A collective work of art whose time has come. Of lasting value for all lovers of literature and the erotic, this is a glorious, groundbreaking celebration of black sensuality, including works by Alice Walker, Ntozake Shange, and many more.

Her man demanded loyalty, but her body wouldn’t obey.

Have you ever rolled over in the middle of the night and realized you were doing things you swore you’d never do? Sexing brothers you vowed you’d never touch? Bending backwards and stooping lower than you ever thought you’d stoop? Well if you can feel me even a little bit, then let me hit you with a story that just might blow your mind. . . .

Nineteen-year-old Juicy Stanfield is the sexy young girlfriend of Granite “G” McKay, owner of Harlem’s notorious G-Spot Social Club. A drug dealer with a lethal streak, he runs Harlem with an iron fist. But even the cash and the bling can’t keep Juicy from getting restless, and while G fulfills her every material desire, she’s burning up with unrequited sexual energy. To cheat on him would mean a death sentence; so Juicy finds pleasure in secret ways: fantasizing on crowded subways or allowing her eyes to hungrily take in the male dancers on the club’s ladies night.

But as Juicy’s sexual cravings grow stronger, one thing becomes frighteningly clear: She’s a virtual prisoner in G’s dangerous world. As G begins to suspect her of playin’ him, he pulls the reins he keeps on her even tighter. If she’s ever to escape and get a life of her own she must find a way to start stashing away some of G’s cash. But doing that under G’s watchful eye is a challenge she might not live up to–especially when her appetite tempts her with the deadliest desire of all: G’s very own son. . . .

"Informative and full of big flavors, this is a delicious and accessible introduction to Caribbean food for novices; will be a welcome addition to library shelves." —Library Journal

Through 80+ recipes, Code Noir tells the interesting and complex story of Caribbean cuisines that are not only incredibly rich in flavor but also in history.

Code Noir is a cookbook steeped in history. Not just because of the title, which hits on a seventeenth-century decree in which King Louis XIV recorded how enslaved Africans in the French colonies were to be treated, but also because it deals with the food and the people that, through the gruesome course of history, came together in the Caribbean.

Inside, chef and culinary activist Lelani Lewis goes back to her Caribbean roots with classics like jerk chicken, salted cod fritters, pepperpot stew, and Guinness punch. She also shares new creations with typically Caribbean ingredients like cassava, corn, coconut, lime, plantain, and chilies: plantain with peanut and lime salsa, sweet potato gratin with ginger cream, and crème anglaise of creamed corn and caramelized guava.

Use discount code: SALE to receive 30% off. 

From Silvia Moreno-Garcia, the New York Times bestselling author of Mexican Gothic, comes Certain Dark Things, a pulse-pounding neo-noir that reimagines vampire lore.

Welcome to Mexico City, an oasis in a sea of vampires. Domingo, a lonely garbage-collecting street kid, is just trying to survive its heavily policed streets when a jaded vampire on the run swoops into his life. Atl, the descendant of Aztec blood drinkers, is smart, beautiful, and dangerous. Domingo is mesmerized.

Atl needs to quickly escape the city, far from the rival narco-vampire clan relentlessly pursuing her. Her plan doesn’t include Domingo, but little by little, Atl finds herself warming up to the scrappy young man and his undeniable charm. As the trail of corpses stretches behind her, local cops and crime bosses both start closing in.

Vampires, humans, cops, and criminals collide in the dark streets of Mexico City. Do Atl and Domingo even stand a chance of making it out alive? Or will the city devour them all?

In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.

Baltimore, 2006.

A deputy mayor is dead. An eighteen-year-old sits in county lockup with the wrong prints on the wrong gun. And the only lawyer willing to take the case just inherited it from the father who died on the courthouse steps.

Shawn Davidson walked away from his father's firm two years ago. He swore he was done with the city, done with the name, done with the kind of law that buries the truth instead of arguing it. Then Leo Davidson collapsed on the marble of Mitchell Courthouse and left his son one final file - a murder trial, a defendant nobody else will touch, and a paper trail that points everywhere except where it should.

Detective Phil Han runs a parallel case the brass don't want closed. Investigative reporter Jordan Grey chases a byline that could cost him his career - or his life. And in a high-rise above the harbor, Mayor Charles Dawson watches a model of a development that hasn't been built yet, deciding how to handle a problem named Davidson.

CONTEMPT is the first novel in the Civic Noir Universe - a seven-book saga of inheritance, justice, and the cost of carrying a name in a city that remembers everything.

For readers of S.A. Cosby, Attica Locke, and the world of The Wire.

From the author of the acclaimed novel, House of Cotton, comes an electric, haunting new Southern noir following the residents of Better Tomorrow Trailer Park in the aftermath of a gruesome murder.

Summer ’97. Deadly sins. Misguided obsessions.

