From moments fussy to fond, Academy Award–nominated filmmaker Spike Lee and his wife, producer Tonya Lewis Lee, present a behind-the-scenes look at the chills, spills, and unequivocal thrills of bringing up baby!

From moments fussy to fond, Academy Award–winning filmmaker Spike Lee and his wife, producer Tonya Lewis Lee, present a behind-the-scenes look at the chills, spills, and unequivocal thrills of bringing up baby! Featuring illustrations by Kadir Nelson, winner of the Coretta Scott King - Virginia Hamilton Award for Lifetime Achievement!

Go back to bed,
baby, please, baby, please.
Not on your HEAD
baby baby baby, please!

Vivid illustrations from celebrated artist Kadir Nelson evoke toddlerhood from sandbox to high chair to crib, and families everywhere will delight in sharing these exuberant moments again and again.

My Brother Ashley Clark Has Broke It Down To What Black Film Was, Is Present Day, And What The Future Might Be. BLAK IZ BLAK. YA-DIG? SHO-NUFF. Enjoy This BLAK CINEMATIC SCIENCE. - Spike Lee

This book belongs on the shelf of every film lover, every student of cinema, and everyone who believes in the transformative power of storytelling. It's a celebration, an education, and an inspiration all at once. - Julie Dash

Resonant, exciting and eye-opening - one of the best books I've read about Black cinema. - Mark Cousins

The World of Black Film is an entertaining, informed, and thought-provoking survey of important and influential Black films from around the globe. Starting with the unfinished silent comedy Lime Kiln Club Field Day (1913) and concluding with Steve McQueen's World War II epic Blitz (2024), this book takes readers on an exciting journey through an eclectic mix of classics and hidden gems spanning more than 100 years and 30 countries.

Beautifully designed and bursting with eye-catching film imagery and poster art, this is essential reading for general film fans, enthusiasts of Black cinema, educators, and students alike.
Includes a foreword by Sir John Akomfrah, CBE RA.

Films and directors include:
Black Orpheus (Marcel Camus, 1959)
Black Girl (Ousmane Sembène, 1966)
Hollywood Shuffle (Robert Townsend, 1987)
Malcolm X (Spike Lee, 1992)
Belle (Amma Asante, 2013)
Timbuktu (Abderrahmane Sissako, 2015)
Moonlight (Barry Jenkins, 2016)
Black Panther (Ryan Coogler, 2018)
Saint Omer (Alice Diop, 2022)
Dahomey (Mati Diop, 2024)
Blitz (Steve McQueen, 2024)

This one-of-a-kind treasure trove of Black cultural ephemera, from the entrepreneurs behind the vintage shop BLK MKT Vintage, expands on their mission to curate vintage objects that tell Black stories and celebrate the contributions Black people have made to our American consciousness.
 
Jannah Handy and Kiyanna Stewart have spent years scouring piles, stacks, bookshelves, and dilapidated boxes in search of themselves and their history, Black history. Through their Brooklyn brick-and-mortar BLK MKT Vintage and online shop, they have uncovered tens of thousands of items including vintage literature, vinyl records, clothing, art, decor, furniture and more.
 
BLK MKT Vintage: Reclaiming Objects and Curiosities That Tell Black Stories invites readers into Handy and Stewart’s work and partnership as they pick, collect, curate, design, and reimagine futures for the objects of the past. Brimming with more than 300 photographs of vintage pieces of ephemera, the book is a beautiful, ephemeral object itself calling to mind a scrapbook or family album that has a surprise on every page whether that’s 1972 celluloid pins from Shirley Chisholm’s presidential campaign, early 1800’s hand-drawn maps of the African continent, or 1920’s bound yearbooks from various HBCUs. The book also explores the various concepts that ground Handy and Stewart’s work; interviews with Black archivists, artists, memory workers and collectors – including a foreword from Spike Lee; a look into their private collection of thousands of items they have discovered over the years; an explanation of the different players in the antiques and vintage world; and tips and tricks on how to begin your own collection and curate physical spaces that reflect your identity and experience.

Under the editorship of the late Robert Nemiroff, with a provocative and thoughtful introduction by preeminent African-American scholar Margaret B. Wilkerson and a commentary by Spike Lee, this completely restored screenplay is the accurate and authoritative edition of Lorraine Hansberry's script and a testament to her unparalled accomplishment as a Black artist.

The 1961 film version of A Raisin in the Sun, with a screenplay by the author, Lorraine Hansberry, won an award at the Cannes Film Festival even though one-third of the actual screenplay Hansberry had written had been cut out. The film did essentially bring Hansberry's extraordinary play to the screen, but it failed to fulfill her cinematic vision.

Now, with this landmark edition of Lorraine Hansberry's original script for the movie of A Raisin in the Sun that audiences never viewed, readers have at hand an epic, eloquent work capturing not only the life and dreams of a Black family, but the Chicago—and the society—that surround and shape them.

Important changes in dialogue and exterior shots, a stunning shift of focus to her male protagonist, and a dramatic rewriting of the final scene show us an artist who understood and used the cinematic medium to transform a stage play into a different art form—a profound and powerful film.

