Portrayals of James Baldwin and others in his circle highlight the iconic writer’s activism

The American writer and activist James Baldwin (1924–87) considered himself a “witness” as he challenged perspectives on America and its history through his work. He was often recognized for speaking out against injustice when other like-minded artists, collaborators and organizers were overshadowed or silenced. By bringing together artworks that feature James Baldwin alongside portraits of other key figures who had an impact on his life, This Morning, This Evening, So Soon situates Baldwin among a pantheon of culture bearers who were instrumental in shaping his life and legacy, particularly in relationship to his advocacy for gay rights. The book accompanies an exhibition at the National Portrait Gallery in Washington, DC, curated by the National Portrait Gallery's Director of Curatorial Affairs, Rhea L. Combs, in consultation with Pulitzer Prize–winning author Hilton Als. Well-known portraits by Beauford Delaney and Bernard Gotfryd are shown alongside paintings, photographs and films representing key figures in Baldwin’s circle. By viewing Baldwin in this context of community, readers will come to understand how Baldwin’s sexuality and faith, artistic curiosities and notions of masculinity―coupled with his involvement in the civil rights movement―helped shape his writing and long-lasting legacy.
The book relies on portraiture to explore the interwoven lives of Baldwin, Lorraine Hansberry (writer and activist), Barbara Jordan (lawyer, educator and politician), Bayard Rustin (leader in social movements), Lyle Ashton Harris (artist), Essex Hemphill (poet and activist), Marlon Riggs (filmmaker, poet and activist) and Nina Simone (singer-songwriter, pianist and activist), among others.
Artists include: Richard Avedon, Glenn Ligon, Donald Moffett, Beauford Delaney, Bernard Gotfryd, Faith Ringgold, Lorna Simpson, Jack Whitten.

Celebrating the Centenary of James Baldwin's birth, a box set of Baldwin's principal novels, featuring Go Tell It on the Mountain, Giovanni's Room, and If Beale Street Could Talk.

These deluxe editions feature new introductions by Roxane Gay, Kevin Young, and Brit Bennett.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood. With lyrical precision and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

Giovanni's Room is set in the Paris of the 1950s, where a young American expatriate finds himself caught between his repressed desires and conventional morality. One of the first novels to openly explore the theme of homosexuality, it paved the way for generations of gay and lesbian novelists.

And If Beale Street Could Talk is a stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime --a profoundly moving novel about love in the face of injustice that is as socially resonant today as it was when it was first published.

This stunningly designed slipcase with art by Baldwin's friend and contemporary Beauford Delaney will make the perfect perennial gift and keepsake.

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A New York Times Notable Book

Daring and fiercely original, The Women is at once a memoir, a psychological study, a sociopolitical manifesto, and an incisive adventure in literary criticism. It is conceived as a series of portraits analyzing the role that sexual and racial identity played in the lives and work of the writer's subjects: his mother, a self-described "Negress," who would not be defined by the limitations of race and gender; the mother of Malcolm X, whose mixed-race background and eventual descent into madness contributed to her son's misogyny and racism; brilliant, Harvard-educated Dorothy Dean, who rarely identified with other blacks or women, but deeply empathized with white gay men; and the late Owen Dodson, a poet and dramatist who was female-identified and who played an important role in the author's own social and intellectual formation.

Hilton Als submits both racial and sexual stereotypes to his inimitable scrutiny with relentless humor and sympathy. The results are exhilarating. The Women is that rarest of books: a memorable work of self-investigation that creates a form of all its own.

A deluxe hardcover edition of one of James Baldwin’s most admired works, exploring what it means to be Black in America and his own search for identity

Part of the Beacon Classics series

Originally published in 1955, James Baldwin's timeless and moving essays on life in Harlem, the protest novel, movies, and African Americans abroad inaugurated him as one of the leading interpreters of the dramatic social changes erupting in the United States in the 20th century. Through a mix of autobiographical and analytical essays, Baldwin delivers honest and raw revelations about what it means to be Black in America, specifically pre-Civil Rights Movement, and how, he himself, came to understand the nation.

Writing as an artist, activist, and social critic, Baldwin examines everything from the significance of the protest novel to the motives and circumstances of the many Black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.” He was one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against Black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses.

For fans of Baldwin's well-known works or those new to Baldwin altogether, this celebrated essay collection showcases his extraordinary writing, revolutionary analyses, and prophetic insight into American culture and politics.

Includes If Beale Street Could Talk, now a major motion picture directed by Barry Jenkins.

The Library of America completes its edition of the collected fiction of the literary voice of the Civil Rights era with this volume gathering three revealing later works of the 1960s and ’70s.

With such landmark novels as Go Tell It on the Mountain, Giovanni’s Room, and the essay collections Notes of a Native Son and The Fire Next Time, James Baldwin established himself as the indispensable voice of the Civil Rights era, a figure whose prophetic exploration of the racial and sexual fissures in American society raised the consciousness of American readers. But by the late 1960s and ’70s many regarded Baldwin as being out of sync with the political and social currents transforming America: too integrationist for Black Arts Movement writers and others on the Left, yet too “pessimistic” for many white readers, and as a result his later novels have never received the consideration given his earlier fiction. Sober in outlook but ambitious in scope, these works show Baldwin responding with his signature passion—for music, for justice, for life—and searching intelligence to the new realities of a rapidly changing cultural landscape, as the Movement era gives way to the age of identity politics that we still live in today. This culminating volume in the Library of America edition of his fiction illustrates how Baldwin continues to be relevant in twenty-first-century America, especially in his dramatizing of the unequal treatment of black men by the police and the justice system, his nuanced depictions of the black family, and his explorations of sexuality.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Evidence of Things Not Seen, award-winning author James Baldwin’s searing 1985 indictment of the nation’s racial stagnation, is contextualized anew by an introduction from New York Times bestselling author and political leader Stacey Abrams.

