From the bestselling author of Everything Inside comes a vivid, timely story, moving from Haiti to Brooklyn to Miami, of a woman whose sense of self and family are called into question when she gets caught in a random act of violence one sunny Florida day.

“Is home the place where we are born? Or is it the place where we die?” These questions haunt Magnolia, a successful Haitian American real estate agent in Miami, after she hears the terrifying sounds of gunfire while shopping for her daughter’s first-ever cell phone; she takes shelter in a restaurant called Oasis, cowering with fellow shoppers and diners, each praying to their respective gods.

Once she’s safely home, Magnolia hides the fact that she was at the mall shooting from everyone close to her. But given her life back, she begins to see it all clearly, and as if for the first time—what the extraordinary bond she has with her daughter, Zoë, really means to her, and what Zoë may feel in return; what the nearly broken relationship she has with her partner, Harrison, has cost her, despite his love for her and their daughter; why her mentally troubled mother—whose unraveling patterns Magnolia worries she’s spiraling toward herself—might be so ghost-haunted; what the source of her father’s pain, and his reason for seeking solace in the arms of a mistress, really is. As Magnolia struggles through the labyrinth of her past, she must also come to terms with the losses sustained that traumatic day, losses that we all bear witness to all too often in our troubling times.

Can love, can family, protect us from harm? Does optimism or fear win out in one’s heart, one’s soul? Which side will win out for Magnolia—and where does she really belong? Pulled between these questions, and her beloved, high-stakes choices and worlds—Miami or Haiti, single or married, mortal or ghost, before or after—Magnolia is one of the most compelling characters that Danticat has ever created—a narrator who is "yon pati koukouy, part firefly": shimmering, flitting between choices, drawn to the light yet emitting her own.

Taking its title from the Creole word for mourning, Dèy is a profoundly warm and moving novel about the importance of sharing grief and leave-taking, but also of the ties of family—takeout dinners around a table, fresh dirt on a plant’s roots in the garden, swimming together in the azure seas. As Magnolia questions whether all has not yet been lost, Dèy celebrates the complexity of life in a brave and striking novel that is one of Danticat’s most powerful and deeply affecting works yet, told with a signature “unfaltering voice and evocative beauty” (The Boston Globe).

In the tradition of Claudia Tate’s classic book, reenvisioned for the twenty-first century, Khadijah Queen showcases fifteen leading Black women writers who are influencing our cultural and literary future.

Like the luminaries Tate interviewed forty years ago, the writers in this collection demonstrate how their identities are integral to their creative processes in craft, thought, and imagination. Queen highlights the impacts and influence of social media, artificial intelligence, disability, the business of writing, and other subjects crucial to the imaginative and intellectual production of Black women writers at work today.

These poets, scientists, comic book artists, nonfiction writers, novelists, researchers, and playwrights provide a window into the connections between their lives and their art, offering an account of why and for whom they write.

Featuring conversations with: Elizabeth Alexander, Mahogany L. Browne, Rita Dove, Camille T. Dungy, Eve L. Ewing, Vievee Francis, Kaitlyn Greenidge, alexis pauline gumbs, Jzl Jmz, Morgan Parker, Imani Perry, Deesha Philyaw, Chanda Prescod-Weinstein, Treasure Shields Redmond, and Jesmyn Ward.

NATIONAL BESTSELLER • Provocative and illuminating essays from women at the forefront of the climate movement who are harnessing truth, courage, and solutions to lead humanity forward.

“A powerful read that fills one with, dare I say . . . hope?”—The New York Times
 
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY SMITHSONIAN MAGAZINE

There is a renaissance blooming in the climate movement: leadership that is more characteristically feminine and more faithfully feminist, rooted in compassion, connection, creativity, and collaboration. While it’s clear that women and girls are vital voices and agents of change for this planet, they are too often missing from the proverbial table. More than a problem of bias, it’s a dynamic that sets us up for failure. To change everything, we need everyone.
 
All We Can Save illuminates the expertise and insights of dozens of diverse women leading on climate in the United States—scientists, journalists, farmers, lawyers, teachers, activists, innovators, wonks, and designers, across generations, geographies, and race—and aims to advance a more representative, nuanced, and solution-oriented public conversation on the climate crisis. These women offer a spectrum of ideas and insights for how we can rapidly, radically reshape society.
 
Intermixing essays with poetry and art, this book is both a balm and a guide for knowing and holding what has been done to the world, while bolstering our resolve never to give up on one another or our collective future. We must summon truth, courage, and solutions to turn away from the brink and toward life-giving possibility. Curated by two climate leaders, this collection is a celebration of visionaries who are leading us on a path toward all we can save.

