The Responsibility of Intellectuals in the Age of Fascism and Genocide is Boston Review’s 50th anniversary issue. This milestone issue features many of our longtime contributors, including Robin D. G. Kelley, Vivian Gornick, and Elaine Scarry, and celebrates classics from our archive.  In this issue, historian and Boston Review contributing editor Robin D. G. Kelley revisits Noam Chomsky’s landmark 1967 essay, “The Responsibility of Intellectuals,” published near the height of the Vietnam War. The essay’s dissident injunction―that those in privileged positions have a duty to “speak the truth and expose lies”―remains a powerful call to conscience, Kelley argues, but the anti-fascist and anti-colonial struggles of even earlier decades reveal its limits, and they show how to refuse and resist complicity in our own age of fascism and genocide. Political philosopher Martin O’Neill, Palestinian human rights lawyer Jennifer Zacharia, and historian David Waldstreicher expand on what this moment requires―of intellectuals, of journalists, and of us all.

Also in the issue, Vivian Gornick reviews Shulamith Firestone’s Airless Spaces, Elaine Scarry challenges the wisdom that Plato banished the poets, Brandon M. Terry interviews political scientist Cathy Cohen about social movements and the future of Black politics, Joelle M. Abi-Rached exposes the contradictions of the liberal international order over Gaza, Samuel Hayim Brody reviews three memoirs on the Arab Jewish world destroyed by colonialism, David Austin Walsh explains what Zohran Mamdani’s triumph means for the future of the Democratic Party, and Sandeep Vaheesan looks to the New Deal to assess the “abundance” agenda.

Plus, seven writers reflect on notable essays from our archive in a special anniversary feature:

* Susan Faludi on Vivian Gornick and anti-feminism
* Naomi Klein on William Callison + Quinn Slobodian and the global right
* Jay Caspian Kang on Olúfẹ́mi O. Táíwò and identity politics
* Ryu Spaeth on Merve Emre and the personal essay
* Lea Ypi on Joseph Carens and amnesty
* Nathan J. Robinson on Noam Chomsky and U.S. foreign policy
* Rick Perlstein on Elaine Scarry and democracy after 9/11

A Millions Most Anticipated 2026 Selection

"This is poetry of the highest order, and a stunning reminder of what words can do.”—Omar El Akkad

"Hold this book, read every word, study every picture, notice the prints you leave behind—a reminder that no one’s hands are clean."—Robin D. G. Kelley, author of Freedom Dreams

From National Book Award Finalist Fady Joudah, a collection of poems, essays, and photographs that offers a Palestinian representation of not only the staggering grief, but the unwavering resilience and prevailing life force of a people and place enduring genocide.  

Fady Joudah writes from the split perspective of a Palestinian American physician caring for the sick while watching the destruction of Gaza from the United States, a nation complicit in that destruction. He locates the paradox of his position everywhere: in the seed a sparrow eats from his proffered hand; in his writing in English, the oppressor’s language; in the faces of Palestinian children receiving meals from aid kitchens—a glimpse into what his life could have been, and what is being lost in a war disproportionately impacting children and their families. Throughout the book, beauty insists on its survival not only through the Palestinian people, but also through the nonhuman world in which he takes occasional refuge from the devastation that humanity brings upon itself.

By placing before readers a series of carefully chosen images from Gaza, Joudah presses his reader to comprehend that the experience of both the individual and the whole are integral to an explicitly Palestinian understanding of genocide, even if that rendering is a nearly impossible endeavor. Exhibit G insists on the immensity of Palestinian interiority, and finds in this collective act of creation a hyper-present awareness. “By claiming what is being actively erased,” Joudah writes, “I become presence.”

At once an indictment of genocide, a rendering of catastrophic loss, and “an affirmation of life instead of a staging of death” (Katherine Larson), Exhibit G insists that love exists in all its variousness, and that it is the only defense against a totalizing, destructive force.

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The 20th-anniversary edition of Kelley’s influential history of 20th-century Black radicalism, with new reflections on current movements and their impact on the author, and a foreword by poet Aja Monet

First published in 2002, Freedom Dreams is a staple in the study of the Black radical tradition. Unearthing the thrilling history of grassroots movements and renegade intellectuals and artists, Kelley recovers the dreams of the future worlds Black radicals struggled to achieve.

