Through close readings of slave narratives, scrapbooks, travel illustration, documentary film and photography, as well as collage, craft, and sculpture, Jasmine Nichole Cobb explores Black hair as a visual material through which to reimagine the sensual experience of Blackness.

From Frederick Douglass to Angela Davis, “natural hair” has been associated with the Black freedom struggle. In New Growth Jasmine Nichole Cobb traces the history of Afro-textured coiffure, exploring it as a visual material through which to reimagine the sensual experience of Blackness. Through close readings of slave narratives, scrapbooks, travel illustration, documentary film and photography, as well as collage, craft, and sculpture, from the nineteenth century to the present, Cobb shows how the racial distinctions ascribed to people of African descent become simultaneously visible and tactile. Whether examining Soul Train’s and Ebony’s promotion of the Afro hairstyle alongside cosmetics or how artists such as Alison Saar and Lorna Simpson underscore the construction of Blackness through the representation of hair, Cobb foregrounds the inseparability of Black hair’s look and feel. Demonstrating that Blackness is palpable through appearance and feeling, Cobb reveals the various ways that people of African descent forge new relationships to the body, public space, and visual culture through the embrace of Black hair.

A literary coming-of-age poetry collection, an ode to the places we call home, and a piercingly intimate deconstruction of daughterhood, Black Girl, Call Home is a love letter to the wandering black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

A young Dominican girl is excited for her first Carnaval with her parents.

Flor, Papi, and Mami zip through the streets! They're off to Carnaval! When they arrive, the plaza is bursting with sights and sounds—people shouting and laughing, fried food sizzles, and the aroma of funnel cake wafts through the air.

Flor's feet can hardly keep still as the music of tambores and trumpets thump out a rhythmic beat. Papi lifts Flor on his shoulders so she doesn't miss a thing. Below her, the Carnaval is a brilliant swirl of pinks, purples, oranges, and blues. There's so much to see!

From los lechones de Santiago, who spin in circles, dancing their African and Latin dances. They sway and shake like palmas in the wind. Flor throws her arms in the air and swings them left to right. When Los Taínos appear, their grass skirts swish in the wind, their painted bodies telling stories of the ancestors. Everything about them seems from some other time and place, but Flor knows they are apart of her.

Next comes Roba la gallina in his rainbow dress, singing and throwing candy to the crowd, telling Flor to keep her ancestors alive and strong by telling their stories. El Diablo Cojuelo is not far behind. He taunts and teases, but Flor stands tall and brave. She knows it's all just fun and games.

But then El Diablo invites her to join show! Finally! Flor, dances, whisked away by myth and magic, surrounded by Black and Brown beauty everywhere.

We're Off to Carnaval! is a joyous homage to a tradition that celebrates freedom, heritage and connection.

The buzzy, viral sensation Only For The Week, is the first book in Natasha Bishop’s The Forever Falling series, featuring Black love, messy family dynamics, sexy banter, and sweet and spicy romance.

You are cordially invited tothewedding of Amerie Cross and Arnold Hightower.

A destination wedding in Tulum should be a breeze, but Dr. Janelle Cross―thesister ofthebride andthe ex-girlfriend ofthegroom―can’t catch a break. Between her maid of honor duties, her sister’s Bridezilla antics, and her family tiptoeing around her non-existent feelingsforher ex, Janelle is desperate to let off some steam. So, whenthebest man, Rome, proposesthey give intotheir undeniable chemistry, Janelle agrees, under one condition:their affair canonlylast aweek.

What happens in Tulum doesn’t always stay in Tulum . . .

ForRome Martin, Janelle has always been off limits. She’s his best friends ex, and Rome is nothing if not loyal. But he’s never been able to get her off his mind, and now he might finally have a chance to win her over.

As thewedding bringsthem together, every kiss, adventure, and stolen moment feels right. Janelle and Rome agreed to live inthemoment, but arethey willing to risk it allforforever?