This book is also freely available online as an open-access digital edition:

https://manifold.ecds.emory.edu/projects/finding-god-in-all-the-black-places

(https://dhjhkxawhe8q4.cloudfront.net/rup-wp-v2/wp-content/uploads/2025/01/28132142/9781978839809.pdf)

In Finding God in All the Black Places, Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D’Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize.

A dedicated single mother and a librarian with a secret write their own sweet and sexy love story in this small-town rom-com about family, friendships and embracing the next chapter.

“[Such] HAWT sex scenes.… Every touch, kiss, caress, feels incredibly real and deliciously sexy.”—Autostraddle on The 7-10 Split

Nothing cures a lonely heart quite like a good book

and an unexpected crush…

For Dani, life is a juggling act. As a single mom devoted to her son and family, she barely has a moment to herself. But when her sister announces she’s moving out of the house, the ache of loneliness creeps in, and Dani can’t help but wonder if there’s something else she’s been missing in her life…

Zoey came to Peach Blossom eager to start her new job as the town’s librarian and do a little research for her next book. Yet she never expected to find inspiration in fellow book club member Dani, whose captivating brown eyes tell a story of their own. Before they know it, lingering glances over their favorite fiction turn into first dates and sizzling nights.

As their connection deepens, the two women must decide if they should turn the page on what their lives used to look like or if this thrilling plot twist is the happily-ever-after they’ve been chasing all along.

From showing up to glowing up, the characters in Afterglow Books are on the path to leading their best lives and finding sizzling romance along the way. Don’t miss any of these other fun titles…

Peach Blossom

Book 1: The 7-10 Split
Book 2: The Relationship Mechanic
Book 3: The Secret Crush Book Club

*This book is not currently on our shelves and will ship in 5-10 business days.  Please see FAQs for more information.

African American Fraternities and Sororities: The Legacy and the Vision explores the rich past and bright future of the nine Black Greek-Letter organizations that make up the National Pan-Hellenic Council. In the long tradition of African American benevolent and secret societies, intercollegiate African American fraternities and sororities have strong traditions of fostering brotherhood and sisterhood among their members, exerting considerable influence in the African American community, and being on the forefront of civic action, community service, and philanthropy. Dr. Martin Luther King Jr., Toni Morrison, Arthur Ashe, Carol Moseley Braun, Bill Cosby, Sarah Vaughan, George Washington Carver, Hattie McDaniel , and Bobby Rush are among the many trailblazing members of these organizations. The rolls of African American fraternities and sororities serve as a veritable who's who among African American leadership in the United States and abroad. African American Fraternities and Sororities places the history of these organizations in context, linking them to other movements and organizations that predated them and tying their history to one of the most important eras of United States history―the Civil Rights struggle. African American Fraternities and Sororities explores various cultural aspects of these organizations such as auxilliary groups, branding, calls, stepping, and the unique role of African American sororities. It also explores such contemporary issues as sexual aggression and alcohol use, college adjustment, and pledging, and provides a critique of Spike Lee's film School Daze, the only major motion picture to portray African American fraternities and sororities as a central theme. The year 2006 will mark the centennial anniversary of the intercollegiate African American fraternity and sorority movement. Yet, to date, little scholarly attention has been paid to these organizations and the men and women who founded and perpetuated them. African American Fraternities and Sororities reveals the vital social and political functions of these organizations and places them within the history of not only the African American community but the nation as a whole.

An essential history of modern Black cinema, as led by avant-garde filmmaker, director, novelist, composer, and playwright Melvin Van Peebles.

Beg Borrow Steal, a title inspired by Black artists’ make-a-way-out-of-no-way ethos, is a stirring and remarkable deep dive into Black independent film and culture, as modeled by raconteur and iconoclast Melvin Van Peebles. Award-winning writer Santi Elijah Holley enriches the extraordinary history with interviews from today’s most innovative Black independent filmmakers and actors, such as Julie Dash, Charles Burnett, and Samuel L. Jackson, as well as Van Peebles’s published and unpublished manuscripts, critical reviews, analyses, and reflections.

Independent Black artists across all disciplines—from music and theater to literature and poetry—continue to push boundaries, challenge stereotypes, and pursue their own vision, away from traditional gatekeepers. The success of artists like Spike Lee, Barry Jenkins, Ava DuVernay, Jordan Peele, and Ryan Coogler can be traced directly to the pioneering work of Van Peebles, whose ambitious and innovative multidisciplinary artistry never yielded to anybody else’s vision but his own.

As a Black American who’d overcome poverty, discrimination, and other obstacles, Van Peebles refused to let White America take advantage of him and his talent. It’s made him a beacon for every Black auteur and independent filmmaker of the past 50 years. Sinners, Black Panther, Sorry to Bother You, Get Out, She's Gotta Have It, Do the Right Thing, Boyz n the Hood, Shaft, Superfly, Daughters of the Dust, Selma, the list goes on. It is impossible to imagine any of these culturally defining films existing, if not for the groundwork laid by Melvin Van Peebles’s 1971 Sweet Sweetback’s Baadasssss Song. It is canon in Black film.

