalist for the National Book Critics Circle Award in Biography • A Washington Post Notable Book • One of Smithsonian Magazine's Ten Best History Books of the Year • One of AAIHS's Best Black History Books of 2024

“Though broad strokes of Tubman’s story are widely known, Miles probes deeper, examining her inner life, faith and relationships with other enslaved Black women to paint a deeper, more vibrant portrait of a historical figure whose mythic status can sometimes overshadow her humanity.” –The New York Times

From the National Book Award–winning author of All That She Carried, an intimate and revelatory reckoning with the myth and the truth behind an American everyone knows and few really understand

Harriet Tubman is among the most famous Americans ever born and soon to be the face of the twenty-dollar bill. Yet often she’s a figure more out of myth than history, almost a comic-book superhero. Despite being barely five feet tall, unable to read, and suffering from a brain injury, she managed to escape from her own enslavement, return again and again to lead others north to freedom without loss of life, speak out powerfully against slavery, and then become the first American woman in history to lead a military raid, freeing some seven hundred people. You could almost say she’s America’s Robin Hood, a miraculous vision, often rightly celebrated but seldom understood.

Tiya Miles’s extraordinary Night Flyer changes all that. With her characteristic tenderness and imaginative genius, Miles explores beyond the stock historical grid to weave Tubman’s life into the fabric of her world. She probes the ecological reality of Tubman’s surroundings and examines her kinship with other enslaved women who similarly passed through a spiritual wilderness and recorded those travels in profound and moving memoirs. What emerges, uncannily, is a human being whose mysticism becomes more palpable the more we understand it—a story that offers us powerful inspiration for our own time of troubles. Harriet Tubman traversed many boundaries, inner and outer. Now, thanks to Tiya Miles, she becomes an even clearer and sharper signal from the past, one that can help us to echolocate a more just and sustainable path.

Brooklynite Eva Mercy is a single mom and bestselling erotica writer, who is feeling pressed from all sides. Shane Hall is a reclusive, enigmatic, award-winning literary author who, to everyone's surprise, shows up in New York.

When Shane and Eva meet unexpectedly at a literary event, sparks fly, raising not only their past buried traumas, but the eyebrows of New York's Black literati. What no one knows is that twenty years earlier, teenage Eva and Shane spent one crazy, torrid week madly in love. They may be pretending that everything is fine now, but they can't deny their chemistry-or the fact that they've been secretly writing to each other in their books ever since.

Over the next seven days in the middle of a steamy Brooklyn summer, Eva and Shane reconnect, but Eva's not sure how she can trust the man who broke her heart, and she needs to get him out of New York so that her life can return to normal. But before Shane disappears again, there are a few questions she needs answered. . .

With its keen observations of Black life and the condition of modern motherhood, as well as the consequences of motherless-ness, Seven Days in June is by turns humorous, warm and deeply sensual.

New York Times bestselling author Tia Williams returns with an intensely romantic, deliciously sexy tale about a woman searching for her handsome seatmate on a European flight--and the unexpected places her hunt for love leads her.

Sasha Cruz knows types. As a booked-and-busy casting agent, she's always casting -- at happy hour, the post office, the grocery store, everywhere. She's all about finding the perfect person to slot into the perfect role. What she doesn't do, however, are relationships. Too much energy, not enough time. Men find her intimidating, and she likes it that way.

But when Sasha's seated next to a mysterious, broodingly handsome Italian man on the way to a work trip in Paris, sparks fly - but they miss the chance to exchange contact information. Now, convinced that she's lost out on her soulmate, Sasha is on a manhunt to find Seat F.

Sasha enlists her work friend for help in the search, but when she accidentally emails the entire global company, colleagues around the world begin looking for Seat F, too - with some finding love along the way. Meanwhile, Sasha takes matters into her own hands, hiring a smoldering detective who complicates matters in unforeseen ways.

He’s a newly single father with a demanding job as a firefighter.
She’s a newly unemployed daycare worker in need of new job.
Tripp believes it’s fate when his station house is called to a fire at the daycare Brylee works at. It becomes harder to manage being a full time father to a newborn and the hours his job demands so when he sees an opportunity to hire Brylee as an inhouse nanny he doesn’t hesitate.
The situation with his daughter’s mom is sticky, he’s trying to fight his feelings for Brylee, but Tripp learns it’s hard to ignore someone who checks all his boxes so perfectly.

She exposed his marriage scandal on live radio. He swore he'd never forgive her. But when they start talking anonymously online...

Bellamy Barnes just wants to forget the mess that cost her everything. Her radio show, her reputation, and any shred of faith in emotionally unavailable men. The last thing she needs is her sister's infuriating neighbor—professional basketball star Cole Howard—calling her "Bella" and looking at her like she's the enemy.

Cole Howard has one rule after his very public, very expensive divorce. No drama. Which means staying far away from his neighbor Bellamy, the journalist who made a career out of exposing scandals exactly like his. She's beautiful, sharp-tongued, and everything he should avoid.

But online? That's different.

