A brilliant, action-packed reimagining of Adventures of Huckleberry Finn, both harrowing and ferociously funny, told from the enslaved Jim's point of view • From the “literary icon” (Oprah Daily) and Pulitzer Prize Finalist whose novel Erasure is the basis for Cord Jefferson’s critically acclaimed film American Fiction When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, recently returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of Adventures of Huckleberry Finn remain in place (floods and storms, stumbling across both unexpected death and unexpected treasure in the myriad stopping points along the river’s banks, encountering the scam artists posing as the Duke and Dauphin…), Jim’s agency, intelligence and compassion are shown in a radically new light. Brimming with the electrifying humor and lacerating observations that have made Everett a “literary icon” (Oprah Daily), and one of the most decorated writers of our lifetime, James is destined to be a major publishing event and a cornerstone of twenty-first century American literature.

Now with a brilliant new package, a re-issue of the sophomore novel  by Percival Everett, New York Times bestselling author of National Book Award winner James.

Haunting, provocative and bleakly funny, Walk Me to the Distance is Percival Everett’s brilliant reexamination of the Western, and a laconic tragicomedy about what it takes to survive in the last days of a bygone big-sky country.

In self-imposed exile after returning home from the war in Vietnam, David Larson meanders into the barren town of Slut’s Hole, Wyoming, where a local widow takes him under her wing. After making a sort of home among the town’s hardscrabble locals, David grudgingly adopts a young Vietnamese girl abandoned along the highway. This sets in motion a set of tragic turns as Western mythos and frontier justice clash against the tides of a changing world.

First published in 1985 by Clarion Books, Walk Me to the Distance was the sophomore novel of an iconic American voice. Over the course of his five decade career, Everett has written over twenty five books and been shortlisted for the Pulitzer Prize (for 2020’s Telephone), twice longlisted for the Booker Prize, and the recipient of the 2024 National Book Award for the “genius” (The Atlantic) James, a brilliantly imagined retelling of The Adventures of Huckleberry Finn told from the enslaved Jim’s point of view. James was a #1 New York Times bestseller and is being developed into film by Stephen Spielberg.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier.

Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem: "What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

An uncanny literary thriller addressing the painful legacy of lynching in the US, by the author of Telephone

Percival Everett’s The Trees is a page-turner that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.

The detectives suspect that these are killings of retribution, but soon discover that eerily similar murders are taking place all over the country. Something truly strange is afoot. As the bodies pile up, the MBI detectives seek answers from a local root doctor who has been documenting every lynching in the country for years, uncovering a history that refuses to be buried. In this bold, provocative book, Everett takes direct aim at racism and police violence, and does so in a fast-paced style that ensures the reader can’t look away. The Trees is an enormously powerful novel of lasting importance from an author with his finger on America’s pulse.

A sly, madcap novel about supervillains and nothing, really, from an American novelist whose star keeps rising

The protagonist of Percival Everett’s puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means “nothing” in Tagalog, and Kitu is Swahili for “nothing.”) He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it. This makes him the perfect partner for the aspiring villain John Sill, who wants to break into Fort Knox to steal, well, not gold bars but a shoebox containing nothing. Once he controls nothing he’ll proceed with a dastardly plan to turn a Massachusetts town into nothing. Or so he thinks.

With the help of the brainy and brainwashed astrophysicist-turned-henchwoman Eigen Vector, our professor tries to foil the villain while remaining in his employ. In the process, Wala Kitu learns that Sill’s desire to become a literal Bond villain originated in some real all-American villainy related to the murder of Martin Luther King Jr. As Sill says, “Professor, think of it this way. This country has never given anything to us and it never will. We have given everything to it. I think it’s time we gave nothing back.”

Dr. No is a caper with teeth, a wildly mischievous novel from one of our most inventive, provocative, and productive writers. That it is about nothing isn’t to say that it’s not about anything. In fact, it’s about villains. Bond villains. And that’s not nothing.