In this essential work, James Baldwin examines the Atlanta child murders that took place over twenty-two months in 1979 and 1980. Examining this incident with a reporter’s skill and an essayist’s insight, he notes the significance of Atlanta as the site of these brutal killings—a city that claimed to be “too busy to hate”—and the permeation of race throughout the case: the Black administration in Atlanta; the murdered Black children; and Wayne Williams, the Black man tried for the crimes. In Baldwin’s hands, this specific set of events has transcended its era and remains as relevant today as ever.

Rummaging through the ruins of American race relations, Baldwin addresses all the hard-to-face issues that have brought us to a moment in history when we are forced to reckon with some of the country’s most ingrained, foundational issues and when, too often, public officials fail to ask real questions about “justice for all.” In this, his last book, Baldwin also reveals his optimistic faith in America’s ability to move toward repair: “This is the only nation in the world that can hope to liberate—to begin to liberate—mankind from the strangling idea of the national identity and the tyranny of the territorial dispute. I know this sounds remote, now, and that I will not live to see anything resembling this hope come to pass. Yet, I know that I have seen it—in fire and blood and anguish, true, but I have seen it. I speak with the authority of the issue of the slave born in the country once believed to be: the last best hope of earth.”

What if the writing life isn’t about daily word counts―but about daily attention to your whole self?

You don’t need to write every day to be a writer. You don’t need perfect conditions, endless hours, or a life free from doubt. What you need is permission to bring your whole, imperfect self to the page―and practices that nourish your soul as you write.

All of life is the writing life.

Drawing on her experience as a spiritual director working primarily with writers, Charlotte Donlon offers something rare: a book that honors both the craft of writing and the care of the soul. Through contemplative practices, personal stories, and wisdom from writers like Toni Morrison, Margaret Walker, and Kaveh Akbar, she invites you to discover how rest, doubt, grief, and joy all become sacred ground for creative flourishing.

Structured around five essential movements―“Begin,” “Belong,” “Become,” “Behold,” “Bestow”―this book offers practical rituals and gentle companionship for the real conditions of your life. Whether you’re navigating resistance, recovering from burnout, or simply longing for a more sustainable practice, you’ll find permission to write from exactly where you are.

Writers of all backgrounds are welcome here. People of deep faith and profound doubt. Those who write every day and those who write in stolen moments. Published authors and private journalers. This is a sanctuary, not a system―a space where your creative identity isn’t measured by output but nourished by attention.

Spiritual Direction for Writers doesn’t promise to make you more productive. It promises something better: to help you become more fully yourself, on and off the page. Because when writing helps make you a kinder, wiser, and more generous human being―when it opens you to what matters most―you’ve already succeeded.

“Charlotte’s book makes space, supports readers, writers, and listeners, and truly cares about the people who encounter its pages. It is a place to land and rest, a place to be curious, to experiment, to pray, to breathe, to feel, and to embrace the truth of your identity as a writer.”
―Ashley M. Jones, poet laureate emerita of Alabama

James Beard Outstanding Pastry Chef finalist and Food & Wine Best New Chef Caroline Schiff believes a sweet treat is the perfect daily ritual, and her book is designed to sweeten life in just the right dose.

Why wait for a special occasion when dessert can be part of every day?

Star chef Caroline Schiff believes a sweet treat is an important daily ritual―something small and simple, or occasionally a showstopper to celebrate big moments. Daily Dessert is her joyful, highly versatile collection of recipes designed to sweeten life in just the right dose.

Sometimes that means one perfect cookie warm from the oven, a snacking cake to last all week, a no-bake refresher on a scorching day, or a cozy pudding for a winter night. Organized by mood and moment, chapters move from Simple Little Sweets (quick, small-batch recipes) to Weekly Snacking Bakes, Sunny Day Sweets, Cozy Day Confections, Dessert for Breakfast, No-Bake Treats, and Celebration Sweets―plus a Basics section with Schiff’s essential doughs, sauces, and toppings.

Recipes are approachable yet irresistible, the kind of things fans already love from Schiff: Hot Butterscotch Pecan Blondies, Upside-Down Clementine Olive Oil Snacking Cake, Raspberry Crème Fraîche Galette, Espresso Crunch Coffee Cake, Gingersnap and Orange Cream Sandwiches, No-Churn Toasted Cinnamon Ice Cream, and her iconic Baked Alaska for a Crowd.

Daily Dessert is an invitation to embrace the joy of sweets as part of everyday life. With Schiff’s playful voice, professional know-how, and unfussy recipes, this book is for everyone―novice bakers, seasoned pros, and anyone who simply believes dessert makes life better.

From the queen of genre-bending speculative fiction, comes the newest Sauútiverse offering, a mystery like no other, where the investigator is not a detective, but a sound scientist.

In a world where sound is a tangible force, Muso’mi is a maadiregi―an expert in the art of consuming it. At the prestigious Mahadum, she researches the language of silence, seeking to master the gift her mother calls theft. But academic intrigue turns to deadly peril when her friend vanishes after unearthing a hidden truth. Pursuing clues through pools of quietude across worlds, Muso’mi stumbles upon a horrifying discovery: a pattern of carnage left in fields of harvested silence. Now, the hunter becomes the hunted, as her unique expertise draws her into the orbit of a serial killer who understands the power of sound all too well.

Includes a glossary of Bantu, Afrocentric and made-up words from this cross-cultural tale written in gorgeous lyrical language packed with emotion.