Focusing on the insights of activists, from the Revolutionary Action Movement to the insurgent poetics of Aimé and Suzanne Césaire, Kelley chronicles the quest for a homeland, the hope that communism offered, the politics of surrealism, the transformative potential of Black feminism, and the long dream of reparations for slavery and Jim Crow.

In this edition, Kelley includes a new introduction reflecting on how movements of the past 20 years have expanded his own vision of freedom to include mutual care, disability justice, abolition, and decolonization, and a new epilogue exploring the visionary organizing of today’s freedom dreamers.

This classic history of the power of the Black radical imagination is as timely as when it was first published.

IN AMERICA, DEMONS WEAR WHITE HOODS.

In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die.

Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up.

Can Maryse stop the Klan before it ends the world?

The stunning, thought-provoking first novel by a "lost giant of American literature" (The New Yorker)

June, 1957. One hot afternoon in the backwaters of the Deep South, a young black farmer named Tucker Caliban salts his fields, shoots his horse, burns his house, and heads north with his wife and child. His departure sets off an exodus of the state’s entire black population, throwing the established order into brilliant disarray. Told from the points of view of the white residents who remained, A Different Drummer stands, decades after its first publication in 1962, as an extraordinary and prescient triumph of satire and spirit.

From the bestselling author of Everything Inside comes a vivid, timely story, moving from Haiti to Brooklyn to Miami, of a woman whose sense of self and family are called into question when she gets caught in a random act of violence one sunny Florida day.

“Is home the place where we are born? Or is it the place where we die?” These questions haunt Magnolia, a successful Haitian American real estate agent in Miami, after she hears the terrifying sounds of gunfire while shopping for her daughter’s first-ever cell phone; she takes shelter in a restaurant called Oasis, cowering with fellow shoppers and diners, each praying to their respective gods.

Once she’s safely home, Magnolia hides the fact that she was at the mall shooting from everyone close to her. But given her life back, she begins to see it all clearly, and as if for the first time—what the extraordinary bond she has with her daughter, Zoë, really means to her, and what Zoë may feel in return; what the nearly broken relationship she has with her partner, Harrison, has cost her, despite his love for her and their daughter; why her mentally troubled mother—whose unraveling patterns Magnolia worries she’s spiraling toward herself—might be so ghost-haunted; what the source of her father’s pain, and his reason for seeking solace in the arms of a mistress, really is. As Magnolia struggles through the labyrinth of her past, she must also come to terms with the losses sustained that traumatic day, losses that we all bear witness to all too often in our troubling times.

Can love, can family, protect us from harm? Does optimism or fear win out in one’s heart, one’s soul? Which side will win out for Magnolia—and where does she really belong? Pulled between these questions, and her beloved, high-stakes choices and worlds—Miami or Haiti, single or married, mortal or ghost, before or after—Magnolia is one of the most compelling characters that Danticat has ever created—a narrator who is "yon pati koukouy, part firefly": shimmering, flitting between choices, drawn to the light yet emitting her own.

Taking its title from the Creole word for mourning, Dèy is a profoundly warm and moving novel about the importance of sharing grief and leave-taking, but also of the ties of family—takeout dinners around a table, fresh dirt on a plant’s roots in the garden, swimming together in the azure seas. As Magnolia questions whether all has not yet been lost, Dèy celebrates the complexity of life in a brave and striking novel that is one of Danticat’s most powerful and deeply affecting works yet, told with a signature “unfaltering voice and evocative beauty” (The Boston Globe).

Weaving ancestral wisdom with contemporary insight, Black Women Rising speaks directly to Black women’s lived realities of racial trauma, chronic stress, care fatigue, and resilience through a wholistic lens.

Filling a long-standing gap in the self-help and wellness market, Black Women Rising is a culturally grounded, deeply resonant guide created specifically for Black women seeking balance, purpose, and grounding in perilous times. This bold, African-centered book arrives at a moment of profound urgency. Informed by the authors’ expertise in African-centered social work and trauma-informed psychotherapy, each chapter brings to life one of the 18 Principles—rooted in Ma’at and the Nguzo Saba (Kwanzaa)—and closes with an action-oriented exercise readers can immediately apply.

Moving beyond reflection to action, this book offers clear pathways to healing and sustained liberation. Positioned at the intersection of race, gender, and mental health, the book meets a growing demand for self-care that is culturally intentional and affirming. With far-reaching impact in wellness, mental health, and social justice spaces, giving Black women a self-help book that sees and supports their capacity to rise and thrive individually and in community.