With essays and poems by:

Emily Atkin • Xiye Bastida • Ellen Bass • Colette Pichon Battle • Jainey K. Bavishi • Janine Benyus • adrienne maree brown • Régine Clément • Abigail Dillen • Camille T. Dungy • Rhiana Gunn-Wright • Joy Harjo • Katharine Hayhoe • Mary Annaïse Heglar • Jane Hirshfield • Mary Anne Hitt • Ailish Hopper • Tara Houska, Zhaabowekwe • Emily N. Johnston • Joan Naviyuk Kane • Naomi Klein • Kate Knuth • Ada Limón • Louise Maher-Johnson • Kate Marvel • Gina McCarthy • Anne Haven McDonnell • Sarah Miller • Sherri Mitchell, Weh’na Ha’mu Kwasset • Susanne C. Moser • Lynna Odel • Sharon Olds • Mary Oliver • Kate Orff • Jacqui Patterson • Leah Penniman • Catherine Pierce • Marge Piercy • Kendra Pierre-Louis • Varshini • Prakash • Janisse Ray • Christine E. Nieves Rodriguez • Favianna Rodriguez • Cameron Russell • Ash Sanders • Judith D. Schwartz • Patricia Smith • Emily Stengel • Sarah Stillman • Leah Cardamore Stokes • Amanda Sturgeon • Maggie Thomas • Heather McTeer Toney • Alexandria Villaseñor • Alice Walker • Amy Westervelt • Jane Zelikova

*Ships in 7-10 business days*

More than 30 acclaimed writers—including diverse voices such as Nikki Giovanni, David Omotosho Black, Natasha Trethewey, Barry Jenkins, Jacqueline Woodson, Tayari Jones, and Angela Flournoy—reflect on their experience and expertise in this unique book on the craft of writing that focuses on the Black creative spirit.

How We Do It is an anthology curated by Black writers for the creation and proliferation of Black thought. While a creator’s ethnicity does not solely define them, it is inherently part of who they are and how they interpret the world.

For centuries, Black creators have utilized oral and written storytelling traditions in crafting their art. But how does one begin the process of constructing a poem or story or character? How do Black writers, when faced with questions of “authenticity,” dive deep into the essence of their lives and work to find the inherent truth? How We Do It addresses these profound questions. Not a traditional “how to” writing handbook, it seeks to guide rather than dictate and to validate the complexity and range of styles—and even how one thinks about craft itself.

An outstanding list of contributors offer their insights on a range of important topics. Pulitzer Prize winner Jericho Brown explores the lives personified in poetry, while Pulitzer Prize winner Natasha Trethewey explores decolonizing enduring metaphors. National Book Award finalist Angela Flournoy illuminates the pain of grief in all forms and how it can be revealed in the act of creation, and iconoclast Nikki Giovanni offers an elegiac declaration on language.

New and previously published essays and interviews provide encouragement, examples, and templates, and offer lessons on everything from poetic form and plotting a story to the lessons inherent in the act of writing, trial & error, and finding inspiration in the works of others, including those of Toni Morrison, Shakespeare, and Edward P. Jones. A handbook and a reference tool, How We Do It is a thoughtful and welcome tool that offers direction to help Black artists establish their own creative practice while celebrating and widening the scope of the Black writer’s role in art, history, and culture.

Contributors include David Omotosho Black, Jericho Brown, Breena Clark, Rita Dove, Camille T. Dungy, W. Ralph Eubanks, Curdella Forbes, Angela Flournoy, Ernest Gaines, Nikki Giovanni, Marita Golden, Ravi Howard, Terrance Hayes, Mitchell S. Jackson, Barry Jenkins, Charles S. Johnson, Tayari Jones, Jamaica Kincaid, Tony Medina, E. Ethelbert Miller, Elizabeth Nunez, Carl Phillips, Jewell Parker Rhodes, Rion Amilcar Scott, Evie Shockley, Natasha Trethewey, Frank X Walker, Afaa M. Weaver, Crystal Wilkinson, Jacqueline Woodson, Tiphanie Yanique.

The concluding volume in a poetic trilogy, Alexis Pauline Gumbs's Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. Throughout, she reminds us that dominant modes of being human and the oppression those modes create can be challenged, and that it is possible to make ourselves and our planet anew.

A landmark survey of African American literature about Black experiences of the maritime environment.

The ocean is foundational to the story of Africans in America, beginning with the searing Middle Passage. Initially evoking terror, pain, and death, the ocean also became associated with escape, empowerment, freedom, and home, as over time, African Americans in seaport towns found work, built communities, and gained knowledge from travelers. David R. Anderson shows in this groundbreaking collection of memoir, fiction, poetry, and more that African American maritime literature summons many of the traditional themes―survival in the face of overwhelming natural force, sublimity, demonstration of skill and merit, and self-discovery―but often with an eye on legacies of imperialism, slavery, discrimination, and cultural erasure.