Tropes:
Friends with benefits
He falls first
Vacation romance
Family drama
Black joy
Forced proximity
Forbidden love
Fling to forever

By the actress, singer, dancer, director, and author, an honest and impassioned memoir that spans from her childhood in Atlanta to her years with Alvin Ailey, to Broadway and her time as a star in ’90s Black Hollywood.

Best known for her iconic role as Whitley in the '90s hit sitcom A Different World, Jasmine Guy grew up mixed in Atlanta, near Morehouse and Spelman, where her father taught philosophy. When she first encountered Alvin Ailey American Dance Theater, her life was given a sense of purpose. At seventeen, she moved to New York, fulfilling her childhood dream of dancing with the company.

Dance would give way to acting, first on the Broadway stage, then on screen with Spike Lee's School Daze. When she accepted a part on A Different World, she had no way of knowing the impact it would have on its era, or that it would cement her status as one of the greatest stars of Black Hollywood of the '80s and '90s.

In A Different Girl, Guy, with the help of her daughter and confidante Imani Guy Duckette, offers an unflinching and heartfelt account of her rise to stardom. She reveals her battles with depression, her wavering self-image, her brushes with racism in Hollywood, and her lifelong yearning to create beautiful work. Along the way, she crosses paths with some of her generation’s greatest talents, including Whitney Houston, Debbie Allen, and Tupac Shakur.

Frank, unfiltered, and often laugh-out-loud funny, Guy shares her vulnerabilities and gifts in the hope that readers see themselves in her words. A Different Girl is a book for dancers, mixed kids, dreamers, and anyone who needs to hear her hopeful message.

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso, and finalist for the BBC Short Story Award, twenty-six-year old writer and photographer Caleb Azumah Nelson

A stunning first novel about two young Black artists in London falling in and out of love by a new literary virtuoso and finalist for the BBC Short Story Award, twenty-six-year-old writer and photographer Caleb Azumah Nelson

“Open Water is tender poetry, a love song to Black art and thought, an exploration of intimacy and vulnerability between two young artists learning to be soft with each other in a world that hardens against Black people.” —Yaa Gyasi, author of Homegoing

In a crowded London pub, two young people meet. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—and both are trying to make their mark in a world that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence, and over the course of a year they find their relationship tested by forces beyond their control.

Narrated with deep intimacy, Open Water is at once an achingly beautiful love story and a potent insight into race and masculinity that asks what it means to be a person in a world that sees you only as a Black body; to be vulnerable when you are only respected for strength; to find safety in love, only to lose it. With gorgeous, soulful intensity, and blistering emotional intelligence, Caleb Azumah Nelson gives a profoundly sensitive portrait of romantic love in all its feverish waves and comforting beauty.

This is one of the most essential debut novels of recent years, heralding the arrival of a stellar and prodigious young talent.

A heartfelt coming-of-age debut about a girl starting over while keeping secret that she’s spent the last year in juvenile detention. Perfect for fans of Nicola Yoon and Leah Johnson.

Sixteen-year-old Jasmine Cooper is back after twelve months at Guiding Hearts Home for Troubled Girls, and nothing is the way it was. Her mom has remarried and now there’s a big new house, a shiny new family, and a fancy new school. Jas feels completely out of place, and things only get more complicated when her mom insists that her “fresh start” include hiding the truth of where she’s been and cutting off people from her past.

As Jas settles into her new life bonding with her seemingly perfect stepsister, making a close-knit group of besties, and maybe even falling for the cute girl in class, it starts to feel like her second chance might actually be real.

But when a friend from the detention center reaches out to reconnect, Jas worries that everything she’s built could fall apart. How long can she keep her past a secret? And how many times can she spin the truth before she forgets who she really is?

Mississippi, 1927. The groanings are coming.

No town is perfect, but East Cobb comes close. It’s a wealthy all-Black Free Town―untouched by white oppression―where ambitious Thea Elliot and her husband plan to make good on their big dreams. Little do they know that the idyllic town teems with ghoulish, walking nightmares . . . that only the women can see.