Beg Borrow Steal is the story of the legendary man who provided the blueprint for independent Black cinema, and a tribute to the power of radical Black creativity in American art and culture.

Celebrate the release BLK MKT Vintage with Jannah Handy & Kiyanna Stewart!

EVENT DEETS

When: Thursday, October 24 @ 7 PM 

Where: Eldorado Ballroom (2310 Elgin Street, HTX, 77004)

How:  RSVP ONLY to reserve your seat or RSVP WITH BOOK to support the author and our store programming.

This event is in partnership with Project Row Houses!

ABOUT THE BOOK

This one-of-a-kind treasure trove of Black cultural ephemera, from the entrepreneurs behind the vintage shop BLK MKT Vintage, expands on their mission to curate vintage objects that tell Black stories and celebrate the contributions Black people have made to our American consciousness.
 
Jannah Handy and Kiyanna Stewart have spent years scouring piles, stacks, bookshelves, and dilapidated boxes in search of themselves and their history, Black history. Through their Brooklyn brick-and-mortar BLK MKT Vintage and online shop, they have uncovered tens of thousands of items including vintage literature, vinyl records, clothing, art, decor, furniture and more.
 
BLK MKT Vintage: Reclaiming Objects and Curiosities That Tell Black Stories invites readers into Handy and Stewart’s work and partnership as they pick, collect, curate, design, and reimagine futures for the objects of the past. Brimming with more than 300 photographs of vintage pieces of ephemera, the book is a beautiful, ephemeral object itself calling to mind a scrapbook or family album that has a surprise on every page whether that’s 1972 celluloid pins from Shirley Chisholm’s presidential campaign, early 1800’s hand-drawn maps of the African continent, or 1920’s bound yearbooks from various HBCUs. The book also explores the various concepts that ground Handy and Stewart’s work; interviews with Black archivists, artists, memory workers and collectors – including a foreword from Spike Lee; a look into their private collection of thousands of items they have discovered over the years; an explanation of the different players in the antiques and vintage world; and tips and tricks on how to begin your own collection and curate physical spaces that reflect your identity and experience. 

ABOUT THE AUTHOR

Jannah Handy and Kiyanna Stewart are the co-founders of BLK MKT Vintage, an online vintage/antique concept shop that specializes in collectibles and curiosities, representing the richness of black history and lived experience. Their passion for material culture and found objects has led them to interior design projects, personal sourcing, set design, prop rental, museum loans and other curatorial projects in media/entertainment, education, the arts & philanthropy. Jannah has a background in business and education, with a B.A. in Economics from Smith College, and a M.Ed. in Higher Education from UMASS, Amherst. Kiyanna has a background in fashion & education, with a B.A. in Journalism & Africana Studies and a M.A. in Women's Studies, all from Rutgers University

ABOUT THE CONVERSATION PARTNER

Amarie Gipson is a Houston-born writer, cultural worker and founder of The Reading Room HTX. She has held curatorial positions at various art institutions, including The Studio Museum in Harlem, the Art Institute of Chicago, and the Museum of Fine Arts, Houston. Independently, her writing has been published in ARTS.BLACK, Artforum, ArtNews, ESSENCE, Oxford American and many others. As a DJ, Gipson has made a significant impact on her hometown through PHYSICAL THERAPY, a dance party and 7,000+ person community founded to foreground safety and togetherness in Houston's underground music/nightlife scene. She is the former Arts & Culture editor of Houstonia Magazine and currently the Houston Editor-At-Large for Burnaway, an Atlanta-based arts criticism publication focusing on the American South and the Caribbean. Advancing a new model for librarianship and public institution building, The Reading Room is increasing access to cultural history through literature and programming. It is a community-centered tribute to Black genius in the South and beyond.

By the actress, singer, dancer, director, and author, an honest and impassioned memoir that spans from her childhood in Atlanta to her years with Alvin Ailey, to Broadway and her time as a star in ’90s Black Hollywood.

Best known for her iconic role as Whitley in the '90s hit sitcom A Different World, Jasmine Guy grew up mixed in Atlanta, near Morehouse and Spelman, where her father taught philosophy. When she first encountered Alvin Ailey American Dance Theater, her life was given a sense of purpose. At seventeen, she moved to New York, fulfilling her childhood dream of dancing with the company.

Dance would give way to acting, first on the Broadway stage, then on screen with Spike Lee's School Daze. When she accepted a part on A Different World, she had no way of knowing the impact it would have on its era, or that it would cement her status as one of the greatest stars of Black Hollywood of the '80s and '90s.

In A Different Girl, Guy, with the help of her daughter and confidante Imani Guy Duckette, offers an unflinching and heartfelt account of her rise to stardom. She reveals her battles with depression, her wavering self-image, her brushes with racism in Hollywood, and her lifelong yearning to create beautiful work. Along the way, she crosses paths with some of her generation’s greatest talents, including Whitney Houston, Debbie Allen, and Tupac Shakur.

Frank, unfiltered, and often laugh-out-loud funny, Guy shares her vulnerabilities and gifts in the hope that readers see themselves in her words. A Different Girl is a book for dancers, mixed kids, dreamers, and anyone who needs to hear her hopeful message.