Divided thematically across ten sections that address peril, labor, recreation, and more, the book gathers work by influential writers and intellectuals from the eighteenth century to the present, including: Lucille Clifton, Edwidge Danticat, Frederick Douglass, Alice Dunbar-Nelson, W. E. B. DuBois, Camille T. Dungy, Marcus Garvey, Robert Hayden, Zora Neale Hurston, Major Jackson, Harriet Jacobs, John S. Jacobs, Nella Larsen, Claude McKay, Toni Morrison, Walter Mosley, Natasha Trethewey, Phillis Wheatley, Colson Whitehead, and Kevin Young.

The 20th anniversary edition of Edwidge Danticat's groundbreaking debut, now an established classic--revised and with a new introduction by the author, and including extensive bonus materials

At the age of twelve, Sophie Caco is sent from her impoverished Haitian village to New York to be reunited with a mother she barely remembers. There she discovers secrets that no child should ever know, and a legacy of shame that can be healed only when she returns to Haiti—to the women who first reared her. What ensues is a passionate journey through a landscape charged with the supernatural and scarred by political violence. In her stunning literary debut, Danticat evokes the wonder, terror, and heartache of her native Haiti—and the enduring strength of Haiti’s women—with vibrant imagery and narrative grace that bear witness to her people’s suffering and courage.

From the award-winning novelist and poet Dionne Brand, a smart, sensual, and witty novel about what happens when love and intellect are set on a collision course.

Theory begins as its narrator sets out, like many a graduate student, to write a wildly ambitious thesis on the past, present, and future of art, culture, race, gender, class, and politics―a revolutionary work that its author believes will synthesize and thereby transform the world.

While our narrator tries to complete this magnum opus, three lovers enter the story, one after the other, each transforming the endeavor: first there is beautiful and sensual Selah, who scoffs at the narrator’s constant tinkering with academic abstractions; then altruistic and passionate Yara, who rescues every lost soul who crosses her path; and finally spiritual occultist Odalys, who values magic and superstition over the heady intellectual and cultural circles the narrator aspires to inhabit. Each galvanizing love affair (representing, in turn, the heart, the head, and the spirit) upends and reorients the narrator’s life and, inevitably, requires an overhaul of the ever larger and more unwieldy dissertation, with results both humorous and poignant.

By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender―and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves.

Theory is a gorgeous, profoundly moving, word- and note-perfect novel of ideas that only a great artist at the height of her powers could write.

From the final decades of US slavery to the present, a powerful and illuminating history of a profound inequity: the special burden of infant care and loss experienced by Black women.

In the United States, Black infants are far less likely than white infants to survive their first year of life. Underlying this predicament is a history of profound loss and persistent striving, which has durably shaped Black life in America. Following generations of mothers, caregivers, laborers, and activists from the final decades of slavery to the present, Perilous Passages chronicles the intimate practices and collective strategies Black communities created and relied upon to sustain early life threatened by disease, inadequate medical care, and racialized harm.

Perilous Passages examines nineteenth-century domestic care practices that carried families through the violence of slavery and war, and traces Black eugenic ideas, the efforts of various grassroots movements, and myths and realities surrounding the 1980s panic over “crack babies.” Health professionals, legal officials, and scientific experts exerted pressure, sometimes directly―as in antimidwifery campaigns―and sometimes more subtly, through life insurance practices that devalued Black life. Wangui Muigai shows that at every turn, authorities recast infant deaths as the fault of Black women, with ongoing impact on birthing experiences and outcomes. Still, Black women and their communities have always done more than bear loss. They have produced vital knowledge about its causes, trained in specialized care, developed networks of cradle-to-grave support, and organized to reform society in ways that safeguard children.

Centering Black women’s experiences, Perilous Passages insists on visceral confrontation with the deadliness of American racism while also offering a powerful account of what makes life possible.

An eloquent and original exploration of the Atlantic slave trade―now featuring the essay “Venus in Two Acts” and a new introduction by Dionne Brand.

A monumental work of first-person history, Lose Your Mother traces the legacy of the Atlantic slave trade by recounting a journey Saidiya Hartman took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and the rippling effects of slavery on three centuries of African and African-American history.

The slave, Hartman observes, is a stranger―torn from family, home, and country. To lose your mother is to be severed from your kin, to be uprooted from your past, and to inhabit the world as an outsider. There are no known survivors of Hartman’s lineage, no relatives in Ghana whom she came hoping to find. Instead, she is a stranger in search of strangers, forging connections with others living in the wake of atrocity.

A rigorous and intimate reflection on the afterlife of slavery, Lose Your Mother is both a book of history and a book of grief. This 20th anniversary edition now includes Hartman’s landmark essay “Venus in Two Acts” and a new introduction by Dionne Brand―perfect for introducing new readers to Hartman’s lived-in way of contending with the past.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.