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From the Civil War to our combustible present, an acclaimed historian reframes our continuing conversation about race, chronicling the powerful forces opposed to black progress in America.

As Ferguson, Missouri, erupted in August 2014, and media commentators across the ideological spectrum referred to the angry response of African Americans as “black rage,” historian Carol Anderson wrote a remarkable op-ed in the Washington Post showing that this was, instead, “white rage at work. With so much attention on the flames,” she writes, “everyone had ignored the kindling.”

Since 1865 and the passage of the Thirteenth Amendment, every time African Americans have made advances towards full participation in our democracy, white reaction has fueled a deliberate rollback of their gains. The end of the Civil War and Reconstruction was greeted with the Black Codes and Jim Crow; the Supreme Court’s landmark 1954 Brown v. Board of Education decision was met with the shutting down of public schools throughout the South while taxpayer dollars financed segregated white private schools.

Carefully linking these and other historical flashpoints when social progress for African Americans was countered by deliberate and cleverly crafted opposition, Anderson pulls back the veil that has long covered actions made in the name of protecting democracy, fiscal responsibility, or protection against fraud, rendering visible the long lineage of white rage. Compelling and dramatic in the unimpeachable history it relates, White Rage will add an important new dimension to the national conversation about race in America.

From the New York Times bestselling author of White Rage, an unflinching, critical new look at the Second Amendment and how it has been engineered to deny the rights of African Americans since its inception-now with a new introduction and afterword from the author.

In The Second, historian and award-winning, bestselling author of White Rage Carol Anderson powerfully illuminates the history and impact of the Second Amendment, how it was designed, and how it has consistently been constructed to keep African Americans powerless and vulnerable. The Second is neither a “pro-gun” nor an “anti-gun” book; the lens is the citizenship rights and human rights of African Americans.

From the seventeenth century, when it was encoded into law that the enslaved could not own, carry, or use a firearm whatsoever, until today, with measures to expand and curtail gun ownership aimed disproportionately at the African American population, the right to bear arms has been consistently used as a weapon to keep African Americans powerless--revealing that armed or unarmed, Blackness, it would seem, is the threat that must be neutralized and punished.

Throughout American history to the twenty-first century, regardless of the laws, court decisions, and changing political environment, the Second has consistently meant this: That the second a Black person exercises this right, the second they pick up a gun to protect themselves (or the second that they don't), their life--as surely as Philando Castile's, Tamir Rice's, Alton Sterling's--may be snatched away in that single, fatal second. Through compelling historical narrative merging into the unfolding events of today, Anderson's penetrating investigation shows that the Second Amendment is not about guns but about anti-Blackness, shedding shocking new light on another dimension of racism in America.

*Paperback Release Date -02/02/27*

A dedicated journalist unearths a generations-old family secret—and a connection to a string of missing girls that hits way too close to home—in this gripping debut novel.

In the wake of her grandmother's passing, Sydney Singleton finds a hidden photograph of a little girl who looks more like Sydney than her own sister or mother. She soon discovers the mystery girl in the photograph is her aunt, Carol, who was one of six North Carolina Black girls to go missing in the 1960s. For the last several decades, not a soul has talked about Carol or what really happened to her. But now, with her grandmother gone and Sydney looking to start a family of her own, she is determined to unravel the truth behind her long-lost aunt’s disappearance, and the sinister silence that surrounds her.

Unfortunately, this is familiar territory for Sydney: Years earlier, while she worked the crime beat as a journalist, her obsession with the case of another missing girl led to a psychotic break. And now, in the suffocating grip of fertility treatments and a marriage that's beginning to crumble, Sydney’s relentless pursuit for answers might just lead her down the same path of self-destruction. As she delves deeper into Carol's fate, her own troubled past reemerges, clawing its way to the surface with a vengeance. The web of secrets and lies entangling her family leaves Sydney questioning everything—her fixation on the missing girls, her future as a mom, and her trust in those she knows and loves.

Delving into family, community, secrets, and motherhood, We Don’t Talk About Carol is a gripping and deeply emotional story about overcoming the rot at the roots of our family trees—and what we’ll do for those we love.

From the Pulitzer Prize-winning author of Franchise comes the little-known story of the pioneering Black women artists and activists who were seen, but barely heard, at the 1963 March on Washington.

"Chatelain lets us see the complexities of these women’s lives, feel their pain, and marvel at their ability to cut through the thicket of racism and sexism."—Carol Anderson, New York Times bestselling author of White Rage

"Chatelain brilliantly reframes one of the most enduring images in American memory through the women erased from its frame."—Alexis Coe, New York Times bestselling author of You Never Forget Your First

There is no shortage of footage immortalizing the men who spoke at the 1963 March on Washington for Jobs and Freedom, when 250,000 Americans gathered beneath the Lincoln Memorial to call for an end to segregation. There were reverends and rabbis, activists and Rat-Pack icons—and of course the day's headliner, whose prophetic dream of a post-Jim Crow world has forever defined the Civil Rights Movement. But there is no “class photo” of the Black women who helped organize the march, performed on its main stage, or were honored during its “Tribute to Negro Women Fighters for Freedom.”