Percival Everett's blistering satire about race and publishing, now adapted for the screen as AMERICAN FICTION, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross

Thelonious "Monk" Ellison's writing career has bottomed out: his latest manuscript has been rejected by seventeen publishers, which stings all the more because his previous novels have been "critically acclaimed." He seethes on the sidelines of the literary establishment as he watches the meteoric success of We's Lives in Da Ghetto, a first novel by a woman who once visited "some relatives in Harlem for a couple of days." Meanwhile, Monk struggles with real family tragedies―his aged mother is fast succumbing to Alzheimer's, and he still grapples with the reverberations of his father's suicide seven years before.

In his rage and despair, Monk dashes off a novel meant to be an indictment of Juanita Mae Jenkins's bestseller. He doesn't intend for My Pafology to be published, let alone taken seriously, but it is―under the pseudonym Stagg R. Leigh―and soon it becomes the Next Big Thing. How Monk deals with the personal and professional fallout galvanizes this audacious, hysterical, and quietly devastating novel.

A searing and compassionate new novel about a young Black nurse’s shocking discovery and burning quest for justice in post-segregation Alabama, from the New York Times bestselling author of Wench.

Montgomery, Alabama, 1973. Fresh out of nursing school, Civil Townsend intends to make a difference, especially in her African American community. At the Montgomery Family Planning Clinic, she hopes to help women shape their destinies, to make their own choices for their lives and bodies.

But when her first week on the job takes her along a dusty country road to a worn-down one-room cabin, Civil is shocked to learn that her new patients, Erica and India, are children—just eleven and thirteen years old. Neither of the Williams sisters has even kissed a boy, but they are poor and Black, and for those handling the family’s welfare benefits, that’s reason enough to have the girls on birth control. As Civil grapples with her role, she takes India, Erica, and their family into her heart. Until one day she arrives at their door to learn the unthinkable has happened, and nothing will ever be the same for any of them.

Decades later, with her daughter grown and a long career in her wake, Dr. Civil Townsend is ready to retire, to find her peace, and to leave the past behind. But there are people and stories that refuse to be forgotten. That must not be forgotten.

Because history repeats what we don’t remember.

Inspired by true events and brimming with hope, Take My Hand is a stirring exploration of accountability and redemption.

A major hardcover compendium of poetry and fiction by the legendary Black American poet of the Harlem Renaissance

One of the most important writers to emerge from the Harlem Renaissance, Langston Hughes may be best known as a poet, but he was also a brilliant storyteller, blending elements of blues and jazz, speech and song, into a triumphant and wholly original idiom. Perhaps more than any other writer, Langston Hughes made the white America of the 1920s and 1930s aware of the Black culture thriving in its midst. Hughes's poetry and fiction works are messages from that America, sharply etched vignettes of its daily life, cruelly accurate portrayals of Black and white collisions.

This Everyman's Library compendium comprises Hughes's debut poetry collection, The Weary Blues, which catapulted him into literary stardom at just twenty-four years old; his award-winning debut novel, Not Without Laughter, published in 1930 to critical raves; and his 1933 collection of short stories The Ways of White Folks, currently only available in Vintage Classics trade paperback.

Everyman's Library pursues the highest production standards, printing on acid-free paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket.

A woman learns the astonishing truth of her family’s ties to a vanished American Kingdom in this riveting new novel from the New York Times bestselling, NAACP Image Award-winning author of Take My Hand.

Nikki Berry hasn’t seen her grandmother in years, due to a mysterious estrangement inherited from her mother. So when the elder calls out of the blue with an urgent request for Nikki to visit her in the hills of western North Carolina, Nikki hesitates only for a moment. After years of silence in her family, she’s determined to learn the truth while she still can.

But instead of answers about the recent past, Mother Rita tells Nikki an incredible story of a kingdom on this very mountain, and of her great-great-great grandmother, Luella, who would become its queen. 

It sounds like the makings of a fairy tale—royalty among a community of freed people. But the more Nikki learns about the Kingdom of the Happy Land, and the lives of those who dwelled in the ruins she discovers in the woods, the more she realizes how much of her identity and her family’s secrets are wrapped up in these hills. Because this land is their legacy, and it will be up to her to protect it before it, like so much else, is stolen away.

Inspired by true events, Happy Land is a transporting multi-generational novel about the stories that shape us and the dazzling courage it takes to dream.