Cole escapes through an anonymous culinary account where he shares his passion for food with a stranger who sees him for more than his jump shot.

Bellamy finds refuge in late-night conversations with an anonymous cook who makes her believe in connection again.

Neither knows who's on the other side of the screen.

As their messages turn from flirty to something deeper, their real-world clashes grow more heated. When the truth comes out, will they choose the connection they built in secret—or let old wounds destroy their second chance?

Scorching-hot summer. Scorching-hot chemistry. Two teens can’t forget they’re just friends in this sweet, funny, electrifying romance from New York Times bestselling author Tia Williams. Perfect for fans of Jenny Han and Nicola Yoon.
 
MEET AUDRE. Junior class president. Debate team captain. Unofficial student therapist. Desperately in need of a good time.
 
MEET BASH. Mysterious new senior. Everybody’s crush. Tall, floppy, great taste in jewelry. King of having a good time.
 
It’s the last day of school at Cheshire Prep, Brooklyn’s elite academy—and Audre Mercy-Moore’s life is a mess. Her dad cancelled her annual summer visit to his Malibu beach house. Now? She’s stuck in a claustrophobic apartment with her mom, stepdad, and one-year-old sister (aka the Goblin Baby).
 
Under these conditions, she’ll never finish writing her self-help book—ie, the key to winning over Stanford’s admissions board.
 
Cut to Bash Henry! Audre hires him to be her “fun consultant.” His job? To help her complete the Experience Challenge—her list of five wild dares designed to give her juicy book material. She’ll get inspo; he’ll get paid. Everybody wins.
 
He isn’t boyfriend material. And she’s not looking for one. Can they stay professional despite their obvious connection?
 
Fun fact: Audre Mercy-Moore first appeared in the New York Times bestseller Seven Days in June and now stars in her own story!

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An award-winning historian shows how girls who found self-understanding in the natural world became women who changed America.

Harriet Tubman, forced to labor outdoors on a Maryland plantation, learned from the land a terrain for escape. Louisa May Alcott ran wild, eluding gendered expectations in New England. The Indigenous women’s basketball team from Fort Shaw, Montana, recaptured a sense of pride in physical prowess as they trounced the white teams of the 1904 World’s Fair. Celebrating women like these who acted on their confidence outdoors, Wild Girls brings new context to misunderstood icons like Sacagawea and Pocahontas, and to underappreciated figures like Native American activist writer Zitkála-Šá, also known as Gertrude Bonnin, farmworkers’ champion Dolores Huerta, and labor and Civil Rights organizer Grace Lee Boggs.

This beautiful, meditative work of history puts girls of all races—and the landscapes they loved—at center stage and reveals the impact of the outdoors on women’s independence, resourcefulness, and vision. For these trailblazing women of the nineteenth and early twentieth centuries, navigating the woods, following the stars, playing sports, and taking to the streets in peaceful protest were not only joyful pursuits, but also techniques to resist assimilation, racism, and sexism. Lyrically written and full of archival discoveries, Wild Girls evokes landscapes as richly as the girls who roamed in them—and argues for equal access to outdoor spaces for young women of every race and class today.

A mother and son with synesthesia—the ability to experience one sense through another—share their unique perspective in this tender and charming picture book.

Have you ever tasted a triangle or felt the color purple? What if sound was something you could see? A mother and son, both synesthetes, embark on a whimsical, sensory journey that celebrates the varied ways they see, smell, hear, and feel the world around them.

As they watch Nana’s laughter bloom into a garden and feel colors on their cheeks, they shine a light on the beauty of neurodivergence, helping readers discover the deliciousness in our differences and the pure joy of painting the world with the beauty of our very own colors.

“They say that as a young pup she liked to bite. She ripped chunks of flesh from three servants and nearly bled one of them to death.”

In Barranquilla, Carnival belongs to the living, the dead, and the women who feed on both.

Julieta Vanterroso was born with fangs, a beautiful little monster in a family that knew exactly what to do with monsters. Her grandmother, Julia Vanterroso, has built an empire out of blood: the Sanguina factory, the Highblood Club, the old Carnival families, the politicians, the servants, the bodies that can be drained and paid and forgotten. In Barranquilla, the Vanterrosos do not hide what they are. They dress it in lace, teach it to dance, put it on a float, and call it tradition.

Now Julieta is meant to become Queen of Carnival. She must smile, dance, read the Bando, marry the man chosen for her, and step into the future her grandmother has prepared since the day she was born. But as Carnival approaches and the Vanterroso family begins to turn on itself, bodies appear where they shouldn’t, old rituals start to fail, and the women around Julieta grow hungry in ways even blood cannot satisfy.

By the time Carnival crowns its queen, Julieta will have to decide how much of herself she is willing to lose to become what her family has been waiting for.

Drawing from Afro-Caribbean spiritual traditions, Highblood transforms Barranquilla Carnival into a landscape of blood, spectacle, and ritual, where women inherit hunger like a family heirloom and survival depends on who is willing to devour whom first.