A gutting and powerful new memoir from a master of the form, Good, God probes Laymon's relationships with three generations of women in his life—his grandmother, his former partner, and his unborn daughter.

When Kiese Laymon’s former partner invites him to help her create a child in the age of Trump, Laymon must reckon with how a romanticization of good, God, Mississippi, and most importantly, his grandmother, have telegraphed the kind of friend, father, and artist he can be. If Laymon's grandmother is right when she says, "God been gone," how does one actually make anything good in America? Laymon continues his courageous, wide-open approach to memoir with Good, God, a literary attempt at heeding his grandmother’s plea to revise the Ten Commandments, while making more intentional the paradoxical intimacy and brutality inherent between readers and writers of contemporary memoir.

Spanning from childhood to the present, set against the last fifty years of specific American hospitality, when "much of the nation said we were good for nothing, godless people who should be happy to be invited into white American rooms, and white American myths we actually made possible,” Laymon refuses to cede the shape or sound of those rooms to the worst of himself, and the worst of the nation. Good, God is a resonant plea for more good, more god, and most importantly, more holy creative space where we might ruggedly remake what we have collectively made so wrong.

Delivered through several powerful episodes—a memorable childhood meeting with a mysterious stranger who irritates his grandmother, a visit to his grandmother's house by a kind Northern white family who first meets his grandmother in his books, the process of trying to create a child with his good friend as he is treated for cancer—Good, God invites us into the intentionally forgotten rooms and spaces of experience where good, God, and American grandmothers are made holy.

A New York Times Notable Book

A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR).

Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. This new edition of award-winning author Kiese Laymon’s first work of nonfiction looks inward, drawing heavily on the author and his family’s experiences, while simultaneously examining the world—Mississippi, the South, the United States—that has shaped their lives. With subjects that range from an interview with his mother to reflections on Ole Miss football, Outkast, and the labor of Black women, these thirteen insightful essays highlight Laymon’s profound love of language and his artful rendering of experience, trumpeting why he is “simply one of the most talented writers in America” (New York magazine).

Written in a voice that’s alternately humorous, lacerating, and wise, Long Division features two interwoven stories. In the first, it’s 2013: after an on-stage meltdown during a nationally televised quiz contest, fourteen-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has recently disappeared.

A lyrical picture book from the award-winning author of Heavy, about three Black boys who form a deep connection during a transformative summer trip down South to visit family.

On the ground of that garden, covered in vegetables and dirt, coated in laughter, I want to say that the Mississippi and New York in our Black boy bodies were indistinguishable.

Three Black boys spend one special summer exploring the Mississippi woods and woulds and coulds of sharing the kind of freeing friendship that is love.

Watched over and given space to discover by Grandmama and Mama Lara, New York, Country, and little C find camaraderie in their contrasts and all the unspoken things between them while playing games of marco polo in the thick garden and sledding on cardboard by the underpass.

With text brimming with love by award-winning author Kiese Laymon and deeply evocative illustrations by Ashley Franklin, City Summer, Country Summer illuminates the tenuous and tender bonds of friendship Black boys forge with one another.

In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. 

Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.

Join us to commemorate Phillip B. Williams's first novel, Ours: A Novel!

EVENT DEETS

When: Sunday, October 27 @ 3PM CST

Where: Kindred Stories (2304 Stuart Street, HTX, 77004)

How: RSVP ONLY to reserve you seat (and bring your own copy) or RSVP WITH BOOK to reserve your copy. 

If you are student or in financial need, please reach out to inquire about a free ticket.

ABOUT THE BOOK

In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjuror who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours.

It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root. But although Saint does her best to protect the inhabitants of Ours, over time, her conjuring and memories begin to betray her, leaving the town vulnerable to intrusions by newcomers with powers of their own. As the cracks in Saint’s creation are exposed, some begin to wonder whether the community’s safety might be yet another form of bondage.

Set over the course of four decades and steeped in a rich tradition of American literature informed by Black surrealism, mythology, and spirituality, Ours is a stunning exploration of the possibilities and limitations of love and freedom by a writer of capacious vision and talent.

ABOUT THE AUTHOR

Phillip B. Williams is from Chicago, Illinois, and is the author of two collections of poetry: Thief in the Interior, which was the winner of the Kate Tufts Discovery Award and a Lambda Literary Award, and Mutiny, which was a finalist for the PEN/Voelcker Award for Poetry Collection and the winner of a 2022 American Book Award. Williams is also the recipient of a Whiting Award and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. He currently teaches in the MFA in creative writing program at New York University and the Randolph College low-residency MFA.

ABOUT THE CONVERSATION PARTNER

Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon’s bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of “The Catherine Coleman Literary Arts and Justice Initiative,” a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their on their own terms, in their own communities. Kiese Laymon was awarded a MacArthur Fellowship in 2022.

