Fueled by her impulsive desire to create a memorable night, Sovanna approaches the finest man in the club. Boldly, she introduces herself to Zahir, confident he won't reject her... and he doesn't. Instead, he exceeds her expectations, making it clear that a mere one-night stand was just the beginning for them and the least she could've asked for. With Zahir, Sovanna realizes that she means much more to him than a fleeting, passionate encounter.

Please note: Heat Of The Moment is book 1 in the Evermore series and does not include a cliffhanger.

Grieving and starting over, a marketing research manager finds herself drawn to the one man she shouldn’t want in this soul-stirring, unconventional romance by BriAnn Danae.

Shyriq Hendrix is no stranger to success. As the heir to a legacy distillery and a man with wealth, status, and discipline, he’s built a life most would envy. But in the quiet moments when he’s not managing his multimillion-dollar empire, he’s aware that something is missing.

Then Nhuri Coleman steps into his life . . .

Nhuri has her reasons for keeping a low profile after relocating to Kansas City for a reset. After a chance encounter with Shyriq—the reserved but undeniably attractive owner of Great Hendrix Distillery—she accepts a job she hadn’t been pursuing, offered by a man who sees her worth before she’s ready to believe in it herself. She only expects a steady check and quiet routine, but instead, she experiences undeniable soul-stirring chemistry.

Their early exchanges are strictly professional. But how he watches, listens, and shows up without expectation catches her off guard. Just as their connection begins to deepen, the sudden appearance of her ex-boyfriend pulls Nhuri back into the past. Shyriq, not one to chase, finds himself wanting more than just her time—he wants her trust. And he learns quickly that loving someone who’s learned to survive alone isn’t about fixing them. It’s about staying when everything else says leave.

After the devastating loss of her child's father, Leerah struggles to piece her life back together. Despite her best efforts to keep her distance, she finds herself entangled in a complicated situation. Trying to resist her growing feelings for her baby father's godbrother, Cree, Leerah grows overwhelmingly confused with mixed emotions.

He was against the rules-strictly forbidden.

But sometimes... rules were meant to be ignored. They both knew the risks and the boundaries they were crossing, yet their connection was undeniable. Cree didn't pursue her to save her but to remind her of what she meant to him... of who she'd always been. Maybe, just maybe, Cree was the person Leerah needed all along.

Please note: Here With You Forever is book 2 in the Evermore Series and does not include a cliffhanger.

The visionary author’s masterpiece pulls us—along with her Black female hero—through time to face the horrors of slavery and explore the impacts of racism, sexism, and white supremacy then and now.

Dana, a modern black woman, is celebrating her twenty-sixth birthday with her new husband when she is snatched abruptly from her home in California and transported to the antebellum South. Rufus, the white son of a plantation owner, is drowning, and Dana has been summoned to save him. Dana is drawn back repeatedly through time to the slave quarters, and each time the stay grows longer, more arduous, and more dangerous until it is uncertain whether or not Dana’s life will end, long before it has a chance to begin.

The New York Times best-selling author’s time-travel classic that makes us feel the horrors of American slavery and indicts our country’s lack of progress on racial reconciliation

Soon to be an FX Networks TV series adaptation with a pilot directed by Janicza Bravo (Zola), written by Branden Jacobs-Jenkins (Watchmen), and executive produced by Jacobs-Jenkins and Darren Aronofsky (The Fountain)

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

A moving and powerful debut novel celebrating and embracing the richness of life, even in the face of death.

Not long after giving birth to her eighth child, Renie—a thirty-nine-year-old wife and mother—is diagnosed with Stage 4 breast cancer with only three months to live. In confronting her own mortality, Renie creates a journal to leave for her children.

While writing and reflecting, Renie realizes that she has spent her life in duty of others—her parents, her family, her husband, and children. With this sudden and momentous revelation, her fear and subsequent preparation for death becomes replaced with an intense desire to live her last days on her terms.