Black Women Rising positions healing as sacred and care as a powerful force for renewal and transformation, making it a timely, standout title in wellness, mental health, and cultural nonfiction.

A sweeping history of the African American struggle against police brutality, exposing how state violence underpins the capitalist economy and tracing the long resistance movement in pursuit of racial justice and freedom for all

Rekia Boyd, Timothy Thomas, Jonathan Sanders, Breonna Taylor, Jordan Neely, and Michael Brown were casualties of war. Whether we call it a war on crime, a war on militants, or a war on drugs, law enforcement at every level has made Black neighborhoods across the country into killing fields and open-air prisons, stripping vulnerable people of equal rights, freedom of movement, and even protection from torture. In a smoldering indictment, Robin D. G. Kelley excavates the deep history of this war through the lives of the victims and their communities, drawing a direct line from today’s fatalities to the “blood at the root”―the racial terror at the heart of America’s system of exploitation and wealth accumulation.

It is a system, Kelley shows, that depends on racial and economic inequality and is maintained through not only tools of force but also tools of wealth extraction, from lynch law in Georgia to segregated housing in St. Louis to gentrification, predatory lending, civil forfeiture, and even today’s militarization of ICE.

At the same time, Making a Killing is a history of the counterwar, the legacy of collective Black resistance―the movements, tactics, thinkers, and leaders―that has long been a catalyst for change and the tip of the spear in a broader fight against rising fascism. Demanding not only justice for Black victims but also vast and visionary social transformation, these movements, from Reconstruction to the present day, hold out the possibility that we may lay to rest the America we know so that a new world may be born.

In this ambitious work, first published in 1983, Cedric Robinson demonstrates that efforts to understand Black people's history of resistance solely through the prism of Marxist theory are incomplete and inaccurate. Marxist analyses tend to presuppose European models of history and experience that downplay the significance of Black people and Black communities as agents of change and resistance. Black radicalism, Robinson argues, must be linked to the traditions of Africa and the unique experiences of Blacks on Western continents, and any analyses of African American history need to acknowledge this.

To illustrate his argument, Robinson traces the emergence of Marxist ideology in Europe, the resistance by Blacks in historically oppressive environments, and the influence of both of these traditions on such important twentieth-century Black radical thinkers as W. E. B. Du Bois, C. L. R. James, and Richard Wright. This revised and updated third edition includes a new preface by Tiffany Willoughby-Herard, and a new foreword by Robin D. G. Kelley.

Spring is in the air, and love is on the page. Join D.W. Brooks, Alexandra Lechelle, and Zee Renee at Kindred Stories for a celebration of local romance authors.

EVENT DEETS

When: Saturday, May 23 @ 6PM

Where: Kindred Stories: (2310 Elgin St, Houston, TX 77004)

How: RSVP WITH BOOK to support the authors and our store programming. There are four options available: you can choose to support an individual author or select the Romance In Spring Bundle, which includes one book from all participating authors.

ABOUT THE AUTHORS

D. W. Brooks

D. W. Brooks  is an author who has independently published three romantic suspense books and two contemporary romance novels. In addition to writing books, D. W. is also a retired ophthalmologist and a kidney transplant recipient of over eight years. She is originally from Alabama but now lives in Texas with her husband and daughter.

Alexandrea LeChelle

Alexandrea LeChelle is a contemporary romance author whose stories explore love, grief, healing, and the complicated beauty of human connection.

Her novels unfold between Houston and Louisiana and center Black characters navigating family legacies, emotional vulnerability, and the quiet courage it takes to love deeply and unapologetically.

Through rich, emotional storytelling and cinematic detail, Alexandrea writes the kind of love stories she rarely saw growing up and entering adulthood. Stories where Black characters are allowed to be flawed, passionate, and deeply human.

What began as a way to process emotions and channel creativity through her own healing journey, slowly evolved into something much bigger: an urge to create and share stories about love, healing, and the complicated paths of life that bring people together.

Her stories often explore themes such as emotional healing, family dynamics, grief and growth, healthy Black love, the courage to begin again. Every story is planted in the belief that love, in all its forms, has the power to change us for the better.