The New York Times bestselling author of This Will Be My Undoing and Caul Baby returns with an epic, multi-generational novel that illuminates the legacy of slavery and the power of romantic love.

Harlem, 2019. Ardelia and Oliver are hosting their engagement party. As the guests get ready to leave, he hands her a love letter on a yellowing, crumbling piece of paper . . .

Natchez, 1865. Discharged from the Union Army as a free man after the war’s end, Harrison returns to Mississippi to reunite with the woman he loves, Tirzah. Upon his arrival at the Freedmen’s Bureau, though, he catches the eye of a woman working there, who’s determined to thwart his efforts to find his beloved. After tragedy strikes, Harrison resigns himself to a life with her. 

Meanwhile in Louisiana, the newly free Tirzah is teaching at a freedmen’s school, and discovers an advertisement in the local paper looking for her. Though she knows Harrison must have placed it, and longs to find him, the risks of fleeing are too great, and Tirzah chooses the life of seeming security right in front of her.

Spanning over a hundred and fifty years, Morgan Jerkins’s extraordinary novel intertwines the stories of these star-crossed lovers and their descendants. As Tirzah's family moves across the country during the Great Migration, they challenge authority with devastating consequences, while of the legacy of heartbreak and loss continues on in the lives of Harrison's progeny.

When Ardelia meets Oliver, she finds his family’s history is as full of secrets and omissions as her own. Could their connection be a cosmic reconciliation satisfying the unfulfilled desires of their ancestors, or will the weight of the past, present and future tear them apart?

Sweeping, textured, and meticulously researched, Zeal is both a story of how one generation’s choices reverberate through the years and an indelible portrait of an enduring love.

Bear it or Perish. Those are the words Helen Jean hears that fateful night in her cousin’s outhouse that changes the trajectory of her life.  
 
Spanning decades, PERISH tracks the choices Helen Jean—the matriarch of the Turner family—makes and the way those choices have ripped across generations, from her children, to her grandchildren and beyond.
Told in in alternate chapters that follows four members of the Turner clan: Julie B., a woman who regrets her wasted youth and the time spent under Helen Jean's thumb; Alex, a police officer grappling with a dark and twisted past; Jan, mother of two, who yearns to go to school and leave Jerusalem and all of its trauma behind for good; and Lydia, a woman whose marriage is falling apart because her body can't seem to stay pregnant; as they're called home to say goodbye to their mother and grandmother.
 
  This family's "reunion" unearths long-kept secrets and forces each member to ask themselves important questions about who is deserving of forgiveness and who bears the cross of blame.
 
 With stirring, evocative prose and a sense of place that is wholly immersive, offering a nuanced look into Black communities in Texas, and tackling themes like family, trauma, legacy, home, class, race and more, this beautiful yet heart-wrenching debut novel, will appeal to anyone who is interested in the intricacies of family and the ways bonds can be made, maintained or irrevocably broken.

Guilt, shame, and suspicion swirl as a small community in upstate New York turns on itself in this moody, propulsive thriller from the award-winning writer of In West Mills.

“Endlessly entertaining . . . Does anyone write about the intersections of race, class, gender, and sexuality with more honesty and intensity than De’Shawn Charles Winslow?”—Wiley Cash, author of When Ghosts Come Home

The truth is closer than you think—just beyond the fence.

The year is 1982, and the people of the Hudson Valley community of Fervent have begun to move on from a homicide that upended the once quiet town. When the former neighbors who were convicted of the crime, James and Ella White, are proven innocent, released from prison, and return to Fervent, some people have cause for concern.

Sylvia Upshaw and her best friend, Lafayette “Fate” Jolly, are uneasy about the Whites’ return. While the Whites were incarcerated, Sylvia revealed an explosive secret to their adopted son, Morgan, with devastating consequences. During the murder trial, Fate’s testimony helped seal their fate. James and Ella won’t let the betrayals go unpunished. Sylvia and Fate quickly become victims of harassment from the Whites, and when another murder is committed in Fervent, the town is left to fend for itself.

Intimate and chilling, The Fervent Whites examines how small communities with long-simmering tensions behave when pushed to the limits of civility.