In How Bright the Path Grows, Marcia Chatelain weaves a gleaming group portrait of these singular women. Among this cohort were several household names: vaudeville icon Josephine Baker; civil rights activist Rosa Parks gospel legend Mahalia Jackson, and Daisy Bates, champion of the Little Rock Nine. But many were relative unknowns, including Eva Jessye, the choir director who designed the day’s musical program, and Anna Hedgeman, the coordinator who pushed in the eleventh hour for a tribute to Black women’s work.

How Bright the Path Grows is a scintillating group biography, rendering the lives of thirteen Black women visionaries—some famous, others soon to be—in novelistic detail and like never seen before.

A beautifully written and often speculative story collection infused with Caribbean and African myths and cultures, exploring love, betrayal, motherhood, death, and home.

GROUNDED IN CONTEMPORARY LIFE AND INFUSED WITH TRADITIONS of Africa and the Caribbean, A Good Haunting: Stories spins myth, magic, and realism into heartrending tales of characters seeking love and connection. Death is the primary antagonist in each of these stories, sometimes appearing as death of self, other times as death of a loved one, and often as both.

In the title story, “A Good Haunting,” a widower in the midst of an unorthodox death ritual uses humor to deal with grief and guilt while coming to terms with unsavory details about his spouse’s sudden death. In “The Way of the Volt,” an eighteenth-century African queen is made immortal, sold into slavery, and left to face a series of impossible choices that force her to struggle with what it means to be human. In “The Sunset Toll,” members of the last community on earth disappear one by one until there are just three people left, trying to maintain hope even as they question the forces that keep them trapped on earth.

The characters wrestle with foes, agonize at crossroads, and face painful truths, all while grappling with grief, love, betrayal, motherhood, and ideas of home. Some triumph, some do not―but they all emerge irrevocably changed by their experiences.

One World is proud to present THE 1619 PROJECT: A New Origin Story, a book that dramatically builds on the vision of the original magazine project with major expansions of the original essays, seven new essays by historians, and dozens of new poems and pieces of fiction. The book includes a significant elaboration of the project’s Pulitzer Prize-winning lead essay by Nikole Hannah-Jones and a new introduction that together offer a stirring rebuttal to critics. Hannah-Jones has also written a third essay that makes the case for reparative solutions to the legacy of injustice the project documents.

Edited by Hannah-Jones, along with New York Times Magazine editor-in-chief Jake Silverstein, features editor Ilena Silverman, and New York Times executive producer Caitlin Roper, the book offers work from some of the country’s most outstanding journalists, thinkers, historians and scholars, including: Michelle Alexander, Leslie Alexander, Carol Anderson, Jamelle Bouie, Anthea Butler, Matthew Desmond, Martha Jones, Ibram Kendi, Kevin Kruse, Trymaine Lee, Tiya Miles, Wesley Morris, Khalil Gibran Muhammad, Dorothy Roberts, Jeneen Interlandi, Bryan Stevenson, and Linda Villarosa.

Woven throughout the book are works of fiction and poetry that bring to life four hundred years of history with imaginative writing by Joshua Bennett, Reginald Dwayne Betts, Rita Dove, Camille Dungy, Cornelius Eady, Eve L. Ewing, Nikky Finney, Vievee Francis, Yaa Gyasi, Forrest Hamer, Terrance Hayes, Honorée Fanonne Jeffers, Barry Jenkins, Tyehimba Jess, Robert Jones, Jr., A. Van Jordan, Yusef Komunyakaa, Kiese Laymon, Jasmine Mans, Terry McMillan, Lynn Nottage, ZZ Packer, Gregory Pardlo, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Evie Shockley, Tim Siebles, Clint Smith, Danez Smith, Patricia Smith, Tracy K. Smith, Nafissa Thompson-Spires, Natasha Trethewey, Jesmyn Ward and Sonia Sanchez.

The book also includes archival portrait photography of Black Americans paired with each essay, curated by Kimberly Annece Henderson.

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Longlisted for the National Book Award

A Kirkus Prize Finalist

A Boston Globe-Horn Book Honor Book

"A must-have"―Booklist (starred review)

Celebrated author Carole Boston Weatherford and illustrator Floyd Cooper provide a powerful look at the Tulsa Race Massacre, one of the worst incidents of racial violence in our nation's history. The book traces the history of African Americans in Tulsa's Greenwood district and chronicles the devastation that occurred in 1921 when a white mob attacked the Black community.

News of what happened was largely suppressed, and no official investigation occurred for seventy-five years. This picture book sensitively introduces young readers to this tragedy and concludes with a call for a better future.

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The author of Moses: When Harriet Tubman Led Her People to Freedom and the author of Pride: The Story of Harvey Milk and the Rainbow Flag combine their tremendous talents for a singular picture book biography of Bayard Rustin, the gay Black man behind the March on Washington of 1963.