Winner of the Pulitzer Prize and the National Book Award, Alice Walker’s iconic modern classic, now in a beautiful 40th anniversary Penguin Vitae edition with a foreword by Kiese Laymon

A Penguin Classic Hardcover

A powerful cultural touchstone of modern American literature, The Color Purple depicts the lives of African American women in early twentieth-century rural Georgia. Separated as girls, sisters Celie and Nettie sustain their loyalty to and hope in each other across time, distance and silence. Through a series of letters spanning twenty years, first from Celie to God, then the sisters to each other despite the unknown, the novel draws readers into its rich and memorable portrayals of Celie, Nettie, Shug Avery and Sofia and their experience. The Color Purple broke the silence around domestic and sexual abuse, narrating the lives of women through their pain and struggle, companionship and growth, resilience and bravery. Deeply compassionate and beautifully imagined, Alice Walker’s epic carries readers on a spirit-affirming journey toward redemption and love.

A heartwarming and unforgettable collection of love stories set at Historically Black Colleges and Universities, exploring hope, endurance, and what it means to leave a legacy, from some of today’s most prominent Black writers and edited by the acclaimed author of Love Radio

Love can be messy, painful, and heartbreaking, but it can also be revolutionary, profound, and hopeful. For Celine, a forbidden crush on a professor evolves into a second chance at romance years later. Myra’s focus on a coveted audition for the Fisk Jubilee Singers is challenged by the handsome music major determined to help her. Kiese investigates the darker side to academia, love, and identity. Like most blessings, love emerges in the most unexpected places—in a training cockpit for new pilots, during a Mardi Gras celebration, or while gathering signatures to start the first-ever LGBTQ+ student organization officially recognized at an HBCU.

These are just a few of the heart-searing, tender, and transporting love stories collected in You’ve Got a Place Here, Too—a true celebration of Black love and the profound impact of HBCUs on the community.

Featuring stories by Elizabeth Acevedo, Jasmine Bell, Carla Bruce, Aaron Foley, Kai Harris, Ebony LaDelle, Kiese Laymon, Christine Platt, Farrah Rochon, Kennedy Ryan, Dawnie Walton, and Nicola Yoon.

A sweeping narrative of the unique beauty and trials of Black matriarchy in America that weaves a sharp, tender examination of three single Black mothers—the author's grandmother, mother, and the author herself—with stories of influential Black women in our culture

"Bonét tells the whole history of this country through the relationships of and between Black mothers and daughters."—Imani Perry, National Book Award-winning author of South to America

“Bonét dances on our hearts in this classic creation of will and wit. Electrifying... Wow.”—Kiese Laymon, author of Heavy: An American Memoir

Betty Jean, the author’s grandmother, had a house along a bayou in Texas, a home paid for and run without a man by her side. This home served as the center of Bonét’s family’s universe, the one place that was a constant through all of life’s changes.

Mama Connie, one of Betty Jean’s eleven children, vowed that her life would be different. And in many ways it was: she got married, lived in suburbia, and built a life resembling the American dream. But when it came to raising children of her own, she was more like Betty Jean than she cared to admit. But, like her mother before her, Connie’s sweat was the founding salt of her own universe.

Today, Sasha Bonét navigates all aspects of being a mother—escape, promise, burden, assent, and rebellion—not just for the women in her family who came before her, but for Black women with whom society is acquainted, too: figures like Nina Simone, Betty Davis, and Darnella Frazier, who filmed the murder of George Floyd.

Generations of Black women have borne children, borne the burdens of events untold, and borne witness to unspeakable trials. The Waterbearers carries this history, its fierce eloquence capturing a masterpiece of life written by an author who is intimately acquainted with how Black women have passed down knowledge and culture. Sasha Bonét doesn’t just present genealogical lineages but illuminates the cultural and societal connections of strong Black women who have built legacies and changed the world, sometimes in the most mundane of moments. The fierce eloquence of this story confirms Sasha Bonét as a voice we all now need to hear.

A Most Anticipated Book of 2026 by PEN America, Lit Hub, BookPage, and Ms. Magazine

The wife of a popular and powerful megachurch pastor upends her charmed “rags-to-Rolex” life when her secret past comes roaring into the spotlight—in this "funny and juicy and sexy and delicious peek behind the pulpit" (Samantha Irby) from the acclaimed and beloved author of The Secret Lives of Church Ladies.

From the moment Scharisse Freeman ditched her humble roots and married a megachurch pastor fifteen years her senior, she’s been labeled too brash and too “of the world” by church folks who grudgingly accepted her into their fold, and too holy by her estranged childhood bestie Petra. Schar doesn’t have many allies, but that hasn’t stopped her from building an enviable business empire spanning books to clothing to branded products, and living the comfortable life her husband's power affords her.

On the eve of her 40th birthday, Schar gets the final bit of validation she’s always dreamt of: a coveted invitation to participate in the First Lady USA pageant. This is her chance to be accepted by the other pastors’ wives—First Ladies—who are “like Jesus’ disciples if they had been a group of mean girls.” Finally, blissfully, the ice between Schar and the other First Ladies begins to thaw.

But as the pageant nears, a sensational scandal breaks with Schar at its center, and her carefully curated life implodes. Schar faces down shame and terrible secrets from her childhood and is reminded that in the eyes of the church, optics can matter more than the truth.

Unflinchingly funny, frank, and packed with surprising turns, The True Confessions of First Lady Freeman exults in the luscious, messy pleasure of finally feeling free.

"Deesha Philyaw has already established herself as one of the greatest short story writers, but in The True Confessions of First Lady Freeman she cements herself as the most soulfully entertaining writer of her era." - Kiese Laymon, author of Heavy and Long Division