With writing that’s both wise and wistful, Every Goodbye Ain’t Gone is a triumphant celebration of the human spirit from a powerful and imaginative rising literary voice.

An insightful exploration that unveils the lesser-known dimensions of this legendary writer and her legacy, revealing the cultural icon’s profound impact as a visionary editor who helped define an important period in American publishing and literature.

A multifaceted genius, Toni Morrison transcended her role as an author, helping to shape an important period in American publishing and literature as an editor at one of the nation’s most prestigious publishing houses. While Toni Morrison's literary achievements are widely celebrated, her editorial work is little known. Drawing on extensive research and firsthand accounts, this comprehensive study discusses Morrison's remarkable journey from her early days at Random House to her emergence as one of its most important editors. During her tenure in editorial, Morrison refashioned the literary landscape, working with important authors, including Toni Cade Bambara, Leon Forrest, and Lucille Clifton, and empowering cultural icons such as Angela Davis and Muhammad Ali to tell their stories on their own terms.

Toni Morrison herself had great enthusiasm about Dana Williams's work on this story, generously sharing memories and thoughts with the author over the years, even giving her the book's title. From the manuscripts she molded, the authors she nurtured, and the readers she inspired, Toni at Random demonstrates how Toni Morrison has influenced American culture beyond the individual titles or authors she published. Morrison’s contribution as an editor transformed the broader literary landscape and deepened the cultural conversation. With unparalleled insight and sensitivity, Toni at Random charts this editorial odyssey.

Rival Chicago photographers are forced to collaborate on a body-positive lingerie campaign, but they might have to readjust their focus when sparks fly.

Photographer Cassie Harris loves her job—her company Buxom Boudoir makes people look beautiful and feel empowered with her modern twist on classic pinup photography. Cassie’s best friend, Dana, is about to launch her own dangerously dreamy lingerie line and wants Cassie to shoot and direct the career-changing national campaign. But company politics and Dana’s complicated pregnancy interfere, and Cassie finds herself—a proud plus size Black woman—not behind the camera but in front of it.

Though she’s never modeled herself, Cassie’s pretty sure she can handle the sheer underwear and caution tape bralettes. She’s not sure she can work so intimately with the chosen photographer, her long-time competitor in the Chicago photography scene, Reid Montgomery. Their chemistry is undeniable on set, however, and feelings can develop faster than film…

"A gratifying romance between kind, confident, deserving leads." ―Kirkus Reviews

A single mom gets a second chance at love with her high school sweetheart.

Wary of love after divorce, Janae Sanders focuses on the best things in her life: her son James and her besties in the Savvy, Sexy, and Single Club. As for romance? Not today, Satan. That is, until high school heartthrob Adam Henderson crashes back into her life at their 20-year reunion. Sparks fly, but just when Janae considers dating again, the new superintendent of James’ school district slashes his beloved arts program. Instead of getting her groove back, Janae gets her protest on.

Returning home after twenty years, Adam jumps at the chance to reacquaint himself with Janae, the one who got away. But he’s nearly reached his limit, juggling a meddling father, school politics, and―unbeknownst to him―Janae’s ire. If he can’t get the head of the PTA off his back after cutting programs that were costing the district money, his debut role as superintendent and his love life hang in the balance.

When a school board meeting is called and they both realize they’ve been dating the enemy, Janae gives Adam two choices: restore the program or lose her. Adam proposes a third option: one weekend at his cabin to talk it all out―funding the arts, and old feelings too. When her girls cheer her on, Janae must decide if she’s willing to risk it all. Armed with sass, sarcasm, and a suitcase full of emotional baggage, Janae and Adam discover that sometimes love shows up in the most infuriating and unexpectedly sexy ways.