On August 28, 1963, a quarter of a million activists and demonstrators from every corner of America convened for the March on Washington for Jobs and Freedom. It was there and then that they raised their voices in unison for racial and economic justice for all Black Americans, to call out inequities, and, ultimately, to advance the Civil Rights Movement.

Every movement has its unsung heroes. Individuals in the background who work without praise and accolades, who toil and struggle without notice. One of those unsung heroes was at the center of some of the most important decisions and events of the Civil Rights Movement.

Credited with introducing Dr. Martin Luther King, Jr. to the power of peaceful protest, for orchestrating the March on Washington, and for skillfully composing the program that placed Dr. King at the end of the list of speakers and musicians for what would become his historic “I Have a Dream” speech, this unsung hero will be celebrated for the first time in a picture book.

The unsung hero behind the movement was a quiet man. A gay, African American man. He was Bayard Rustin. On the heels of the sixtieth anniversary of this historic moment, two acclaimed picture book authors tell Bayard's inspiring story in an innovative and timeless book. A Song for the Unsung is the rousing story of one of our nation's greatest calls to action by honoring one of the men who made it happen.

rAs Prohibition era speakeasies and Jazz Age excitement reign supreme throughout a deeply divided country at the height of the Roaring 20s, a young psychic in small town Illinois helps the Black community fight crime and corruption in this thrilling historical mystery written by a real-life psychic medium and jazz pianist.

After the death of her brave Harlem Hellfighter husband during the First World War, young widow Nola Ann Jackson returned to her hometown of Agate, Illinois, to live with her Aunt Sarah, a known local psychic. Under her aunt’s care and tutelage, Nola has been learning how to tap into her own intuitive gifts and communicate with the spirits. And she will rely on their insightful guidance when she’s asked to help investigate a woman’s disappearance.

Lilly Davidson, the missing woman, was living at the Phyllis Wheatley Institute for Colored Girls where young ladies are educated and prepared to follow bright futures. But she vanished after a night at the Wham Bam Club where jazz music swings, prohibition is defied, and other vices are encouraged. Lilly was seen fraternizing with Eddie Smooth, trumpeter and leader of the St. Louis Stompers—and a notorious pimp. Nola finds Lilly at the club alive and well, supposedly engaged to Eddie. That same night, the Wham Bam is set afire and Eddie is killed by gunfire, leaving Lilly on the run, a suspected murderer.

Eddie Smooth had shady dealings with Agate’s wealthy elite, Black and white, making plenty of enemies with motives for wanting him dead. He was also a notorious womanizer who left several broken hearts in his wake. To prove Lilly’s innocence, Nola must listen to her spiritual instincts to unravel political schemes and personal vendettas to find a killer desperate to cover up a scandalous conspiracy . . .

In Left of Karl Marx, Carole Boyce Davies assesses the activism, writing, and legacy of Claudia Jones (1915–1964), a pioneering Afro-Caribbean radical intellectual, dedicated communist, and feminist. Jones is buried in London’s Highgate Cemetery, to the left of Karl Marx—a location that Boyce Davies finds fitting given how Jones expanded Marxism-Leninism to incorporate gender and race in her political critique and activism.

Claudia Cumberbatch Jones was born in Trinidad. In 1924, she moved to New York, where she lived for the next thirty years. She was active in the Communist Party from her early twenties onward. A talented writer and speaker, she traveled throughout the United States lecturing and organizing. In the early 1950s, she wrote a well-known column, “Half the World,” for the Daily Worker. As the U.S. government intensified its efforts to prosecute communists, Jones was arrested several times. She served nearly a year in a U.S. prison before being deported and given asylum by Great Britain in 1955. There she founded The West Indian Gazette and Afro-Asian Caribbean News and the Caribbean Carnival, an annual London festival that continues today as the Notting Hill Carnival. Boyce Davies examines Jones’s thought and journalism, her political and community organizing, and poetry that the activist wrote while she was imprisoned. Looking at the contents of the FBI file on Jones, Boyce Davies contrasts Jones’s own narration of her life with the federal government’s. Left of Karl Marx establishes Jones as a significant figure within Caribbean intellectual traditions, black U.S. feminism, and the history of communism.

From author Carole Lindstrom and illustrator Michaela Goade comes a New York Times bestselling and Caldecott Medal winning picture book that honors Indigenous-led movements across the world. Powerfully written and gorgeously illustrated, We Are Water Protectors, issues an urgent rallying cry to safeguard the Earth’s water from harm and corruption―inviting young readers everywhere to join the fight.

Water is the first medicine.
It affects and connects us all . . .

When a black snake threatens to destroy the Earth
And poison her people’s water, one young water protector
Takes a stand to defend Earth’s most sacred resource.

The fight continues with Autumn Peltier, Water Warrior, the must-read companion book to We Are Water Protectors. Written by Carole Lindstrom and illustrated by Bridget George, it tells the story of real-life water protectors, Autumn Peltier and her great-aunt Josephine Mandamin, two Indigenous Rights Activists who have inspired a tidal wave of change.