When Better Tomorrow Trailer Park’s owner, Joe Candle, is found nailed to a cross in the center of the lot, the police have one question for the park’s eccentric residents: Who killed Candle?

No one is safe from suspicion. Not the pretty, calf-eyed cashier with a shadowed past, or the barber and his strange, altered demeanor, or the young son of a cop who harbors a volcanic temper.

As the investigation begins and satanic panic grips this small town in the heart of Appalachia, the low-grade paranoia spreads beyond the borders of the park. With the arrival of a lone, mysterious detective, a darker plot is soon unearthed. The questions that arise threaten the very existence of Better Tomorrow, and the community is tested to its breaking point.

Thundering towards the dreaded summer solstice, Lonesome Holler is a beautifully written exploration of loneliness, a blue-tuned elegy for community, and a comedic, devastating ode to the South.

Ayoola summons me with these words—Korede, I killed him.

I had hoped I would never hear those words again.

Bleach

I bet you didn’t know that bleach masks the smell of blood. Most people use bleach indiscriminately, assum­ing it is a catchall product, never taking the time to read the list of ingredients on the back, never taking the time to return to the recently wiped surface to take a closer look. Bleach will disinfect, but it’s not great for cleaning residue, so I use it only after I have first scrubbed the bathroom of all traces of life, and death.

It is clear that the room we are in has been remod­eled recently. It has that never-been-used look, especially now that I’ve spent close to three hours cleaning up. The hardest part was getting to the blood that had seeped in between the shower and the caulking. It’s an easy part to forget.

*ship in 7-10 business days

Award-winning author, screenwriter, and editor Gary Phillips gathers his most thrilling, outlandish, and madcap pulp fiction in an 17-story collection that straddles the line between bizarro, science fiction, noir, and superhero classics.

Aztec vampires, astral projecting killers, oxygen stealing bombs, undercover space rangers, aliens occupying Los Angeles, right wing specters haunting the ’hood, masked vigilantes, and mad scientists in their underground lairs plotting world domination populate the stories in this rip-snorting collection. In these pages grindhouse melds with blaxploitation along with strong doses of B movie hardcore drive-in fare.

Phillips, editor of the Anthony Award-winning The Obama Inheritance: Fifteen Stories of Conspiracy Noir, and author of One-Shot Harry and Matthew Henson and the Ice Temple of Harlem, said this about pulp. “The most common definition of pulp is it’s fast-paced, a story containing out there characters and a wild plot. There is that. But certainly, as we’ve now arrived at the era of retro-pulp, these stories have elements of characterization: not just action, but a glimpse behind the steely eyes of these doers of incredible deeds.” As an added bonus, Phillips resurrects Phantasmo, a Golden Age comics character created by Black artist-writer E.C. Stoner in an all-new outing of ethereal doings (includes 4 original illustrations by cover artist Adam Shaw).

A professional thief takes the chance of a lifetime when he agrees to mastermind the raid of a tech billionaire’s secret bunker in this action-packed heist thriller set in the heart of contemporary Los Angeles, from master of West Coast noir Gary Phillips. Perfect for fans of Sara Paretsky and Michael Connelly.

After years of close calls, O’Conner—the former “Warlord of Willow Ridge”—spends most of his time in semi-retirement, running his legitimate businesses and playing pickleball. Except for his longtime girlfriend, no one in his middle-class neighborhood is the wiser to his double life.

But O’Conner’s past refuses to stay dead. When he’s approached with a job he can’t resist, he agrees to mastermind his biggest heist yet: a multi-million-dollar raid of a tech billionaire’s secret bunker, hidden beneath his newly constructed basketball arena. As the job goes down, testing O’Conner’s mettle with new challenges, the promise of the score attracts ghosts from his past he thought were long buried.

Interwoven with flashbacks to O’Conner’s coming-of-age as an orphan in Los Angeles, this pulse-pounding story is both an homage to Donald Westlake’s Parker series and a rich portrait of a morally gray thief at a crossroads.

From Marlon James, author of the Booker Prize–winning A Brief History of Seven Killings: a propulsive novel about the murder of a gay man in 1980s Jamaica and its tragic consequences

In 1988, eight men in Kingston, Jamaica, begin rehearsals for a play. The men are strangers to one another and each has a different reason for being involved. But they all share one inescapable truth: All of them are gay―a “battyman” in Jamaican argot―and all of them must contend with the dangers that such a truth lays bare.

One night a mob savagely attacks them, killing one of the men. For the survivors, their recovery is as much emotional as it is physical. As their bodies heal, each man grapples with the violence, the hatred, and the rage that the attack made plain. Some try to ignore what the attack has unearthed, while others double down on retribution.

In The Disappearers, Marlon James has written a riveting and deeply human story of men forced to make compromises to survive what the society they live in demands. It is both a dramatic page-turner and an unflinching exploration of queer life in Jamaica during the 1980s and 1990s.