Marah knows the groanings well. She is one of the carriers―women with the ability to pull traumatic memories from men. Populated by men entirely freed of their pain, East Cobb has flourished, even as the remnants of their memories haunt the town’s women. When an unexpected death drives Marah to discover more about her own power, Thea’s and Marah’s worlds collide. The sisters must confront the rotten core at the heart of East Cobb’s prosperity and choose what―and who―will survive the reckoning.

A gripping blend of historical fiction and Southern gothic psychological horror, Our Sister’s Keeper is a fierce exploration of Black sisterhood, rage, and resistance.

The next book in the New Haven series, interconnected standalones featuring second chances, fiery passion, and Black heroines who get their happily ever afters.

Nadia

I expect nothing.

From life, from God, from men.

I don't hope or want or pray. Those are luxuries I can't afford when I'm doing the desperate math of survival while walking the tight rope of life on the run in a strange city.

New Haven wasn't supposed to be a fresh start. That would be asking too much from a life that took my parents from me and left me vulnerable to monsters. To be used but not loved. To be kept but not cherished.

I'd accepted my fate, settled in it like sore feet in a pair of ill fitted heels, but then he walked into my life and released me from the prison of my past, leaving me free to hope, to want, to love.

Sebastian

I didn't know I was looking for anything until I was looking at her.

And since the moment she came into my view, I haven't been able to look away. There's something sad behind her eyes. Something desperate in the way she moves through the world. Like the devil is on her heels and she doesn't know whether to run or stay and fight.

Other people's problems aren't usually something I have time for, but for her I'll make time. For her, I'll stand and fight. I'll make her battles my battles, her dreams my dreams, and her safety my top priority.

“Jasmine Reid writes a shapeful, theoretical work involved in the rigorous attending to emergent selves and the languages made in calling them into being.” —aracelis girmay

Interlocutor Goddess explores the creation of a trans language for selfhood within an exilic state of "ecstatic grief."

Reid's experimental work challenges societal norms, particularly the family as a political construct while reflecting on the trans experiences of a queer Black woman. The poems grapple with oppressive systems of separation and colonial legacies, rejecting extractive, empire-driven paradigms, and gender essentialism. Within her collection, Reid envisions alternative, ethical ways of being, rooted in unity and wholeness and finds kinship with the rhythms and lifeways of the natural world—soil, stars, and water. 

Her poetry employs a trans-lyricism, weaving together dual meanings through homonyms, homophones, and portmanteaus to create a layered, fugitive language that resists rigid classifications. At its core, Interlocutor Goddess is an act of transfiguration, a celebration of girlhood, and a reclamation of wholeness for all who exist beyond imposed boundaries.

*Ships/ready for pick-up in 7-10 business days*

“There is so much to relate to and throughout the novel, there is a sharp feminist edge. Loved this one, and you will too.”—New York Times bestselling author Roxane Gay

The New York Times bestselling author of The Wedding Date serves up a novel about what happens when a public proposal doesn't turn into a happy ending, thanks to a woman who knows exactly how to make one on her own...

When someone asks you to spend your life with him, it shouldn't come as a surprise—or happen in front of 45,000 people.

When freelance writer Nikole Paterson goes to a Dodgers game with her actor boyfriend, his man bun, and his bros, the last thing she expects is a scoreboard proposal. Saying no isn't the hard part—they've only been dating for five months, and he can’t even spell her name correctly. The hard part is having to face a stadium full of disappointed fans...

At the game with his sister, Carlos Ibarra comes to Nik’s rescue and rushes her away from a camera crew. He’s even there for her when the video goes viral and Nik’s social media blows up—in a bad way. Nik knows that in the wilds of LA, a handsome doctor like Carlos can't be looking for anything serious, so she embarks on an epic rebound with him, filled with food, fun, and fantastic sex. But when their glorified hookups start breaking the rules, one of them has to be smart enough to put on the brakes...