'Deana Lawson', the first scholarly publication on the artist Deana Lawson, surveying fifteen years of her photography, will be published to accompany the first comprehensive museum survey exhibition featuring Lawson’s artwork. A singular voice in contemporary photography, Lawson has been investigating and challenging conventional representations of black identities in the African American and African diaspora for over fifteen years. Her work samples numerous photographic languages, including the family album, studio portraiture, staged tableaux, documentary pictures, and found images, creating narratives of family, love, and desire. Lawson’s photographs are made in collaboration with her subjects, who are sometimes nude, embracing, and directly confronting the camera, destabilizing the notion of photography as a passively voyeuristic medium. Whether in posed photographs or assembled collages, Lawson’s works channel broader ideas about personal and social histories of black life, love, sexuality, family, and spiritual beliefs. This publication will include selections from Lawson’s personal family photographs and archives of vernacular images that have profoundly informed her work. Accompanies an exhibition at ICA/Boston from 3 November, 2021 - 27 February, 2022; MoMA PS1 from 14 April - 5 September, 2022; and High Museum of Art from 7 October, 2022 - 19 February, 2023. Includes essays by Eva Respini and Peter Eleey (curators of the exhibition), Kimberly Juanita Brown (Professor at Dartmouth College), Tina M. Campt (Professor at Brown University), Alexander Nemerov (Professor at Stanford University), Greg Tate (writer, musician, and producer), and a conversation between the artist and Deborah Willis (Professor at New York University).

“As you turn the pages of this novel and get lost in Dana’s story, allow yourself to relive the horrors of slavery....Allow yourself to know the pain of our nation’s past.”—Tomi Adeyemi, New York Times bestseller and Hugo and Nebula award-winning author, from the new foreword

This brand new package for young adults includes a redesigned interior for better readability, specially commissioned cover art by Carlos Fama, metallic stock cover, and spot gloss on cover elements

“I lost an arm on my last trip home. My left arm.”

Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present.

Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times).

“Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” 
—N. K. Jemisin

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Replete with complexities, abjection, beauty and joy, Women Painting Women offers new ways to imagine the portrayal of women, from Alice Neel to Jordan Casteel

A thematic exploration of nearly 50 female artists who choose women as subject matter in their works, Women Painting Women includes nearly 50 portraits that span the 1960s to the present. International in scope, the book recognizes female perspectives that have been underrepresented in the history of postwar figuration. Painting is the focus, as traditionally it has been a privileged medium for portraiture, particularly for white male artists. The artists here use painting and women as subject matter and as vehicles for change. They range from early trailblazers such as Emma Amos and Alice Neel to emerging artists such as Jordan Casteel, Somaya Critchlow and Apolonia Sokol. All place women—their bodies, gestures and individuality—at the forefront.
The pivotal narrative in Women Painting Women is how the artists included use the conventional portrait of a woman as a catalyst to tell another story outside of male interpretations of the female body. They conceive new ways to activate and elaborate on the portrayal of women by exploring themes of the Body, Nature Personified, Selfhood and Color as Portrait. Replete with complexities, realness, abjection, beauty, complications, everydayness and joy, the portraits in this volume make way for women artists to share the stage with their male counterparts in defining the image of woman and how it has evolved.
Artists include: Rita Ackermann, Njideka Akunyili Crosby, Emma Amos, María Berrío, Louise Bonnet, Lisa Brice, Joan Brown, Jordan Casteel, Somaya Critchlow, Kim Dingle, Marlene Dumas, Celeste Dupuy-Spencer, Nicole Eisenman, Tracey Emin, Natalie Frank, Hope Gangloff, Eunice Golden, Jenna Gribbon, Alex Heilbron, Ania Hobson, Luchita Hurtado, Chantal Joffe, Hayv Kahraman, Maria Lassnig, Christiane Lyons, Danielle Mckinney, Marilyn Minter, Alice Neel, Elizabeth Peyton, Paula Rego, Faith Ringgold, Deborah Roberts, Susan Rothenberg, Jenny Saville, Dana Schutz, Joan Semmel, Amy Sherald, Lorna Simpson, Arpita Singh, Sylvia Sleigh, Apolonia Sokol, May Stevens, Claire Tabouret, Mickalene Thomas, Nicola Tyson and Lisa Yuskavage.