When she’s not reading, Alexandrea can be found working her way through her own TBR, journaling or planning new creative projects, adding recipes to her personal cookbook, and listening to playlists that eventually inspire new stories.

At the heart of everything she creates is a simple hope: That readers will find pieces of themselves in her stories.

Zee Renee

Writing is where Zee thrives, finding peace and purpose. Her journey began at thirteen with a black-and-white composition book, later blossoming on Wattpad, where she captivated over two million readers. In December 2023, she released her debut novel, All In, and was nominated for the 2023 Black Girl Who Writes Best New Author award. By November 2024, Zee became a National Best-Selling Author with the release of When He’s Not There, her third book.

Crafting urban fiction and romance, Zee transforms raw emotions into powerful stories. Her characters are deeply personal, each carrying a piece of her spirit. She is grateful for the opportunity to share her God-given talent and hopes readers will feel the same passion in her words as she does in writing them.

Join us as we celebrate the release of Nobody's Magic by Destiny O. Birdsong.  

EVENT DEETS:

When: Wednesday, February 23 at 6:30 PM CST

Where: Virtual via Crowdcast.  You can register using this event page or directly through Crowdcast.

How:  Registration is required.  You can RSVP with a book purchase or without a book purchase.  We appreciate your support of our store by purchasing the book with us.  This empowers us to continue bringing amazing author programming to Houston and beyond.

Like Barry Jenkins' Moonlight, Nobody's Magic is set against a backdrop of complicated social and racial histories, and it explores the region’s culture and its relationship to Blackness and Black womanhood. It is also a testament to the power of family—the ones you're born in and the ones you choose. And in the three narratives of Nobody’s Magic, among the yearning and loss, each of these women finds a seed of hope for the future.

Debut author, Destiny O. Birdsong’s writing has appeared in The Paris Review Daily, African American Review, and Catapult, among other publications. She has received the Academy of American Poets Prize and the Richard G. Peterson Poetry Prize. Her critically‑acclaimed debut collection of poems, Negotiations, was longlisted for the 2021 PEN/Voelcker Award and published by Tin House Books.

Hailin and Hollin, Kadiedre Henderson is a Black, Queer, Lesbian, and Houston native. She is most precious about the care she brings to herself and others. Through deep listening to the world and stars,  Kadie extends care by providing space for folks to tell their own stories. A lover of stories and storyteller at heart, Kadie started working with books back in 2019 and hasn't left since. A self-proclaimed optimist, Kadie loves Queer YA, Romance, Biographies, and Magic! She is especially excited by stories that speak to navigating grief, trauma, and Black Femme Eroticism. They are so happy to be a team member of the Kindred Stories staff. 

Let's celebrate a few of the new-ish Black women mystery writers! 

EVENT DEETS

When: Monday, August 11, 2025 @ 6:30 PM CT

Where: Virtual! Sign up and we'll send you the link to the Zoom. 

How: RSVP ONLY to get the link to the Zoom! RSVP WITH BUNDLE to get a copy of each of the authors' book and support the bookstore!

ABOUT THE AUTHORS

Zoe B. Wallbrook is a recently tenured professor whose academic research has appeared in outlets such as the New York Times and The New Yorker. She was selected for mentorship by LA Times bestseller Elizabeth Little, and History Lessons, her first novel, was a runner-up for the Eleanor Taylor Bland Award. Zoe’s hobbies include beginning all emails with, “My sincerest apologies for my slow reply,” pretending to understand how astrological signs work, and crying at the end of every Call the Midwife episode. She and her husband live with their stalker, a black lab/pittie mix named Sophie.

SANDRA JACKSON-OPOKU is the author of Hot Johnny and the Women Who Loved Him and the award-winning novel The River Where Blood is Born. She also coedited the anthology Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks. Her fiction, nonfiction, and dramatic works have been published and produced in Adi Magazine, Midnight & Indigo, Aunt Chloe, Africa Risen: A New Era of Speculative Fiction, New Daughters of Africa, Obsidian, storySouth, the Chicago Humanities Festival, and others.

Elise Bryant is the NAACP Image Award-nominated author of Happily Ever Afters, One True Loves, Reggie and Delilah’s Year of Falling, and It’s Elementary. For many years, Elise had the joy of working as a special education teacher, and now she spends her days reading, writing, and eating dessert. She lives with her husband and two daughters in Long Beach, California. You can visit her online at www.elisebryant.com.